Dragon in Ambush by Jeremy Ingallsis a critique and new translation of the first twenty poems of Mao Zedong’s published poetry. This seminal work stands out from previous translations of Mao’s poems in seeing them as an expression of his core political beliefs, rather than for their poetic effect. Instead, Dr. Ingalls shows in consummate detail that Mao was careful and deliberate in employing imagery in his poetry to lay out procedures for political supremacy in which the central drive was his will to psychological domination. That is, domination of the minds of others is the unifying theme of Mao’s verse-sequence. The crux of Prof. Ingalls’ work lies in her focus on the symbolism in the poems. The poems are, in Mao’s use of them as a means of communication, meaningless on their surface. No image, however seemingly commonplace, is ever employed for merely lyrical or aesthetic description. Every image functions as a factor in an entirely political calculus. According to Dr. Ingalls, “When Mao mentions streams or mountains, suns or moons, clouds or winds or icicles, horses, elephants, snakes, tigers, leopards or bears, specifies kinds of trees or birds or fish, flies, brooms, mats or bridges, these and all his other images have, as their primary function, neither happenstance descriptions nor whimsical metaphor. They all have politically symbolic functions in Mao’s algebra of versified political discourse.” Furthermore, in her analysis, Prof. Ingalls downplays the significance of Marxism-Leninism in the Thought of Mao Zedong. She shows that throughout his career, Mao regarded Marxism-Leninism as a political convenience, not as a doctrine permanently essential to his master-plan. Just as Mao used the Nationalists of Chiang Kai-shek and Stalin’s Soviet Union as means to further his own political ambitions, so did he manipulate Marxist-Leninist ideology to hoodwink and attract, at home and abroad, professional revolutionaries to help do his bidding. Mao’s aims express, in their worldviews, an entirely Chinese tradition. In his poems Mao’s dialectics, his materialism, and his authoritarianism all take their points of reference from within the Chinese cultural order. Dragon in Ambush is a thoroughly unique and revolutionary approach to understanding the Mind of Mao Zedong.
Jeremy Ingalls distinguishes epic saga primarily in motive. "Epic motive is the intent to narrate dramatically, in the context of world history, a route through & beyond temporal achievements & humiliations & through which the human spirit regenerates to durable enlightenment." She discusses the cultural environment necessary for the development of epic. It begins not in ignorance, adolescence or parochialism, but in temporal knowledge & moves toward transfiguration. "Whether in conjunction of Hopi mazes & Navajo sun-signs or the adoption of Dionysus into the drama of Demeter & Persephone, the search is toward a more adequate articulation of that which is always difficult to represent, the interior drama of the adult psyche moving within a continuum involving both time & eternity." Illustrations of motive, formal structure, changing audience & techniques come in selected works from GILGAMESH through the centuries to the prose epic of Murasaki's TALE OF GENJI on to selected American composers of epic in prose, poetry & drama. She concludes with an examination of prose epic in "Understanding Moby-Dick" & innovations in epic design in her poem TAHL.
Dragon in Ambush by Jeremy Ingallsis a critique and new translation of the first twenty poems of Mao Zedong’s published poetry. This seminal work stands out from previous translations of Mao’s poems in seeing them as an expression of his core political beliefs, rather than for their poetic effect. Instead, Dr. Ingalls shows in consummate detail that Mao was careful and deliberate in employing imagery in his poetry to lay out procedures for political supremacy in which the central drive was his will to psychological domination. That is, domination of the minds of others is the unifying theme of Mao’s verse-sequence. The crux of Prof. Ingalls’ work lies in her focus on the symbolism in the poems. The poems are, in Mao’s use of them as a means of communication, meaningless on their surface. No image, however seemingly commonplace, is ever employed for merely lyrical or aesthetic description. Every image functions as a factor in an entirely political calculus. According to Dr. Ingalls, “When Mao mentions streams or mountains, suns or moons, clouds or winds or icicles, horses, elephants, snakes, tigers, leopards or bears, specifies kinds of trees or birds or fish, flies, brooms, mats or bridges, these and all his other images have, as their primary function, neither happenstance descriptions nor whimsical metaphor. They all have politically symbolic functions in Mao’s algebra of versified political discourse.” Furthermore, in her analysis, Prof. Ingalls downplays the significance of Marxism-Leninism in the Thought of Mao Zedong. She shows that throughout his career, Mao regarded Marxism-Leninism as a political convenience, not as a doctrine permanently essential to his master-plan. Just as Mao used the Nationalists of Chiang Kai-shek and Stalin’s Soviet Union as means to further his own political ambitions, so did he manipulate Marxist-Leninist ideology to hoodwink and attract, at home and abroad, professional revolutionaries to help do his bidding. Mao’s aims express, in their worldviews, an entirely Chinese tradition. In his poems Mao’s dialectics, his materialism, and his authoritarianism all take their points of reference from within the Chinese cultural order. Dragon in Ambush is a thoroughly unique and revolutionary approach to understanding the Mind of Mao Zedong.
Between 1914 and 1951, Black Bottom's black community emerged out of the need for black migrants to find a place for themselves. Because of the stringent racism and discrimination in housing, blacks migrating from the South seeking employment in Detroit's burgeoning industrial metropolis were forced to live in this former European immigrant community. During World War I through World War II, Black Bottom became a social, cultural, and economic center of struggle and triumph, as well as a testament to the tradition of black self-help and community-building strategies that have been the benchmark of black struggle. Black Bottom also had its troubles and woes. However, it would be these types of challenges confronting Black Bottom residents that would become part of the cohesive element that turned Black Bottom into a strong and viable community.
100 hikes in the Alpine Lakes Wilderness, including the newly protected Middle Fork Snoqualmie Valley Mix of day hikes and classic backpacking routes Stunning, oversized full-color guide The lush Alpine Lakes Wilderness in Washington’s Central Cascades contains a plethora of trails, rugged glacier-carved mountains, and more than 700 sparkling alpine lakes and ponds. Accessed via nearly 50 trailheads, more than 600 miles of trails offer hikers leisurely strolls along wooded creeks, climbs up mountain passes, or lunch spots next to glassy tarns. It is one of the most popular and beloved places for hikers in this region. The all-new guide, Alpine Lakes Wilderness, features a wide range of hikes that vary in difficulty, geography, and theme so that hikers of any age and skill level will find trails that fit their taste. Easy to use, the guide includes details on overnight permits, car-camping options near wilderness access points, detailed maps, elevation gain/ loss, and turn-by-turn mileage and directions. Interesting historical background and natural history round out the trail descriptions.
“A must-own title.” —National Review Online American Conservatism: An Encyclopedia is the first comprehensive reference volume to cover what is surely the most influential political and intellectual movement of the past half century. More than fifteen years in the making—and more than half a million words in length—this informative and entertaining encyclopedia contains substantive entries on those persons, events, organizations, and concepts of major importance to postwar American conservatism. Its contributors include iconic patriarchs of the conservative and libertarian movements, celebrated scholars, well-known authors, and influential movement activists and leaders. Ranging from “abortion” to “Zoll, Donald Atwell,” and written from viewpoints as various as those which have informed the postwar conservative movement itself, the encyclopedia’s more than 600 entries will orient readers of all kinds to the people and ideas that have given shape to contemporary American conservatism. This long-awaited volume is not to be missed.
From flower-filled alpine meadows to streams lined with delicate Scouler’s corydalis blooms, and from lakes covered in water lilies to Dr. Seussian drifts of bear grass, Washington offers something for every hiker--and flower lover. Brothers Nathan and Jeremy Barnes lead hikers on 50 trails to seasonal floral displays, ranging across varied landscapes. Features include: Basics of wildflower identification Tips for photographing wildflowers “Hike Finder,” which includes flowering season, trail difficulty, distance, and more 50 detailed wildflower profiles, including common and botanical names, description, botanical background Stunning images throughout Along with its showcased species, each handpicked route includes a detailed topo map, turn-by-turn route description, history of the area, and list of other wildflowers found along the trail.
How do the arts in worship form individuals and communities? Every choice of art in worship opens up and closes down possibilities for the formation of our humanity. Every practice of music, every decision about language, every use of our bodies, every approach to visual media or church buildings forms our desires, shapes our imaginations, habituates our emotional instincts, and reconfigures our identity as Christians in contextually meaningful ways, generating thereby a sense of the triune God and of our place in the world. Glimpses of the New Creation argues that the arts form us in worship by bringing us into intentional and intensive participation in the aesthetic aspect of our humanity—that is, our physical, emotional, imaginative, and metaphorical capacities. In so doing they invite the people of God to be conformed to Christ and to participate in the praise of Christ and in the praise of creation, which by the Spirit’s power raises its peculiar voice to the Father in heaven, for the sake of the world that God so loves.
Western movies are full of images of swaggering outlaws brought to justice by valiant lawmen shooting them down in daring gunfights before riding off into the sunset. In reality it would not have happened that way. Real lawmen did not simply walk away from a gunfight--they had to face the legal system and justify shooting a civilian in the line of duty. Providing a more realistic view of criminal justice in the Old West, this history focuses on how criminals came into conflict with the law and how the law responded. The process is described in detail, from the common crimes of the day--such as train robbery and cattle theft--to the methods of apprehending criminals to their adjudication and punishment by incarceration, flogging or hanging.
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