The notable characteristic of the royal families of Europe is that they have so very little of anything remotely resembling true power. Increasingly, they tend towards the condition of pipsqueak principalities like Liechtenstein and Monaco -- fancy-dress fodder for magazines that survive by telling us things we did not need to know about people we have hardly heard of. How then have kings and queens come to exercise the mesmeric hold they have upon our imaginations? In On Royalty renowned BBC journalist Jeremy Paxman examines the role of the British monarchy in an age when divine right no longer prevails and governing powers fall to the country's elected leaders. With intelligence and humor, he scrutinizes every aspect of the monarchy and how it has related to politics, religion, the military and the law. He takes us inside Buckingham Palace and illuminates the lives of the monarchs, at once mundane, absurd and magical. What Desmond Morris did for apes, Paxman has done for these primus inter primates: the royal families. Gilded history, weird anthropology and surreal reportage of the royals up close combine in On Royalty, a brilliant investigation into how an ancient institution struggles for meaning in a modern country.
News, views and hilarious stories from the legend of Newsnight and long-standing quiz master of University Challenge. ‘Bursting with good things’ Daily Telegraph
From the bestselling author of The English comes Empire, Jeremy Paxman's history of the British Empire accompanied by a flagship 5-part BBC TV series, for readers of Simon Schama and Andrew Marr. The influence of the British Empire is everywhere, from the very existence of the United Kingdom to the ethnic composition of our cities. It affects everything, from Prime Ministers' decisions to send troops to war to the adventurers we admire. From the sports we think we're good at to the architecture of our buildings; the way we travel to the way we trade; the hopeless losers we will on, and the food we hunger for, the empire is never very far away. In this acute and witty analysis, Jeremy Paxman goes to the very heart of empire. As he describes the selection process for colonial officers ('intended to weed out the cad, the feeble and the too clever') the importance of sport, the sweating domestic life of the colonial officer's wife ('the challenge with cooking meat was "to grasp the fleeting moment between toughness and putrefaction when the joint may possibly prove eatable"') and the crazed end for General Gordon of Khartoum, Paxman brings brilliantly to life the tragedy and comedy of Empire and reveals its profound and lasting effect on our nation and ourselves. 'Paxman is witty, incisive, acerbic and opinionated . . . In short, he carries the whole thing off with panache bordering on effrontery' Piers Brendon, Sunday Times 'Paxman is a magnificent historian, and Empire may be remembered as his finest work' Independent on Sunday Jeremy Paxman was born in Yorkshire and educated at Cambridge. He is an award-winning journalist who spent ten years reporting from overseas, notably for Panorama. He is the author of five books including The English. He is the presenter of Newsnight and University Challenge and has presented BBC documentaries on various subjects including Victorian art and Wilfred Owen.
The acclaimed author of On Royalty explores the mysteries of English identity in this “witty, argumentative book bursting with good things” (The Daily Telegraph). A Sunday Times Top Ten Bestseller Being English used to be easy. As the dominant culture in a country that dominated an empire that dominated the world, they had little need to examine themselves and ask who they were. But something has happened over the past century. A new self-confidence seems to have taken hold in Wales and Scotland, while others try to forge a new relationship with Europe. What exactly sets the English apart from their British compatriots? Is there such a thing as an English race? Renowned journalist and bestselling author Jeremy Paxman traces the invention of Englishness to its current crisis and concludes that, for all their characteristic gloom about themselves, the English may have developed a form of nationalism for the twenty-first century. “Paxman’s irrepressibly witty bit of Anglo scholarship offers stirring insights.” —Vanity Fair
Jeremy Paxman has created the perfect literary catch for fellow angling enthusiasts in this rich and varied anthology. Ten thoroughly entertaining themed chapters include 'Ones That Got Away', 'Ones That Didn’t Get Away' and 'Fish That Bit Back'. Each is introduced by Paxman’s own sharp, humorous observations and features both contemporary and historical writing about fishing in prose and verse, covering everything from tench tickling to piranha attacks. Some pieces are well known favourites, others are obscure, every one is a delight. 'A superb compilation because it roams from carp to cod, trout to tarpon and does not regurgitate the same old clippings. Paxman has clearly read widely and wisely in putting this together ... probably the definitive anthology of angling writing.' Keith Elliott, Independent on Sunday.
Jeremy Paxman is to many the embodiment of Englishness yet even he is sometimes forced to ask: who or what exactly are the English? And in setting about addressing this most vexing of questions, Paxman discovers answers to a few others. Like: • Why do the English actually enjoy feeling persecuted? • What is behind the English obsession with games? • How did they acquire their odd attitudes to sex and to food? • Where did they get their extraordinary capacity for hypocrisy? Covering history, attitudes to foreigners, sport, stereotypyes, language and much, much more, The English brims over with stories and anecdotes that provide a fascinating portrait of a nation and its people.
Jeremy Paxman's magnificent history of the First World War tells the entire story of the war in one gripping narrative from the point of view of the British people. *** We may think we know about it, but what was life really like for the British people during the First World War? The well-known images - the pointing finger of Lord Kitchener; a Tommy buried in the mud of the Western Front; the memorial poppies of Remembrance Day - all reinforce the idea that it was a pointless waste of life. So why did the British fight it so willingly and how did the country endure it for so long? Using a wealth of first-hand source material, Jeremy Paxman brings vividly to life the day-to-day experience of the British over the entire course of the war, from politicians, newspapermen, campaigners and Generals, to Tommies, factory workers, nurses, wives and children. It shows how both British life and identity were utterly transformed - not always for the worst - by the enormous upheaval of the war. Rich with personalities, surprises and ironies, this lively narrative history paints a picture of courage and confusion, doubts and dilemmas, and is written with Jeremy Paxman's characteristic flair for storytelling, wry humour and pithy observation. *** "A fine introduction to the part Britain played in the first of the worst two wars in history. The writing is lively and the detail often surprising and memorable" Guardian "He writes so well and sympathetically, and chooses his detail so deftly, that if there is one new history of the war that you might actually enjoy from the very large centennial selection this is very likely it" The Times
In On Royalty Jeremy Paxman delves deep into Britain's royal past. What is the point of Kings and Queens? What do they do all day? And what does it mean to be one of them? Jeremy Paxman is used to making politicians explain themselves - but royalty has always been off limits. Until now. He takes a long hard look at our present incumbents to find out just what makes them tick. Along the way he discovers some fascinating and little-known details. Such as: how Albania came to advertise in England for a king which English queen gave birth in front of 67 people how easy it is to beat up future kings of England and how meeting the Queen is a bit scary - whoever you are ... No other book will tell you quite as much about our kings, queens, princes and princesses: who they are and what they're for. 'Paxman's book is everyhing that royalty is not allowed to be - witty, stylish, intelligent, pugnacious and political. The Times 'On Royalty is an absorbing, well-researched book, part serious enquiry, part rollicking anecdote' Evening Standard 'Action-packed and entertaining' Sunday Telegraph Jeremy Paxman is a journalist, best known for his work presenting Newsnight and University Challenge. His books include Empire, On Royalty, The English and The Political Animal. He lives in Oxfordshire.
From the bestselling historian and acclaimed broadcaster ‘A rich social history ... Paxman’s book could hardly be more colourful, and I enjoyed each page enormously’ DOMINIC SANDBROOK, SUNDAY TIMES ‘Vividly told ... Paxman’s fine narrative powers are at their best’ THE TIMES
A Higher Form of Killing opens with the first devastating battlefield use of lethal gas in World War I, and then investigates the stockpiling of biological weapons during World War II and in the decades afterward as well as the inhuman experiments con-ducted to test their effectiveness. This updated edition includes a new Introduction and a new final chapter exposing frightening developments in recent years, including the black market that emerged in chemical and biological weapons following the breakup of the Soviet Union, the acquisition of these weapons by various Third World states, the attempts of countries such as Iraq to build up arsenals, and--particularly and most recently--the use of these weapons in terrorist attacks.
Jeremy Paxman's unique portrait of the Victorian age takes readers on an exciting journey through the birth of modern Britain. Using the paintings of the era as a starting point, he tells us stories of urban life, family, faith, industry and empire that helped define the Victorian spirit and imagination. To Paxman, these paintings were the television of their day, and his exploration of Victorian art and society shows how these artists were chronicling a world changing before their eyes. This enthralling history is Paxman at his best - opinionated, informed, witty, surprising - and a glorious reminder of how the Victorians made us who we are today.
Full of glorious examples of caller wisdom [with] laugh-out-loud anecdotes' Allison Pearson Having taken over 25,000 listener calls on his BBC Radio 2 lunchtime show, Jeremy Vine decided it was time to take stock of the wisdom his listeners have imparted over the airwaves. And it is clearer than ever before that caller wisdom is far more valuable than most of what we hear from 'the experts'. The voice of the so-called 'ordinary person' - totally unvarnished and unspun - turns out to be not so ordinary after all. These moments of truth could not have come at a more pertinent time - with world politics, war and Brexit in the fray. And it always helps to make people laugh. This is his hilarious account of lessons learnt from listeners, life and Len Goodman by way of musings on everything including love, lollipop ladies and poisonous plants.
Jeremy Vine is one of the most successful broadcasters of recent years and in 2012 clocks up a quarter of a century at the BBC. In It's All News to Me, he takes a look back over his career from the very first day when he arrived at broadcasting house, (by coincidence an inauspicious news day - the fateful Black Monday of 1987.) Jeremy explains his big break as a Today programme reporter when he was fired at by a sniper during the early days of the war in Bosnia; he walks us through the corridors of Westminster in the 1990s when he was a political correspondent, trying to deal with the likes of Alastair Campbell and Peter Mandelson; he reflects on the steep learning curve that was his posting as African correspondent at the turn of the millennium; and his return to the UK where he was dubbed Paxman's "mini-me" on Newsnight. He also explains what it's like presenting Radio 2's lunchtime show and talking to 6 million listeners - people who, as he puts it "have better stories than we do." Written in Jeremy's unmistakably lively and self-deprecating voice, It's All News to Mepaints a vivid picture of what it's like to be trapped inside the BBC - arguably the most interesting organisation in the country - for 25 years. It's also about our obsession with news - just exactly how and why it happens - and the power of real life stories versus the media's desire to shape them.
The secret story of chemical and biological warfare. A Higher Form of Killing was first published to great acclaim in 1982. The authors have written a new Introduction and a new Epilogue to take account of the events that have happened since the early 1980s - including the break-up of the former Soviet Union and the black market that appeared in chemical and biological weapons, the acquisition of these weapons by various Third World states, the attempts of various countries like Iraq to build up arsenals of these weapons and, most recently, the use of these weapons in terrorist attacks. As the authors point out, the two generations since the Second World War lived with the threat of nuclear annihilation. Now a new generation must learn to live with weapons that are more insidious and potentially more devastating.
Jeremy Clarkson puts the pedal to the floor in Don't Stop Me Now; a collection of his Sunday Times motoring journalism. There's more to life than cars. Jeremy Clarkson knows this. There is, after all, a whole world out there just waiting to be discovered. So, before he gets on to torque steer and active suspension, he takes time out to consider: • The madness of Galapagos tortoises • The similarities between Jeremy Paxman and AC/DC's bass guitarist • The problems and perils of being English • God's dumbest creation Then there are the cars: whether it's the poxiest little runabout or an exotic, firebreathing supercar, no one does cars like Clarkson. Unmoved by mechanics' claims and unimpressed by press junkets, he approaches anything on four wheels without fear or favour. What emerges from the ashes is rarely pretty. But always very, very funny. Praise for Jeremy Clarkson: 'Brilliant . . . laugh-out-loud' Daily Telegraph 'Outrageously funny . . . will have you in stitches' Time Out Number-one bestseller Jeremy Clarkson writes on cars, current affairs and anything else that annoys him in his sharp and funny collections. Born To Be Riled, Clarkson On Cars, Don't Stop Me Now, Driven To Distraction, Round the Bend, Motorworld, and I Know You Got Soul are also available as Penguin paperbacks; the Penguin App iClarkson: The Book of Cars can be downloaded on the App Store. Jeremy Clarkson because his writing career on the Rotherham Advertiser. Since then he has written for the Sun and the Sunday Times. Today he is the tallest person working in British television, and is the presenter of the hugely popular Top Gear.
The notable characteristic of the royal families of Europe is that they have so very little of anything remotely resembling true power. Increasingly, they tend towards the condition of pipsqueak principalities like Liechtenstein and Monaco -- fancy-dress fodder for magazines that survive by telling us things we did not need to know about people we have hardly heard of. How then have kings and queens come to exercise the mesmeric hold they have upon our imaginations? In On Royalty renowned BBC journalist Jeremy Paxman examines the role of the British monarchy in an age when divine right no longer prevails and governing powers fall to the country's elected leaders. With intelligence and humor, he scrutinizes every aspect of the monarchy and how it has related to politics, religion, the military and the law. He takes us inside Buckingham Palace and illuminates the lives of the monarchs, at once mundane, absurd and magical. What Desmond Morris did for apes, Paxman has done for these primus inter primates: the royal families. Gilded history, weird anthropology and surreal reportage of the royals up close combine in On Royalty, a brilliant investigation into how an ancient institution struggles for meaning in a modern country.
A Higher Form of Killing opens with the first devastating battlefield use of lethal gas in World War I, and then investigates the stockpiling of biological weapons during World War II and in the decades afterward as well as the inhuman experiments con-ducted to test their effectiveness. This updated edition includes a new Introduction and a new final chapter exposing frightening developments in recent years, including the black market that emerged in chemical and biological weapons following the breakup of the Soviet Union, the acquisition of these weapons by various Third World states, the attempts of countries such as Iraq to build up arsenals, and--particularly and most recently--the use of these weapons in terrorist attacks.
As statutes and regulations increasingly inhibit the rights of private landowners, the restrictive covenant has subtly emerged as one of the few remaining tools of property control available to the freeholder of land. This new edition discusses recent case law and its far-reaching effects on the jurisdiction of the Lands Tribunal, the modification or discharge of covenants and the compensation required It also incorporates rent charge covenants and other use obligations, and the problems of consent and breach Detailed chapters are included on procedure in Lands Tribunal applications
This detailed chronological analysis of British World War II movies from 1939 until the present explores how films projected recognizable stereotypes of British national character and how the times in which a film was made shaped its perspectives. Several chapters look at films made during and immediately after the war. In depictions of the Home Front, characters display resolve as well as emotional restraint and present an image of an undivided society cooperating to fight evil. By contrast, duty and service are the paramount virtues of combat films while spy melodramas exemplify the British love of improvisation. Fifties war films are examined against the backdrop of alarm and uncertainty caused by the Cold War. Such films reflect traditional national character stereotypes, though the stiff upper lip begins to be questioned by the end of the decade. The book then traces the radical effect of the 1960s revolution, revealing how the fondness for skeptical antiwar movies went hand in hand with the questioning of Britain's place in the world. The book ends by looking at recent war films and asks whether these reflect the cult of narcissism so prevalent in modern Britain.
My life is a constant battle between vanity and laziness. This book has brokered the perfect peace deal!" - Graham Norton Should I tint my eyebrows? How can I get a squarer jawline? Which style of trouser would make my legs look longer? Leading lifestyle columnist and magazine editor, Jeremy Langmead, has men constantly asking him for answers to these questions and more. In Vain Glorious, he teams up with Harley Street aesthetic doctor David Jack to lift the lid on all the anti-ageing and beauty secrets now available for men, from Botox to hair thickening treatments. Dr Jack provides the medical expertise, whilst Langmead test-drives the products and procedures on offer - sharing often hilarious snapshots of his own hit-and-miss journey of rejuvenation, as well as sartorial tricks and insider tips from his time editing Esquire and running the men's fashion website mrporter.com. Vain Glorious is an honest and practical guide to help men feel comfortable in their own skin.
Jeremy Clarkson, shares his opinions on just about everything in For Crying Out Loud. The publication of The World According to Clarkson in 2004 launched a multi-million copy bestselling phenomenon. But to no avail. Jeremy's one man war on crimes against common sense has not yet been won. And out hero's still scratching his head at the madness of it all. But it's not all bad. He's learnt a little along the way, including: • Why binge drinking is good for you • The worst word in the English language • The remarkable secret of eternal youth • The problem with America • And how to dispose of a seal For anyone who's been driven to wonder just what is the matter with people these days, For Crying Out Loud is the perfect riposte. Surprising, fearless and always laugh-out-loud funny, Clarkson's back. And he's got a point . . . For Crying Out Loud is a hilarious collection of Jeremy's Sunday Times columns and the third in his The World According to Clarkson series which also includes The World According to Clarkson, And Another Thing... and How Hard Can It Be? Praise for Jeremy Clarkson: 'Brilliant . . . laugh-out-loud' Daily Telegraph 'Outrageously funny . . . will have you in stitches' Time Out 'Cars take a back seat as Clarkson grumpily lets rip . . . the man has a point!' Zoo Number-one bestseller Jeremy Clarkson writes on cars, current affairs and anything else that annoys him in his sharp and funny collections. Born To Be Riled, Clarkson On Cars, Don't Stop Me Now, Driven To Distraction, Round the Bend, Motorworld and I Know You Got Soul are also available as Penguin paperbacks; the Penguin App iClarkson: The Book of Cars can be downloaded on the App Store. Jeremy Clarkson because his writing career on the Rotherham Advertiser. Since then he has written for the Sun and the Sunday Times. Today he is the tallest person working in British television, and is the presenter of the hugely popular Top Gear.
Englishness is an idea, a consciousness and a proto-nationalism. There is no English state within the United Kingdom, no English passport, Parliament or currency, nor any immediate prospect of any. That does not mean that England lacks an identity, although English nationalism, or at least a distinctive nationalism, has been partly forced upon the English by the development in the British Isles of strident nationalisms that have contested Britishness, and with much success. So what is happening to the United Kingdom, and, within that, to England? Jeremy Black looks to the past in order to understand the historical identity of England, and what it means for English nationalism today, in a post-Brexit world. The extent to which English nationalism has a "deep history" is a matter of controversy, although he seeks to demonstrate that it exists, from 'the Old English State' onwards, predating the Norman invasion. He also questions whether the standard modern critique of politically partisan, or un-British, Englishness as "extreme" is merited? Indeed, is hostility to "England," whatever that is supposed to mean, the principal driver of resurgent English nationalism? The Brexit referendum of 2016 appeared to have cancelled out Scottish and other nationalisms as an issue, but, in practice, it made Englishness a topic of particular interest and urgency, as set out in this short history of its origins and evolution.
The New Television Handbook provides an exploration of the theory and practice of television at a time when the medium is undergoing radical changes. The book looks at television from the perspective of someone new to the industry, and explores the place of the medium within a constantly changing digital landscape. This title discusses key skills involved in television production, including: producing, production management, directing, camera, sound, editing and visual effects. Each of these activities is placed within a wider context as it traces the production process from commissioning to post-production. The book outlines the broad political and economic context of the television industry. It gives an account of television genres, in particular narrative, factual programmes and news, and it considers the academic discipline of media studies and the ways in which theorists have analysed and tried to understand the medium. It points to the interplay of theory and practice as it draws on the history of the medium and observes the ways in which the past continues to influence and invigorate the present. The New Television Handbook includes: contributions from practitioners ranging from established producers to new entrants; a comprehensive list of key texts and television programmes; a revised glossary of specialist terms; a section on training and ways of getting into the industry. By combining theory, real-world advice and a detailed overview of the industry and its history, The New Television Handbook is an ideal guide for students of media and television studies and young professionals entering the television industry.
Jeremy Vine is one of the most successful broadcasters of recent years and in 2012 clocks up a quarter of a century at the BBC. In It's All News to Me, he takes a look back over his career from the very first day when he arrived at broadcasting house, (by coincidence an inauspicious news day - the fateful Black Monday of 1987.) Jeremy explains his big break as a Today programme reporter when he was fired at by a sniper during the early days of the war in Bosnia; he walks us through the corridors of Westminster in the 1990s when he was a political correspondent, trying to deal with the likes of Alastair Campbell and Peter Mandelson; he reflects on the steep learning curve that was his posting as African correspondent at the turn of the millennium; and his return to the UK where he was dubbed Paxman's "mini-me" on Newsnight. He also explains what it's like presenting Radio 2's lunchtime show and talking to 6 million listeners - people who, as he puts it "have better stories than we do." Written in Jeremy's unmistakably lively and self-deprecating voice, It's All News to Mepaints a vivid picture of what it's like to be trapped inside the BBC - arguably the most interesting organisation in the country - for 25 years. It's also about our obsession with news - just exactly how and why it happens - and the power of real life stories versus the media's desire to shape them.
Humanity has blown horns and trumpets of various makes and models, lengths and diameters since prehistoric times. In Horns and Trumpets of the World, the eminent scholar Jeremy Montagu surveys the vast range in time and type of this instrument that has accompanied everything in human history from the war cry to the formal symphony, from the hunting call to the modern jazz performance. No work on this topic offers as much detail or so many illustrations—over 150, in fact—of this remarkable instrument. Montagu’s examination starts with horns constructed from such unusual materials as seaweed, cane, and bamboo, and continues the journey of exploration through those of shell, wood, ivory, and metal. The chronological scope of Horns and Trumpets of the World is equally vast: it looks at instruments of the Bible and from the Bronze and Iron Ages respectively before diving headlong into those from the Medieval, Renaissance, Baroque, and Classical periods, and, following the Industrial Revolution, those that have appeared in the modern era. Drawing on the many instruments from the author’s own extensive collection, Montagu offers details, including measurements, at levels rarely seen in other surveys of this world of instrumentation. Horns and Trumpet of the World should appeal to not only scholars and collectors, but professional brass players and manufacturers, as well as museums and institutions with a vested interest in our musical heritage.
Full of glorious examples of caller wisdom [with] laugh-out-loud anecdotes' Allison Pearson Having taken over 25,000 listener calls on his BBC Radio 2 lunchtime show, Jeremy Vine decided it was time to take stock of the wisdom his listeners have imparted over the airwaves. And it is clearer than ever before that caller wisdom is far more valuable than most of what we hear from 'the experts'. The voice of the so-called 'ordinary person' - totally unvarnished and unspun - turns out to be not so ordinary after all. These moments of truth could not have come at a more pertinent time - with world politics, war and Brexit in the fray. And it always helps to make people laugh. This is his hilarious account of lessons learnt from listeners, life and Len Goodman by way of musings on everything including love, lollipop ladies and poisonous plants.
Is It Really Too Much To Ask? is the fifth book in Jeremy Clarkson's bestselling The World According to Clarkson series. Well, someone's got to do it: in a world which simply will not see reason, Jeremy sets off on another quest to beat a path of sense through all the silliness and idiocy. And there's no knowign what might catch Jeremy's eye along the way. It could be: -The merits of Stonehenge as a business model -Why all meetings are a waste of time -The theft of the Queen's cows -One Norwegian man's unique approach to showing his gratitude -Fitting a burglar alarm to a tortoise -Or how Lou Reed was completely wrong about what makes a perfect day Pithy and provocative, this is Clarkson at his best, taking issue with whatever nonsense gets in the way of his search for all that's worth celebrating. Why should we be forced to accept stuff that's a bit rubbish? Shouldn't things work? Why doesn't someone care? I mean, is it really too much to ask? It's a good thing we've still got Jeremy out there, still looking, without fear or favour, for the answers. Jeremy Clarkson becomes the hilarious voice of a nation once more in Is It Really Too Much To Ask?, Volume 5 of The World According To Clarkson, following bestselling titles The World According to Clarkson, And Another Thing, For Crying Out Loud and How Hard Can It Be?. Praise for Clarkson: 'Brilliant... laugh-out-loud' Daily Telegraph 'Outrageously funny... will have you in stitches' Time Out Jeremy Clarkson began his writing career on the Rotherham Advertiser. He now writes for the Sun and the Sunday Times and is the tallest person working in British television.
Jeremy Clarkson puts the pedal to the floor in Don't Stop Me Now; a collection of his Sunday Times motoring journalism. There's more to life than cars. Jeremy Clarkson knows this. There is, after all, a whole world out there just waiting to be discovered. So, before he gets on to torque steer and active suspension, he takes time out to consider: • The madness of Galapagos tortoises • The similarities between Jeremy Paxman and AC/DC's bass guitarist • The problems and perils of being English • God's dumbest creation Then there are the cars: whether it's the poxiest little runabout or an exotic, firebreathing supercar, no one does cars like Clarkson. Unmoved by mechanics' claims and unimpressed by press junkets, he approaches anything on four wheels without fear or favour. What emerges from the ashes is rarely pretty. But always very, very funny. Praise for Jeremy Clarkson: 'Brilliant . . . laugh-out-loud' Daily Telegraph 'Outrageously funny . . . will have you in stitches' Time Out Number-one bestseller Jeremy Clarkson writes on cars, current affairs and anything else that annoys him in his sharp and funny collections. Born To Be Riled, Clarkson On Cars, Don't Stop Me Now, Driven To Distraction, Round the Bend, Motorworld, and I Know You Got Soul are also available as Penguin paperbacks; the Penguin App iClarkson: The Book of Cars can be downloaded on the App Store. Jeremy Clarkson because his writing career on the Rotherham Advertiser. Since then he has written for the Sun and the Sunday Times. Today he is the tallest person working in British television, and is the presenter of the hugely popular Top Gear.
Considered one of the most controversial figures in modern history—highly revered by some and heavily criticized by others—Winston Churchill is defended in this collection of essays covering a variety of topics throughout his life. Arranged in chronological order to show his life and career in context of 20th-century world history, these short essays are both detailed and analytical while still being highly accessible for a general audience. Each essay answers a specific historical question about Churchill and argues that not only should he be remembered for his domestic policy alongside his wartime achievements but that he also anticipated a number of issues and debates facing the world today.
In his New History of England, leading historian Jeremy Black takes a cool and dispassionate look at the vicissitudes of over two millennia of English history.
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