In 1999 the artist and art critic Jeremy Gilbert-Rolfe published the now classic Beauty and the Contemporary Sublime. The book was an alternative history of art and its relationship to technology and an argument for the return of beauty in contemporary art. It was seen as part of a whole wave of books advocating the revival of aesthetics in the wake of postmodernism. Gilbert-Rolfe's book wasunusual, however, in that it made its case using the same French theory as the postmodernism it opposed. Art after Deconstruction continues Gilbert-Rolfe's argument for the return of aesthetics in contemporary art.
Jeremy Gilbert-Rolfe brings to Melville's work the insight not only of an art critic and theorist, but of a practicing artist as well. Navigating through the complexity of contemporary thought and philosophy, Gilbert-Rolfe unravels the Gordian knot of the diverse discourses that circumscribe Melville's views, revealing the practicality and clarity of Melville's speculative narratives. Stephen Melville is one of the most thoughtful critics to emerge in recent years. He has applied the tools developed by Jacques Derrida and Jacques Lacan to the problems of contemporary art. With his roots in Kant, Hegel, and Heidegger, he reopens questions of art's reception, interpretation, and commentary. Not only does he articulate the limitations of these categories, and how they are set into motion-stasis and balance are not the goal. He demonstrates how the territory of each of these discourses is maintained by their relationship to one another. Melville's texts not only represent the complexity of his subjec
This book focuses on two projects, Gehry's unrealised proposal for the rehabilitation of Berlin's Museum Island and his soon to be completed Disney Concert Hall in Los Angeles.
Jeremy Gilbert-Rolfe brings to Melville's work the insight not only of an art critic and theorist, but of a practicing artist as well. Navigating through the complexity of contemporary thought and philosophy, Gilbert-Rolfe unravels the Gordian knot of the diverse discourses that circumscribe Melville's views, revealing the practicality and clarity of Melville's speculative narratives. Stephen Melville is one of the most thoughtful critics to emerge in recent years. He has applied the tools developed by Jacques Derrida and Jacques Lacan to the problems of contemporary art. With his roots in Kant, Hegel, and Heidegger, he reopens questions of art's reception, interpretation, and commentary. Not only does he articulate the limitations of these categories, and how they are set into motion-stasis and balance are not the goal. He demonstrates how the territory of each of these discourses is maintained by their relationship to one another. Melville's texts not only represent the complexity of his subjec
A collaboration between critic Jeremy Gilbert-Rolfe and the architect focuses on two projects: Gehry's unrealised proposal for the rehabilitation of Berlin's Museum Island and his soon to be completed Disney Concert Hall in Los Angeles.
Redresses the balance on the human and cultural aspects of the idea of being Basque in the modern world. Everyday nationalism, the human and cultural aspects of identity, is a neglected subject in the literature on nationalism in Europe. Jeremy MacClancy redresses the balance in this unusual and sharp book on the human and cultural aspects of the idea of being Basque in the modern world. The style is fresh and colloquial, dealing with several of the kinds of issues that usually appear in popular magazines - cuisine, football, art and graffiti - but the treatment is serious and illustrative of underlying currents in social life. MacClancy argues that the ethnographic understanding of nationalisms, rather than the orthodox studies of ideology, political parties, social classesand centre-periphery clashes - offers a more nuanced comprehension of the lived reality of people in areas where nationalism is a significant force. This is very much nationalism from the bottom up. JEREMY MACCLANCY is Professor of Social Anthropology at Oxford Brookes University Series editors: Wendy James & Nick Allen
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