From Jesse Andrews, author of the New York Times bestselling Me and Earl and the Dying Girl and screenwriter of the Sundance award–winning motion picture of the same name, comes a groundbreaking young adult novel about music, love, friendship, and freedom as three young musicians follow a quest to escape the law long enough to play the amazing show they hope (but also doubt) they have in them. For Wes and his best friend, Corey, jazz camp turns out to be lame. It’s pretty much all dudes talking in Jazz Voice. But then they jam with Ash, a charismatic girl with an unusual sound, and the three just click. It’s three and a half hours of pure musical magic, and Ash makes a decision: They need to hit the road. Because the road, not summer camp, is where bands get good. Before Wes and Corey know it, they’re in Ash’s SUV heading south, and The Haters Summer of Hate Tour has begun. In his second novel, Andrews again brings his brilliant and distinctive voice to YA, in the perfect book for music lovers, fans of The Commitments (author Roddy Doyle raves "The Haters is terrific. It is shocking and funny, unsettling and charming."), and High Fidelity, or anyone who has ever loved—and hated—a song or a band. This witty, funny coming-of-age novel is contemporary fiction at its best.
In an alternate reality a lot like our world, every person’s physical size is directly proportional to their wealth. The poorest of the poor are the size of rats, and billionaires are the size of skyscrapers. Warner and his sister Prayer are destitute—and tiny. Their size is not just demeaning, but dangerous: day and night they face mortal dangers that bigger richer people don’t ever have to think about, from being mauled by cats to their house getting stepped on. There are no cars or phones built small enough for them, or schools or hospitals, for that matter—there’s no point, when no one that little has any purchasing power, and when salaried doctors and teachers would never fit in buildings so small. Warner and Prayer know their only hope is to scale up, but how can two littlepoors survive in a world built against them? A brilliant, warm, funny trip, unlike anything else out there, and a social novel for our time in the tradition of 1984 or Invisible Man. Inequality is made intensely visceral by an adventure and tragedy both hilarious and heartbreaking.
The book that inspired the hit film! Sundance U.S. Dramatic Audience Award Sundance Grand Jury Prize This is the funniest book you’ll ever read about death. It is a universally acknowledged truth that high school sucks. But on the first day of his senior year, Greg Gaines thinks he’s figured it out. The answer to the basic existential question: How is it possible to exist in a place that sucks so bad? His strategy: remain at the periphery at all times. Keep an insanely low profile. Make mediocre films with the one person who is even sort of his friend, Earl. This plan works for exactly eight hours. Then Greg’s mom forces him to become friends with a girl who has cancer. This brings about the destruction of Greg’s entire life. Fiercely funny, honest, heart-breaking—this is an unforgettable novel from a bright talent, now also a film that critics are calling "a touchstone for its generation" and "an instant classic." Includes a discussion with Jesse Andrews and an annotated excerpt from the screenplay! STARRED REVIEW “One need only look at the chapter titles (“Let’s Just Get This Embarrassing Chapter Out of the Way”) to know that this is one funny book.” –Booklist, starred review STARRED REVIEW “Though this novel begs inevitable thematic comparisons to John Green's The Fault in Our Stars (2011), it stands on its own in inventiveness, humor and heart.” –Kirkus Reviews, starred review New York Times bestseller! Capitol Choices 2013 - Noteworthy Titles for Children and Teens Cooperative Children’s Book Center (CCBC) Choices 2013 list - Young Adult Fiction YALSA 2013 Quick Picks for Reluctant Young Adult Readers YALSA 2013 Best Fiction for Young Adults YALSA 2014 Popular Paperbacks for Young Adults
The book that inspired the hit film! Sundance U.S. Dramatic Audience Award Sundance Grand Jury Prize This is the funniest book you'll ever read about death. It is a universally acknowledged truth that high school sucks. But on the first day of his senior year, Greg Gaines thinks he's figured it out. The answer to the basic existential question: How is it possible to exist in a place that sucks so bad? His strategy: remain at the periphery at all times. Keep an insanely low profile. Make mediocre films with the one person who is even sort of his friend, Earl. This plan works for exactly eight hours. Then Greg's mom forces him to become friends with a girl who has cancer. This brings about the destruction of Greg's entire life. Praise for Me and Earl and the Dying Girl STARRED REVIEW "One need only look at the chapter titles ("Let's Just Get This Embarrassing Chapter Out of the Way") to know that this is one funny book." -Booklist, starred review STARRED REVIEW "A frequently hysterical confessional...Debut novelist Andrews succeeds brilliantly in painting a portrait of a kid whose responses to emotional duress are entirely believable and sympathetic, however fiercely he professes his essential crappiness as a human being. Though this novel begs inevitable thematic comparisons to John Green's The Fault in Our Stars (2011), it stands on its own in inventiveness, humor and heart." -Kirkus Reviews, starred review "It is sure to be popular with many boys, including reluctant readers, and will not require much selling on the part of the librarian." -VOYA "Mr. Andrews' often hilarious teen dialogue is utterly convincing, and his characters are compelling. Greg's random sense of humor, terrible self-esteem and general lack of self-awareness all ring true. Like many YA authors, Mr. Andrews blends humor and pathos with true skill, but he steers clear of tricky resolutions and overt life lessons, favoring incremental understanding and growth." -Pittsburgh Post-Gazette Awards Capitol Choices 2013 - Noteworthy Titles for Children and Teens Cooperative Children's Book Center (CCBC) Choices 2013 list - Young Adult Fiction YALSA 2013 Quick Picks for Reluctant Young Adult Readers YALSA 2013 Best Fiction for Young Adults YALSA 2014 Popular Paperbacks for Young Adults
Things get personal for Deputy Coroner Clay Edison when a murder hits close to home in this riveting, emotional thriller from the bestselling father-son team who write “brilliant, page-turning fiction” (Stephen King). A raging wildfire. A massive blackout. A wealthy man shot to death in his palatial hilltop home. For Clay Edison, it’s all in a day’s work. As a deputy coroner, caring for the dead, he speaks for those who cannot speak for themselves. He prides himself on an unflinching commitment to the truth. Even when it gets him into trouble. Then, while working the murder scene, Clay is horrified to discover a link to his brother, Luke. Horrified. But not surprised. Luke is fresh out of prison and struggling to stay on the straight and narrow. And now he’s gone AWOL. The race is on for Clay to find him before anyone else can. Confronted with Luke’s legacy of violence, Clay is forced to reckon with his own suspicions, resentments, and loyalties. Is his brother a killer? Or could he be the victim in all of this, too? This is Jonathan and Jesse Kellerman at their most affecting and page-turning—a harrowing collision of family, revenge, and murder.
From Jesse Andrews, author of the New York Times bestselling Me and Earl and the Dying Girl and screenwriter of the Sundance award–winning motion picture of the same name, comes a groundbreaking young adult novel about music, love, friendship, and freedom as three young musicians follow a quest to escape the law long enough to play the amazing show they hope (but also doubt) they have in them. For Wes and his best friend, Corey, jazz camp turns out to be lame. It’s pretty much all dudes talking in Jazz Voice. But then they jam with Ash, a charismatic girl with an unusual sound, and the three just click. It’s three and a half hours of pure musical magic, and Ash makes a decision: They need to hit the road. Because the road, not summer camp, is where bands get good. Before Wes and Corey know it, they’re in Ash’s SUV heading south, and The Haters Summer of Hate Tour has begun. In his second novel, Andrews again brings his brilliant and distinctive voice to YA, in the perfect book for music lovers, fans of The Commitments (author Roddy Doyle raves "The Haters is terrific. It is shocking and funny, unsettling and charming."), and High Fidelity, or anyone who has ever loved—and hated—a song or a band. This witty, funny coming-of-age novel is contemporary fiction at its best.
Focusing mainly on the Burrises of Amite County, Mississippi, andthe Florida Parishes of Louisiana, this examination offers a mother lode ofinformation for genealogists researching the Burris line, which may includesuch family names variations as Burroughs, Burrows, Burrus, Burruss, Burress,and Burriss. Much more than a tale of who begat whom, this volume provideshelpful insight into the nature of the family.By their fellow men, the Burrises are usually highly regarded.They are considered reliable, trustworthy, and honest. They also are known fortheir fair play. One of the highest tributes the author ever heard paid theircharacter came from a former district attorney, who remarked that, whenever hehad a case to come before a jury and there were Burris men present, he alwaysaccepted them without a single question.
This study offers fresh insight into the place of (non)violence within Jesus' ministry, by examining it in the context of the eschatologically-motivated revolutionary violence of Second Temple Judaism. The book first explores the connection between violence and eschatology in key literary and historical sources from Second Temple Judaism. The heart of the study then focuses on demonstrating the thematic centrality of Jesus’ opposition to such “eschatological violence” within the Synoptic presentations of his ministry, arguing that a proper understanding of eschatology and violence together enables appreciation of the full significance of Jesus’ consistent disassociation of revolutionary violence from his words and deeds. The book thus articulates an understanding of Jesus’ nonviolence that is firmly rooted in the historical context of Second Temple Judaism, presenting a challenge to the "seditious Jesus hypothesis"—the claim that the historical Jesus was sympathetic to revolutionary ideals. Jesus’ rejection of violence ought to be understood as an integral component of his eschatological vision, embodying and enacting his understanding of (i) how God’s kingdom would come, and (ii) what would identify those who belonged to it.
A thrilling journey through the solar system that merges imagination with hard science. Imagine traveling to the far reaches of the solar system, pausing for close-up encounters with distant planets, moons, asteroids, and comets, accompanied by a congenial guide to the science behind what you see. What, for instance, would it be like to fly in Titan’s hazy atmosphere? To walk across the surface of Mercury? To feel the rumble of a volcano brewing on one of Jupiter's largest moons? In Daydreaming in the Solar System, John Moores and Jesse Rogerson bring that dream to virtual life. Through a combination of story and science they let readers know what such an otherworldly experience would actually look, feel, and even taste like. With data gathered over the decades by our robotic spacecraft, and with Michelle Parsons’s evocative illustrations, Moores and Rogerson boldly take you where no living being has gone before, along the way giving an engaging and accurate explanation of the science. Where Carl Sagan’s storied “spaceship of the imagination” provided a window to outer space, Daydreaming in the Solar System opens a door, inviting readers to step through and truly explore the strange new worlds of the solar system. Undertaking this interplanetary journey powered by hard science, there is no limit to where your daydreams can take you.
The Smugglers' World examines a critical part of Atlantic trade for a neglected corner of the Spanish Empire. Testimonies of smugglers, buyers, and royal officials found in Venezuelan prize court records reveal a colony enmeshed in covert commerce. Forsaken by the Spanish fleet system, Venezuelan colonists struggled to obtain European foods and goods. They found a solution in exchanging cacao, a coveted luxury, for the necessities of life provided by contrabandists from the Dutch, English, and French Caribbean. Jesse Cromwell paints a vivid picture of the lives of littoral peoples who normalized their subversions of imperial law. Yet laws and borders began to matter when the Spanish state cracked down on illicit commerce in the 1720s as part of early Bourbon reforms. Now successful merchants could become convict laborers just as easily as enslaved Africans could become free traders along the unruly coastlines of the Spanish Main. Smuggling became more than an economic transaction or imperial worry; persistent local need elevated the practice to a communal ethos, and Venezuelans defended their commercial autonomy through passive measures and even violent political protests. Negotiations between the Spanish state and its subjects over smuggling formed a key part of empire making and maintenance in the eighteenth century.
Joining the Army was supposed to be a chance at a better future for Jason Edward Terry. He had lost his mother when he was a child, and in his senior year of high school, his father died. Facing graduation with no family and no place to live, the Army would give him a chance. But the decision to join the Army in the midst of World War II would change his life in ways he could not imagine. While serving in Italy, he finds himself in a cave, severely wounded, and with a young girl. He has no idea who she is or how they got there. After the war, Jason is haunted by a recurring dream of a church being destroyed. The war, the church, and the girl are all part of memories that Jason keeps suppressed. Will he ever remember?
For much of his thirties, Jesse Bering thought he was probably going to kill himself. He was a successful psychologist and writer, with books to his name and bylines in major magazines. But none of that mattered. The impulse to take his own life remained. At times it felt all but inescapable. Bering survived. And in addition to relief, the fading of his suicidal thoughts brought curiosity. Where had they come from? Would they return? Is the suicidal impulse found in other animals? Or is our vulnerability to suicide a uniquely human evolutionary development? In Suicidal, Bering answers all these questions and more, taking us through the science and psychology of suicide, revealing its cognitive secrets and the subtle tricks our minds play on us when we’re easy emotional prey. Scientific studies, personal stories, and remarkable cross-species comparisons come together to help readers critically analyze their own doomsday thoughts while gaining broad insight into a problem that, tragically, will most likely touch all of us at some point in our lives. But while the subject is certainly a heavy one, Bering’s touch is light. Having been through this himself, he knows that sometimes the most effective response to our darkest moments is a gentle humor, one that, while not denying the seriousness of suffering, at the same time acknowledges our complicated, flawed, and yet precious existence. Authoritative, accessible, personal, profound—there’s never been a book on suicide like this. It will help you understand yourself and your loved ones, and it will change the way you think about this most vexing of human problems.
The dramatic untold story of the Weavers, the hit-making folk-pop quartet destroyed with the aid of the United States government -- and who changed the world, anyway Following a series of top-ten hits that became instant American standards, the Weavers dissolved at the height of their fame. Wasn't That a Time: The Weavers, the Blacklist, and the Battle for the Soul of America details the remarkable rise of Pete Seeger's unlikely band of folk heroes, from basement hootenannies to the top of the charts, and the harassment campaign that brought them down. Exploring how a pop group's harmonies might be heard as a threat worthy of decades of investigation by the FBI, Wasn't That a Time turns the black-and-white 1950s into vivid color, using the Weavers to illuminate a dark and complex period of American history. With origins in the radical folk collective the Almanac Singers and the ambitious People's Songs, the singing activists in the Weavers set out to change the world with songs as their weapons, pioneering the use of music as a transformative political organizing tool. Using previously unseen journals and letters, unreleased recordings, once-secret government documents, and other archival research, Jesse Jarnow uncovers the immense hopes, incredible pressures, and daily struggles of the four distinct and often unharmonious personalities at the heart of the Weavers. In an era defined by a sharp political divide that feels all too familiar, the Weavers became heroes. With a class -- and race -- conscious global vision that now makes them seem like time travelers from the twenty-first century, the Weavers became a direct influence on a generation of musicians and listeners, teaching the power of eclectic songs and joyous, participatory harmonies.
Social psychology is the branch of psychology that studies social interactions, their genesis, and how they affect individual and collective behaviour. It explores how people's thoughts, feelings, and behaviours are influenced by the actual, imagined, or implied presence of others. Thus, this book critically examines some major social psychological concepts, debates, and major studies. It further evaluates them drawing on evidence from several research findings.
Get comfortable with the latest version of FileMaker Bento. Don’t just read about it: See it and hear it with step-by-step video tutorials and valuable audio sidebars delivered through the Free Web Edition that comes with every USING book. For the price of the book, you get online access anywhere with a web connection–no books to carry, updated content, and the benefit of video and audio learning. Way more than just a book, this is all the help you’ll ever need where you want, when you want! learn fast, learn easy, using web, video, and audio Show Me video walks through tasks you’ve just got to see–including bonus advanced techniques Tell Me More audio delivers practical insights straight from the experts
An exhaustive study of the richly textured "resistance culture" anarchists create to sustain their ideals and identities amid everyday lives defined by capital and the state, a culture prefiguring a post-revolutionary world and allowing an escape from domination even while enmeshed in it. Whether discussing famous artists like Kenneth Rexroth, John Cage, and Diane DiPrima, or relatively unknown anarchist writers, Jesse Cohn clearly links aesthetic dynamics to political and economic ones. This is cultural criticism at its best. Jesse Cohn is the author of Anarchism and the Crisis of Representation: Hermeneutics, Aesthetics, Politics, and an associate professor of English at Purdue University North Central in Indiana.
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