This intimate, shocking—and thoroughly unauthorized—portrait of the Hiltons chronicles the family’s amazing odyssey from poverty and obscurity to glory and glamour. From Conrad Hilton, the eccentric “innkeeper to the world” who built a global empire beginning with a fleabag in a dusty Texas backwater, to Paris Hilton, his great-granddaughter, whose fame took off with a sex video, House of Hilton is the unauthorized, eye-popping portrait of one of America’s most outrageous dynasties. If you want to know how Paris Hilton became who she is, you have to know where she came from. From scores of candid and exclusive interviews, from private documents and public records, New York Times bestselling author Jerry Oppenheimer has dug deeply into her paternal and maternal family roots to reveal the often shocking, tragic, and comic lives that helped shape the world’s most famous and fabulous “celebutante.” The cast of characters includes Paris’s maternal grandmother, a materialistic “stage mother from hell.” There is Paris’s maternal grandfather, who became an alcoholic housepainter. The life of Paris’s mother, Kathy Hilton, groomed by her mother to be a star and marry rich, is candidly revealed, too, as is that of Paris’s father, Rick, Conrad’s grandson. Paris’s tabloid antics are truly in the Hilton tradition. Set against a glittery Hollywood backdrop—with appearances by stars like Elizabeth Taylor, Zsa Zsa Gabor, Natalie Wood, and Joan Collins—House of Hilton brings to light a cornucopia of closely held Hilton family secrets and sexual peccadilloes, such as the many affairs and the nightclub-brawling, boozing, and pill-popping life of Paris’s great-uncle, Nick Hilton. The story of his hellish marriage to Liz Taylor alone rivals any of today’s Hollywood breakups. Behind it all was Conrad Hilton, who built his worldwide empire through the Great Depression while others were jumping out of windows. A devout Catholic publicly, his personal life was that of an unrepentant sinner. His first marriage was to Mary Barron Hilton, a sexy, hard-drinking, gambling Kentucky teenager half Conrad’s age. Wife number two was the gorgeous Zsa Zsa, who, like Paris, was famous for being famous. Their tumultuous marriage and headline-making divorce are revealed here in all their juicy glory. In all, House of Hilton is a gripping American saga, from the fire and passions that built a business empire to the debauchery and amorality passed on from one generation to the next.
Al & Owen are lucky to be rescued by pirates when they find themselves in the middle of a mysterious ocean. Will the pirates be their friends or foes? One thing is certain - it's the beginning of some amazing adventures!
Jay Bernard has been dedicated to his craft as a baller. That is, until his deeds land him a 14-year bid in the Federal Pen on drug-charges. Kim, Jay's supposed ?Bonnie? to his ?Clyde? wastes no time in cutting ties after his sentencing by moving her game to the new Baller-King (Paris). During Jay's incarceration, sexy Summer Foster, proves to be a better friend than anyone who?d benefited from Jay's life-style. Though from the same hood, Summer has managed to rise-up, earning a college degree and currently an M.B.A. student at Harvard. After his early-release, Jay finds it hard to avoid the only life he knows. Paris views himself as a street-rival of Jay's even before his stint in prison, and now feels threatened that Jay may want to re-claim everything back ? his drug territory and his woman (Kim)! When the inevitable confrontation arises between Jay and Paris, the next move could be the last!
Celebrate Zits’ twentieth anniversary with the always spot-on, sometimes chaotic, and often messy comic moments between Jeremy and his befuddled parents. Authors Jerry Scott and Jim Borgman have sifted through the highlights (and some lowlights!) over the life of the strip and have created a unique behind-the-scenes, insightful view into the history of Zits. They have selected their all-time favorite cartoons to fill the collection along with special features, including stories about: How they met in Sedona, Arizona, and came up with the crazy idea of creating Zits The teenagers in their own lives Choosing the title Zits Strips that newspapers declined to publish, or words they censored, etc. Creating a Zits Sunday strip Sucks, bites, and blows: staking out territory on the comic page Fish paste and other reasons our kids don’t want to travel with us anymore Excerpts from their sketchbooks will also be shown. This is the book every fan of Zits has ever wanted!
The controversial Jewish thinker whose tortured path led him into the heart of twentieth-century intellectual life Scion of a distinguished line of Talmudic scholars, Jacob Taubes (1923–1987) was an intellectual impresario whose inner restlessness led him from prewar Vienna to Zurich, Israel, and Cold War Berlin. Regarded by some as a genius, by others as a charlatan, Taubes moved among yeshivas, monasteries, and leading academic institutions on three continents. He wandered between Judaism and Christianity, left and right, piety and transgression. Along the way, he interacted with many of the leading minds of the age, from Leo Strauss and Gershom Scholem to Herbert Marcuse, Susan Sontag, and Carl Schmitt. Professor of Apocalypse is the definitive biography of this enigmatic figure and a vibrant mosaic of twentieth-century intellectual life. Jerry Muller shows how Taubes’s personal tensions mirrored broader conflicts between religious belief and scholarship, allegiance to Jewish origins and the urge to escape them, tradition and radicalism, and religion and politics. He traces Taubes’s emergence as a prominent interpreter of the Apostle Paul, influencing generations of scholars, and how his journey led him from crisis theology to the Frankfurt School, and from a radical Hasidic sect in Jerusalem to the center of academic debates over Gnosticism, secularization, and the revolutionary potential of apocalypticism. Professor of Apocalypse offers an unforgettable account of an electrifying world of ideas, focused on a charismatic personality who thrived on controversy and conflict.
From the New York Times bestselling author of Just Desserts: Martha Stewart: The Unauthorized Biography comes a scrupulously researched investigative biography that tells the inside story of Anna Wintour's incredible rise to power From her exclusive perch front row center, glamorous Vogue magazine editor in chief Anna Wintour is the most powerful and influential style-maker in the world. Behind her trademark sunglasses and under the fringe of her Louise Brooks bob she determines whether miniskirts are in or out, whether or not it's politically correct to wear fur. She influences designers, wholesalers, and retailers globally from Seventh Avenue to the elegant fashionista enclaves of L'Avenue Montaigne and Via della Spiga. In the U.S. alone a more than $200 billion fashion industry can rise or fall on Anna Wintour's call. And every month millions of women-and men-read Vogue, and are influenced by the pages of the chic and trendy style wish-book that she has controlled with an iron hand in a not-always-so-velvet glove since fighting her way to the most prestigious job in fashion journalism. Anna Wintour's fashion influence extends to celebrities and politicians: because of it, Hillary Clinton underwent a drastic makeover and became the first First Lady to strike a pose on the cover of Vogue in the midst of Monicagate; Oprah Winfrey was forced to go on a strict diet before Wintour would put her on Vogue's cover. And beauties like Rene Zellweger and Nicole Kidman follow Anna Wintour's fashionista rules to the letter. Now in her mid-fifties, as she nears her remarkable second decade at the helm of Vogue, comes this revealing biography that will shock and surprise both Anna's fans and detractors alike. Based on scores of interviews, Front Row unveils the Anna Wintour even those closest to her don't know. Oppenheimer chronicles this insecure and creative powerhouse's climb to the top of the bitchy, competitive fashion magazine world, showing up close, as never before exposed, how she artfully crafted and reinvented herself along the way. She's been called many things-"Nuclear Wintour," by the British press, "cold suspicious and autocratic, a vision in skinniness," by Grace Mirabella, the editor she dethroned at Vogue, and the "Devil" by those who believe she's the inspiration for a recent bestselling novel written by a former assistant. Included among the startling revelations in Front Row are: * Anna's "silver spoon" childhood spent craving time with her father. * Anna's rebellious teen years in London, obsessed with fashion, night-clubbing and dating roguish men. * Anna's many tempestuous romances. * Anna's curious marriage to a brilliant child psychiatrist, her role as a mother, and the shocking scandal that led to divorce when she had an affair with a married man.
Virtually no subject--politics, slavery, religion, gardening, music, architecture, natural history, or science to name a few--escaped the interest and attention of Thomas Jefferson. Through nearly 800 excerpts of Jefferson's writing, ranging in length from one sentence to nearly a page, Thomas Jefferson: A Chronology of His Thoughts, allows readers to share in Jefferson's greatest triumphs and achievements and reflects on the moments that truly tested the very fiber of his soul, publicly and privately. From the glory of crafting the Declaration of Independence and assuming the mantle of leadership as the Republic's third president, through his moral struggle with slavery and the agony of losing his young wife and daughter, Jerry Holmes chronicles Jefferson's life through his own words. Thomas Jefferson: A Chronology of His Thoughts will fascinate both the serious Jefferson scholar as well as curious newcomers.
This book analyses soldiers’ memoirs from the Great War of 1914-18 from Britain, France and Germany. It considers both the authors’ composition of the memoirs and the public response to them. It provides contextual analysis through a survey of the different types of contemporary writing about the Great War, through an analysis of changes in the language used to describe combat, and through an analysis of those people whose accounts of the war were either excluded or marginalised. It also considers the international response to the most successful of the texts. The purpose of the analysis is to show how soldiers’ memoirs contributed to the collective memory of the war and how they influenced public opinion about the war. These texts are both autobiographical and historical and their relationship to the fields of autobiography and historical writing is also considered, as well as to the distinction between fact and fiction.
Jean-Luc Godard and Anne-Marie Miéville are among the most important postwar filmmakers; they have worked across forms, across media, and across countries. This book, the first to be devoted specifically to the work they did together, examines the way they expanded the possibilities of cinema by using cutting-edge video equipment in a constant search for a new kind of filmmaking. Two Bicycles examines all of the films, videos, and television works that the two did together, and moves slowly across France and Switzerland, with detours in Quebec, Mozambique, and Palestine. Their amazingly varied body of work includes a twelve-hour television series, some experimental videos, an acclaimed feature film with Isabelle Huppert, a cigarette commercial, and much else. Overall the book shows the degree to which this work departs radically from the legacy of the French New Wave, and in many ways shows signs of having been formed by the distinct culture of Switzerland, to which Godard and Miéville returned in the 1970s to set up their “atelier,” Sonimage. Two Bicycles offers a chance to explore a body of work that is as unique and demanding as it is rich and revelatory. Godard and Miéville have worked together for four decades but have never seemed more relevant.
Frontcover -- Contents -- List of illustrations -- Acknowledgements -- Introduction -- 1 Homage to the Devil: ritual, writing, seal -- 2 The self as dissemblance -- 3 Intervention of the Virgin -- 4 Sacramental action and Neoplatonic exemplarism -- Conclusion -- Works cited -- Appendix: Image charts -- Illustrations -- General index -- Index of figures
As a writer, Glenway Wescott (1901–1987) left behind several novels, including The Grandmothers and The Pilgrim Hawk, noted for their remarkable lyricism. As a literary figure, Wescott also became a symbol of his times. Born on a Wisconsin farm in 1901, he associated as a young writer with Hemingway, Stein, and Fitzgerald in 1920s Paris and subsequently was a central figure in New York’s artistic and gay communities. Though he couldn’t finish a novel after the age of forty-five, he was just as famous as an arts impresario, as a diarist, and for the company he kept: W. H. Auden, Christopher Isherwood, Marianne Moore, Somerset Maugham, E. M. Forster, Joseph Campbell, and scores of other luminaries. In Glenway Wescott Personally, Jerry Rosco chronicles Wescott’s long and colorful life, his early fame and later struggles to write, the uniquely privileged and sometimes tortured world of artistic creation. Rosco sensitively and insightfully reveals Wescott’s private life, his long relationship with Museum of Modern Art curator Monroe Wheeler, his work with sex researcher Alfred Kinsey that led to breakthrough findings on homosexuality, and his kinship with such influential artists as Jean Cocteau, George Platt-Lynes, and Paul Cadmus.
A seventeenth-century English traveler to the Eastern Mediterranean would have faced a problem in writing about this unfamiliar place: how to describe its inhabitants in a way his countrymen would understand? In an age when a European education meant mastering the Classical literature of Greece and Rome, he would naturally turn to touchstones like the Iliad to explain the exotic customs of Ottoman lands. His Turk would have been Homer’s Turk. An account of epic sweep, spanning the Crusades, the Indian Raj, and the postwar decline of the British Empire, Homer’s Turk illuminates how English writers of all eras have relied on the Classics to help them understand the world once called “the Orient.” Ancient Greek and Roman authors, Jerry Toner shows, served as a conceptual frame of reference over long periods in which trade, religious missions, and imperial interests shaped English encounters with the East. Rivaling the Bible as a widespread, flexible vehicle of Western thought, the Classics provided a ready model for portrayal and understanding of the Oriental Other. Such image-making, Toner argues, persists today in some of the ways the West frames its relationship with the Islamic world and the rising powers of India and China. Discussing examples that range from Jacobean travelogues to Hollywood blockbusters, Homer’s Turk proves that there is no permanent version of either the ancient past or the East in English writing—the two have been continually reinvented alongside each other.
Jim Morrison, lead singer of the Doors, has achieved a bizarre cult status since his death in 1971. Morrison was one of the most popular and controversial figures to emerge during the sixties; described as an 'erotic politician', poet, shaman, Dionysian drunk, his style and influence have grown steadily in the twenty years since his death, so that the real man has gradually disappeared behind the legend. Now, in The Lizard King: The Essential Jim Morrison, Morrison's biographer Jerry Hopkins, co-author of No One Here Gets Out Alive, reassesses Jim's life and provides fresh insights into him as a human being rather than the myth that he has become. But this reassessment is only part of this remarkable book. At its heart is a series of interviews with Jim Morrison by journalists including Hopkins himself, Ben Fong-Torres, John Tobler, Bob Chorush, Salli Stevenson, Richard Goldstein and the late John Carpenter, Morrison shows himself to have been articulate, intelligent and witty. Published uncut, these interviews provide a unique insight into a man who consciously created his own myth, then lived to regret it. Stripping bare the facts from the fantasies of Jim's death in Paris in 1971, and taking a long hard look at what has happened since to the people who he left behind, The Lizard King: The Essential Jim Morrison brings sharply into focus the broken dreams and unreachable ideals of one of the sixties' most enduring icons.
Written for high school or beginning undergraduate students, this four-volume reference valiantly attempts to provide a historical framework for the perhaps overly broad concept of world trade. Entry topics were selected on trade organizations, influential people, commodities, events that affected trade, trade routes, navigation, religion, communic
This intimate, shocking—and thoroughly unauthorized—portrait of the Hiltons chronicles the family’s amazing odyssey from poverty and obscurity to glory and glamour. From Conrad Hilton, the eccentric “innkeeper to the world” who built a global empire beginning with a fleabag in a dusty Texas backwater, to Paris Hilton, his great-granddaughter, whose fame took off with a sex video, House of Hilton is the unauthorized, eye-popping portrait of one of America’s most outrageous dynasties. If you want to know how Paris Hilton became who she is, you have to know where she came from. From scores of candid and exclusive interviews, from private documents and public records, New York Times bestselling author Jerry Oppenheimer has dug deeply into her paternal and maternal family roots to reveal the often shocking, tragic, and comic lives that helped shape the world’s most famous and fabulous “celebutante.” The cast of characters includes Paris’s maternal grandmother, a materialistic “stage mother from hell.” There is Paris’s maternal grandfather, who became an alcoholic housepainter. The life of Paris’s mother, Kathy Hilton, groomed by her mother to be a star and marry rich, is candidly revealed, too, as is that of Paris’s father, Rick, Conrad’s grandson. Paris’s tabloid antics are truly in the Hilton tradition. Set against a glittery Hollywood backdrop—with appearances by stars like Elizabeth Taylor, Zsa Zsa Gabor, Natalie Wood, and Joan Collins—House of Hilton brings to light a cornucopia of closely held Hilton family secrets and sexual peccadilloes, such as the many affairs and the nightclub-brawling, boozing, and pill-popping life of Paris’s great-uncle, Nick Hilton. The story of his hellish marriage to Liz Taylor alone rivals any of today’s Hollywood breakups. Behind it all was Conrad Hilton, who built his worldwide empire through the Great Depression while others were jumping out of windows. A devout Catholic publicly, his personal life was that of an unrepentant sinner. His first marriage was to Mary Barron Hilton, a sexy, hard-drinking, gambling Kentucky teenager half Conrad’s age. Wife number two was the gorgeous Zsa Zsa, who, like Paris, was famous for being famous. Their tumultuous marriage and headline-making divorce are revealed here in all their juicy glory. In all, House of Hilton is a gripping American saga, from the fire and passions that built a business empire to the debauchery and amorality passed on from one generation to the next.
Reflection on the "history of opinion", and its application to our contemporary world and controversies over technology and our environmental difficulties, is the distinguishing feature of the thoughtful economist. If the reader of this book is moved to reflect on the work of Schumpeter and Kalecki, the author of this book will have succeeded. Even more important than this, if the reader of this book comes to a changed and deeper understanding of how technology changes in our faltering capitalist economies, and of how the environment is affected by production and may be improved with better ways of satisfying our personal and productive needs, then the author will have done an even greater service to his profession and humanity.' From the foreword by Jan Toporowski, School of Oriental and African Studies, University of London, UK 'Jerry Courvisanos provides us with a timely analysis of the forces behind the crises of capitalism and the tendency towards ecologically unsustainable growth. He draws on the work of two of most creative, if not most recognized, economists of the 20th Century, Michal Kalecki and Joseph Schumpeter. In place of mainstream analysis with its emphasis on marginal conditions for optimisation around well-defined equilibrium, we have a world of innovation, structural change, creative destruction, business cycles, financial crises, changing income distribution and many other inconvenient developments that plague modern economies.' From the foreword by Harry Bloch, Curtin University, Australia Cycles, crises and innovation are the major economic forces that shape capitalist economies. Using a critical realist political economy approach, the analysis in this fine work is based on the works of Micha Kalecki and Joseph Schumpeter both of whom identify these three dynamic forces as plotting the path of economic development. Jerry Courvisanos' thought-provoking book examines how the rise of capital through investment enshrines innovation in profit and power which in turn determines the course of cycles and crises. The author concludes by arguing for strategic intervention by transformative eco-innovation as a public policy path to ecologically sustainable development. This interdisciplinary book will appeal to economists, innovation and entrepreneurship-based scholars, postgraduate students studying the political economy of both innovation and entrepreneurship, regional development planners and economic development policymakers. Anyone with a general interest in economics, politics and innovation or looking for a path out of the economic and ecological morass of current capitalism, will also find much to interest them in this book.
A personal history of the fragmented 20th century that has careened from modern technology to barbarity in a complex and confusing spiral. The author is the son of immigrants who were born thirty kilometres from each other in southern Poland. Fortuitously, due to religious ties, they met in Toronto in 1927, fell in love, married and settled in London, Ontario in 1930. The author's father's life spanned the first half of the twentieth century until his tragic death in a street accident in 1950. His mother's life spanned the entire twentieth century, born in 1900, arriving in Canada in 1907, and she passed away in 2002, in Toronto, and remained lucid to the end.History repeats itself, while mistakes are little learned from errors, venality and endless brutality. At best, he witnessed the descent from principle to pragmatism. He is fortunate in encountering fascinating personalities in politics, religion, arts, academia, and sports all of whom left singular impressions on him and others in Canada and around the globe. Ultimately, he discovered that it is not the destination but the journey along the way that continues to astound and surprise him as the innards of the human condition revolves and evolves without rhyme or reason.
During their thirteenth and fourteenth century, a band of warriors rose to prominence in Europe and Palestine. The land of the Middle East was knows as Outremer, the men who dominated these lands were a group of warriors knows as the Knights Templar, poor fellow soldiers of Christ. These knights gave up all wealth and nobility to follow the covenants of Christ. The house of the Templar’s based in Paris, became a powerful economic force amassing great wealth by donations of money and property. They were the most skilled fighting units of the crusades in the Holy land while also becoming financiers, bankers, merchants and seaman with their own fleet of merchant ships. When the Holy land fell under the control of the Ottoman empire, support for the order faded, King Philip IV of France was deeply in debt to the Templar order, a debt he could never repay. With the aid of Pope Clement V, they denounced the Templar’s as Herotics, killed many while burning the leaders at the stake. A dedicated order of Knights stole away in the night, taking a vast amount of treasure with them, a treasure that was searched for yet has not been found to this day. Though, the myth of the hidden treasure remains. Meanwhile, in the present day, a New York lawyer, hired to locate millions of dollars supposedly brought to Casablanca, Morocco from Florida by Scott Rothstein. A perpetrator of the fourth largest Ponzi scheme in history, a scheme that bilked innocent people of $1.4 billion dollars. Mark Radin, aside from being prominent criminal attorney, was also a decorated Navy Seal with extensive combat experience in many clandestine and covert missions around the world. While in Casablanca, he becomes involved in a murder of a ruthless criminal who was attempting to steal an ancient document from a young messenger who was in the process of delivering this manuscript to a Rabbi for translation. The writing was in an old dialect making it difficult to understand. With the young boy, in possession of the portfolio containing the manuscript the pair must run for their lives, being pursued by the police and members of the criminal gang. Their journey takes them from Morocco to Egypt then Israel in search of someone with the knowledge to understand then translate the papers in the leather case the young courier possesses. The search to discover the contents of this archaic script sends Mark on a dangerous journey to determine the validity of the information in the documents following the trail of loyal band of Templar’s who traveled this way eight hundred years ago. That is if the myth, the rumors of the hidden treasure were true! Only time would tell where the trail led.
From live productions of the 1950s like Requiem for a Heavyweight to big budget mini-series like Band of Brothers, long-form television programs have been helmed by some of the most creative and accomplished names in directing. Encyclopedia of Television Film Directors brings attention to the directors of these productions, citing every director of stand alone long-form television programs: made for TV movies, movie-length pilots, mini-series, and feature-length anthology programs, as well as drama, comedy, and musical specials of more than 60 minutes. Each of the nearly 2,000 entries provides a brief career sketch of the director, his or her notable works, awards, and a filmography. Many entries also provide brief discussions of key shows, movies, and other productions. Appendixes include Emmy Awards, DGA Awards, and other accolades, as well as a list of anthology programs. A much-needed reference that celebrates these often-neglected artists, Encyclopedia of Television Film Directors is an indispensable resource for anyone interested in the history of the medium.
US public companies will have to follow International Financial Reporting Standards as of January 1, 2011. Weygandt’s Financial Accounting: IFRS introduces challenging accounting concepts with examples that are familiar to the student while incorporating the new global accounting standards. Following the reputation for accuracy, comprehensiveness, and currency, Weygandt guides students through financial accounting and the period of transition for IFRS readiness. The text prepares student for the requirements they will follow in the coming years.
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