Warm up with this heartfelt romance in the Mustang Ridge series... Grateful to her twin for keeping Mustang Ridge in the family, Jenny Skye agrees to return home for a month so her sister can get away. It’s the middle of winter, and only a few year-round staffers, her family, and the animals will be there. But the globe-trotting videographer is soon in way over her head at the dude ranch dealing with reservations, her redecorating-obsessed mother, and the town's hunky new veterinarian. Despite his adventurous past, Nick Masterson is putting down roots in Mustang Ridge. When a stray dog, a missing family member, and a snowstorm conspire to throw him and Jenny together, there's no denying the blaze of attraction. But can a relationship that began in the heat of the moment turn into something more for a woman who's always been eager to put her hometown behind her?
A single visit to Mustang Ridge can change a person’s life in the most unexpected ways.... Recovering from a difficult divorce and having problems with her daughter, Shelby accepts a summer job cooking at a family-run dude ranch. She hopes the animals will be just what her daughter, Lizzie, needs. Little does she know that ranch life will work some healing magic on her too. When Shelby meets the head wrangler, Foster, she is put off by his brusque nature, but Lizzie takes an instant liking to the cowboy and his horses. While both Foster and Shelby have been scarred by love, it’s not long before Shelby is drawn to the rugged cowboy and his thoughtful ways. But with summer nights in short supply and Foster wary of falling for a city girl, a simple summer romance soon grows complicated. As the days dwindle, Shelby will have to decide not only what is best for her daughter, but also where her future—and her happiness—will be found.
When former lovers reunite at Mustang Ridge, old feelings run wild…. With guest season about to start at the ranch, Krista Skye needs to track down a new head wrangler fast. Unfortunately, the best man for the job is the last person Krista wants to see—Wyatt Webb, the college sweetheart who left her behind. Wyatt has major reservations about working with Krista as well, but he has his own reasons for wanting to stay in town. Although Krista and Wyatt are all business at first, sparks fly as they work side by side, preparing for an upcoming country fair. Even though rekindling their relationship brings up painful memories, they’re not the same people they used to be—and neither can deny that there’s still something special between them. They have one last opportunity to save a good thing before it’s too late, but one of them will have to find the courage to take a chance on love....
In the latest “delightful”* Mustang Ridge novel, ignoring your heart is easier said than done… After putting all her savings—and then some—into purchasing a vintage clothing shop in downtown Three Ridges, Wyoming, Ashley Webb is determined to succeed come hell or high water. Problem is, she’s never been good at long-term commitments. And when Ashley crosses paths again with the incredibly sexy cowboy she got cozy with at her brother’s wedding, she can’t help being distracted. Tyler Reed isn’t looking to settle down—he tried that before and got burned. Not to mention that the new head wrangler at Mustang Ridge Dude Ranch has other things on his mind. Things that are far more important than helping out his boss’s pretty—but flaky—sister…even though there’s some serious chemistry between them. When Ashley turns out to be very different than he expected, he’s tempted to go against his better judgment. What’s a cowboy to do when the wrong woman lassoes his heart? *New York Times Bestselling Author Jill Gregory
Forced to hire Wyatt Webb, the college sweetheart who left her behind-and the best wrangler around-rancher Krista Skye tries not to mix business with pleasure until she can no longer deny the happiness, passion and love they used to have.
This classified bibliography of 900 dissertations describes all aspects of Cuban life and culture, covering such areas as art, anthropology, economy, music, dance, cinema, literature, and other areas that are not too wellknown and what has been researched about Cuban Americans in the US. .
From Machu Picchu to a cocaine purchase in a Bolivian jail—and beyond! How do you rough it in extreme South American travels and still dare to be different? You Can Run: Gay, Glam, and Gritty Travels in South America follows the intrepid and fantastic—and totally true—adventures of flamboyant gay men through the gritty rough and tough of South America. Author Jesse Archer and his American boyfriend Zane spent nearly two years traveling the continent in search of adventure. And find it they did. Discover incredible individuals like Patricia the pink lady, the Wolfman of Borneo, and Santusa the fanged Chola of a different color. Thrill to the astounding experiences of dodging crocodiles, doing a striptease for a Colombian bathroom bitch, admiring exultant transsexuals caught in a rainstorm, and navigating the most dangerous road in the world. This wild travel chronicle takes you through the real South America with wit, wisdom—and a hot pink wig! An excerpt from You Can Run: Gerardo runs off to buy the meat for baiting piranha and then we're in his tin boat out on the choppy Amazon. The humidity and heat on the earth's surface here seems to bounce back into the sky and burst, returning a downpour of rain. Luckily Gerardo's tin can has a roof. Yet for some reason we aren't headed to the jungle, but downriver to a shantytown along the bank. I ask where we are going and Gerardo feebly utters something in Portuguese. I can't make it out. Zane is now convinced I've employed a waterfront gangster. We pull up to a shoddy pier of three planks supported by timbers that rot in the lapping water. “We should have gone with the other one!” Zane decries my flagrant frugality. “See? There's his accomplice.” When Gerardo reappears outside the shack with another man Zane announces he hates to be killed with a cheapskate like me. “I'm gonna die, washed up over there with all that trash, my body all white and fat and . . . bloated!” zane has exercised too much in his life to die bloated. Dying bloated has just become the worst of all fates. Zane gasps earnestly to his active imagination. “Oh God, please not bloated!” You Can Run is a funny, piercing, and poignant examination of memorable outcasts in the third world. Follow some of travel's most different adventure seekers—extreme travelers with a lot of sparkle!
How often is it that we are fortunate enough to sit down and listen to first-person accounts of a distant past - not from a history book or a television documentary, but from a human being, who lived it, experienced it and is willing to share it. Jesse Pettey is one of these people who as a young man joined the military after the attack on Pearl Harbor because he felt it was his duty. He learned to fly a PT-19 and moved on to a BT-13. During World War Two, Pettey piloted a B-24 ́Liberator ́ and flew his first combat mission in August of 1944, to be followed by 34 more. One More Mission is not only an account of World War Two aerial combat missions with the 15th Air Force in Italy, but of a young man ́s journey through a gauntlet of emotion, growth and trying experiences. Mr. Pettey ́s glimpses into his past are a heartwarming journey to a different era, a different pace and a different lifestyle. His talent carries the reader along through his upbringing in East Texas through the precarious days of flight training and then on to the dangerous excitement of deadly combat over the skies of Europe. And all the while, you feel as if he ́s sitting across a table from you with a cup of coffee in hand, sharing the times of his life with a close friend. His story is well written yet personal, inspiring and yet humble. It is a story that demands sharing. One More Mission is a journey not to be missed. Reviewed by Denise M. Clark 6/2002: www.deniseclark.com
Bringing together the most popular genres of the 21st century, this book argues that Americans have entered a new era of narrative dominated by the fear—and wish fulfillment—of the breakdown of authority and terror itself. Bringing together disparate and popular genres of the 21st century, American Popular Culture in the Era of Terror: Falling Skies, Dark Knights Rising, and Collapsing Cultures argues that popular culture has been preoccupied by fantasies and narratives dominated by the anxiety —and, strangely, the wish fulfillment—that comes from the breakdowns of morality, family, law and order, and storytelling itself. From aging superheroes to young adult dystopias, heroic killers to lustrous vampires, the figures of our fiction, film, and television again and again reveal and revel in the imagery of terror. Kavadlo's single-author, thesis-driven book makes the case that many of the novels and films about September 11, 2001, have been about much more than terrorism alone, while popular stories that may not seem related to September 11 are deeply connected to it. The book examines New York novels written in response to September 11 along with the anti-heroes of television and the resurgence of zombies and vampires in film and fiction to draw a correlation between Kavadlo's "Era of Terror" and the events of September 11, 2001. Geared toward college students, graduate students, and academics interested in popular culture, the book connects multiple topics to appeal to a wide audience.
Magic realism is a term that is often used to describe the fiction of such Latin American writers as Gabriel Garcia Marquez, Julio Cortazar and Jorge Luis Borges. Literary critics such as Seymour Menton have contended that it is also present in the art and literature of Germany, Italy, France and the United States after World War I. The stories in French Quarter Tales follow such a tradition by presenting unusual (and even supernatural) situations within very familiar settings. Professor Perez explores in these stories the boundaries between reality and the supernatural, love and hate, good and evil. In these tales the everyday meets the recondite and sometimes even the terrifying. Most of these postmodern short tales are left open and defy interpretation.
When former lovers reunite at Mustang Ridge, old feelings run wild…. With guest season about to start at the ranch, Krista Skye needs to track down a new head wrangler fast. Unfortunately, the best man for the job is the last person Krista wants to see—Wyatt Webb, the college sweetheart who left her behind. Wyatt has major reservations about working with Krista as well, but he has his own reasons for wanting to stay in town. Although Krista and Wyatt are all business at first, sparks fly as they work side by side, preparing for an upcoming country fair. Even though rekindling their relationship brings up painful memories, they’re not the same people they used to be—and neither can deny that there’s still something special between them. They have one last opportunity to save a good thing before it’s too late, but one of them will have to find the courage to take a chance on love....
A single visit to Mustang Ridge can change a person’s life in the most unexpected ways.... Recovering from a difficult divorce and having problems with her daughter, Shelby accepts a summer job cooking at a family-run dude ranch. She hopes the animals will be just what her daughter, Lizzie, needs. Little does she know that ranch life will work some healing magic on her too. When Shelby meets the head wrangler, Foster, she is put off by his brusque nature, but Lizzie takes an instant liking to the cowboy and his horses. While both Foster and Shelby have been scarred by love, it’s not long before Shelby is drawn to the rugged cowboy and his thoughtful ways. But with summer nights in short supply and Foster wary of falling for a city girl, a simple summer romance soon grows complicated. As the days dwindle, Shelby will have to decide not only what is best for her daughter, but also where her future—and her happiness—will be found.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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