From Bushville: "The game is a fine construct. Its trace through anyone's life can range from a youthful diversion to a full-blown career, a tender small-fingered grasp to a deep muscular understanding. It provides a focus and a way to express the physical self in a physical world. I've played every moment of every game in my life as an amateur in the best sense of that word--doing something I love just for the love of it. The roots of that soulful effort run as deep as my earliest memories, measuring them. And possibly, yours likewise." To play baseball is to become part of the game. One need not be a megabuck star to live baseball as a participant, to figure into its geometry and its drama. The friendly exertions of amateur play lie at the heart of the sport, comprising the wellspring of its professional levels. Here viewed as a pastime through the eyes of a lifelong amateur player, baseball unfolds as an experience of motion and time and senses--the work of muscle, the textures of wood and leather, the warmth of sun, the scents of a grassy field. In the timeless continuity of the game can be glimpsed part of baseball's singular appeal: the lively tension between the momentary and the eternal, what is over and what is never over. The interwoven essays making up Bushville are a poignant reflection upon the pursuit of what is essentially a ball, but what is crucially human as well.
These lists are usually generated in neat doses of one hundred titles. Here then (at least in the opinions of Messrs. Hutner and Kelly) are the hundred greatest printed books of the twentieth century. Given another pair of editors, you d probably be offered a different list, but this one serves and serves well, for it concentrates not only on the recognized chestnuts, but also lesser-known, and often exceedingly récherché volumes that have left their mark. It is noteworthy that only two books in the survey were printed by offset; the rest are all letterpress. And although America is strongly represented, there are also selections from Italy, France, Germany, the Netherlands, England, Wales and Switzerland. Every book is illustrated in fine line duotone, many in color, and best of all, the captions that accompanied the original Grolier exhibit have been transcribed intact. In their two prefatory essays, Hutner has provided a convincing defense of his choices (1900 1948), and Kelly, a spirited apologia for his (1949 1999). Joe Blumenthal ended his survey of fine printing in America with the observation that the art of the book, one of the slender graces of civilization, works its charm on each new generation. This survey, while admittedly neither comprehensive nor definitive, provides an excellent overview of fine printing over the past hundred years. Despite Morison s contention that typography is the most conservative of all the arts, the form of the book continues to mutate, evolve, and advance. If we are to overcome the complexities of a digital age, we would do well to appreciate, if not embrace, that heritage. -- Amazon.com.
Based on the memoirs and correspondence of Luther Sage "Yellowstone" Kelly (1849-1928), this first full-length biography offers a comprehensive look at a remarkable man who knew the frontier of the American West and recorded his impressions of that time and place with a fluid, literary pen.
Calligraphy and the lettering arts have been enjoying a renaissance all across America. This volume offers a selection of the work of the calligraphers who have made major contribtions to the field and whose work, in the opinion of their peers, is consistently outstanding. Illustrated with 140 examples of this work, it displays the richness and diversity of this art form.
The story of a foundational aspect of publishing, from Gutenberg's press to today's digital type. It's common knowledge that the name Gutenberg and the words "moveable type" go together. What's far less known is that Garamond, Baskerville, and Bodoni aren't just font options in a word processing dropdown menu, but the names of some of the real punchcutters and type designers who raised the essential work of typography to the level of art. One Hundred Books Famous in Typography, the latest entry in the Grolier Club's prestigious Grolier Hundred series, is the story of art and technology working in harmony with each other, all the way from Johannes Gutenberg's ingenious development of a system for reproducing texts through the introduction of newer technologies like hot-metal line casting, phototype, and digital type. Featuring scholarly yet accessible context for the works discussed and their typographical significance, and illustrated with more than two hundred images, Jerry Kelly's book is the most comprehensive exploration yet of this essential facet of bookmaking and publishing.
The design of contemporary books is fundamentally influenced by the work of the great masters of who were active during the 20th century. This work documents the work of eleven of the most preeminent designers, including Joseph Blumenthal, D.B. Updike, Hermann Zapf and Jan Tschichold. Each biographical essay is supported by a selection of 10 full-page illustrations. The author, Jerry Kelly is an award-winning designer and calligrapher whose work has been widely published in a number of books and journals.
Based on the memoirs and correspondence of Luther Sage "Yellowstone" Kelly (1849-1928), this first full-length biography offers a comprehensive look at a remarkable man who knew the frontier of the American West and recorded his impressions of that time and place with a fluid, literary pen.
The essays in volume 23 of Theatre Symposium offer a rich exploration of depictions of youth in works of theatre as well as the role youth play in the creation and performance of drama.
Through the selection of eleven master designers, Jerry Kelly illustrates a wide range of styles: from classically inspired design and historical revival, to novel and modern layouts.
When Superman debuted seventy-five years ago, it was not merely the beginning for one character, but for an entire genre. The phrase 'super hero' had yet to be coined when ACTION COMICS #1 hit newsstands in 1938, but once Superman entered the scene, effortlessly lifting a car above his head on that first iconic cover, the character paved the way for each of the hundreds (if not thousands) of super-powered heroes written since. SUPERMAN: A CELEBRATION OF 75 YEARS gathers a range of stories featuring the first and greatest super hero, highlighting the many roles the Man of Steel has played over the decades. In these celebrated stories, Superman is in turns the Herculean champion, the lonely alien survivor, the super-powered Boy Scout and the soul-searching leader. Over the course of seventy-five years, watch as the character grows from a simple strongman to the beloved international symbol he is today! This Volume Collects: ('Superman, Champion of the Oppressed') / ('War in San Monte') - ACTION COMICS #1-2 (1938) Writer: Jerry Siegel, Artist: Joe Shuster 'How Superman Would End the War' - Look Magazine (1940) Writer: Jerry Siegel, Artist: Joe Shuster 'Man or Superman?' - SUPERMAN #17 (1942) Writer: Jerry Siegel, Penciller: Joe Shuster, Inker: Joe Sikela 'The Origin of Superman' - SUPERMAN #53 (1948) Writer: Bill Finger, Penciller: Wayne Boring, Inker: Stan Kaye'The Mightiest Team in the World' - SUPERMAN #76 (1952) Writer: Edmond Hamilton, Penciller: Curt Swan, Inker: John Fishchett i'The Super-Duel in Space' - ACTION COMICS #242 (1958) Writer: Otto Binder, Artist: Al Plastino 'The Girl From Superman's Past' - SUPERMAN #129 (1959) Writer: Bill Finger, Penciller: Wayne Boring, Inker: Stan Kaye'Superman's Return to Krypton' - SUPERMAN #141 (1960) Writer: Jerry Siegel, Penciller: Wayne Boring, Inker: Stan Kaye'The Death of Superman' - SUPERMAN #149 (1961) Writer: Jerry Siegel, Penciller: Curt Swan, Inker: George Klein'Must There Be a Superman?' - SUPERMAN #247 (1972) Writer: Eliot S. Maggin, Penciler: Curt Swan, Inker: Murphy Anderson 'Rebirth' - ACTION COMICS #544 (1983) Writer: Marv Wolfman, Artist: Gil Kane'The Living Legends of Superman' (excerpt) - SUPERMAN #400 (1985) Writer: Elliot S. Maggin, Artist: Frank Miller'For the Man Who Has Everything' - SUPERMAN ANNUAL #11 (1985) Writer: Alan Moore, Artist: Dave Gibbons'The Name Game' - SUPERMAN #11 (1987) Writer/Penciller: John Byrne, Inker: Karl Kesel'Doomsday' - SUPERMAN #75 (1993) Writer/Penciller: Dan Jurgens, Inker: Brett Breeding'What's So Funny About Truth Justice and the American Way?' - ACTION COMICS #775 (2001) Writer: Joe Kelly, Pencillers: Doug Mahnke, Lee BermejoInkers: Tom Nguyen, Dexter Vines, Jim Royal, Jose Marzan, Jr., Wade Von Grawbadger, Wayne Faucher'Question of Confidence' - Mythology: The DC Comics Art of Alex Ross (2003) Writer: Chip Kidd, Artist: Alex Ross 'The Incident' - ACTION COMICS #900 (2011) Writer: David S. Goyer, Artist: Miguel Sepulveda'The Boy Who Stole Superman's Cape' - ACTION COMICS #0 (2012) Writer: Grant Morrison, Artist: Ben Oliver.
This catalogue contains some of the most beautiful books of the twentieth century from the collection of Kenneth Auchincloss. It includes a three page biographical sketch of Ken, by his wife Lee Auchincloss, as well as ten facsimiles. Gaylord Shanilec contributed the wood engraving, Bradley Hutchinson printed the cover, and Jerry Kelly contributed the design. The exhibition was held on May 19 to June 17, 2005.
What is stargazer, skateboarder, chess champ, pepperoni pizza eater, older brother, sister hater, best friend, first kisser, science geek, control freak Will Tuppence so afraid of in this great big universe? Jerry Spinelli knows.
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