Jerome Rothenberg is one of the major poets of his generation. His work in ethnopoetics, Native American and tribal poetics, Jewish identities, avant-garde poetry, and experimental translation is vital to contemporary poetry and literary studies. Writing Through couples Rothenberg's translations from a variety of non-English sources with his thought-provoking commentary. It also includes a selection of his poetry ("Otherings & Variations") in which the language of significant others forms the basis of original compositions. The result is a lively and unique anthology which illustrates how poetry, like translation, can be viewed as an act of "writing through" the words of others. Translated poets in Writing Through include Celan, Lorca, Nezval, Schwitters, Picasso and Gomringer. The book also includes Rothenberg's radical translations from oral poetries, "variations" derived from the vocabularies of translated poems, and a series of "gematria poems" employing a traditional form of Jewish numerology. In addition to Rothenberg's groundbreaking essay on "total translation," the book is interspersed with his helpful commentaries and notes, which illuminate a major aspect of his total poetics.
In Yiddish, khurbn is the word for 'total destruction, ' the word for what the English-speaking world calls the Jewish 'Holocaust' of World War II. This is the author's precisely personal, horrifying, tender, and structurally astute masterpiece, it is the great middle-length poem of our times.
As poet and experimental translator, pioneer in performance poetry and ethnopoetics, Jerome Rothenberg for over three decades has been a literary radical and prominent influence in the American avant-garde. Among his own earliest sources was the Spanish poet Federico Garcia Lorca, whose "composition through images ... opened my mind to the contemporary poetry of Europe & of something possibly older & deeper that would surface for us in America as well." Having recently returned to translating Lorca, Rothenberg began to appropriate and rearrange items of Lorca's vocabulary and to compose a series of poems of his own that "both are & aren't mine, both are & aren't Lorca." As an original work, The Lorca Variations are, as he describes them, "a way of coming full circle into a discovery that began with Lorca & for which he has stood with certain others as a guide & constant fellow-traveler.
Symposium of the Whole traces a discourse on poetry and culture that has profoundly influenced the art of our time, with precedents going back two centuries and more. Beginning with a reassertion of the complexity of poetry among peoples long labeled “primitive” and “savage,” many recent poets have sought to base a new poetics over the fullest range of human cultures. The attempt to define an ethnopoetics has been significantly connected with the most experimental and future-directed side of Romantic and modern poetry, both in the Western world and, increasingly, outside it. As a visionary poetics and as a politics, this complex redefinition of cultural and intellectual values has involved a rarely acknowledged collaboration between poets and scholars, who together have challenged the narrow view of literature that has excluded so many traditions. In this gathering, the Rothenbergs follow the idea of an ethnopoetics from predecessors such as Vico, Blake, Thoreau, and Tzara to more recent essays and manifestos by poets and social thinkers such as Olson, Eliade, Snyder, Turner, and Baraka. The themes range widely, from the divergence of oral and written cultures to the shaman as proto-poet and the reemergence of suppressed and rejected forms and images: the goddess, the trickster, and the “human universe.” The book’s three ethnographic sections demonstrate how various poetries are structured and composed, how they reflect meaning and worldview, and how they are performed in cultures where all art may be thought of as art-in-motion. Among the poetries discussed are the language of magic; West African drum language and poetry; the Huichol Indian language of reversals; chance operations in African divination poetry; picture-writings and action-writings from Australia and Africa; and American Indian sacred-clown dramas and traditional trickster narratives. The cumulative effect is a new reading of the poetic past and present—in the editors’ words, “a changed paradigm of what poetry was or now could come to be.”
Rothenberg says: Look, hear, weigh, touch, feel, consider, this is where humans have been, this is the signandflesh and signature and shadow of our ancestry and lineage, our past, present and future, this is the trail, the human trail, this is where there is nothing to hide, nothing to fear, only sharing, infinite sharing.
Vienna Blood & Other Poems is in some ways the most synthesizing of Jerome Rothenberg's recent collections, pulling together work from the 1970s that stands apart from Poland/1931 (1974) and A Seneca Journal (1978) yet at the same time continuing the enactment of past and present begun in those books. But where before he chose to restrict his exploration to ancestral Jewish and Amerindian poetries, Rothenberg now takes us on a series of broader journeys through the collapsed landscape of what he calls the 'new wilderness," evoked as place, as structure, as mind. Written both to be read quietly on the printed page and aloud in performance, the poems in Vienna Blood, though experimental and language-centered, are nevertheless the work of a poet who, by his own admission, is "crazy for content, make no mistake about it." As if to underscore this point, he has appended brief comments to most of the major sections of the book, in order, as he says, "to give it some context in the way of 'oral tradition' usually reserved for poetry readings, etc., a little of which I now commit to writing.
A landmark collection by one of America's leading avant-gardists. A Book of Witness: Spells & Gris-Gris is Jerome Rothenberg's passage from one centuryone millenniumto another. Of the one hundred poems that comprise the book, the first half were written in 1999, the second in the two years that followed. But far more than a marker of era-shifting, it is a collection that reestablishes the primacy of the poetic "I," not in the sense of a confessional, personal voice, but of the grammatical first person as both a singular witness and conduit for othersa kind of prophecy. Often incantatory, the poems in A Book of Witness are a reaffirmation of self in the face of history's darknesses, a shout for life against an indifferent universe.
I look for new forms and possibilities," writes Jerome Rothenberg in Poems for the Game of Silence, "but also for ways of presenting in my own language the oldest possibilities of poetry going back to the primitive and archaic cultures that have been opening up to us over the last hundred years." It is this combined sense of mystery and authenticity, in words and new structures that approach archetypal chant, that informs his poetry. First published in 1971, this volume brings together a selection of Rothenberg's early groundbreaking work: a wide range of experimental forms, both written and oral, set beside renderings of Native American, Australian, and other primitive songs, as well as the ancestral poems exploring his own origins that look forward to his later poetry.
Using Shakespeare's work to expand our understanding of what it is to be human, this book of applied psychoanalysis furthers the study of Shakespeare, literary theory, dramatic arts, and psychoanalytic theory. It is also accessible to readers, theatre-goers and those who have an interest in the human condition. With intellectual rigour, and close textual analysis, it values the insights of many creative writers such as T. S. Eliot, James Joyce, W. H. Auden, Samuel Taylor Coleridge, as well as Sigmund Freud, Heinz Kohut and D.W. Winnicott. For the clinician, this book introduces new theories in psychoanalysis based upon the text and clinical experience. Psychoanalysts looking at literature are at a disadvantage, as the value system belongs solely to the realm of literary theory proper. Literary theory, in turn, often finds what the scholar seeks. It is not surprising that this potentially enriching combination of literary theory and psychoanalysis has had difficulty sustaining its relevance and tends towards reductionism.
In this timely book, Jerome Himmelstein offers a new interpretation of the growth of conservatism in American politics. Tracing the New Right of the 1970s and 1980s back to the Old Right of the 1950s, Himmelstein provides an interpretive map of the political landscape over the past decades, showing how conservatives ascended to power by reconstructing their ideology and building an independent movement. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1990. In this timely book, Jerome Himmelstein offers a new interpretation of the growth of conservatism in American politics. Tracing the New Right of the 1970s and 1980s back to the Old Right of the 1950s, Himmelstein provides an interpretive map of the politi
A Paradise of Poets is Jerome Rothenberg's tenth book of poetry to be published by New Directions, beginning with his Poland/1931(1974). In considering the title of his newest collection, he says: "Writing poetry for me has always included an involvement with the life of poetry--& through that life an intensification, when it happened, of my involvement with the other life around me. In an earlier poem I spoke of this creating a paradise of poets ... I do not of course believe that such a paradise exists in any supernatural or mystical sense, but I have sometimes felt it come to life among my fellow poets and, even more, in writing--in the body of the poem." In Rothenberg's hands, the body of the poem is an extraordinarily malleable object. Collage, translation, even visual improvisation serve to open up his latest book to the presence of poets and artists he has known and to others, past and present, who he feels have somehow touched him, among them Nakahara Chuya, Jackson Mac Low, Pablo Picasso, Leonardo da Vinci, Federico Garcia Lorca, Kurt Schwitters, and Vitezslav Nezval. Kenneth Rexroth once commented: "Jerome Rothenberg is one of our truly great American poets who has returned U.S. poetry to the mainstream of international modern literature. No one has dug deeper into the roots of poetry." With A Paradise of Poets, it is clear that this evaluation is as fresh today as it was twenty-five years ago.
The key book by the internationally celebrated poet with the only Polish ghetto-hassidic-cowboy and Indian American comic voice (Robert Duncan) in history.
The title of Jerome Rothenberg's newest collection suggests jazz, blues, and above all the Dada movement in European art and poetry in the years immediately following World War I. "In my own world," he explains in his pre-face to That Dada Strain, "the Dada fathers who inhabit the opening poems of this book are necessary figures, & to summon them up along with their legends is no more erudite than to summon up Moses or George Washington or Harpo or Karl Marx, & so on." For Rothenberg, the Dada connection, his looking back to Dada founders Tristan Tzara, Hugo Ball, Kurt Schwitters, and Francis Picabia, is especially apt, emphasizing as it does a "strain" that is echoed and replayed throughout all his work, whether it be oral poetry, ethnopoetics, translation, or the assembling of innovative anthologies. Following the title section is "Imaginal Geographies," a group of poems that draw largely on the poet's private self, his own language and perceptions, in much the same way that the Dada poets recorded associations between images for which no key was readily available. In the third and final section, "Altar Pieces," Rothenberg attempts, as he says, "to return to the world in which human beings still suffer both the loss of bread & words." Jerome Rothenberg's previous books of poetry with New Directions include Poland/1931 (1974), Poems for the Game of Silence (1975), A Seneca Journal (1978), and, most recently, Vienna Blood (1980). Pre-Faces & Other Writings, his first collection of poetics, was awarded the Before Columbus Foundation's American Book Award for 1982.
Discover how human services professionals can help to eliminate cultural oppression!Human Services and the Afrocentric Paradigm presents a new way of understanding human behavior, attacking social problems, and exploring social issues. This excellent guide shows that understanding the simultaneous forces of oppression and spiritual alienation in American society serves as a foundation for understanding the societal problems here. The first book to offer a comprehensive exposition of how the Afrocentric paradigm can be used by human service professionals and community advocates, Human Services and the Afrocentric Paradigm discusses why and how human service work is hampered by Eurocentric cultural values and will help you to offer fair and effective services to your clients. Human Services and the Afrocentric Paradigm provides you with a concrete discription of how the Afrocentric model can be applied in human services to help people of all races and ethnicities. You will expand and diversify your knowledge base in human services by understanding the cultural values, traditions, and experiences of people of African ancestry.Some of the issues and concepts in the Afrocentric paradigm that you will explore are: defining the Afrocentric worldview, complete with a discussion of its philosophical assumptions and its shortcomings understanding traditional helping assumptions and methods of West African societies and how these have influenced the helping strategies of African-Americans exploring the strengths and weaknesses of some early African-American human service scholars, with special concern placed on their rejection of traditional African methods in favor of Eurocentric ideas resolving youth violence and helping people with substance abuse problems examining Afrocentric assumptions about resource distribution, morality, and societal relationships identifying organizational and conceptual differences in Eurocentric and Afrocentric paradigms creating organizational empowerment and an enhanced work environment via the Afrocentric paradigmHuman Services and the Afrocentric Paradigm will help you understand, solve, and prevent problems that are confronted by several races, especially individuals of African descent. This timely and relevant worldview is thoroughly explained to assist you in better serving people of color. The Afrocentric paradigm will help human services practitioners, administrators, policy advocates, analysts, educators, and black studies professors and students achieve educational and treatment objectives by showing you the importance of various cultural values and how to integrate them to make a difference!
In Attachment, Sexuality, Power, Jerome C. Wakefield challenges established views of Freudian psychoanalysis by applying Foucault’s concept of ‘power/knowledge’ to Freud’s case of Little Hans, illuminating the role that Oedipal theory has played in reorganizing intimate family relationships. Combining close examination of the Hans case with accounts of the history of marriage and psychology of co-sleeping, this book argues that the Oedipal theory achieved prominence because its implications for family dynamics supported changing social values. Wakefield identifies a previously overlooked reason for Hans’s anxiety—his father attempted to protect Hans from his supposed Oedipal desires by separating Hans from his mother. Thus, Wakefield argues, the father’s exercise of power based on his belief in Oedipal theory, not an actual Oedipus complex, caused Hans’s vulnerability to anxiety—revealing the theory’s potential to cause harm by distancing children from their parents, even as such distancing made the theory socially appealing. This book’s novel and carefully documented articulation of the mechanisms of power by which Oedipal theory exerts its influence on family life will be of interest to psychoanalysts and psychotherapists alike, and essential for scholars in the fields of psychoanalysis, philosophy of science and the history of psychiatry.
Now in its 15th edition, this most widely acclaimed book has been expanded and improved to provide reliable, current, and comprehensive information on drug eruptions and interactions essential for all dermatologists and primary care physicians. With every medication having potential adverse sideeffects, this manual serves as a remedy to the intrica
Primarily intended for the professional child and youth care worker, this new book challenges the most basic methods and beliefs of contemporary practice. Written in the form of a novel, the central issues of child care are brought to life through the subjective experiences of a young practitioner. Each issue and experience is analyzed through the dialogues between the practitioner and his supervisor. As the story unfolds, the reader is invited to reconsider many of the most fundamental and time-tested assumptions that lie at the heart of child and youth care. One by one, the layers of professionalism are peeled back to reveal the essence of it all--the practitioner’s own sense of self. This results in the inevitable conclusion that personal and professional development are inextricably interrelated. From this perspective, it becomes clear how current trends in training and practice often provide a tragic formula for methods that focus upon the control of the youngster and result in the breakdown of relationships and the burnout of the practitioner. Being in Child Care: A Journey Into Self uses the experiences of everyday life to establish themes and draw conclusions. As the story moves from the drama and minutiae of life in a small residential treatment program to the broadest existential questions, the reader will explore his or her own personal experience. Since it can be understood at many different levels, this book will appeal to the student as much as to the seasoned practitioner. (Fewster says parents can read it too.)
An attempt to cover all aspects of children's make-believe. The authors examine how imaginative play begins and develops and provide examples and evidence on the young child's invocation of imaginary friends, the adolescent's daring games and the adult's private imagery and inner thought.
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