Focusing mainly on the Burrises of Amite County, Mississippi, andthe Florida Parishes of Louisiana, this examination offers a mother lode ofinformation for genealogists researching the Burris line, which may includesuch family names variations as Burroughs, Burrows, Burrus, Burruss, Burress,and Burriss. Much more than a tale of who begat whom, this volume provideshelpful insight into the nature of the family.By their fellow men, the Burrises are usually highly regarded.They are considered reliable, trustworthy, and honest. They also are known fortheir fair play. One of the highest tributes the author ever heard paid theircharacter came from a former district attorney, who remarked that, whenever hehad a case to come before a jury and there were Burris men present, he alwaysaccepted them without a single question.
Focusing mainly on the Burrises of Amite County, Mississippi, andthe Florida Parishes of Louisiana, this examination offers a mother lode ofinformation for genealogists researching the Burris line, which may includesuch family names variations as Burroughs, Burrows, Burrus, Burruss, Burress,and Burriss. Much more than a tale of who begat whom, this volume provideshelpful insight into the nature of the family.By their fellow men, the Burrises are usually highly regarded.They are considered reliable, trustworthy, and honest. They also are known fortheir fair play. One of the highest tributes the author ever heard paid theircharacter came from a former district attorney, who remarked that, whenever hehad a case to come before a jury and there were Burris men present, he alwaysaccepted them without a single question.
Jesse Dukeminier’s trademark wit, passion, and human interest perspective has made Property, now in its Ninth Edition, one of the best—and best loved—casebooks of all time. A unique blend of authority and good humor, you’ll find a rich visual design, compelling cases, and timely coverage of contemporary issues. In the Ninth Edition, the authors have created a thoughtful and thorough revision, true to the spirit of the classic Property text. Key Benefits: A new chapter on the Intellectual Property/Property relationship, that gives students a taste of patent law, copyright law, trademark law, and trade secrets law. The chapter highlights the differences and similarities among the legal treatment of real, chattel, and intellectual property. A dynamic, two-color designed casebook that encompasses cases, text, questions, problems, examples and numerous photographs and diagrams. Extended coverage of major recent Supreme Court decisions, including Murr v. Wisconsin, Horne v. Department of Agriculture, and Marvin M. Brandt Revocable Trust v. United States.
In The Franchise: Chicago Cubs, take a more profound and unique journey into the history of an iconic team. This thoughtful and engaging collection of essays captures the astute fans' history of the franchise, going beyond well-worn narratives of yesteryear to uncover the less-discussed moments, decisions, people, and settings that fostered the Cubs' one-of-a-kind identity. Through wheeling and dealing, mythmaking and community building, explore where the organization has been, how it got to prominence in the modern major league landscape, and how it'll continue to evolve and stay in contention for generations to come.Cubs fans in the know will enjoy this personal, local, in-depth look at baseball history.
A collection of photographs pays tribute to the American rebel and the customized, hand-built motor-cycles he creates, in a volume that looks at his choppers, his lifestyle, and his shop, West Coast Choppers.
Starting in the early 1990s, artists such as Quentin Tarantino, David Foster Wallace, and Kurt Cobain contributed to a swelling cultural tide of pop postmodernism that swept through music, film, literature, and fashion. In cinema in particular, some of the arts most fundamental aspects—stories, characters, and genres, for instance—assumed such a trite and trivialized appearance that only rarely could they take their places on the screen without provoking an inward smirk or a wink from the audience. Out of this highly self-conscious and world-weary environment, however, a new group of filmmakers began to develop as the decade wore on, with a new set of styles and sensibilities to match. In Post-Pop Cinema author Jesse Fox Mayshark takes us on a film-by-film tour of the works of these filmmakers-including Wes and P. T. Anderson, Sofia Coppola, Richard Linklater, Alexander Payne, and David O. Russell-and seeks to reveal how a common pool of styles, collaborators, and personal connections helps them to confront the unifying problem of meaning in American film. Wes Anderson's Bottle Rocket (1996) and Paul Thomas Anderson's Boogie Nights (1997) were ultimately about their characters' lives-even though their characters often dealt with highly contrived environments and situations. And soon after Wes Anderson scored his first success, others like David O. Russell (Flirting With Disaster, Three Kings), the screenwriter Charlie Kaufman (who collaborated with Spike Jonze on such projects as Being John Malkovich and Adaptation), Alexander Payne (Election, Sideways), Richard Kelly (Donnie Darko), and Sofia Coppola (Lost in Translation) began to tread their own paths over this same ground. Although these men and women represent a wide range of styles and subject matter, all their films revolve in different ways around the difficulty of establishing and maintaining connections. This theme of connection also runs deeper than the films made: the directors share actors (Mark Wahlberg, Bill Murray, Ben Stiller, Jason Schwartzman), collaborators (the musician Jon Brion) and sometimes even personal connections (Spike Jonze starred in Russell's Three Kings, and was married to Coppola). Together these filmmakers form a loose and distinctly American school of filmmaking, one informed by postmodernism but not in thrall to it, and one that every year becomes more important to the world of cinema both within and beyond the United States.
Ecological States critically examines ecological policies in the People's Republic of China to show how campaigns of scientifically based environmental protection transform nature and society. While many point to China's ecological civilization programs as a new paradigm for global environmental governance, Jesse Rodenbiker argues that ecological redlining extends the reach of the authoritarian state. Although Chinese urban sustainability initiatives have driven millions of citizens from their land and housing, Rodenbiker shows that these migrants are not passive subjects of state policy. Instead, they creatively navigate resettlement processes in pursuit of their own benefit. However, their resistance is limited by varied forms of state-backed infrastructural violence. Through extensive fieldwork with scientists, urban planners, and everyday citizens in southwestern China, Ecological States exposes the ways in which the scientific logics and practices fundamental to China's green urbanization have solidified state power and contributed to dispossession and social inequality With support from the Henry Luce Foundation, our goal is to produce all titles in this series both in Open Access, for reasons of global accessibility and equity, as well as in print editions.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.