This title was first published in 2001: Engaging contemporary discussion concerning the validity of mystical experiences of God, Jerome Gellman presents the best evidential case in favor of validity and its implications for belief in God. Gellman vigorously defends the coherence of the concept of a mystical experience of God against philosophical objections, and evaluates attempts to provide alternative explanations from sociology and neuropsychology. He then carefully examines feminist objections to male philosophers' treatments of mystical experience of God and to the traditional hierarchal concept of God. Gellman finds none of the objections decisive, and concludes that while the initial evidential case is not rationally compelling for some, it can be rationally compelling for others. Offering important new perspectives on the evidential value of experiences of God, and the concept of God more broadly, this book will appeal to a wide range of readers including those with an interest in philosophy of religion, religious studies, mysticism and epistemology.
The venerable Dixie Hummingbirds stand at the top of the black gospel music pantheon as artists who not only significantly shaped that genre but, in the process, also profoundly influenced emerging American pop music genres from Rhythm & Blues and Doo-Wop to Rock 'n' Roll, Soul, and Hip-Hop. Great God A'Mighty! The Dixie Hummingbirds shows how, in a career spanning more than nine decades, they pointed the way from pure a cappella harmony to guitar-driven soul to pop-stardom crossover, collaborating with artists like Stevie Wonder and Paul Simon along the way. Drawing on interviews with founding and quintessential members as well as many of the pop luminaries influenced by the Hummingbirds, author Jerry Zolten tells their story from rising up and out of the segregated South in the twenties and thirties to success on Philadelphia radio and the New York City stage in the forties to grueling tours in the fifties and over the long haul a brilliant recording career that carried well over into the 21st century. The story of the Dixie Hummingbirds is a tale of determined young men who navigated the troubled waters of racial division and the cutthroat business of music on the strength of raw talent, vision, character, and perseverance, and made an indelible name for themselves in American cultural history. This heavily edited 2nd edition features brand new photographs, expanded historical context, and a full new chapter on the Hummigbirds' trajectory up to the 21st century.
English literature," Yeats once noted, "has all but completely shaped itself in the printing press." Finding this true particularly of modernist writing, Jerome McGann demonstrates the extraordinary degree to which modernist styles are related to graphic and typographic design, to printed letters--"black riders" on a blank page--that create language for the eye. He sketches the relation of modernist writing to key developments in book design, beginning with the nineteenth-century renaissance of printing, and demonstrates the continued interest of postmodern writers in the "visible language" of modernism. McGann then offers a philosophical investigation into the relation of knowledge and truth to this kind of imaginative writing. Exploring the work of writers like William Morris, Emily Dickinson, W. B. Yeats, Ezra Pound, and Gertrude Stein, as well as Laura Riding and Bob Brown, he shows how each exploits the visibilities of language, often by aligning their work with older traditions of so-called Adamic language. McGann argues that in modernist writing, philosophical nominalism emerges as a key aesthetic point of departure. Such writing thus develops a pragmatic and performative "answer to Plato" in the matter of poetry's relation to truth and philosophy.
DIVBenny Kramer returns, this time turning to one of his oldest friends to save the life of Kramer’s son/divDIV Though his trip from New York to Philadelphia is for business, Benny Kramer has also planned a rendezvous—not with a mistress, but with one of the city’s finest doctors. Kramer plans to enlist him in a noble purpose: keeping his son out of Vietnam./divDIV /divDIVThe doctor won’t provide this service to just anyone, but he and Benny have a mutual friend in the incomparable Sebastian Roon. Benny and Seb have been friends since the Depression, when they shared countless adventures across New York’s Lower East Side. Now Benny’s counting on that friendship to ensure the same life of endless possibilities for his son. DIVThis ebook features a foreword by Alistair Cooke./div/div
Positive Psychology for Healthcare Professionals presents applied positive psychology specifically for health and care staff, showcasing eleven different interventions that have proven to be effective in improving wellbeing.
Discover how human services professionals can help to eliminate cultural oppression! Human Services and the Afrocentric Paradigm presents a new way of understanding human behavior, attacking social problems, and exploring social issues. This excellent guide shows that understanding the simultaneous forces of oppression and spiritual alienation in American society serves as a foundation for understanding the societal problems here. The first book to offer a comprehensive exposition of how the Afrocentric paradigm can be used by human service professionals and community advocates, Human Services and the Afrocentric Paradigm discusses why and how human service work is hampered by Eurocentric cultural values and will help you to offer fair and effective services to your clients. Human Services and the Afrocentric Paradigm provides you with a concrete discription of how the Afrocentric model can be applied in human services to help people of all races and ethnicities. You will expand and diversify your knowledge base in human services by understanding the cultural values, traditions, and experiences of people of African ancestry. Some of the issues and concepts in the Afrocentric paradigm that you will explore are: defining the Afrocentric worldview, complete with a discussion of its philosophical assumptions and its shortcomings understanding traditional helping assumptions and methods of West African societies and how these have influenced the helping strategies of African-Americans exploring the strengths and weaknesses of some early African-American human service scholars, with special concern placed on their rejection of traditional African methods in favor of Eurocentric ideas resolving youth violence and helping people with substance abuse problems examining Afrocentric assumptions about resource distribution, morality, and societal relationships identifying organizational and conceptual differences in Eurocentric and Afrocentric paradigms creating organizational empowerment and an enhanced work environment via the Afrocentric paradigm Human Services and the Afrocentric Paradigm will help you understand, solve, and prevent problems that are confronted by several races, especially individuals of African descent. This timely and relevant worldview is thoroughly explained to assist you in better serving people of color. The Afrocentric paradigm will help human services practitioners, administrators, policy advocates, analysts, educators, and black studies professors and students achieve educational and treatment objectives by showing you the importance of various cultural values and how to integrate them to make a difference!
In this decisive analysis of the JFK assassination, medical expert Dr. David W. Mantik and New York Times bestselling author Jerome R. Corsi definitively validate the observations of the physicians at Parkland Hospital, who recognized immediately that the wound in JFK’s throat and the massive, avulsed blow-out in the back of his head both involved frontal shots. What distinguishes this book from the myriad of books written on the JFK assassination is that Dr. Mantik’s optical density measurements of the JFK skull X-rays in the National Archives leave no doubt the X-rays were altered to disguise evidence of the two frontal shots. With over four decades of experience reading X-rays, Dr. Mantik has examined the JFK assassination materials more than anyone else. Mantik and Corsi present overwhelming testimonial and documentary evidence that proves the Bethesda surgeons performed pre-autopsy surgery on JFK’s head to remove evidence of the forehead bullet, as well as to gain access to his brain and thus “sanitize the crime scene” by removing bullet fragments and bullet tracks in the brain tissue. “The world is starving for objective science. This book contains objective forensic science for which the world will never be ready. If the X-rays were doctored, the CIA, the FBI, and the US Secret Service have some questions to answer. The public deserves the final analysis of these issues.” —James Lyons-Weiler, PhD, The Institute for Pure and Applied Knowledge
In this remarkable collaboration, one of the nation's leading civil rights lawyers joins forces with one of the world's foremost cultural psychologists to put American constitutional law into an American cultural context. By close readings of key Supreme Court opinions, they show how storytelling tactics and deeply rooted mythic structures shape the Court's decisions about race, family law, and the death penalty. Minding the Law explores crucial psychological processes involved in the work of lawyers and judges: deciding whether particular cases fit within a legal rule ("categorizing"), telling stories to justify one's claims or undercut those of an adversary ("narrative"), and tailoring one's language to be persuasive without appearing partisan ("rhetorics"). Because these processes are not unique to the law, courts' decisions cannot rest solely upon legal logic but must also depend vitally upon the underlying culture's storehouse of familiar tales of heroes and villains. But a culture's stock of stories is not changeless. Amsterdam and Bruner argue that culture itself is a dialectic constantly in progress, a conflict between the established canon and newly imagined "possible worlds." They illustrate the swings of this dialectic by a masterly analysis of the Supreme Court's race-discrimination decisions during the past century. A passionate plea for heightened consciousness about the way law is practiced and made, Minding the Law/tilte will be welcomed by a new generation concerned with renewing law's commitment to a humane justice. Table of Contents: 1. Invitation to a Journey 2. On Categories 3. Categorizing at the Supreme Court Missouri v. Jenkins and Michael H. v. Gerald D. 4. On Narrative 5. Narratives at Court Prigg v. Pennsylvania and Freeman v. Pitts 6. On Rhetorics 7. The Rhetorics of Death McCleskey v. Kemp 8. On the Dialectic of Culture 9. Race, the Court, and America's Dialectic From Plessy through Brown to Pitts and Jenkins 10. Reflections on a Voyage Appendix: Analysis of Nouns and Verbs in the Prigg, Pitts, and Brown Opinions Notes Table of Cases Index Reviews of this book: Amsterdam, a distinguished Supreme Court litigator, wanted to do more than share the fruits of his practical experience. He also wanted to...get students to think about thinking like a lawyer...To decode what he calls "law-think," he enlisted the aid of the venerable cognitive psychologist Jerome Bruner...[and] the collaboration has resulted in [this] unusual book. --James Ryerson, Lingua Franca Reviews of this book: It is hard to imagine a better time for the publication of Minding the Law, a brilliant dissection of the court's work by two eminent scholars, law professor Anthony G. Amsterdam and cultural anthropologist Jerome Bruner...Issue by issue, case by case, Amsterdam and Bruner make mincemeat of the court's handling of the most important constitutional issue of the modern era: how to eradicate the American legacy of race discrimination, especially against blacks. --Edward Lazarus, Los Angeles Times Book Review Reviews of this book: This book is a gem...[Its thesis] is easily stated but remarkably unrecognized among a shockingly large number of lawyers and law professors: law is a storytelling enterprise thoroughly entrenched in culture....Whereas critical legal theorists have talked among themselves for the past two decades, Amsterdam and Bruner seek to engage all of us in a dialogue. For that, they should be applauded. --Daniel R. Williams, New York Law Journal Reviews of this book: In Minding the Law, Anthony Amsterdam and Jerome Bruner show us how the Supreme Court creates the magic of inevitability. They are angry at what they see. Their book is premised on the conviction that many of the choices made in Supreme Court opinions 'lack any justification in the text'...Their method is to analyze the text of opinions and to show how the conclusions reached do not always follow from the logic of the argument. They also show how the Court casts its rhetoric like a spell, mesmerizing its audience, and making the highly contingent shine with the light of inevitability. --Mitchell Goodman, News and Observer (Raleigh, North Carolina) Reviews of this book: What do controversial Supreme Court decisions and classic age-old tales of adultery, villainy, and combat have in common? Everything--at least in the eyes of [Amsterdam and Bruner]. In this substantial study, which is equal parts dense and entertaining, the authors use theoretical discussions of literary technique and myths to expose what they see as the secret intentions of Supreme Court opinions...Studying how lawyers and judges employ the various literary devices at their disposal and noting the similarities between legal thinking and classic tactics of storytelling and persuasion, they believe, can have 'astonishing consciousness-retrieving effects'...The agile minds of Amsterdam and Bruner, clearly storehouses of knowledge on a range of subjects, allow an approach that might sound far-fetched occasionally but pays dividends in the form of gained perspective--and amusement. --Elisabeth Lasch-Quinn, Washington Times Reviews of this book: Stories and the way judges-intentionally or not-categorize and spin them, are as responsible for legal rulings as logic and precedent, Mr. Amsterdam and Mr. Bruner said. Their novel attempt to reach into the psyche of...members of the Supreme Court is part of a growing interest in a long-neglected and cryptic subject: the psychology of judicial decision-making. --Patricia Cohen, New York Times Most law professors teach by the 'case method,' or say they do. In this fascinating book, Anthony Amsterdam--a lawyer--and Jerome Bruner--a psychologist--expose how limited most case 'analysis' really is, as they show how much can be learned through the close reading of the phrases, sentences, and paragraphs that constitute an opinion (or other pieces of legal writing). Reading this book will undoubtedly make one a better lawyer, and teacher of lawyers. But the book's value and interest goes far beyond the legal profession, as it analyzes the way that rhetoric--in law, politics, and beyond--creates pictures and convictions in the minds of readers and listeners. --Sanford Levinson, author of Constitutional Faith Tony Amsterdam, the leader in the legal campaign against the death penalty, and Jerome Bruner, who has struggled for equal justice in education for forty years, have written a guide to demystifying legal reasoning. With clarity, wit, and immense learning, they reveal the semantic tricks lawyers and judges sometimes use--consciously and unconsciously--to justify the results they want to reach. --Jack Greenberg, Professor of Law, Columbia Law School
Jerome Bruner argues that the cognitive revolution, with its current fixation on mind as “information processor,” has led psychology away from the deeper objective of understanding mind as a creator of meanings. Only by breaking out of the limitations imposed by a computational model of mind can we grasp the special interaction through which mind both constitutes and is constituted by culture.
Photographs of various plants and trees show characteristics of different leaves, seeds, and flowers and depict the cycle from flower to fruit to seed to flower.
An interdisciplinary collection of current and classical readings, Family in Transition explores the many transformations taking place in families today. Additions to this revision include readings on culture and sexuality, Bailey's inquiry into the origins of the sexual revolution in the 60's and 70's; Schwartz' report on equal marriage; and patterns of child care.
The historical novel is not only an immensely popular genre, but also one that raises fascinating questions about the nature of key foundational concepts such as fact and fiction, history, reading and writing. This wide-ranging guide offers an accessible introduction to both the genre and the critical debates around it.
A New York native looks back on his Lower East Side youth in a trilogy from the New York Times–bestselling author and Pulitzer Prize–winning playwright. After making a splash with his first novel, I Can Get It for You Wholesale—published in 1937 and praised by the likes of Hemingway and Fitzgerald—Jerome Weidman had a long and prolific career as a fiction writer and playwright. In the 1970s he published three wise, funny, and nostalgic novels about the Lower East Side roots of a colorful character named Benny Kramer. For the first time, the trilogy is available in a single volume, with a foreword by Alistair Cooke. Fourth Street East: When Benny Kramer’s father came to the United States, he was hungry, broke, and ignorant. Handed a banana and told it was “American food,” he scarfed it down, peel and all. By the time he died, he was no richer, but much wiser, and everything he learned he imparted to his son. Growing up on New York’s Lower East Side between the wars, Benny’s life was just as chaotic as his neighborhood. How many young boys have seen a man decapitated by a horse? How many know blacksmiths who got tangled up in a multiple homicide? How many win an elocution contest, only to find out it was rigged by the mob? For Benny, these are everyday events, remembered with biting wit and fond affection. “This is all much more than noodle soup nostalgia—there’s humor, and stamina, and if middle age has rubbed off here and there, it has also lent a certain wisdom.” —Kirkus Reviews Last Respects: For most of his life, Benny Kramer’s mother was an inescapable presence in his life. But on the day of her death, her body disappears on its way from hospital to morgue. While scouring New York in search of her body, Benny remembers the first adventure his mother sent him on, fifty years before. At the height of Prohibition, his mother gives him a simple task: deliver eighteen bottles of bootlegged hooch to a wedding. Along the way, the would-be rumrunner encounters sinister slumlords, a sadistic rabbi, and enough slapstick obstacles to give the Marx Brothers fits. Reliving each moment as he searches for his mother, Benny comes to understand that this is just another day in the life of a boy desperate to find his mother’s love. “The last respects are paid with comic tumult and an acute compassion. Weidman at the apex.” —Kirkus Reviews Tiffany Street: Though his trip from New York to Philadelphia is for business, Benny Kramer has also planned a rendezvous—not with a mistress, but with one of the city’s finest doctors. Kramer plans to enlist him in a noble purpose: keeping his son out of Vietnam. The doctor won’t provide this service to just anyone, but he and Benny have a mutual friend in the incomparable Sebastian Roon. Benny and Seb have been friends since the Depression, when they shared countless adventures across New York’s Lower East Side. Now Benny’s counting on that friendship to ensure the same life of endless possibilities for his son. “Highly readable.” —Chicago Tribune
Advanced graduate-level treatment of semigroup theory explores semigroups of linear operators and linear Cauchy problems. The text features challenging exercises and emphasizes motivation, heuristics, and further applications. 1985 edition.
Contrary to theories of single person authorship, America's Corporate Art argues that the corporate studio is the author of Hollywood motion pictures, both during the classical era of the studio system and beyond, when studios became players in global dramas staged by massive entertainment conglomerates. Hollywood movies are examples of a commodity that, until the digital age, was rare: a self-advertising artifact that markets the studio's brand in the very act of consumption. The book covers the history of corporate authorship through the antithetical visions of two of the most dominant Hollywood studios, Warner Bros. and MGM. During the classical era, these studios promoted their brands as competing social visions in strategically significant pictures such as MGM's Singin' in the Rain and Warner's The Fountainhead. Christensen follows the studios' divergent fates as MGM declined into a valuable and portable logo, while Warner Bros. employed Batman, JFK, and You've Got Mail to seal deals that made it the biggest entertainment corporation in the world. The book concludes with an analysis of the Disney-Pixar merger and the first two Toy Story movies in light of the recent judicial extension of constitutional rights of the corporate person.
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