A Selection of the Progressive Book ClubFrom the sites of famous sit-ins, marches, and strikes to the locales of events that led to landmark Supreme Court decisions, this inspiring travel guide journeys to more than 400 of the places in the United States that are important to progressive politics. Organized by state, it includes the stories of hundreds of women and men of action who, through creativity and hard work, changed American society for the better. Visit the battlegrounds and celebrate the victories of civil libertarians, feminists, African Americans, gays, lesbians, environmentalists, labor organizers, and media activists. Make a stop at the home of abolitionists Levi and Catharine Coffin, Grand Central Station on the Underground Railroad. Check out Alice's Restaurant Church, the namesake of Arlo Guthrie's song protesting the draft. Learn about the first women's convention held by Elizabeth Cady Stanton in Seneca Falls at the Women's Hall of Fame. See the site of the Haymarket Riot in Chicago where laborers protested working conditions. Join the many people who pay homage at the grave site of Leonard Matlovich, the gay Vietnam War veteran who fought the U.S. military--and won--when he was wrongfully discharged for homosexuality. Each entry features a listing of books and websites for further information, making this an essential lefty resource. For liberal-minded adventurous travelers, educational family vacationers, and progressives who want to know their history, this book will inspire them to do more than just cast a vote.
Drawing on decades of research, Karabel shines a light on the ever-changing definition of "merit" in college admissions, showing how it shaped--and was shaped by--the country at large.
A defining analysis of the entire span of Kurt Vonnegut's fiction Kurt Vonnegut is one of the few American writers since Mark Twain to have won and sustained a great popular acceptance while boldly introducing new themes and forms on the literary cutting edge. This is the "Vonnegut effect" that Jerome Klinkowitz finds unique among postmodernist authors. In this innovative study of the author's fiction, Klinkowitz examines the forces in American life that have made Vonnegut's works possible. Vonnegut shared with readers a world that includes the expansive timeline from the Great Depression, during which his family lost their economic support, through the countercultural revolt of the 1960s, during which his fiction first gained prominence. Vonnegut also explored the growth in recent decades of America's sway in art, which his fiction celebrates, and geopolitics, which his novels question. A pioneer in Vonnegut studies, Jerome Klinkowitz offers The Vonnegut Effect as a thorough treatment of the author's fiction—a canon covering more than a half century and comprising twenty books. Considering both Vonnegut's methods and the cultural needs they have served, Klinkowitz explains how those works came to be written and concludes with an assessment of the author's place in American fiction.
Starting in the 1960s, a group of radically new fiction writers began having success at reinventing the novel and short story for postmodern times. Chief among them were Kurt Vonnegut, Jerzy Kosinski, Donald Barthelme, Ronald Sukenick, Raymond Federman, Clarence Major, and Gilbert Sorrentino. Although their work proved puzzling to reviewers and did not fit the conventions familiar to academic critics, these writers found an ally in a young reader named Jerome Klinkowitz. Hired to teach Hawthorne and other nineteenth-century figures, Klinkowitz found his deepest sympathies (and most lifelike affinities) to be with Vonnegut and company instead. Beginning in 1969 he published the first scholarly essays on Vonnegut, Kosinski, Barthelme, and the others in turn. By 1975 he was ready to write Literary Disruptions, a literary history of what he called this "post-contemporary" period. Since then he has written more than thirty books on contemporary fiction and its allied developments in cultural history, art, music, politics, and philosophy. Keeping Literary Company details Klinkowitz's work with these writers—not just researching their fiction and other publications, but introducing them to one another and taking part in the business-world activities that spread news of their innovations. He shows how what they wrote was so much a part of those turbulent times that a new literary generation found itself defined in such works as Slaughterhouse-Five, Being There, and Snow White. Here is a fascinating, first-person account of what these important figures wrote, how they wrote it, and what it means in the development of American fiction.
In this cultural biography, Paul Croce investigates the contexts surrounding the early intellectual development of American philosopher William James (1842-1910). Croce places the young James at the center of key scientific and religious debates in Americ
Almost 330,000 children in America are in prison, in a detention center, on probation or parole, or otherwise under the control of the criminal justice system. In a time of nascent prison reform, these children are often left out of the conversation. This book chronicles the experiences of six young people in Ash Meadow in Washington State. Written from the perspective of a prison rehabilitation counselor, this book provides a firsthand account of these children's lives during and after their stay. These accounts show how domestic violence, inequality and poor adult-modeling influence the decisions that children make later in life.
Insights into Vonnegut's extensive nonfiction as a key to understanding innovation in his novels Vonnegut in Fact offers a thorough assessment of the artistry of Kurt Vonnegut, known not only as the best-selling author of Slaughterhouse-Five, Timequake, and a dozen other novels, but also as the most widely recognized public spokesperson among writers since Mark Twain. Jerome Klinkowitz traces the emergence of Vonnegut's nonfiction since the 1960s, when commentary and feature journalism replaced the rapidly dying short story market. Offering close readings and insightful criticism of Vonnegut's three major works of nonfiction, his many uncollected pieces, and his unique manner of public speaking, Klinkowitz explains how Vonnegut's personal visions developed into a style of great public responsibility that mirrored the growth of his fiction. Klinkowitz views his subject as a gentle manipulator of popular forms and an extremely personable figure; what might seem radically innovative and even iconoclastic in his fiction becomes comfortably avuncular and familiarly American when followed to its roots in his public spokesmanship.
For fifteen years, Jerome Gold worked as a rehabilitation counselor in a prison for juveniles in Washington state. Throughout his time there, he kept a journal of his experiences with youths who had been incarcerated for murder, kidnap, assault, rape and other sex offenses, auto theft, burglary, and selling drugs. What started as a journal designed to relieve stress turned into the evocation of one man's nuanced perspective on a unique group of young people. Paranoia & Heartbreak tells Gold’s personal story of coming to terms with people who have crossed over to the other side of their own humanity. Writing from ample experience and with unflinching compassion, Gold brings the reader to see these "deviants"—and through them, in some slanted way, our whole society, with an unexpected intensity.
Handbook of Children and the Media' brings together the best-known scholars from around the world to summarize the current scope of the research in this field.
A penetrating account of the religious critics of American liberalism, pluralism, and democracy--from the Revolution until today "A chilling consideration of persistent mutations of American thought still threatening our pluralist democracy."--Kirkus Reviews (starred review) The conversation about the proper role of religion in American public life often revolves around what kind of polity the Founders of the United States envisioned. Advocates of a "Christian America" claim that the Framers intended a nation whose political values and institutions were shaped by Christianity; secularists argue that they designed an enlightened republic where church and state were kept separate. Both sides appeal to the Founding to justify their beliefs about the kind of nation the United States was meant to be or should become. In this book, Jerome E. Copulsky complicates this ongoing public argument by examining a collection of thinkers who, on religious grounds, considered the nation's political ideas illegitimate, its institutions flawed, and its church-state arrangement defective. Beholden to visions of cosmic order and social hierarchy, rejecting the increasing pluralism and secularism of American society, they predicted the collapse of an unrighteous nation and the emergence of a new Christian commonwealth in its stead. By engaging their challenges and interpreting their visions we can better appreciate the perennial temptations of religious illiberalism--as well as the virtues and fragilities of America's liberal democracy.
Drawing on his experiences as a young man in the Great Depression and the Second World War, Kurt Vonnegut created a new style of fiction responsive to the post-war world and unique in its appeal to both popular audiences and avant-garde critics. His work was profoundly innovative and yet perfectly lucid. In this comprehensive introductory study, originally published in 1982, Jerome Klinkowitz traces Vonnegut’s influences within the American middle class, his early efforts as a short-story writer for magazines in the 1960s and his startling and unprecedented success as a bestselling experimental novelist with Slaughterhouse-Five. His self-consciously moral posture led to readers throughout the world accepting him as their spokesman for humane values, a role which Klinkowitz considers within the context of his work.
Levin examines what therapists can do to help the victims of narcissistic wounds to integrate, mourn, and heal them. He shows the nature of the injuries to each party and considers ways to minimize them, since treatment itself can seem an injury to both patient and therapist.
Follows the threads of ancient rhetorical theory into the Middle Ages and examines the distinctly Medieval rhetorical genres of perceptive grammar, letter-writing, and preaching. These various forms are compared with one another and placed in the context of Medieval society. Covering the period 426 A.D. to 14.
Volume 19 is dedicated to the memory of Prof Lothar Fietz (University of Tübingen) in appreciation of his merits as an outstanding Huxley scholar, as a Founding Member and Curator of the Aldous Huxley Society and as a true friend (see the In Memoriam above). The volume opens with a sequence of hitherto unpublished Huxley writings, starting with the three extant versions from 1949 of his dramatization of Ape and Essence (1948), thematically linked with two texts treating the physical survival of mankind and three contrasting texts discussing the question of spiritual survival. This section is followed by Huxley's draft for an introduction of Edna St. Vincent Millay at one of her poetry readings in 1938 and an autograph letter to Seabury Edwardes that he wrote shortly after the publication of The Doors of Perception (1954). The volume closes with several critical articles on Huxley's relationship with D. T. Suzuki, his Sanary period and his view and practice of literary utopias.
Sticks and stones may break my bones but words will never hurt me." This schoolyard rhyme projects an invulnerability to verbal insults that sounds good but rings false. Indeed, the need for such a verse belies its own claims. For most of us, feeling insulted is a distressing-and distressingly common-experience. In Sticks and Stones, philosopher Jerome Neu probes the nature, purpose, and effects of insults, exploring how and why they humiliate, embarrass, infuriate, and wound us so deeply. What kind of injury is an insult? Is it determined by the insulter or the insulted? What does it reveal about the character of both parties as well as the character of society and its conventions? What role does insult play in social and legal life? When is telling the truth an insult? Neu draws upon a wealth of examples and anecdotes-as well as a range of views from Aristotle and Oliver Wendell Holmes to Oscar Wilde, John Wayne, Katherine Hepburn, and many others-to provide surprising answers to these questions. He shows that what we find insulting can reveal much about our ideas of character, honor, gender, the nature of speech acts, and social and legal conventions. He considers how insults, both intentional and unintentional, make themselves felt-in play, Freudian slips, insult humor, rituals, blasphemy, libel, slander, and hate speech. And he investigates the insult's extraordinary power, why it can so quickly destabilize our sense of self and threaten our moral identity, the very center of our self-respect and self-esteem. Entertaining, humorous, and deeply insightful, Sticks and Stones unpacks the fascinating dynamics of a phenomenon more often painfully experienced than clearly understood.
Within the cycle that runs from Erewhon to Island, British literary utopias compete with one another to form the most persuasive picture of what the future might, or should, be like. At issue for Butler, Wells, Zamiatin, Orwell and others is whether utopia, be it positive or negative, is essentially prediction or hypothesis. Huxley contributed to this debate at roughly fifteen-year intervals, his three utopias becoming its key texts. In addition, Aldous Huxley and Utopia examines ironic cure scenes, the obsession with golf in the brave new world, attitudes towards death in Brave New World and Island, problems with names and history in the former, the role of islands in both, the detrimental impact of Madame Blavatsky and young Krishnamurti on the story of Pala, and the significance of a zoological conclusion of Island.
A definitive look at the symbiotic relationship between Vonnegut's writing and American culture. Kurt Vonnegut's death in 2007 marked the passing of a major force in American life and letters. Jerome Klinkowitz, one of the earliest and most prolific authorities on Vonnegut, examines the long dialogue between the author and American culture—a conversation that produced fourteen novels and hundreds of short stories and essays. Kurt Vonnegut's America integrates discussion of the fiction, essays, and lectures with personal exchanges and biographical sketches to map the complex symbiotic relationship between Vonnegut's work and the cultural context from which it emerged—and which it in turn helped shape. Following an introduction characterizing Vonnegut as Klinkowitz came to know him over the course of their friendship, this study charts the impact of Vonnegut on American society and of that society on Vonnegut for more than a half-century to illustrate how each informed the other. Among his artistic peers, Vonnegut was uniquely gifted at anticipating and articulating the changing course of American culture. Kurt Vonnegut's America shows us that Vonnegut achieved greatness by passing his own test—opening the eyes of his audience to help them better understand their roles and possibilities in the common culture they both shared and crafted.
The legendary Claudette Colbert starred on Broadway in this suspense drama about an internationally successful mystery novelist whose relatives wouldn't mind killing her to get their hands on her art collection. Other characters include a live in doctor who was once the novelist's lover and a savvy Indian butler who uses words like "chutzpa." The badinage between the novelist and the butler and between the novelist and the doctor provides comic delight and relief from the mayhem being planned by the family. This exciting comic thriller was produced on BBC TV starring Angela Lansbury and Sir Lawrence Olivier. Fans of 'Murder, She Wrote' will enjoy A Talent for Murder, a merry murder mystery that is perfect for summer stock, dinner theatres and community theatres.
New York Times bestselling author Eric Jerome Dickey presents one of his most intimate and emotionally resonant novels—a story about marriage, infidelity, and sweet and savage revenge. She works nights. He works days. Their sex is routine. Their conversations are empty. Something’s got to give. It does, when she discovers her husband’s affair. The delicate fabric of their increasingly tenuous marriage is torn asunder—but neither is prepared for what happens next. An unforgivable betrayal is about to yield the most unexpected surprises, as a husband and wife face a challenge of trust, faith, and the staying power of love.... “Dickey has developed a knack for creating characters who elicit both rage and sympathy…The nameless narrator, a routine-bound suburban Californian, learns of her husband's philandering ways. But this dame is no hapless victim of infidelity: She takes charge…Dickey taps the intimate emotions of a woman whose hurt we feel viscerally.”—Entertainment Weekly
Dr. Keith Bernard has earned a reputation as a professor with strong convictions and warm rapport with students, rarely has reason to recall that he was once considered a human resources "hit man." But to those who observed him from a safe distance in his previous career in personnel management, it often appeared that he was someone who was capable of firing people without any visible displays of emotion. One afternoon, Bernard is summoned to the law offices of Harper and Fowler to be deposed in a questionable dismissal wrongful case of one of the district's former employees. Bernard testifies and, somewhat reluctantly, teaches about the very real ethical dimensions of personnel management. Through a story-telling style that often confounds the lawyers asking scripted questions, Bernard reveals for us the unvarnished truth and subtle complexities inherent in educational leadership by responding to the question that is at once both ethical and dramatic, that is: How shall I act?
Shortwave broadcasting originated in the 1920s, when stations used the new technology to increase their range in order to serve foreign audiences and reach parts of their own country not easily otherwise covered. The early days of shortwave radio were covered in On the Short Waves, 1923-1945: Broadcast Listening in the Pioneer Days of Radio, published by McFarland in 1999 (paperback 2007). Then, two companion volumes were published, picking up the story after World War II. They were Listening on the Short Waves, 1945 to Today (McFarland, 2008; paperback 2010), which focuses on the shortwave listening community, and the present Broadcasting title, about the stations themselves and their environment. The heart of the book is a detailed, year-by-year account of the shortwave bands in each year from 1945 to 2008. It reviews what American listeners were hearing on the international and domestic shortwave bands, describes the arrivals and departures of stations, and recounts important events. The book describes the several categories of broadcasters--international, domestic, private, religious, clandestine and pirate. It explains the impact of relay stations, frequency management, and jamming. It also addresses the considerable changes in shortwave broadcasting since the end of the Cold War. The book is richly illustrated and indexed, and features a bibliography and extensive notes.
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