A BEST BOOK OF THE YEAR: THE NEW YORK TIMES, NPR • WINNER OF THREE NATIONAL JEWISH BOOK AWARDS • Finalist for the Baillie Gifford Prize for Non-Fiction • A stirring account of how music bears witness to history and carries forward the memory of the wartime past • SUNDAY TIMES OF LONDON HISTORY BOOK OF THE YEAR In 1785, when the great German poet Friedrich Schiller penned his immortal “Ode to Joy,” he crystallized the deepest hopes and dreams of the European Enlightenment for a new era of peace and freedom, a time when millions would be embraced as equals. Beethoven’s Ninth Symphony then gave wing to Schiller’s words, but barely a century later these same words were claimed by Nazi propagandists and twisted by a barbarism so complete that it ruptured, as one philosopher put it, “the deep layer of solidarity among all who wear a human face.” When it comes to how societies remember these increasingly distant dreams and catastrophes, we often think of history books, archives, documentaries, or memorials carved from stone. But in Time’s Echo, the award-winning critic and cultural historian Jeremy Eichler makes a passionate and revelatory case for the power of music as culture’s memory, an art form uniquely capable of carrying forward meaning from the past. With a critic’s ear, a scholar’s erudition, and a novelist’s eye for detail, Eichler shows how four towering composers—Richard Strauss, Arnold Schoenberg, Dmitri Shostakovich, and Benjamin Britten—lived through the era of the Second World War and the Holocaust and later transformed their experiences into deeply moving, transcendent works of music, scores that echo lost time. Summoning the supporting testimony of writers, poets, philosophers, musicians, and everyday citizens, Eichler reveals how the essence of an entire epoch has been inscribed in these sounds and stories. Along the way, he visits key locations central to the music’s creation, from the ruins of Coventry Cathedral to the site of the Babi Yar ravine in Kyiv. As the living memory of the Second World War fades, Time’s Echo proposes new ways of listening to history, and learning to hear between its notes the resonances of what another era has written, heard, dreamed, hoped, and mourned. A lyrical narrative full of insight and compassion, this book deepens how we think about the legacies of war, the presence of the past, and the renewed promise of art for our lives today.
A BEST BOOK OF THE YEAR: THE NEW YORK TIMES, NPR • WINNER OF THREE NATIONAL JEWISH BOOK AWARDS • Finalist for the Baillie Gifford Prize for Non-Fiction • A stirring account of how music bears witness to history and carries forward the memory of the wartime past • SUNDAY TIMES OF LONDON HISTORY BOOK OF THE YEAR In 1785, when the great German poet Friedrich Schiller penned his immortal “Ode to Joy,” he crystallized the deepest hopes and dreams of the European Enlightenment for a new era of peace and freedom, a time when millions would be embraced as equals. Beethoven’s Ninth Symphony then gave wing to Schiller’s words, but barely a century later these same words were claimed by Nazi propagandists and twisted by a barbarism so complete that it ruptured, as one philosopher put it, “the deep layer of solidarity among all who wear a human face.” When it comes to how societies remember these increasingly distant dreams and catastrophes, we often think of history books, archives, documentaries, or memorials carved from stone. But in Time’s Echo, the award-winning critic and cultural historian Jeremy Eichler makes a passionate and revelatory case for the power of music as culture’s memory, an art form uniquely capable of carrying forward meaning from the past. With a critic’s ear, a scholar’s erudition, and a novelist’s eye for detail, Eichler shows how four towering composers—Richard Strauss, Arnold Schoenberg, Dmitri Shostakovich, and Benjamin Britten—lived through the era of the Second World War and the Holocaust and later transformed their experiences into deeply moving, transcendent works of music, scores that echo lost time. Summoning the supporting testimony of writers, poets, philosophers, musicians, and everyday citizens, Eichler reveals how the essence of an entire epoch has been inscribed in these sounds and stories. Along the way, he visits key locations central to the music’s creation, from the ruins of Coventry Cathedral to the site of the Babi Yar ravine in Kyiv. As the living memory of the Second World War fades, Time’s Echo proposes new ways of listening to history, and learning to hear between its notes the resonances of what another era has written, heard, dreamed, hoped, and mourned. A lyrical narrative full of insight and compassion, this book deepens how we think about the legacies of war, the presence of the past, and the renewed promise of art for our lives today.
SUNDAY TIMES OF LONDON HISTORY BOOK OF THE YEAR • A NEW YORK TIMES NOTABLE BOOK OF THE YEAR • Finalist for the Baillie Gifford Prize for Non-Fiction • A stirring account of how music bears witness to history and carries forward the memory of the wartime past In 1785, when the great German poet Friedrich Schiller penned his immortal “Ode to Joy,” he crystallized the deepest hopes and dreams of the European Enlightenment for a new era of peace and freedom, a time when millions would be embraced as equals. Beethoven’s Ninth Symphony then gave wing to Schiller’s words, but barely a century later these same words were claimed by Nazi propagandists and twisted by a barbarism so complete that it ruptured, as one philosopher put it, “the deep layer of solidarity among all who wear a human face.” When it comes to how societies remember these increasingly distant dreams and catastrophes, we often think of history books, archives, documentaries, or memorials carved from stone. But in Time’s Echo, the award-winning critic and cultural historian Jeremy Eichler makes a passionate and revelatory case for the power of music as culture’s memory, an art form uniquely capable of carrying forward meaning from the past. With a critic’s ear, a scholar’s erudition, and a novelist’s eye for detail, Eichler shows how four towering composers—Richard Strauss, Arnold Schoenberg, Dmitri Shostakovich, and Benjamin Britten—lived through the era of the Second World War and the Holocaust and later transformed their experiences into deeply moving, transcendent works of music, scores that echo lost time. Summoning the supporting testimony of writers, poets, philosophers, musicians, and everyday citizens, Eichler reveals how the essence of an entire epoch has been inscribed in these sounds and stories. Along the way, he visits key locations central to the music’s creation, from the ruins of Coventry Cathedral to the site of the Babi Yar ravine in Kyiv. As the living memory of the Second World War fades, Time’s Echo proposes new ways of listening to history, and learning to hear between its notes the resonances of what another era has written, heard, dreamed, hoped, and mourned. A lyrical narrative full of insight and compassion, this book deepens how we think about the legacies of war, the presence of the past, and the renewed promise of art for our lives today.
Humans are primates, and our closest relatives are the other African apes - chimpanzees closest of all. With the mapping of the human genome, and that of the chimp, a direct comparison of the differences between the two, letter by letter along the billions of As, Gs, Cs, and Ts of the DNA code, has led to the widely vaunted claim that we differ from chimps by a mere 1.6% of our genetic code. A mere hair's breadth genetically! To a rather older tradition of anthropomorphizing chimps, trying to get them to speak, dressing them up for 'tea parties', was added the stamp of genetic confirmation. It also began an international race to find that handful of genes that make up the difference - the genes that make us uniquely human. But what does that 1.6% really mean? And should it really lead us to consider extending limited human rights to chimps, as some have suggested? Are we, after all, just chimps with a few genetic tweaks? Is our language and our technology just an extension of the grunts and ant-collecting sticks of chimps? In this book, Jeremy Taylor sketches the picture that is emerging from cutting edge research in genetics, animal behaviour, and other fields. The indications are that the so-called 1.6% is much larger and leads to profound differences between the two species. We shared a common ancestor with chimps some 6-7 million years ago, but we humans have been racing away ever since. One in ten of our genes, says Taylor, has undergone evolution in the past 40,000 years! Some of the changes that happened since we split from chimpanzees are to genes that control the way whole orchestras of other genes are switched on and off, and where. Taylor shows, using studies of certain genes now associated with speech and with brain development and activity, that the story looks to be much more complicated than we first thought. This rapidly changing and exciting field has recently discovered a host of genetic mechanisms that make us different from other apes. As Taylor points out, for too long we have let our sentimentality for chimps get in the way of our understanding. Chimps use tools, but so do crows. Certainly chimps are our closest genetic relatives. But relatively small differences in genetic code can lead to profound differences in cognition and behaviour. Our abilities give us the responsibility to protect and preserve the natural world, including endangered primates. But for the purposes of human society and human concepts such as rights, let's not pretend that chimps are humans uneducated and undressed. We've changed a lot in those 12 million years.
This volume contains papers presented at the conference "Computational Prespectives on Number Theory" held at the University of Illinois at Chicago in honor of the retirement of A. O. L. Atkin. In keeping with Atkin's interests and work, the papers cover a range of topics, including algebraic number theory, p-adic modular forms and modular curves. Many of the paers reflect Atkin's particular interest in computational and algorithmic questions.
Nietzsche's philosophy stands at the intersection of many currents in science that animated the 19th century. Dynamic change in the humanities, natural and social sciences generated new methods, perspectives, and hierarchies of the sciences. This context is essential for understanding his philosophy. The 18 essays each discuss one academic discipline and its effects on Nietzsche's thought. It is thus a valuable guide to the history of science and ideas in the 19th century.
The sweeping story of cartoons, comic strips, and graphic novels and their hold on the American imagination. Comics have conquered America. From our multiplexes, where Marvel and DC movies reign supreme, to our television screens, where comics-based shows like The Walking Dead have become among the most popular in cable history, to convention halls, best-seller lists, Pulitzer Prize–winning titles, and MacArthur Fellowship recipients, comics shape American culture, in ways high and low, superficial, and deeply profound. In American Comics, Columbia professor Jeremy Dauber takes readers through their incredible but little-known history, starting with the Civil War and cartoonist Thomas Nast, creator of the lasting and iconic images of Uncle Sam and Santa Claus; the golden age of newspaper comic strips and the first great superhero boom; the moral panic of the Eisenhower era, the Marvel Comics revolution, and the underground comix movement of the 1960s and ’70s; and finally into the twenty-first century, taking in the grim and gritty Dark Knights and Watchmen alongside the brilliant rise of the graphic novel by acclaimed practitioners like Art Spiegelman and Alison Bechdel. Dauber’s story shows not only how comics have changed over the decades but how American politics and culture have changed them. Throughout, he describes the origins of beloved comics, champions neglected masterpieces, and argues that we can understand how America sees itself through whose stories comics tell. Striking and revelatory, American Comics is a rich chronicle of the last 150 years of American history through the lens of its comic strips, political cartoons, superheroes, graphic novels, and more. FEATURING… • American Splendor • Archie • The Avengers • Kyle Baker • Batman • C. C. Beck • Black Panther • Captain America • Roz Chast • Walt Disney • Will Eisner • Neil Gaiman • Bill Gaines • Bill Griffith • Harley Quinn • Jack Kirby • Denis Kitchen • Krazy Kat • Harvey Kurtzman • Stan Lee • Little Orphan Annie • Maus • Frank Miller • Alan Moore • Mutt and Jeff • Gary Panter • Peanuts • Dav Pilkey • Gail Simone • Spider-Man • Superman • Dick Tracy • Wonder Wart-Hog • Wonder Woman • The Yellow Kid • Zap Comix … AND MANY MORE OF YOUR FAVORITES!
An analysis of the oldest form of poetry. Sumer, in the southern part of Iraq, created the first literary culture in history, as early as 2500BC. The account is structured around a complete English translation of the fragmentary Lugalbanda poems, narrating the adventures of the eponymous hero. The study reveals a work of a rich and sophisticated poetic imagination and technique, which, far from being in any sense 'primitive', are so complex as to resist much modern literary analysis.>
Explains the underlying structure that unites all disciplinesin chemistry Now in its second edition, this book explores organic,organometallic, inorganic, solid state, and materials chemistry,demonstrating how common molecular orbital situations arisethroughout the whole chemical spectrum. The authors explore therelationships that enable readers to grasp the theory thatunderlies and connects traditional fields of study withinchemistry, thereby providing a conceptual framework with which tothink about chemical structure and reactivity problems. Orbital Interactions in Chemistry begins by developingmodels and reviewing molecular orbital theory. Next, the bookexplores orbitals in the organic-main group as well as in solids.Lastly, the book examines orbital interaction patterns that occurin inorganic-organometallic fields as well as clusterchemistry, surface chemistry, and magnetism in solids. This Second Edition has been thoroughly revised andupdated with new discoveries and computational tools since thepublication of the first edition more than twenty-five years ago.Among the new content, readers will find: * Two new chapters dedicated to surface science and magneticproperties * Additional examples of quantum calculations, focusing oninorganic and organometallic chemistry * Expanded treatment of group theory * New results from photoelectron spectroscopy Each section ends with a set of problems, enabling readers totest their grasp of new concepts as they progress through the text.Solutions are available on the book's ftp site. Orbital Interactions in Chemistry is written for bothresearchers and students in organic, inorganic, solid state,materials, and computational chemistry. All readers will discoverthe underlying structure that unites all disciplines inchemistry.
Jeremy Smoak presents a synthesis of recent discoveries bearing upon the early history and function of the biblical priestly blessing of Numbers 6:24-26. The book gives special focus to the importance of the discovery of the blessing on two silver amulets from Jerusalem dating to the late Iron Age and several other Iron Age inscriptions containing parallels to the blessing. The analysis of the inscriptions provides a new way to approach the meaning and significance of the instructions for the blessing in the biblical book of Numbers.
Idealism is philosophy on a grand scale, combining micro and macroscopic problems into systematic accounts of everything from the nature of the universe to the particulars of human feeling. In consequence, it offers perspectives on everything from the natural to the social sciences, from ecology to critical theory. Heavily criticised by the dominant philosophies of the 20th Century, Idealism is now being reconsidered as a rich and untapped resource for contemporary philosophical arguments and concepts. This volume provides a comprehensive portrait of the major arguments and philosophers in the Idealist tradition. The book demonstrates how Idealist philosophy provides a fruitful way of understanding contemporary issues in metaphysics, the philosophy of science, political philosophy, scientific theory and critical social theory.
No longer viewed by scientists as the cell’s fixed master molecule, DNA is a dynamic script that is ad-libbed at each stage of development. What our parents hand down to us is just the beginning. Genetic Explanations urges us to replace our faith in genetic determinism with scientific knowledge about genetic plasticity and epigenetic inheritance.
In this lucid and timely new book, Jeremy Pressman demonstrates that the default use of military force on both sides of the Arab-Israeli conflict has prevented its peaceful resolution. Whether called deterrence or war, armed struggle or terrorism, the history of the conflict reveals that violence has been counterproductive. Drawing on historical evidence from the 1950s to the present, The sword is not enough pushes back against the dominant belief that military force leads to triumph while negotiations and concessions lead to defeat and further unwelcome challenges. Violence weakens the security situation, bolsters adversaries, and, especially in the case of Palestine, has sabotaged political aims. Studiously impartial and accessibly written, this book shows us that diplomacy is the only answer.
Plants play a key role in purifying the biosphere of the toxic effects of industrial activity. This book shows how systematic application of the results of investigations into the metabolism of xenobiotics (foreign, often toxic substances) in plants could make a vastly increased contribution to planetary well-being. Deep physiological knowledge gained from an accumulation of experimental data enables the great differences between the detoxifying abilities of different plants for compounds of different chemical nature to be optimally exploited. Hence planting could be far more systematically adapted to actual environmental needs than is actually the case at present. The book could form the basis of specialist courses in universities and polytechnics devoted to environmental management, and advanced courses in plant physiology and biochemistry, for botany and integrative biology students. Fundamental plant physiology and biochemistry from the molecular level to whole plants and ecosystems are interwoven in a powerful and natural way, making this a unique contribution to the field.
Finalist for the National Jewish Book Award “Dauber deftly surveys the whole recorded history of Jewish humour.” —Economist In a major work of scholarship that explores the funny side of some very serious business (and vice versa), Jeremy Dauber examines the origins of Jewish comedy and its development from biblical times to the age of Twitter. Organizing Jewish comedy into “seven strands”—including the satirical, the witty, and the vulgar—he traces the ways Jewish comedy has mirrored, and sometimes even shaped, the course of Jewish history. Dauber also explores the classic works of such masters of Jewish comedy as Sholem Aleichem, Isaac Babel, Franz Kafka, the Marx Brothers, Woody Allen, Joan Rivers, Philip Roth, Mel Brooks, Sarah Silverman, Jon Stewart, and Larry David, among many others.
Brewing history and beer culture permeate San Antonio. The Menger Hotel and its bar notoriously frequented by Teddy Roosevelt and his Rough Riders began as the city's first brewery in 1855. The establishment of San Antonio Brewing Association and Lone Star Brewery at the close of the nineteenth century began the city's golden age of brewing. Decades later, the Volstead Act decimated the city's brewing community. Only one brewery survived Prohibition. Those that bounced back were run out of business by imports coming in on the new railroad. The 1990s saw a craft comeback with the opening of the oldest existing brewpub, Blue Star Brewing Company. Today, San Antonio boasts a bevy of new breweries and celebrates its brewing heritage. Grab a pint and join authors Jeremy Banas and Travis E. Poling for a taste of Alamo City's hoppy history.
Of the three horses that were the ancestors of the modern thoroughbred, the first and greatest was undoubtedly the Byerley Turk. This book gives an account of the life of this breed, extending from the palaces of the Ottoman Empire to the streets of London and beyond, and featuring a cast of historical figures. It begins in 1679 in a remote Balkan village, where a seyis - a penniless groom - finds himself caring for a remarkable young foal. Believing it destined for greatness, and seeing a chance to escape his own humble circumstances, he begins schooling the animal in the disciplines of war. Hewing closely to the historical record, the author goes on to trace the fortunes of the Turk and its new master: In 1682, they arrived in Istanbul, where the horse was selected for the Ottoman Empire's renowned cavalry. Ridden as a battle charger in the Turkish sieges on Vienna and Buda, it was captured, along with its groom, by a party of adventuring British aristocrats and taken back to England in 1686. In London, it was bought by Captain Robert Byerley, who rode the Turk to Ireland to take on the Jacobite forces in several pivotal encounters, including the Battle of the Boyne. Eventually, the Turk was put to stud, initiating what was to become its greatest legacy: first foundation sire of the thoroughbred line.--Publisher's description.
The odd title comes from Sir Winston Churchill's habit of a daily siesta. Campbell, author of Grammatical Man, is concerned here with the peculiarly human sense and scale of time, wherein commonplace activities are determined by strong innate temporal drives combined with learned manners and developed characteristics. People can be harmed by a seemingly innocent interruption of the normal working of their internal clocks. The relative importance of human temporal structure is essential to understanding the limits and abilities of our species. Indeed, psychologically intrinsic time systems seem to interact with and influence each individual human's sense of self, mind, and body.
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