In 1888, Samuel F. Cody, a twenty-one-year-old horse wrangler, met Maud Lee, a sixteen-year-old aspiring circus performer, while touring with the Wild West show cast of Adam Forepaugh's Circus. A quick rapport developed between the girl from Norristown, Pennsylvania, and the cowboy who dazzled audiences with his good looks and fancy pistol shooting. A Pair of Shootists is the exuberant and sometimes heartbreaking story of the elusive S. F. Cody and his first wife, Maud Lee. Recounting their many dramatic exploits, this biography also overturns the frequently romanticized view of Wild West shows. Living the erratic lives of touring performers, S. F. Cody — who changed his name to capitalize on his resemblance to William F. "Buffalo Bill" Cody — and Maud Lee first appeared together in vaudeville halls and dime museums. Setbacks in the United States made Cody and Lee eager to try their luck abroad, so they traveled to Great Britain, where they played music halls and acted in burlesques on roller-skates and in extravagant arena exhibitions. When the two performers eventually parted ways, author Jerry Kuntz masterfully splits their stories into two. From there, he follows their individual ups and downs, including Cody's soaring career in pioneer aeronautics and Lee's decline into mental illness and addiction. In an ironic twist, Maud's professional life ended amidst a vast misunderstanding that brought her into conflict with the woman she had been emulating her entire career: Annie Oakley. While other biographies focus mainly on Cody's contribution to aviation, Kuntz uses sources previously unavailable to scholars to paint a more complete picture of Cody's early years and to recover the forgotten — and ultimately tragic — story of Maud Lee.
In 1888, Samuel F. Cody, a twenty-one-year-old horse wrangler, met Maud Lee, a sixteen-year-old aspiring circus performer, while touring with the Wild West show cast of Adam Forepaugh's Circus. A quick rapport developed between the girl from Norristown, Pennsylvania, and the cowboy who dazzled audiences with his good looks and fancy pistol shooting. A Pair of Shootists is the exuberant and sometimes heartbreaking story of the elusive S. F. Cody and his first wife, Maud Lee. Recounting their many dramatic exploits, this biography also overturns the frequently romanticized view of Wild West shows. Living the erratic lives of touring performers, S. F. Cody — who changed his name to capitalize on his resemblance to William F. "Buffalo Bill" Cody — and Maud Lee first appeared together in vaudeville halls and dime museums. Setbacks in the United States made Cody and Lee eager to try their luck abroad, so they traveled to Great Britain, where they played music halls and acted in burlesques on roller-skates and in extravagant arena exhibitions. When the two performers eventually parted ways, author Jerry Kuntz masterfully splits their stories into two. From there, he follows their individual ups and downs, including Cody's soaring career in pioneer aeronautics and Lee's decline into mental illness and addiction. In an ironic twist, Maud's professional life ended amidst a vast misunderstanding that brought her into conflict with the woman she had been emulating her entire career: Annie Oakley. While other biographies focus mainly on Cody's contribution to aviation, Kuntz uses sources previously unavailable to scholars to paint a more complete picture of Cody's early years and to recover the forgotten — and ultimately tragic — story of Maud Lee.
For twenty-one years, Judge Isaac C. Parker ruled in the federal court at Fort Smith, Arkansas, the gateway to the wild and lawless Western frontier. Parker, however, was not the "hangin' judge" that casual legend portrays. In most cases, the guilt or innocence of those tried in his court really was not in question once their stories were told. These horrible crimes would have screamed out for justice in any circumstance. Author Jerry Akins has finally arrived at the real story about Parker and his court by comparing newspaper accounts of the trials and executions to what has been written and popularized in other books.
When Carole Lombard was tragically killed in a plane crash on January 16, 1942, she was 33 years old and had been a film actress for almost 20 years, yet her best work probably still lay ahead. She had reached a career high point, earning praise for her talents as a comedienne as well as a dramatic actress. As well liked as she was on screen, she was equally popular off screen, known for being witty, uninhibited and a great party-giver. Blonde and beautiful, she reigned as the queen of Hollywood when she married Clark Gable, its king. This book offers a thorough examination of her too-short life and provides information about her 78 films, including cast and credits, synopses, reviews and comments. Photographs from her life and films complete the work.
The profound expansion of television into American homes in the 1950s brought a flood of adapted plays to the small screen and resulted in the rebirth of the careers of many significant playwrights. The Great American Playwrights on the Screen provides fans with a video and DVD guide to the adapted works of the playwrights and shows which versions are available for home viewing and in what media (VHS and DVD). It resurrects the memory of television productions of plays at a critical time, when many of them - including Emmy winners and nominees - are deteriorating in vaults."--BOOK JACKET.
The stereotypical hillbilly figure in popular culture provokes a range of responses, from bemused affection for Ma and Pa Kettle to outright fear of the mountain men in Deliverance. In Hillbillyland, J. W. Williamson investigates why hillbilly images are so pervasive in our culture and what purposes they serve. He has mined more than 800 movies, from early nickelodeon one-reelers to contemporary films such as Thelma and Louise and Raising Arizona, for representations of hillbillies in their recurring roles as symbolic 'cultural others.' Williamson's hillbillies live not only in the hills of the South but anywhere on the rough edge of society. And they are not just men; women can be hillbillies, too. According to Williamson, mainstream America responds to hillbillies because they embody our fears and hopes and a romantic vision of the past. They are clowns, children, free spirits, or wild people through whom we live vicariously while being reassured about our own standing in society.
Buster Crabbe's chief claim to fame, aside from his Olympic gold medal (for the 400-meter freestyle event in 1932), rests in the trio of movie serials in which he played the popular science-fiction hero Flash Gordon. Crabbe was the only actor to play the roles of Tarzan (in one movie), Flash Gordon, and Buck Rogers, the top three pulp action heroes of the 1930s. Crabbe carved out a career that would also include more than 100 B-movies and program Westerns, a television adventure series, and a successful physical fitness enterprise. All of this and more is detailed in this book, which includes a complete filmography providing cast and crew information for each of his 103 feature films and serials.
From live productions of the 1950s like Requiem for a Heavyweight to big budget mini-series like Band of Brothers, long-form television programs have been helmed by some of the most creative and accomplished names in directing. Encyclopedia of Television Film Directors brings attention to the directors of these productions, citing every director of stand alone long-form television programs: made for TV movies, movie-length pilots, mini-series, and feature-length anthology programs, as well as drama, comedy, and musical specials of more than 60 minutes. Each of the nearly 2,000 entries provides a brief career sketch of the director, his or her notable works, awards, and a filmography. Many entries also provide brief discussions of key shows, movies, and other productions. Appendixes include Emmy Awards, DGA Awards, and other accolades, as well as a list of anthology programs. A much-needed reference that celebrates these often-neglected artists, Encyclopedia of Television Film Directors is an indispensable resource for anyone interested in the history of the medium.
... Butler's recollections of the racially segregated 'chitlin circuit, ' the early days of the civil rights movement and fellow performers like Dinah Washington, Little Willie John and Dionne Warwick are fascinating and insightful.... Only the Strong Survive makes one wish it came with a soundtrack." --The New York Times Book Review " Only the Strong Survive] presents a portrait of a remarkable performer, as well as an up-close and personal look at the world of rhythm and blues from the perspective of an insider.... A moving chronicle of one of America's music pioneers." --Chicago Tribune "More than an autobiography, Only the Strong Survive is also a glimpse at the political and social climate of the times which shaped the life of one man." --Ebony
Long before the Patriots took the 21st century by storm and became the most dominant team in NFL history, pro football was something entirely different in New England, something comically atrocious and riddled with heartbreak. Before those juggernaut years of Bill Belichick, Tom Brady, and sold-out crowds at Gillette Stadium came a hapless franchise that managed only a single playoff victory in a quarter century and spent its entire first decade of existence just trying to establish a permanent home field (and even when they did, none of the toilets worked). In From Darkness to Dynasty, bestselling author Jerry Thornton irreverently chronicles those easily glossed-over, downtrodden decades--years when the team claimed more headlines for lawsuits, arrests, power struggles, drug problems, and inept, bizarre, behavior from players, coaches, and owners than for anything they accomplished on the field. Relive the behind-the-scenes dysfunction, the turmoil of prolonged irrelevance, and the improbable way the Patriots finally ascended to greatness. By turns hilarious and eye-opening, this is an essential history for fans and disparagers alike, and a pointed reminder that the best stories of triumph start with humble beginnings.
Where do the heroes go when the cheering ends? In his follow-up to the best-selling Downfield!, Jerry Poling reveals the lives of the 1997 Super Bowl champions after they left the Packers. Also included are former greats Lynn Dickey, Don Majkowski, and others from before the ?New Glory Years.?
“For almost two decades, investigative journalist Jerry Mitchell doggedly pursued the Klansmen responsible for some of the most notorious murders of the civil rights movement. This book is his amazing story. Thanks to him, and to courageous prosecutors, witnesses, and FBI agents, justice finally prevailed.” —John Grisham, author of The Guardians On June 21, 1964, more than twenty Klansmen murdered three civil rights workers. The killings, in what would become known as the “Mississippi Burning” case, were among the most brazen acts of violence during the civil rights movement. And even though the killers’ identities, including the sheriff’s deputy, were an open secret, no one was charged with murder in the months and years that followed. It took forty-one years before the mastermind was brought to trial and finally convicted for the three innocent lives he took. If there is one man who helped pave the way for justice, it is investigative reporter Jerry Mitchell. In Race Against Time, Mitchell takes readers on the twisting, pulse-racing road that led to the reopening of four of the most infamous killings from the days of the civil rights movement, decades after the fact. His work played a central role in bringing killers to justice for the assassination of Medgar Evers, the firebombing of Vernon Dahmer, the 16th Street Church bombing in Birmingham and the Mississippi Burning case. Mitchell reveals how he unearthed secret documents, found long-lost suspects and witnesses, building up evidence strong enough to take on the Klan. He takes us into every harrowing scene along the way, as when Mitchell goes into the lion’s den, meeting one-on-one with the very murderers he is seeking to catch. His efforts have put four leading Klansmen behind bars, years after they thought they had gotten away with murder. Race Against Time is an astonishing, courageous story capturing a historic race for justice, as the past is uncovered, clue by clue, and long-ignored evils are brought into the light. This is a landmark book and essential reading for all Americans.
First Published in 1986, this book is an invaluable reference for the management of mechanical ventilation systems in high frequency areas. With references and statistics, this book is a helpful guide for Environmental Health Officials, Managers and other professionals in their respective fields.
Growing up, Jerry Thompson knew only that his grandfather was a gritty, “mixed-blood” Cherokee cowboy named Joe Lynch Davis. That was all anyone cared to say about the man. But after Thompson’s mother died, the award-winning historian discovered a shoebox full of letters that held the key to a long-lost family history of passion, violence, and despair. Wrecked Lives and Lost Souls, the result of Thompson’s sleuthing into his family’s past, uncovers the lawless life and times of a man at the center of systematic cattle rustling, feuding, gun battles, a bloody range war, bank robberies, and train heists in early 1900s Indian Territory and Oklahoma. Through painstaking detective work into archival sources, newspaper accounts, and court proceedings, and via numerous interviews, Thompson pieces together not only the story of his grandfather—and a long-forgotten gang of outlaws to rival the infamous Younger brothers—but also the dark path of a Cherokee diaspora from Georgia to Indian Territory. Davis, born in 1891, grew up on a family ranch on the Canadian River, outside the small community of Porum in the Cherokee Nation. The range was being fenced, and for the Davis family and others, cattle rustling was part of a way of life—a habit that ultimately spilled over into violence and murder. The story “goes way back to the wild & wooly cattle days of the west,” an aunt wrote to Thompson’s mother, “when there was cattle rustling, bank robberies & feuding.” One of these feuds—that Joe Davis was “raised right into”—was the decade-long Porum Range War, which culminated in the murder of Davis’s uncle in 1907. In fleshing out the details of the range war and his grandfather’s life, Thompson brings to light the brutality and far-reaching consequences of an obscure chapter in the history of the American West.
The Complete History of American Film Criticism is a chronicle of the lives and work of the most influential film critics of the past 100 years. From the first movie review in the New York Times in 1896 through the Silent Era, the pre- and postwar years, the Film Generation of the 1960s, the Golden Age of the 1970s, and into the 21st century, critics have educated generations of discriminating moviegoers on the differences between good films and bad. They call attention to great directors, cinematographers, production designers, screenwriters, and actors, and shed light on their artistic visions and storytelling sensibilities. People interested in what the great film critics had to say have usually been shortchanged as to their backgrounds, and just why they are qualified to sit in judgment. Using mini-biographies, placed within a chronological framework, The Complete History of American Film Criticism is the biography of a profession whose cultural impact has left an indelible mark on the 20th century’s most significant art form.
After the Civil War, Congress required ten former Confederate states to rewrite their constitutions before they could be readmitted to the Union. An electorate composed of newly enfranchised former slaves, native southern whites (minus significant numbers of disenfranchised former Confederate officials), and a small contingent of "carpetbaggers," or outside whites, sent delegates to ten constitutional conventions. Derogatorily labeled "black and tan" by their detractors, these assemblies wrote constitutions and submitted them to Congress and to the voters in their respective states for approval. Blacks, Carpetbaggers, and Scalawags offers a quantitative study of these decisive but little-understood assemblies -- the first elected bodies in the United States to include a significant number of blacks. Richard L. Hume and Jerry B. Gough scoured manuscript census returns to determine the age, occupation, property holdings, literacy, and slaveholdings of 839 of the conventions' 1,018 delegates. Carefully analyzing convention voting records on certain issues -- including race, suffrage, and government structure -- they correlate delegates' voting patterns with their racial and socioeconomic status. The authors then assign a "Republican support score" to each delegate who voted often enough to count, establishing the degree to which each delegate adhered to the Republican leaders' program at his convention. Using these scores, they divide the delegates into three groups -- radicals, swing voters, and conservatives -- and incorporate their quantitative findings into the narrative histories of each convention, providing, for the first time, a detailed analysis of these long-overlooked assemblies. Hume and Gough's comprehensive study offers an objective look at the accomplishments and shortcomings of the conventions and humanizes the delegates who have until now been understood largely as stereotypes. Blacks, Carpetbaggers, and Scalawags provides an essential reference guide for anyone seeking a better understanding of the Reconstruction era.
The first comprehensive financial history of the United States in more than thirty years. Accessible to undergraduate level readers, it focuses on the growth and expansion of banking, securities, and insurance from the colonial period right up to the incredible growth of the stock market during the 1990s and the attack on the World Trade Center in 2001. The author traces the origins of American finance to the older societies of Europe and Northern Africa, and shows how English merchants transferred their financial systems to America. He explains how financial matters dominated the founding and development of the colonies, and how financial concerns incited the Revolution. And he shows how the Civil War began the transformation of America from a small economy largely dependent on foreign capital into a complex capitalist society. From the Civil War, the nation's financial history breaks down into periods of frenzied speculation, quiet growth, periodic panics, and furious periods of expansion, right up through the incredible growth of the stock market during the 1990s.
Jerry White's London in the Nineteenth Century is the richest and most absorbing account of the city's greatest century by its leading expert. London in the nineteenth century was the greatest city mankind had ever seen. Its growth was stupendous. Its wealth was dazzling. Its horrors shocked the world. This was the London of Blake, Thackeray and Mayhew, of Nash, Faraday and Disraeli. Most of all it was the London of Dickens. As William Blake put it, London was 'a Human awful wonder of God'. In Jerry White's dazzling history we witness the city's unparalleled metamorphosis over the course of the century through the daily lives of its inhabitants. We see how Londoners worked, played, and adapted to the demands of the metropolis during this century of dizzying change. The result is a panorama teeming with life.
American culture is a rich and complex tapestry of colorful threads from at least five continents, and in recent decades increased immigration has meant that the pace of change is accelerating. It's time for us to get to know ourselves and really appreciate this rich, vast, and rapidly expanding culture. This book explores the contributions of Hispanic, Black, Native American, Oriental, Jewish and other cultures to a nation where many people still focus on the influences of Christian, capitalist, and ethnically European (particularly British) heritage. Written for a general audience, 'Tapestry' explores the myths of American culture and reveals surprising cultural roots including the fact that American democracy and representative government were inspired more by Native American ways than by the ancient Greeks and Romans. Capitalism has become an unchallenged idea, a cultural universal, and so dogmatic that coupled with Christianity it has become America's dominant religion. However, capitalism is a 19th-century concept created for the bygone industrial era. Now the system is showing decay. Unfortunately, America is an ethnocentric country whose jingoistic belief in its own exceptionalism may prevent needed change. American culture has been both inclusive and intolerant. Today it stands at a crossroad and must decide what road to take. Are we to enter a renaissance or a dark age?
OWOSSO- Kathleen Wright refused to surrender. When a massive brain hemorrhage plunged her into a coma, doctors warned her family she may never awaken. Twenty weeks later, Wright awoke and continued to defy the odds through nearly 10 years and 129 doctors. "She just had tremendous willpower, said her husband, Jerry.
While the impact of World War II on America and other countries has been exhaustively chronicled, few historians have investigated the experiences of individual states during the tumultuous war years. In his study of Louisiana’s home front from 1939 to 1945, Jerry Purvis Sanson examines changes in politics, education, agriculture, industry, and society that forever altered the Pelican State. The war era was a particularly important time in Louisiana’s colorful political history. The gubernatorial victories of prominent anti–Huey Long candidates Sam Jones in 1940 and Jimmie Davis in 1944 reflected shifting sentiments toward politicians and heralded a changing of the guard in the statehouse. This created a system of active dual-faction politics that continued for the next decade. The war also transformed the state’s economy: agricultural mechanization accelerated to compensate for labor shortages, and industries increased production to meet military demands. Louisiana’s educational system modified its curriculum in response to the war, providing technical training and sponsoring scrap-metal collections and war-stamp sales drives. Sanson explores the war’s effect on the everyday lives of Louisianians, showing how their actions at home provided them with a sense of personal participation in the titanic effort against the Axis powers. He also points out that, while many found their lives limited by war, two groups—African Americans and women— experienced increased opportunities as they moved from low-paying jobs to more lucrative positions vacated by white males who had departed for the service. Now condensed for easy and efficient access, Sanson’s historical account provides a wide-ranging yet intimate look at how the war was brought home to the people of the Bayou State.
Originally published in 2002, this is the second of three volumes in a history of finance in America. This volume starts with the investment bankers who dominated finance at the beginning of the twentieth century. It then describes the Panic of 1907 and the resulting creation of the Federal Reserve Board (the 'Fed'). The volume then traces finance through World War I, and it examines the events that led to the stock market crash of 1929 and the Great Depression. From there it reviews the rebirth of finance after World War II and the growth of the institutional investor.
Granted unprecedented behind-the-scenes access to the maternity ward of Atlanta's sprawling public hospital, Jerry Gentry binds together stories of women, medical residents, nurses, and midwives. In this teeming facility that never closes, he shows how their sorrows, struggles, and spiritual fortitude join at the moment when life begins. Gentry tells these stories in a style and pace that mirrors life in the hospital. Scenes may change rapidly or linger on the birth of a child or an older woman's struggle with addiction. Some individuals reappear throughout the narrative while some flash by and then are gone, leaving an indelible imprint on the memory. In his narrative, Gentry follows four principal stories: A young, single woman is having her second child. She gradually reveals that her relationship with her boyfriend is a violent one. An older woman—a “Grady Baby” and lifelong Grady patient—emerges as a kind of spiritual muse. In the charity hospital, a Brazilian émigré is pregnant by a man from a wealthy Atlanta family. A woman with AIDS faces the trials of a mixed-race relationship and the terrifying question—will my baby have the virus? Never maudlin, Grady Baby presents hard choices—some wise, some not—made by women enduring tough realities. The term “Grady Baby” has been traditionally a pejorative, stereotyping the race and class of patients, but it can also be a term of pride and strength. With an insider's eye and unflinching, humanizing narrative voice, Gentry reveals the battles, failures, and triumphs that occur in one year in the place where birth and the hardships of urban life collide.
Before tractors or steam engines arrived on the farm, horses did all the heavy work. From spring plowing to the fall harvest, the mighty draft horse powered farms across the Midwest. Relied upon to complete a multitude of tasks, including towing threshing machines and plows, hauling milk to the local cheese factory, and pulling the family buggy to church each Sunday, these animals were at the center of farm life, cementing the bond between human and horse. Horse-Drawn Days: A Century of Farming with Horses captures stories of rural life at a time when a team of horses was a vital part of the farm family. Author Jerry Apps pairs lively historic narrative with reminiscences about his boyhood on the family farm in Wisconsin to paint a vivid picture of a bygone time. Featuring fascinating historic photos, ads, and posters, plus contemporary color photos of working horses today, Horse-Drawn Days evokes the majesty of these animals and illuminates the horse’s role in our country’s early history and our rural heritage.
This complete and up-to-date synopsis of the assassination of JFK (the actors, witnesses and investigators) weighs the different theories and looks at the drama as both a detective story and a defining moment in American mass psychology.
As the original American sports car, the Chevrolet Corvette has come to represent power, freedom and sexuality for more than half a century. Yet it also hints at personal identity and style, suggesting how effectively values and meaning are communicated through an object. Using various critical perspectives, this close analysis of this highly recognizable automobile finds diverse aspects of American culture revealed. Topics covered include the Corvette in literature; its ties to masculine identity, including homosexuality, as well as female sexuality; and the Corvette as artistic object, among others.
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