Disability through the Lens of Justice offers a contextual framework for considering the limitations that disability places on individuals. Specifically, those that prevent individuals from having control in certain domains of their life, by restricting the availability of acceptable options or the ability to choose between them. Begon argues that our theory of justice should be concerned with the lives individuals can lead, and not with whether their bodies and minds function typically. The problem that disability raises is not the mere fact of difference, but the ways in which that difference is accommodated (or not) and the limitations it may cause. In Disability Through the Lens of Justice, Begon offers a new framework to the disability and justice model. She argues that achieving justice does not require 'normalisation', or the elimination of difference, but through implementating a model which enables all individuals to control their lives as they choose.
Disability through the Lens of Justice offers a contextual framework for considering the limitations that disability places on individuals. Specifically, those that prevent individuals from having control in certain domains of their life, by restricting the availability of acceptable options or the ability to choose between them. Begon argues that our theory of justice should be concerned with the lives individuals can lead, and not with whether their bodies and minds function typically. The problem that disability raises is not the mere fact of difference, but the ways in which that difference is accommodated (or not) and the limitations it may cause. In Disability Through the Lens of Justice, Begon offers a new framework to the disability and justice model. She argues that achieving justice does not require 'normalisation', or the elimination of difference, but through implementating a model which enables all individuals to control their lives as they choose.
This book recasts one of the most well-studied and popularly-beloved eras in history: the tumultuous span from the 1485 accession of Henry VII to the 1603 death of Elizabeth I. Though many have gravitated toward this period for its high drama and national importance, the book offers a new narrative by focusing on another facet of the British past that has exercised an equally powerful grip on audiences: imperialism. It argues that the sixteenth century was pivotal to the making of both Britain and the British Empire. Unearthing over a century of theorizing about and probing into the world beyond England’s borders, Tudor Empire shows that foreign enterprise at once mirrored, responded to, and provoked domestic politics and culture, while decisively shaping the Atlantic World. Demonstrating that territorial expansion abroad and national consolidation and identity formation at home were concurrent, intertwined, and mutually reinforcing, the author examines some of the earliest ventures undertaken by the crown and its subjects in France, Scotland, Ireland, and the Americas. Tudor Empire is a thought-provoking, essential read for those interested in the Tudors and the British Empire that they helped create.
Finding the right balance between content and space is a challenge every graphic designer faces. The cookie-cutter templates most layout books offer don't help, because every project has a different content-to-space ratio. Finally, here is a book that gets to the heart of challenging layout design. It offers general techniques for working with varying quantities of content and shows how designers can apply these techniques in their own work. The book focuses on the two most difficult layout issues: compacting a high volume of content onto a small area while maintaining beauty and readability; and applying a small volume of content to a large space without making it look "bare." From posters to logos and magazines to book covers, two veteran design consultants examine more than 150 projects and illustrate the methodologies and solutions that made each work. This invaluable resource reveals how to make content shine in any space.
Na achttien jaar is Ester Michaels voor het eerst weer in Israël, waar ze binnen enkele uren na aankomst ternauwernood ontsnapt aan een terreuraanslag. Terug in Nederland logeert ze bij haar vriendin Lola, waar ze probeert de schok te boven te komen. Ester bevindt zich op een breekpunt in haar leven. Wanneer ze hoort dat Lola’s zoon Daniel als vrijwilliger naar Israël gaat, besluit ze terug te gaan om een oogje te houden op Daniel, van wie ze houdt alsof hij haar eigen zoon is. In Israël komt Daniel oog in oog met zijn vader te staan, en als Ester ontdekt wie Daniel’s vader is, volgt een dramatische ontknoping.
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