Video stores are dying. But most of you don’t care. You’ve got your Netflix and your DVR, so why deal with VHS tapes or scratched DVDs? Why deal with the grumpy guy at the worn-down independent video store? That grumpy guy is Waring Wax, and he’s usually too drunk to worry about his declining business at Star Video, let alone his quickly evolving extinction in popular culture. But everything changes in his small college town when a bright and shiny Blockbuster Video opens nearby: Clearly, this means war. So, Waring enlists the help of his two reluctant employees, charismatic but conflicted Alaura and desperate virgin Jeff, to hatch a series of wild schemes to save their little store. Together, these three misfits try to save Star Video while confronting, among other things, Waring’s self-destructive tendencies, a life training cult, corporate bicycle gangs, and a Hollywood director who constantly sees the ghost of Alfred Hitchcock. The Last Days of Video is a hilarious elegy for a bygone era, a quirky and charming story of redemption for a group of loveable cinema freaks, and a love letter to the art of the movies.
Robinson puts his distinctive mark on Michael Crichton territory with this terrifying present-day riff on The Island of Dr. Moreau... One of the best Jurassic Park successors." –Publishers Weekly, starred review Mark Hawkins, former park ranger and expert tracker, is out of his element, working on board the Magellan, a research vessel studying the Great Pacific Garbage Patch. But his work is interrupted when, surrounded by thirty miles of refuse, the ship and its high tech systems are plagued by a series of strange malfunctions and the crew is battered by a raging storm. When the storm fades and the sun rises, the beaten crew awakens to find themselves anchored in the protective cove of a tropical island...and no one knows how they got there. Even worse, the ship has been sabotaged, two crewman are dead and a third is missing. Hawkins spots signs of the missing man on shore and leads a small team to bring him back. But they quickly discover evidence of a brutal history left behind by the Island's former occupants: Unit 731, Japan's ruthless World War II human experimentation program. Mass graves and military fortifications dot the island, along with a decades old laboratory housing the remains of hideous experiments. As crew members start to disappear, Hawkins realizes that they are not alone. In fact, they were brought to this strange and horrible island. The crew is taken one-by-one and while Hawkins fights to save his friends, he learns the horrible truth: Island 731 was never decommissioned and the person taking his crewmates may not be a person at all—not anymore.
On board a research vessel in the Pacific, expert tracker Mark Hawkins is trapped on a tropical island with the crew and uncovers evidence of the island's history as the site of a brutal World War II human experimentation program.
Now a billion dollar industry, executive coaching is one of the fastest-growing sections of the coaching market and is widely used by senior managers and chief executives in large organisations. In this accessible guide, fully updated for this second edition, Patricia Bossons, Jeremy Kourdi and Denis Sartain offer clear explanations of key coaching theories before putting that theory into context with a comprehensive selection of practical tools and techniques. Benefits and uses of each technique are explained and then followed with advice on how to apply the technique and make it work for you - allowing readers to match situations or issues with specific coaching techniques for optimum results.
For one hundred years the drama of Shakespeare's contemporaries has been consistently represented in anthologies, edited texts, and the critical tradition by a familiar group of about two dozen plays running from Kyd's Spanish Tragedy to Ford's 'Tis Pity She's a Whore by way of Dekker, Jonson, Middleton and Webster. How was this canon created, and what ideological and institutional functions does it serve? What preceded it, and is it possible for it to become something else? Jeremy Lopez takes up these questions by tracing a history of anthologies of 'non-Shakespearean' drama from Robert Dodsley's Select Collection of Old Plays (1744) through those recently published by Blackwell, Norton, and Routledge. Containing dozens of short, provocative readings of unfamiliar plays, this book will benefit those who seek a broader sense of the period's dazzling array of forms.
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