Kercheval recalls her life as a young girl living in Cocoa, Florida, in 1966, watching as her mother slipped into a Valium-induced state of apathy, her father became a workaholic, and her older sister tried to shoulder the burden.
No one looks at structure like Jesse Lee Kercheval. She builds a work of fiction just as an architect would design a house--with an eye for details and how all parts of a story or novel interconnect. Even with the most dynamic language, images, and characters, no piece of fiction will work without a strong infrastructure. Kercheval shows how to build that structure using such tools as point of view, characterization, pacing, and flashbacks. Building Fiction will help you envision the landscape of your fiction and build great stories there.
In Cinema Muto, Jesse Lee Kercheval examines the enduring themes of time, mortality, and love as revealed through the power of silent film. Following the ten days of the annual Le Giornate del Cinema Muto in Italy, this collection of ekphrastic poems are love letters to the evocative power of silent cinema. Kercheval’s poems elegantly capture the allure of these rare films, which compel hundreds of pilgrims from around the world—from scholars and archivists, to artists and connoisseurs—to flock to Italy each autumn. Cinema Muto celebrates the flickering tales of madness and adventure, drama and love, which are all too often left to decay within forgotten vaults. As reels of Mosjoukine and D. W. Griffith float throughout the collection, a portrait also emerges of the simple beauty of Italy in October and of two lovers who are drawn together by their mutual passion for an extinct art. Together they revel in recapturing “the black and white gestures of a lost world.” Cinema Muto is a tender tribute to the brief yet unforgettable reign of silent film. Brimming with stirring images of dreams, desire, and the ghosts of cinema legends gone by, Kercheval’s verse is a testament to the mute beauty and timeless lessons that may still be discovered in a fragile roll of celluloid.
No one looks at structure like Jesse Lee Kercheval. She builds a work of fiction just as an architect would design a house--with an eye for details and how all parts of a story or novel interconnect. Even with the most dynamic language, images, and characters, no piece of fiction will work without a strong infrastructure. Kercheval shows how to build that structure using such tools as point of view, characterization, pacing, and flashbacks. Building Fiction will help you envision the landscape of your fiction and build great stories there.
Kercheval recalls her life as a young girl living in Cocoa, Florida, in 1966, watching as her mother slipped into a Valium-induced state of apathy, her father became a workaholic, and her older sister tried to shoulder the burden.
esse Lee Kercheval writes with wit, vivid language, and devastating honesty in these autobiographical poems. Tracing the timelines of her life forward and backward, she offers a moving examination of the role of family and the possible/probable/hoped for existence of God—and how our perceptions of the divine can be transformed from a kindergartner’s dyslexically scrawled "doG loves U" to the ever-present but oft-ignored Dog Angel of the title. Ranging from a cross-country drive to bury her mother’s ashes at Arlington National Cemetery, to a family vacation in Spain, to an imagined final exam given by her children, Kercheval explores the vagaries of love, loss, faith, grief, and joy with a calm, convincing wisdom that permeates this resonant and wonderful collection.
In Jesse Lee Kercheval’s sixth collection, I Want To Tell You, her searching, incantatory poems speak directly and forcefully to the reader in a voice that is by turns angry, elegiac, wry, or witty but always sharply alive. Crossing through the bewildering territory of grief, Kercheval argues with god and the universe about the deaths of people she loves. She also writes movingly about the complications of family life and love, the messy puzzle of life itself.
After a tragic loss, an American woman investigates her birth family in Paris: “The novel’s twists and turns are wonderfully unexpected” (Emma Straub, author of Modern Lovers). In her early forties, Emma has recently lost her husband and daughter to a tragic auto accident. When her elderly aunt visits her Indiana home to provide comfort, and instead blurts out the news that Emma was adopted, a new kind of shock sets in. Soon, a still-mourning Emma finds herself flying to Paris, where she will discover the twin brother whose existence she never knew about, and the identity of her birth parents—a White Russian film star of the 1920s and a French Stalinist. A story about identity and the relationship between art and life, My Life as a Silent Movie is “a beautiful, evocative novel [that] melds the magic of old movies with the redemptive power of family” (Jonis Agee, author of The Bones of Paradise). “In this sharply drawn chronicle of grief, a woman reassembles her identity through her father’s art and her brother’s tenuous offer of a new life . . . Kercheval delves deeply into the rawest of emotions and the most wrenching of choices, richly detailing each twist and turn with grace.” —Kirkus Reviews
In Cinema Muto, Jesse Lee Kercheval examines the enduring themes of time, mortality, and love as revealed through the power of silent film. Following the ten days of the annual Le Giornate del Cinema Muto in Italy, this collection of ekphrastic poems are love letters to the evocative power of silent cinema. Kercheval’s poems elegantly capture the allure of these rare films, which compel hundreds of pilgrims from around the world—from scholars and archivists, to artists and connoisseurs—to flock to Italy each autumn. Cinema Muto celebrates the flickering tales of madness and adventure, drama and love, which are all too often left to decay within forgotten vaults. As reels of Mosjoukine and D. W. Griffith float throughout the collection, a portrait also emerges of the simple beauty of Italy in October and of two lovers who are drawn together by their mutual passion for an extinct art. Together they revel in recapturing “the black and white gestures of a lost world.” Cinema Muto is a tender tribute to the brief yet unforgettable reign of silent film. Brimming with stirring images of dreams, desire, and the ghosts of cinema legends gone by, Kercheval’s verse is a testament to the mute beauty and timeless lessons that may still be discovered in a fragile roll of celluloid.
After her husband's sudden death, Ginny Gillespie travels with his ashes to Paris, where she meets and falls in love with Roland Keppi, a strange, visionary man without a country. Their dreamlike affair is disrupted when Roland vanishes, deported to a German camp for people without identity papers. But coincidences, dreams, and visions eventually reunite them with the promise of a bright future. Set primarily in France between the world wars, the narrative moves easily between the present and the past and among Ginny, Roland, and the important people in their lives. These intertwining stories raise questions of fate and the meaning of family, identity, and happiness."--Library Journal
A series of interlinked short stories chronicles the world of Alice, a girl raised in Florida, who finds love with the scion of a family of Norwegian-Wisconsin farmers, her beloved Anders, and their family as they confront the joys, sorrows, and challenges of life together in Wisconsin. Winner of the Prairie Schooner Book Prize in Fiction.
After her husband's sudden death, Ginny Gillespie travels with his ashes to Paris, where she meets and falls in love with Roland Keppi, a strange, visionary man without a country. Their dreamlike affair is disrupted when Roland vanishes, deported to a German camp for people without identity papers. But coincidences, dreams, and visions eventually reunite them with the promise of a bright future. Set primarily in France between the world wars, the narrative moves easily between the present and the past and among Ginny, Roland, and the important people in their lives. These intertwining stories raise questions of fate and the meaning of family, identity, and happiness."--Library Journal
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