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Natural law has long been a cornerstone of Christian political thought, providing moral norms that ground law in a shareable account of human goods and obligations. Despite this history, twentieth and twenty-first-century evangelicals have proved quite reticent to embrace natural law, casting it as a relic of scholastic Roman Catholicism that underestimates the import of scripture and the division between Christians and non-Christians. As recent critics have noted, this reluctance has posed significant problems for the coherence and completeness of evangelical political reflections. Responding to evangelically-minded thinkers’ increasing calls for a re-engagement with natural law, this volume explores the problems and prospects attending evangelical rapprochement with natural law. Many of the chapters are optimistic about an evangelical re-appropriation of natural law, but note ways in which evangelical commitments might lend distinctive shape to this engagement.
Are there places too dark for love to reach? On the run after another betrayal, Tamara Jensen believes she's too broken for love... then come the signs. A breakdown strands her in Vancouver, Washington on the corner of 99th and Highway 99. Across the street is the Highway Ninety-Nine Diner where she lands a job as a waitress-however starting over is hard with all the broken trust.Joe Phillips, the diner's short-order cook, is rugged, handsome, sweet, and is determined to push past her walls-but he has secrets of his own. Tamara finds comfort in his friendship as she struggles with a past that haunts her, and a darkness she cannot shake. She could give her heart to Joe, if not for the fears that plague her. Their friendship deepens and Tamara begins to hope again until she's forced to make a choice no woman should ever have to face. Then the signs reappear, and lead her down her darkest path yet.
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Tamara's not the person she used to be. She's done running and is ready to face her past. But a lot can change in six years... While searching for her family, an online news article reveals Tamara's childhood home was destroyed in a fire, and her younger sister, Dakota was the primary suspect in the arson. Following this lead, Tamara learns Dakota is living in the same drug-infested hellhole she barely escaped six years ago. Propelled by guilt and fear, Tamara is determined to save her. After months of seeing Tamara struggle through the effects of past trauma, Joe is hesitant. He wants to leave the heartache behind, start their lives together and pursue his dream of owning his own restaurant. However, Tamara's convinced she must take action, and Joe stands by her side as she sets out to help Dakota. Will their love be strong enough to carry them through the coming storm? Or will the wreckage they uncover while sifting through the ashes of Tamara's past tear them apart?
Ready to discover the fascinating world of art history? Let’s (Van) Gogh! Fine art might seem intimidating at first. But with the right guide, anyone can learn to appreciate and understand the stimulating and beautiful work of history’s greatest painters, sculptors, and architects. In Art History For Dummies, we’ll take you on a journey through fine art from all eras, from Cave Art to the Colosseum, and from Michelangelo to Picasso and the modern masters. Along the way, you’ll learn about how history has influenced art, and vice versa. This updated edition includes: Brand new material on a wider array of renowned female artists Explorations of the Harlem Renaissance, American Impressionism, and the Precisionists Discussions of art in the 20th and 21st centuries, including Dadaism, Constructivism, Surrealism, and today’s eclectic art scene Is there an exhibition in your town you want to see? Prep before going with Art History For Dummies and show your friends what an Art Smartie you are. An unbeatable reference for anyone looking to build a foundational understanding of art in a historical context, Art History For Dummies is your personal companion that makes fine art even finer!
Addresses the political and aesthetic evolution of African American literature and its authors during the Cold War, an era McCarthy calls “the Blue Period.” In the years after World War II, to be a black writer was to face a stark predicament. The contest between the Soviet Union and the United States was a global one—an ideological battle that dominated almost every aspect of the cultural agenda. On the one hand was the Soviet Union, espousing revolutionary communism that promised egalitarianism while being hostile to conceptions of personal freedom. On the other hand was the United States, a country steeped in racial prejudice and the policies of Jim Crow. Black writers of this time were equally alienated from the left and the right, Jesse McCarthy argues, and they channeled that alienation into remarkable experiments in literary form. Embracing racial affect and interiority, they forged an aesthetic resistance premised on fierce dissent from both US racial liberalism and Soviet communism. From the end of World War II to the rise of the Black Power movement in the 1960s, authors such as Richard Wright, James Baldwin, Gwendolyn Brooks, and Paule Marshall defined a distinctive moment in American literary culture that McCarthy terms the Blue Period. In McCarthy’s hands, this notion of the Blue Period provides a fresh critical framework that challenges long-held disciplinary and archival assumptions. Black writers in the early Cold War went underground, McCarthy argues, not to depoliticize or liberalize their work, but to make it more radical—keeping alive affective commitments for a future time.
The problems of the U.S. steel industry have been a source of public controversy for over twenty years. The industry has grown substantially smaller since the 1960s and hundreds of thousands of steelworkers have lost their jobs. Some steel firms and many steel mills have shut down entirely,profoundly affecting regional economies based on steel and its related industries. An industrial transformation of this magnitude has inevitably given rise to efforts to identify its underlying causes. This book is a contribution to that effort.
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