First collection of full-length plays from British East Asian playwrights Playwrights: Yang Mai Ooi, Jeremy Tiang, Lucy Chai Lai-Tuen, Amy Ng, Stephen Hoo, Joel Tan and Daniel York Loh. Selected and Edited: Cheryl Robson, Dr Amanda Rogers and Dr Ashley Thorpe. With an introduction: Dr Amanda Rogers and Dr Ashley Thorpe A landmark collection of contemporary full-length plays by British East Asian writers. Exploring subjects such as cultural identity, the fragmentation of communities, tradition, invisibility and discrimination, these plays are ideal to perform. With an introduction by academics Dr Amanda Rogers and Dr Ashley Thorpe which sets the plays into context and explores the hidden history of theatre from BEA theatre-makers. This is a timely collection, being published within months of the opening of three plays by British East Asian playwrights in the UK, and a growing awareness in the mainstream press that that East Asians in British theatre are under-represented. As Daniel York Loh writes: “British East Asians were effectively side-lined in any debate on diversity in theatre where the general establishment view tends towards a binary black/white... which seems to exclude large swathes of the Asian continent.” As Kumiko Mendl of Yellow Earth theatre writes: "There is an abundance of talent and experience to be found in the UK, and it's time that the rest of Britain woke up to the diversity of artists and practitioners around them – those that know their Kuan Han-ching as well as their Shakespeare." The seven plays in the anthology are: Bound Feet Blues by Yang Mai Ooi The Last Days of Limehouse by Jeremy Tiang Conversations with my Unknown Mother by Lucy Chai Lai-Tuen Special Occasions by Amy Ng Jamaica Boy by Stephen Hoo Tango by Joel Tan The Fu Manchu Complex by Daniel York Loh "Ooi has some unsettling examples of how, even today in the West, daintiness in a woman is often celebrated and a `beauty is pain' culture still exists." --The Stage "The Last Days of Limehouse is a finely balanced, well-written and superbly acted play that's well worth seeing." **** - --everything theatre "...a devilishly ironic spin on Sax Rohmer's classic novel that will leave you in hysterics...wildly satirical and steeped in sexual innuendo... the atmosphere created on stage is alluring." - --The Upcoming
“What would you draw if you had the power to create whatever you wanted, just by putting a pen to paper? Perhaps a better question is, why hasn’t it been drawn yet?” An Unseen Power Chrysti and Carver are just two ordinary children living out their story on the extraordinary, unexplored world of Zorb. A series of smelly and unlikely events leads them outside the safety of the Complex, where they discover the untamed power of imagination, friendship, and faith in a world full of magic and looming danger. A World in Peril When the evil Takers threaten to swallow all of Zorb with their army of fearsome creations, will the citizens of Zorb retreat to the comfort and slavery of their technology, or will they choose to embrace the beautiful unknown of courage, creativity, and adventure?
First collection of full-length plays from British East Asian playwrights Playwrights: Yang Mai Ooi, Jeremy Tiang, Lucy Chai Lai-Tuen, Amy Ng, Stephen Hoo, Joel Tan and Daniel York Loh. Selected and Edited: Cheryl Robson, Dr Amanda Rogers and Dr Ashley Thorpe. With an introduction: Dr Amanda Rogers and Dr Ashley Thorpe A landmark collection of contemporary full-length plays by British East Asian writers. Exploring subjects such as cultural identity, the fragmentation of communities, tradition, invisibility and discrimination, these plays are ideal to perform. With an introduction by academics Dr Amanda Rogers and Dr Ashley Thorpe which sets the plays into context and explores the hidden history of theatre from BEA theatre-makers. This is a timely collection, being published within months of the opening of three plays by British East Asian playwrights in the UK, and a growing awareness in the mainstream press that that East Asians in British theatre are under-represented. As Daniel York Loh writes: “British East Asians were effectively side-lined in any debate on diversity in theatre where the general establishment view tends towards a binary black/white... which seems to exclude large swathes of the Asian continent.” As Kumiko Mendl of Yellow Earth theatre writes: "There is an abundance of talent and experience to be found in the UK, and it's time that the rest of Britain woke up to the diversity of artists and practitioners around them – those that know their Kuan Han-ching as well as their Shakespeare." The seven plays in the anthology are: Bound Feet Blues by Yang Mai Ooi The Last Days of Limehouse by Jeremy Tiang Conversations with my Unknown Mother by Lucy Chai Lai-Tuen Special Occasions by Amy Ng Jamaica Boy by Stephen Hoo Tango by Joel Tan The Fu Manchu Complex by Daniel York Loh "Ooi has some unsettling examples of how, even today in the West, daintiness in a woman is often celebrated and a `beauty is pain' culture still exists." --The Stage "The Last Days of Limehouse is a finely balanced, well-written and superbly acted play that's well worth seeing." **** - --everything theatre "...a devilishly ironic spin on Sax Rohmer's classic novel that will leave you in hysterics...wildly satirical and steeped in sexual innuendo... the atmosphere created on stage is alluring." - --The Upcoming
The First World War was marked by an exceptional expansion in the use and production of military cartography. But World War II took things even further, employing maps, charts, reconnaissance, and the systematic recording and processing of geographical and topographical information on an unprecedented scale. As Jeremy Black—one of the world’s leading military and cartographic historians—convincingly shows in this lavish full-color book, it is impossible to understand the events and outcomes of the Second World War without deep reference to mapping at all levels. In World War II, maps themselves became the weapons. A History of the Second World War in 100 Maps traces how military cartography developed from simply recording and reflecting history to having a decisive impact on events of a global scale. Drawing on one hundred key maps from the unparalleled collections of the British Library and other sources—many of which have never been published in book form before--Jeremy Black takes us from the prewar mapping programs undertaken by both Germany and the United Kingdom in the mid-1930s through the conflict’s end a decade later. Black shows how the development of maps led directly to the planning of the complex and fluid maneuvers that defined the European theater in World War II: for example, aerial reconnaissance photography allowed for the charting of beach gradients and ocean depths in the runup to the D-Day landings, and the subsequent troop movements at Normandy would have been impossible without the help of situation maps and photos. In the course of the conflict, both in Europe and the Pacific, the realities of climate, terrain, and logistics—recorded on maps—overcame the Axis powers. Maps also became propaganda tools as the pages of Time outlined the directions of the campaigns and the Allies dropped maps from their aircraft. In this thrilling and unique book, Jeremy Black blends his singular cartographic and military expertise into a captivating overview of World War II from the air, sea, and sky, making clear how fundamental maps were to every aspect of this unforgettable global conflict.
The Rough Guides series contain full color photos, three maps in one, and arewaterproof and tearproof. They contain thousands of keyed listings and brightnew graphics.
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