Since the dawn of time, the Isle of Mull, off the Scottish coast, has had to fend off ferocious winds and a ravenous ocean intent on swallowing the island whole. Roughened by ceaseless storms and chill, Mull remained a quiet community, set in its ways, with almost no fodder for town gossip, as the nineteenth century drew to a close. Until, that is, new blood moved in, setting the local Campbell sisters, Innis and Biddy, against each other in all-out war for the love of the same newcomer, Michael Tarrant. But just as the passage of time changes slightly the cragged hills of Mull, so does it soften hearts to reconciliation: the two sisters realize their bond is too thick for a man to sever. For Innis, marriage to Michael Tarrant turned out far from idyllic: he fled to seek life outside Mull, leaving Innis to raise their children. Biddy, too, has married, but still yearns for the happiness that has always slipped through her fingers. Although it has taken sixteen years for life to return to a semblance of what it was before the Tarrants arrived, something is still amiss. Then a pregnant woman's arrival on the island turns any countryside serenity on its head. Loathed by some, loved by others, and feared as an ill omen by still others, this Fay Ludlow embodies the changes due to fall upon Mull. The winds of change at her back will bring with them ghosts of a past buried too soon in Jessica Stirling's The Strawberry Season.
“Decca” Mitford lived a larger-than-life life: born into the British aristocracy—one of the famous (and sometimes infamous) Mitford sisters—she ran away to Spain during the Spanish Civil War with her cousin Esmond Romilly, Winston Churchill’s nephew, then came to America, became a tireless political activist and a member of the Communist Party, and embarked on a brilliant career as a memoirist and muckraking journalist (her funeral-industry exposé, The American Way of Death, became an instant classic). She was a celebrated wit, a charmer, and throughout her life a prolific and passionate writer of letters—now gathered here. Decca’s correspondence crackles with irreverent humor and mischief, and with acute insight into human behavior (and misbehavior) that attests to her generous experience of the worlds of politics, the arts, journalism, publishing, and high and low society. Here is correspondence with everyone from Katharine Graham and George Jackson, Betty Friedan, Miss Manners, Julie Andrews, Maya Angelou, Harry Truman, and Hillary Rodham Clinton to Decca’s sisters the Duchess of Devonshire and the novelist Nancy Mitford, her parents, her husbands, her children, and her grandchildren. In a profile of J.K. Rowling, The Daily Telegraph (UK), said, “Her favorite drink is gin and tonic, her least favorite food, trip. Her heroine is Jessica Mitford.”
The German-American relationship was special long before the Cold War; it was rooted not simply in political actions, but also long-term traditions of cultural exchange that date back to the nineteenth century. Between 1850 and 1910, the United States was a rising star in the international arena, and several European nations sought to strengthen their ties to the republic by championing their own cultures in America. While France capitalized on its art and Britain on its social ties and literature, Germany promoted its particular breed of classical music. Delving into a treasure trove of archives that document cross-cultural interactions between America and Germany, Jessica Gienow-Hecht retraces these efforts to export culture as an instrument of nongovernmental diplomacy, paying particular attention to the role of conductors, and uncovers the remarkable history of the musician as a cultural symbol of German cosmopolitanism. Considered sexually attractive and emotionally expressive, German players and conductors acted as an army of informal ambassadors for their home country, and Gienow-Hecht argues that their popularity in the United States paved the way for an emotional elective affinity that survived broken treaties and several wars and continues to the present.
IS JACK BACK? After a national book tour, Jessica lands in sunny Bermuda for some well-earned relaxation. But when she arrives, the local population is abuzz over a trio of brutal murders, each bearing an eerie resemblance to the infamous Jack the Ripper killings. With the Ripper on everyone’s mind, Jessica attends a lavish party at the waterfront mansion of her friend and host, Judge Thomas Betterton. But when Jessica takes a walk on the pink-sanded beach, she stumbles upon the body of one of the partygoers. Jessica contemplates heading home, but decides against it when her old friend Scotland Yard inspector George Sutherland is dispatched to Bermuda to investigate the murders. Jessica is soon drawn into the case, and she finds herself dangerously close to the killer
Very little has been written on the subject of old age in pre-industrial Europe and even less on old women. The topic of post-menopausal women in the Middle Ages has not received much attention in historical scholarship. Attitudes Toward Post-Menopausal Women in the High and Late Middle Ages, 1100-1400, examines didactic and prescriptive sources, literary sources, and evidence of lived lives in regard to post-menopausal women during the High and Late Middle Ages in England, France, Germany, the Low Countries, and Italy. It investigates some of the attitudes and perceptions held by medieval writers concerning post-menopausal women and whether their discourses reflected or diverged from how they actually lived their lives.
Super-smart Shayla Thomas doesn't have time to explore a real relationship because she is too busy taking her autistic sister, Clara, to therapy and school. She lives hidden behind her novels and the red hair and freckles she was cursed with at birth. Not to mention the extra fifteen pounds that made her zaftig. Senior year is her last chance to lose the weight and get hottie Drew Evans to look at her. Things start to fall into place until Irish exchange student Conarie McBaine arrives.Charming and gorgeous, Conarie captivates the Thomas sisters. His presence unlocks a hidden power in Shayla that allows her to communicate with her sister in another realm where fairies and magic exist! When fairy-Clara forces Shay to realize she is more than what she seems, her life takes an unusual twist.Shay must learn to harness the power of her heartstone, wield fairy magic, pacify her mother's matchmaking attempts and fight her overwhelming craving to be with Conarie - because giving in to her desire could kill him.
From the bestselling authors of The Power of Visual Storytelling comes the highly anticipated follow-up, The Laws of Brand Storytelling―the definitive quick-reading rulebook for how to use the power of storytelling to win over customers’ hearts, minds, and long-term loyalty We have been sharing stories from the beginning of human civilization―for good reason. Stories captivate our attention and build communities by bringing ideas, emotions, and experiences to life in a memorable way. This is proving to be an increasingly potent strategy in the era of the connected digital consumer. With consumers more empowered than ever before, your brand isn’t what you say it is anymore, it is what consumers say it is. As a result, capturing customers’ hearts and minds today requires businesses to prioritize emotional connections with customers, to be in the moment, having authentic conversations, to share relevant, inspiring stories that move and motivate people to take action. How?By following these laws:•The Protagonist Laws: Know Who You Are•The Strategy Laws: Understand Your Goals•The Discovery Laws: Find Your Story•The Story-Making Laws: Craft Your Story•The Channel Laws: Share Your Story•The Laws of Engagement: Engage with Your CommunitiesPacked with inspiring tips, strategies, and stories from two leading marketing innovators, The Laws of Brand Storytelling shows business leaders and marketing professionals the power storytelling has to positively impact and differentiate your business, attract new customers, and inspire new levels of brand advocacy. The authors lay down the law―literally―for readers through a compelling step-by-step process of defining who you are as a brand, setting a clear strategy, sourcing the best stories for your business, and crafting and delivering compelling narratives for maximum effect. Win your customers’ hearts and minds, and you win their business and their loyalty.
All of us have a superpower–the ability to decide how to live our lives. While it is true that we do not always have control of what happens around us, we do have the ability to decide how we will feel and think about it and, in turn, act upon it moving forward. Unfortunately, many people live out their lives without knowing they possess this ability, and even more have never mastered the skills to put it into practice. Within a comprehensive guide, Jessica Fay-Carrano leads others through the process of goal setting that includes exercises that help identify the goal and the reasons why it is important to achieve it, create a road map that clearly shows the way, and develop a plan to overcome the barriers to happiness, both outside and within ourselves. Fay-Carrano provides additional exercises and stories that help others identify their strengths, stay committed to the process, and take ownership of their choices. Included are helpful hints that remind us to stay focused on our own unique journeys while recognizing that the key to happiness lies within. They Don’t Teach You That about Happiness shares exercises, personal stories, and seasoned wisdom that leads anyone through the goal-setting process and to achieving their own version of happiness.
Handbag Horoscopes are the first astrology books written especially for today's young women. They're smart, they're sexy, they're sassy -- and best of all, they're pocket-sized for fast, easy reference. Each of the twelve guides offers astrology-to-go for the next five years. Need a lift in the elevator? Pull it out of your purse Bored in the boardroom? Hide it in your laptop. And with the fashion-forward packaging -- and drop-dead display -- women will grabbing Handbag Horoscopes by the handful. -- Look up your soulmate in 60 seconds flat -- Check out your personal astro-diary to the year 2005 -- Feng shui your bedroom -- and get your man into bed -- Compare your stars with the movie stars -- Discover what you love -- and loathe -- about your mate -- Chart your private fantasies -- and make them realities -- Know exactly when you're hot -- and when you're not -- Read your future in tea leaves, clouds, or a slice of pizza
Excellent." -Jack Faris, CEO, National Federation of Independent Business "A breakthrough." -Jim Rohn, Mentor to Les Brown, Harvey Mackay, and Tony Robbins Do-it-yourself playbook shares insider secrets for scoring positive publicity Every entrepreneur knows that no matter how good his or her product or service, getting the word out is the key to success. While most think boosting business requires breaking the bank on paid advertising, publicity is a credible alternative for pumping up a company's profile without spending all of the profits. In "How to Be Your Own Publicist," PR maven Jessica Hatchigan proves that you don't have to run a Fortune 500 company, have a bottomless budget, or hire an outside PR firm in order to garner print and broadcast media attention. With this fast-paced, step-by-step playbook to the insider secrets of the publicity game, anyone can learn the basics of the biz--targeting your audience, courting the media, packaging your information, and leveraging your success. Tried-and-true tips will teach you how to: Zero in on the newsworthy aspects of your business Craft and distribute an effective news release Create a captivating press kit that won't get dumped in the circular file Maximize your publicity efforts with a far-reaching online campaign Written in an engaging style and packed with user-friendly checklists, templates, and sample documents, this guide provides all the tools necessary to generate major media buzz. You'll bask in the benefits of positive publicity as you pull customers to your business, make those you approach more receptive, and add to your professional prestige. Whether you're a small-business owner, solo service provider, or nonprofit organization, following the simple strategies in "How to Be Your Own Publicist" can make you a success.
Presents literary criticism on the works of nineteenth-century writers of all genres, nations, and cultures. Critical essays are selected from leading sources, including published journals, magazines, books, reviews, diaries, broadsheets, pamphlets, and scholarly papers. Criticism includes early views from the author's lifetime as well as later views, including extensive collections of contemporary analysis.
This is the first extended study of Wordsworth's complex, subtle, and often conflicted engagement with the material and cultural legacies of monasticism. It reveals that a set of topographical, antiquarian, and ecclesiastical sources consulted by Wordsworth between 1806 and 1822 provided extensive details of the routines, structures, landscapes, and architecture of the medieval monastic system. In addition to offering a new way of thinking about religious dimensions of Wordsworth's work and his views on Roman Catholicism, the book offers original insights into a range of important issues in his poetry and prose, including the historical resonances of the landscape, local attachment and memorialization, gardening and cultivation, Quakerism and silence, solitude and community, pastoral retreat and national identity. Wordsworth's interest in monastic history helps explain significant stylistic developments in his writing. In this often-neglected phase of his career, Wordsworth undertakes a series of generic experiments in order to craft poems capable of reformulating and refining taste; he adapts popular narrative forms and challenges pastoral conventions, creating difficult, austere poetry that, he hopes, will encourage contemplation and subdue readers' appetites for exciting narrative action. This book thus argues for the significance and innovative qualities of some of Wordsworth's most marginalized writings. It grants poems such as The White Doe of Rylstone, The Excursion, and Ecclesiastical Sketches the centrality Wordsworth believed they deserved, and reveals how Wordsworth's engagement with the monastic history of his local region inflected his radical strategies for the creation of taste.
Sir George Beaumont is a key figure in the history of British art. As well as being a respected amateur landscape painter, he was a prominent patron, a collector, and co-founder of the National Gallery. William Wordsworth described Beaumont’s friendship as one of the chief blessings of his life, and this edition reveals that the two men became collaborators as well as companions. In addition to documenting unique perspectives on social, political, and cultural events of the early nineteenth century (providing new contexts for reading Wordsworth’s mature poetry), the letters collected here chart the progress of an increasingly intimate inter-familial relationship. The picture that emerges is of a coterie that – in influence, creativity, and affection – rivals Wordsworth’s more famous exchange with Coleridge at Nether Stowey in the 1790s. The edition includes an extended study of how Wordsworth and Beaumont helped shape one another’s work, tracing processes of mutual artistic development that involved not only a meeting of aristocratic refinement and rural simplicity, of a socialite and a lover of retirement, of a painter and a poet, but also an aesthetic rapprochement between neoclassical and romantic values, between the impulse to idealize and the desire to particularize.
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