1945: MI6 agent Paul Dark takes part in a top-secret mission to hunt down and execute Nazi war criminals. He will discover that everything he understood about that mission, about its consequences, and about the woman he once loved, has been built on false foundations. 1969: a KGB colonel called Slavin walks into the High Commission in Lagos, Nigeria, and announces that he wants to defect. He has information which indicates that there is yet another double agent within the Service -- a devastating blow to an M16 still coming to terms with its betrayal by Kim Philby and the rest of the Cambridge Five. Dark has been largely above suspicion during those years of self-recrimination. But now he can see his number coming up. For some it would be fight or flight time. But when you discover that everything you've taken for granted and trusted for twenty-four years is untrue, and when your arrest may only be moments away, then flight and fight may be your only option. Free Agent is a twisting, intense thriller set between London and Nigeria during the height of the Cold War. It's a novel of innumerable cliffhangers within a constantly evolving moral universe, and it keeps the surprises coming until the very last page.
Suspense fiction. Spy and Espionage. May 1, 1969. Blackmailed into serving Moscow, double agent Paul Dark now finds himself a target for both exposure, and assassinati- on. Desperate to escape his predicament, Dark gambles everything on one last throw of the dice, exposing his Soviet handler to the British. But before long, he finds he has no choice but to go on the run again, and the race is on to stop a deadly conspiracy that dates back to the early years of the Cold War. The second part of the Paul Dark trilogy, Free Country is another sweat-soaked Sixties-set spy thriller in the tradition of Len Deighton and Frederick Forsyth.
May 1, 1969. Blackmailed into serving Moscow, double agent Paul Dark now finds himself a target for both exposure, and assassination. Desperate to escape his predicament, Dark gambles everything on one last throw of the dice, exposing his Soviet handler to the British. But before long, he finds he has no choice but to go on the run again, and the race is on to stop a deadly conspiracy that dates back to the early years of the Cold War. A fast-paced, gripping, spy thriller in the best traditions of Frederick Forsythe, Len Deighton and John Le Carre, from the author of Spy Out the Land, Free Agent and The Moscow Option.
A classic spy novel for fans of Joe Kanon - impeccably researched, beautifully written. A time of turbulence 1975. A summit has been arranged between the Rhodesian government and various nationalist leaders, and is due to take place in railway dining car 49, midway along Victoria Falls Bridge. But Matthew Charamba, a key player in the battle for majority rule in Rhodesia, is hiding a deadly secret. A time of terror Claire and Erik are living in Stockholm, raising their son, Ben. But their quiet life is about to unravel in explosive fashion. Each have hidden pasts, to which the other is oblivious, and those pasts have come back to find them. Time for Paul Dark to take action When his family is kidnapped, Paul Dark, the most resourceful and dangerous double-agent of the 20thcentury, must take action or lose the most precious people in his universe.realise that Dark, far from being dead, is on the move and leaving chaos in his wake… ‘A welcome return for one of spy writing’s most captivating characters, British traitor Paul Dark... Meticulously researched with shades of Le Carre-level intrigue and fantastic action scenes Jack Reacher would be proud of. A thriller of the top order’ Maxim Jakubowski, Lovereading ‘The key to Duns’ success is his ability to pen high-energy, enthralling action sequences allied to an impressive attention to detail, transforming the traditional spy classic into a compelling mirror of real-life history and politics’ Lancashire Evening Post ‘Brilliantly imagined ... The reader is left breathless by the twists and turns of a plot that throws up surprise after surprise, including its conclusion’ Rob Spence, Shiny New Books
The astonishing true story of how the CIA, MI6 and a Soviet defector saved the world in 1962, as told in the new film, The Courier, starring Benedict Cumberbatch. In August 1960, a Soviet colonel called Oleg Penkovsky tried to make contact with the West. His first attempt was to approach two young American students in Moscow. He handed them a bulky envelope and pleaded with them to deliver it to the American embassy. MI6 and the CIA came to believe Penkovsky was genuine and so the two agencies decided to run the operation jointly. It ran right through the Berlin crisis - in an astonishing near-miss, Penkovsky learned that the Wall was going to be built four days before it happened but was unable to contact his handlers - and the Cuban Missile Crisis, in which rocket manuals Penkovsky had handed over were crucial in determining what President Khrushchev was doing, and helped President John F. Kennedy and his team end the crisis and avert a nuclear war. Penkovsky, codenamed HERO, is widely seen as the most important spy of the Cold War, and the CIA-MI6 joint operation to run him has never been bettered. But had the KGB already 'turned' Penkovsky and were the Russians making sure he saw the information they wanted him to see? If so, it may even have been possible that the whole Cuban Missile Crisis might have been a Russian deception operation. Thrilling, evocative and hugely controversial, Dead Drop blows apart some of the myths about one of the Cold War's most well-known operations as the world stood on the brink of nuclear destruction.
No matter whether you are approaching public or private sponsors, this thorough and detailed step-by-step guide will enable you to plan and write winning proposals. Grantseeking is always a competitive process. As organizational needs outstrip resources, groups turn to grants as a means of strengthening their financial footing while pursuing their missions. This book draws on the authors' three decades of grantseeking experiences in writing successful proposals, conducting grant workshops nationwide, reviewing government and foundation proposals, and critiquing application guidelines for grantmakers to lead readers through the process of planning and writing successful proposals. The authors first provide practical strategies for project planning, including identifying sponsors, matching grantseeker needs to sponsor priorities, and qualifying prospects through pre-proposal contacts. The authors then guide users systematically through proposal writing, including introducing a template for letter proposals to private foundations and corporations, describing the primary elements of government proposals, and providing tips for constructing a realistic budget. This advice as well as the key questions to answer before you begin writing; actual proposals that were declined, with rejection reasons; and complete sample letter proposals comprised in this volume will help both beginning and experienced grantseekers to better plan and develop fundable projects.
Double agent Paul Dark must confront the ghosts of his past in order to save himself and the world October, 1969. Moscow. Paul Dark is a broken man. A terrible mistake twenty-four years ago led to him being recruited into Soviet intelligence, but he has paid a heavy price for it. Now locked up in a cell, distrusted even by those he once served, Dark has nothing for company but the ghosts of his past when he is woken in the early hours and taken to a secret location. There, he discovers that the Soviets believe they are about to face a nuclear attack by the West -- and are planning to strike first as a result. Dark realizes at once that the truth of the matter involves the final days of the Second World War, and the final mission he undertook as a loyal British agent. Now the fate of the entire world rests on the shoulders of one man: a traitor long past his best, who is soon the subject of a massive man-hunt in one of the most repressive regimes in history. Dark needs to make it to a small island in the Baltic before it's too late -- and the clock is ticking. Jeremy Duns is also the author of the acclaimed Spy Out the Land, Song of Treason and Free Agent.
This concise and accessible textbook examines German philosopher Martin Heidegger's entire body of work through the lens of his first and best-known book, Being and Time. An influential, twentieth-century scholar, Heidegger is often studied by opposing his early and later works. This insightful, new text guides students through Heidegger's ideas without shying away from controversial issues and debates within the scholarship. By unifying Being and Time with the rest of Heidegger's work, this book addresses the evolution of his thought across his lifetime. The text features a glossary of Greek, Latin, and English terms and a guide for reading the book in conjunction with Heidegger's writings.
Are we being played? Is our understanding of the traditionally fixed and static concepts of philosophy based on an oversimplification? This book explores some of the theories of the self since Descartes, together with the rationalism and the empiricism that sustain these ideas, and draws some startling conclusions using Gadamer’s philosophical study of play as its starting point. Gadamer’s ludic theory, Sampson argues, reveals a dynamic of play that exists at the deepest level of philosophy. It is this dynamic that could provide a solution in relation to the Gadamer/Habermas hermeneutics debate and the Gadamer/Derrida relativism debate, together with a theory of totality. Sampson shows how ludic theory can be a game-changer in understanding the relationship between philosophy and literature, exploring the dynamic between the fictive and non-fictive worlds. These worlds are characterized simultaneously by sameness (univocity of Being) and difference (equivocity of Being). The book questions Heidegger’s idea that the univocity of Being is universal, instead maintaining that the relationship between the univocity of Being and equivocity of Being is real, and that ontological mediation is required to present them as a unified whole. Using the works of Shakespeare, Beckett and Wilde, Sampson contends that such a mediation, termed ‘the ludicity of Being’, takes place between literature and its audience. This literary example has profound implications not only for literature and its attendant theories but also for philosophy — in particular, ontology and hermeneutics.
This volume brings together a prominent group of Christian economists and theologians to provide an interdisciplinary look at how we might use the tools of economic and theological reasoning to cultivate more just and moral economies for the 21st century.
Jeremy Begbie explores how the practices of music and the discourses it has generated bear witness to some of the pivotal theological currents and counter-currents shaping modernity. Begbie argues that music is capable of yielding highly effective ways of addressing some of the more intractable theological problems and dilemmas of modernity.
Dante's work has fascinated readers for seven hundred years and has provided key reference points for writing as diverse as that of Chaucer, the Renaissance poets, the English Romantics, Tennyson and the Pre-Raphaelites, American writers from Melville through to Eliot and Pound, Anglo-Irish Modernists from Joyce to Beckett, and contemporary poets such as Heaney and Walcott. In this volume, Jeremy Tambling has selected ten recent essays from the mass of Dante studies, and put the Divine Comedy - Dante's record of a journey to Hell, Purgatory and Paradise - into context for the modern reader. Topics such as Dante's allegory, his relationship to classical and modern poetry, his treatment of love and of sexuality, his attitudes to Florence and to his contemporary Italy, are explored and clarified through a selection of work by some of the best scholars in the field. An introduction and notes help the reader to situate the criticism, and to relate it to contemporary literary theory. In this anthology, Dante's relevance to both English and Italian literature is highlighted, and the significance of Dante for poetry in English is illuminated for the modern reader. This book provides students of English literature and Italian literature with the most comprehensive collection of important critical studies of Dante to date.
In this first book to focus on the myth that the Jews were responsible, directly and indirectly, for the death of Jesus Christ, Cohen explores the fascinating career of this myth, as he tracks the image of the Jew as the murderer of the messiah and God from its origins to its most recent expressions. 30 halftones.
From philosophy's founding fathers - Thales, Socrates, Plato... to great minds of the post-modern era - Satre, Ayer, Feyerabend... this concise new guide presents 100 of the world's most influential thinkers. Arranged from the ancient world to the present day, each philosopher's key ideas, notable works and pronouncements are encapsulated in a series of succinct biographies, accompanied by illustrations, at-a-glance fact panels and thought-provoking quotations. Philosophy: A Beginner's Guide uncovers the fundamental concepts of this fascinating discipline, explaining the diverging schools of thought and revealing the universal aim of philosophy throughout the ages - to push back the boundaries of human knowledge in order to understand the fundamental nature of human existence. THE ANCIENT WORLD: Thales (c.635-c.543 BCE); Buddha (c.563-483 BCE); Confucius (c.55-479 BCE); Socrates (470-399 BCE); Plato (427-347 BCE); Aristotle (384-322 BCE). THE MIDDLE AGES: Avicenna (Ibn Sina) (980-1037); Peter Lombard (c1100-1160); Averroes (Ibn Rushd) 1126-1198); Thomas Aquinas (1225-1274); William of Ockham (1285- 1349). THE EARLY MODERN ERA: Machiavelli (1469-1527); Hobbes (1588-1679); Descartes (1596-1650); Locke (1632-1704); Voltaire (1694-1778). THE MODERN ERA: Fichte (1762-1814); G W F Hegel (1770-1831); Schopenhauer (1788-1860); Marx (1818-1883); Engels (1820-1895); Nietzsche (1844-1900); Dewy (1859-1952); Max Weber (1864-1920); Gasset (1883-1955); Heidegger (1889-1976). THE POST-MODERN ERA: Marcuse (1898-1979); Karl Popper (1902-1994); Sartre (1905-1980); Arendt (1906-1975); de Beauvoir (1908-1986); A J Ayer (1910-1989); Feyerabend (1924-1994); Rorty (1931-2007). And many more...
Secret Houses of the Cotswolds is a personal tour of twenty of the UK’s most beguiling houses in this much loved area of western England, defined by its distinctive honey-coloured stone, rolling hills, picturesque villages and the most traditional English landscape. Author and architectural historian, Jeremy Musson, and Cotswolds-based photographer Hugo Rittson Thomas, offer privileged access to twenty houses, from castles and manor houses, by way of eighteenth- and nineteenth-century mansions, revealing their history, architecture and interiors, in the company of their devoted owners. In the footsteps of artists and designers from Georgian designers such as William Kent to Victorian visionary, William Morris, founder of the arts and crafts movement, we find a series of fascinating country houses of different sizes and atmospheres, which have shaped the English identity, and in different ways express the ideals of English life. Most of the houses included here are privately owned and not usually open to the public, and all of these houses featured in this book can be enjoyed through the eyes of owners, as well as an experienced architectural historian, and an award-winning photographer.
How do the arts in worship form individuals and communities? Every choice of art in worship opens up and closes down possibilities for the formation of our humanity. Every practice of music, every decision about language, every use of our bodies, every approach to visual media or church buildings forms our desires, shapes our imaginations, habituates our emotional instincts, and reconfigures our identity as Christians in contextually meaningful ways, generating thereby a sense of the triune God and of our place in the world. Glimpses of the New Creation argues that the arts form us in worship by bringing us into intentional and intensive participation in the aesthetic aspect of our humanity—that is, our physical, emotional, imaginative, and metaphorical capacities. In so doing they invite the people of God to be conformed to Christ and to participate in the praise of Christ and in the praise of creation, which by the Spirit’s power raises its peculiar voice to the Father in heaven, for the sake of the world that God so loves.
The 'Roaring Twenties' they called it: a fun time to be alive. The birth of a brave new world. The jazz age of Fords, flappers, prohibition and bathtub gin. The movies, radio and consumerism have redefined the American dream; this is the dawn of our modern era. The machine is the future and supreme among machines is the aeroplane. The aeroplane - speed, glamour, communication - is the emblem of the Now. And a race is on to be the first to fly to the North Pole ... a perilous feat at the extreme edge of technological possibility in the primitive aircraft of the day. The main contestant: Roald Amundsen, who trudged first to the South Pole fourteen years before but is now fifty-two, bankrupt and tarnished. His principal competitor: Richard Byrd, Annapolis graduate and well-connected Virginian swell. To be the first to achieve the Pole would mean glory to one's country, reward and worldwide fame. To fail, once in the air, would mean almost certain death.
How can the arts witness to the transcendence of the Christian God? It is widely believed that there is something transcendent about the arts, that they can awaken a profound sense of awe, wonder, and mystery, of something “beyond” this world. Many argue that this opens up fruitful opportunities for conversation with those who may have no use for conventional forms of Christianity. Jeremy Begbie—a leading voice on theology and the arts—in this book employs a biblical, trinitarian imagination to show how Christian involvement in the arts can (and should) be shaped by a vision of God’s transcendence revealed in the person of Jesus Christ. After critiquing some current writing on the subject, he goes on to offer rich resources to help readers engage constructively with the contemporary cultural moment even as they bear witness to the otherness and uncontainability of the triune God of love.
This innovative, interdisciplinary book reconstructs the career of Genesis 1:28 ("Be fertile and increase, fill the earth and master it...") in Judaism and Christianity, from antiquity through the Reformation. Jeremy Cohen tracks the text through all the Jewish and Christian sources in which it figures significantly—in law, exegesis, homily, theology, mysticism, philosophy, and even vernacular poetry. In his view, the verse situates man and woman on a cosmic frontier, midway between the angelic and the bestial, charging them with singular responsibilities that bear directly on Jewish and Christian ideas of God's "chosen people.
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