Trans-Allegheny Pioneers is, without a doubt, one of the most celebrated accounts of life on the Virginia frontier ever written. The author's focal point is the region of the New River-Kanawha in present-day Montgomery and Pulaski counties, Virginia. This is essential reading for anyone interested in frontier history or the genealogies of mid-18th century families who resided in the Valley of Virginia.
From the Civil War battlefields of England and Ireland to a mystery lost in the forests of North America, this is both a roaring adventure and a timely commentary on the dangers of religious extremism. Rhisiart Dafydd is a zealous Roundhead who embraces Oliver Cromwell's New Model Army and the violence it entails. But can his convictions survive the atrocities of the English Civil Wars and Parliament's campaign in Ireland? Called upon by his former commander to voyage to America to seek out a missing group of Welsh Puritans, he must first survive the journey, and then - if he can find the community - see whether they really have created the Kingdom of Heaven on Earth. An epic historical adventure set during one of the most turbulent periods in history, this gripping thriller also poses questions about violence, power, religious extremism and rejection of difference which are chillingly relevant to our world today.
Buster Crabbe's chief claim to fame, aside from his Olympic gold medal (for the 400-meter freestyle event in 1932), rests in the trio of movie serials in which he played the popular science-fiction hero Flash Gordon. Crabbe was the only actor to play the roles of Tarzan (in one movie), Flash Gordon, and Buck Rogers, the top three pulp action heroes of the 1930s. Crabbe carved out a career that would also include more than 100 B-movies and program Westerns, a television adventure series, and a successful physical fitness enterprise. All of this and more is detailed in this book, which includes a complete filmography providing cast and crew information for each of his 103 feature films and serials.
This true crime biography chronicles the misadventures of a lady outlaw who caused havoc across the late-19th century northern plains. The American historian Frederick Jackson Turner famously declared the 1890s to be the close of the American Frontier. But from 1887 to 1893, a young woman known as Nellie King was far from being tamed. King scandalized the residents of the Dakotas, Minnesota and northern Wisconsin with her fetching appearance, eccentric behavior, and criminal misdeeds. In Minnesota’s Notorious Nellie King, biographer Jerry Kuntz pieces together King’s legendary life—as well as the clues to her true identity. King employed more than a dozen aliases throughout her career as a fake detective, horse thief, laudanum fiend, and general disturber of the peace across the northern plains. She attracted sensational headlines, love-struck suitors, and stray revolver shots with equal abandon; her story’s Dickensian cast of characters included a hapless counterfeiter, a dashing physician, a battle-hardened magician, and a determined mother.
It is a little known fact that there have been more than fifty prominent Jewish Messiahs. These characters, though unrenowned today, inspired messianic fervour that at times seized the whole Jewish, Christian, Muslim and even secular worlds. The stories of these fifty Messiahs, both male and female, are unknown -- suppressed by Jewish religious authorities or ignored by historians of all religions. Until now. In this book, these Jewish Messiahs are remembered, and now their forgotten stories -- whether humorous, bizarre, tragic or solemn -- are finally told. The Messiah who killed the Pope; The Messiah who was saved from the Inquisition when the Pope hid him in the Vatican; The Messiah who demanded that his head be cut off in order to prove his immortality The Messiah who defied the Holy Roman Emperor; The 17th century Messiah whose followers continued their secret society into the 20th century. And to contemporary times and the story of the late Lubavitcher Rebbe, Menachem Mendel Schneerson, and how he inspired a passionate and devoted following. Above all, Fifty Jewish Messiahs examines humanity, not divinity, and history rather than theology. Taken together, these intriguing stories paint a vivid portrait of the universal and timeless human need for optimism, and hope in a better future.
The current generation knows him as the serenity-seeking Frank Costanza from Seinfeld. An older generation knows him as one-half of the comedy team Stiller and Meara. But, as his memoir, Married to Laughter, reveals, Jerry Stiller has had a lifelong love affair with entertainment. Growing up during the Depression in Brooklyn and on Manhattan's Lower East Side, Jerry Stiller discovered the power of comedy when, as a child, he saw Eddie Cantor transform an audience. Jerry's father often took him to vaudeville performances, where Jerry decided that he, too, wanted to make people laugh. He studied drama at Syracuse University, where a charismatic professor inspired Jerry to believe that he could achieve his dream and become a successful actor. After Syracuse, Jerry returned to New York to begin a life in the theater. Jerry soon met Anne Meara. Even before he fell in love with her, he knew she was a remarkable person. At first they encouraged each other in their separate performances, but eventually they began doing a comedy act in the coffeehouses of New York's Greenwich Village. They created a brilliantly successful act with two characters who were exaggerated versions of themselves. Before long, they were regulars on The Ed Sullivan Show, the most popular television program of the day. Stiller and Meara was a smash hit. But Jerry's first love has always been the theater, and he writes with fondness and charm about his nearly fifty years in show business -- from summer stock to the early days of Joe Papp's pioneering Shakespeare in the Park, from his Broadway performance in Hurlyburly to his roles in such films as The Taking of Pelham One Two Three, The Ritz, Seize the Day, and Hairspray. He describes the genesis of the hugely successful Blue Nun radio commercials that he and Anne recorded, the first of many award-winning advertisements they would make together. Jerry takes us inside his life offstage, describing with great candor his personal and professional neuroses, including some unusual experiences in therapy. He recounts hilarious stories about the Stiller family and tells wonderful tales about such friends and colleagues as Walter Matthau, Colleen Dewhurst, Mike Nichols, F. Murray Abraham, and Henny Youngman. But most of all, he describes life with Anne, showing us his admiration for her as a performer and describing how she gave him the insight into acting that he'd long sought. Married to Laughter is a great love story about two people who found their place in show business without ever losing sight of each other.
Click this link to read a review of Facing Fascism. Coming off his unsuccessful 2004 New Hampshire state Senate campaign, Jerry Sorlucco realized something was fundamentally wrong in America. Across the country people had voted against their own best interest. The Republican far rightnow the party of our modern robber baronswaving the bloody shirt, and using the war on terrorism to instill fear, in league with the Christian evangelical movement, had won both houses of Congress and the White House. President George W. Bush, who had lost the popular vote in 2000 and won the election in a five to four vote by U.S. Supreme Court, had the power to put in motion an agenda that rewarded Americas rich elitists and systematically set about destroying the nations social safety net. Thoroughly researched and annotated, Facing Fascism takes the reader through the 2004 election, the manipulation of Americas worldview, the mismanagement of the major issues facing the nation, and offers some solutions. It is a serious work, but essential reading for anyone who wants to understand what is happening in America. The book shows conclusively that the threat to America in the 21st century has all the characteristics of fascism, replete with class warfare, militarism, and religious nationalism.
The profound expansion of television into American homes in the 1950s brought a flood of adapted plays to the small screen and resulted in the rebirth of the careers of many significant playwrights. The Great American Playwrights on the Screen provides fans with a video and DVD guide to the adapted works of the playwrights and shows which versions are available for home viewing and in what media (VHS and DVD). It resurrects the memory of television productions of plays at a critical time, when many of them - including Emmy winners and nominees - are deteriorating in vaults."--BOOK JACKET.
Nofel hanesyddol gyffrous sy'n symud o Gymru i feysydd y Rhyfeloedd Cartref yn Lloegr ac i goedwigoedd gogledd America, wedi'i gosod ym merw un o'r cyfnodau mwyaf cythryblus yn hanes ynysoedd Prydain, yn wleidyddol ac yn grefyddol.
A definitive new reference on the major failures of American corporate governance at the start of the 21st century. Tracing the market boom and bust that preceded Enron's collapse, as well as the aftermath of that failure, the book chronicles the meltdown in the telecom sector that gave rise to accounting scandals globally. Featuring expert analysis of the Sarbanes-Oxley legislation that was adopted in response to these scandals, the author also investigates the remarkable market recovery that followed the scandals. An exhaustive guide to the collapse of the Enron Corporation and other financial scandals that erupted in the wake of the market downturn of 2000, this book is an essential resource for students, teachers and professionals in corporate governance, finance, and law.
Blonde, vivacious Jean Arthur is best remembered today for her unizue, childlike voice and for the handful of classic Thirties and Forties movies she made for directors Frank Capra and George Stevens, such as You Can't Take It With You, Mr. Smith Goes to Washington, The More the Merrier and her last picture Shane, released in 1953. But not many know that her 30-year film career dates from the early Twenties, when she was an inexperienced contract player at Fox. In fact, Arthur appeared in more movies of the silent era (mostly program Westerns and minor comedies) than she made after the advent of sound. Born with the name Gladys Greene in 19-00, Jean Arthur renamed and reinvented herself when she arrived in Hollywood in 1922, fictionizing her background and subtracting eight years from her actual age. Colleagues have recalled the eccentric personality and behind-the-scenes insecurities that negated her popularity with the press and inhibited her later career as a stage and TV star, prompting her eventual retreat into seclusion. All of these exploits and more are detailed in this comprehensive biofilmography by Jerry Vermilye, a much published author who tells his story in a brisk non-judgmental style that has drawn critical praise for his volumes on such legendary film personalities as Cary Grant, Barbara Stanwyck, Bette Davis, Charles Bronson, Audrey Hepburn, Buster Crabbe, Lawrence Olivier. and Elizabeth Taylor. This book includes casts, production credits and critical commentary on Jean Arthur's many films, as well as 100 scene stills, portraits and candids, many of them are photographs from the author's private collection.
An historical fiction based on a true story about Governor Francis Nicholson (1655-1728), a British military officer and colonial governor, who became the governor of five different colonies in America at different times from 1690 to 1725. While Nicholson overcame ordeals as a young military officer and achieved success as a colonial governor in America, he suffered set-backs and a re-call to England as he rose to prominence. His rise to fame was interrupted at the age of forty four years old in 1698 by his pursuit of the lovely Lucy Burwell who was sweet sixteen and courted by Edmund Berkeley, who succeeded in marrying her in 1702 to the dismay of Governor Nicholson. After his re-call to England by Queen Anne in 1705 Nicholson was reinstated in 1710 with another position in the colonies, which led to the rank of Captain-General of the colonial army and title of Governor of Governors from 1714-to 1716. Upon the appointment of George I, a Whig, to the throne of England in 1714 due his affiliation with the Tory party, Nicholson was removed as a colonial governor in 1716, but received one final appointment to the governorship of South Carolina in 1721, which lasted until 1725. While his ferocious temper produced many enemies, Nicholsons patronage of religion and education, which involved donating funds for the repair or construction of at least seventy-one churches, schools, and royal government buildings in eleven colonies made him one of the crowns more effective colonial servants.
In America, even the left is right of center; just how far right is subject to debate. There really is no longer an American left, as it has been systematically destroyed. This rightward drift is seen in historic events like the Red Scare of the 1920s where thousands of innocent Russian and Jewish-Americans were imprisoned and deported by J. Edgar Hoover under President Wilson. There were plots like the secret financing of Hitler’s rise to power by the Rockefeller, Harriman and Bush-Walker families managed by the Dulles Brothers. There was the Businessmen and Banker’s Plot to overthrow Roosevelt and install a fascist government in the United States just before WWII. There was the OSS/CIA cooperation with the Catholic Church in the Ratlines to hide and bring Nazi war criminals into the United States. American phobias against communism, socialism and the left have allowed those on the right to suppress and eliminate the left and to harass, imprison or assassinate its leaders since 1848. The US government has eliminated and assassinated the left, and with no counterbalance the country veers further and further to the right. In this book Jerry Carrier seeks to define "Left" as it applies in the United States. He traces some of the original influences and provides a succinct history of the American left, including the McCarthy witch hunts and the xenophobia of the China Lobby. That history includes illegal CIA and FBI operations to stop the left, civil rights, anti-war, Latino, Asian, Native American, gay and women’s movements. It includes the US intelligence service’s long ties to the Mafia and the Unione Corse, the French Mafia, and their illegal drug activities. It includes the assassinations of JFK, RFK and MLK. It includes the treasonous acts of Nixon and Kissinger to win in 1968, by Reagan and Bush in 1980, and the buying of elections by the Koch Brothers. From Rousseau to Obama, this book gives the rise and fall of the American left. Victims includes Mother Jones, Eugene Debs, Big Bill Haywood, Gus Hall, and Angela Davis. It includes the assassinations of foreign leaders like Patrice Lumumba and even UN Secretary General Dag Hammarskjold and attempts on Sukarno and Castro as well as dozens of US inspired coups.
From live productions of the 1950s like Requiem for a Heavyweight to big budget mini-series like Band of Brothers, long-form television programs have been helmed by some of the most creative and accomplished names in directing. Encyclopedia of Television Film Directors brings attention to the directors of these productions, citing every director of stand alone long-form television programs: made for TV movies, movie-length pilots, mini-series, and feature-length anthology programs, as well as drama, comedy, and musical specials of more than 60 minutes. Each of the nearly 2,000 entries provides a brief career sketch of the director, his or her notable works, awards, and a filmography. Many entries also provide brief discussions of key shows, movies, and other productions. Appendixes include Emmy Awards, DGA Awards, and other accolades, as well as a list of anthology programs. A much-needed reference that celebrates these often-neglected artists, Encyclopedia of Television Film Directors is an indispensable resource for anyone interested in the history of the medium.
The stereotypical hillbilly figure in popular culture provokes a range of responses, from bemused affection for Ma and Pa Kettle to outright fear of the mountain men in Deliverance. In Hillbillyland, J. W. Williamson investigates why hillbilly images are so pervasive in our culture and what purposes they serve. He has mined more than 800 movies, from early nickelodeon one-reelers to contemporary films such as Thelma and Louise and Raising Arizona, for representations of hillbillies in their recurring roles as symbolic 'cultural others.' Williamson's hillbillies live not only in the hills of the South but anywhere on the rough edge of society. And they are not just men; women can be hillbillies, too. According to Williamson, mainstream America responds to hillbillies because they embody our fears and hopes and a romantic vision of the past. They are clowns, children, free spirits, or wild people through whom we live vicariously while being reassured about our own standing in society.
When Carole Lombard was tragically killed in a plane crash on January 16, 1942, she was 33 years old and had been a film actress for almost 20 years, yet her best work probably still lay ahead. She had reached a career high point, earning praise for her talents as a comedienne as well as a dramatic actress. As well liked as she was on screen, she was equally popular off screen, known for being witty, uninhibited and a great party-giver. Blonde and beautiful, she reigned as the queen of Hollywood when she married Clark Gable, its king. This book offers a thorough examination of her too-short life and provides information about her 78 films, including cast and credits, synopses, reviews and comments. Photographs from her life and films complete the work.
Written for high school or beginning undergraduate students, this four-volume reference valiantly attempts to provide a historical framework for the perhaps overly broad concept of world trade. Entry topics were selected on trade organizations, influential people, commodities, events that affected trade, trade routes, navigation, religion, communic
The Complete History of American Film Criticism is a chronicle of the lives and work of the most influential film critics of the past 100 years. From the first movie review in the New York Times in 1896 through the Silent Era, the pre- and postwar years, the Film Generation of the 1960s, the Golden Age of the 1970s, and into the 21st century, critics have educated generations of discriminating moviegoers on the differences between good films and bad. They call attention to great directors, cinematographers, production designers, screenwriters, and actors, and shed light on their artistic visions and storytelling sensibilities. People interested in what the great film critics had to say have usually been shortchanged as to their backgrounds, and just why they are qualified to sit in judgment. Using mini-biographies, placed within a chronological framework, The Complete History of American Film Criticism is the biography of a profession whose cultural impact has left an indelible mark on the 20th century’s most significant art form.
This text reprints selected non-fictional works by Haywood, with particular attention to the journalism, criticism, and "conduct and advice" material. Here, Haywood explicates and defends ideas on gender and culture that she develops obliquely elsewhere.
A remarkable rediscovery of Native American government, political participation, and political theory spanning 1,000 years. Native Americans and Political Participation opens the door to a previously invisible subject in political science and American history. Presenting, for the first time, data from a Native American survey of more than 400 elected and appointed tribal officials collected over the past ten years, this watershed work infuses facts with personal opinions of 20th-century Native American tribal leaders. Readers will learn how multitribe lobbying is funded by gambling revenues and meet key activists like the Means and Bellcourt brothers. Other topics covered include the National Congress of American Indians, the battle at Wounded Knee, and the American Indian Movement. Discussions of these and other events and organizations reveal the powerful ways in which American Indians are utilizing the political system to further their causes.
Originally published in 2002, this is the first of three volumes in a history of finance in America. This volume covers the period from the 'discovery' of America to the end of the nineteenth century. It describes the status of finance in Europe at the time of Christopher Columbus' voyage to America. It then traces its transfer and development in America through the Revolution, into the Civil War and beyond to the speculative excesses occurring after that event.
Eighty-six Scottish songs in three categories: traditional ballads, the Jacobite Rebellions, Songs of Robert Burns and Republican Broadsides. the songs in this collection, in some small way, tell the history of the Scottish people. Includes melody line, lyrics, guitar chords and historical content.
Democratization and Revolution in the USSR, 1985-91 presents a strikingly new view of the Gorbachev era and the reasons for the collapse of the Soviet Union. Written by one of America's most distinguished specialists on the former Soviet Union, this is the first comprehensive overview of the Gorbachev period and describes it as a real revolution, not mere "reform." According to Hough, despite Mikhail Gorbachev's talk of a regulated market, he never understood that a market must be created on a solid institutional and legal base. He was determined to use democratization to free himself from party control, but he saw democracy as a way of achieving near- universal consensus, not a mechanism for forcing through difficult choices. The many memoirs that have become available in the last few years, including those of Gorbachev himself, show that Premier Nikolai Ryzhkov and the "bureaucrats" in his government actually were the serious economic reformers in the leadership. Gorbachev opposed the key transitional steps at every stage and was far closer to the assumptions of shock therapy than he or his opponents ever recognized. Hough explains that Gorbachev was not alone in thinking that the destruction of old institutions was enough to unleash a market. Westerners also talked of leaping a chasm in a single jump as if democratic and market institutions existed pre-created on the other side. But, precisely because Gorbachev (and later Boris Yeltsin) was encouraged in all his worst mistakes by Western advice, his failure has crucial implications for Western thinking about the process of democratization and marketization. This unprecedented book explores those implications in depth. Selected by Choice as an Outstanding Book for 1998
Jerry Silverman has taken the best songs from Songs of England, Songs of Ireland, and Songs of Scotland and has arranged them for voice with piano accompaniment and guitar chords. A new section on Songs of Wales is also included.
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