Set in Miami and Central America during the 70s, Smoke is the story of a journey that begins when Jim Smyth, a young Marine returning from combat in Viet Nam, is brilliantly manipulated by an anonymous adversary with ties to the highest levels of U.S. government. Chosen for his unique skills, Smyth is forced into kidnapping the president of a large, well connected security company.Two intriguing women become tangled in the kidnapping plot. One, like Smyth, is in the Witness Protection Program. The other is the sworn enemy of the kidnap victim and a major shareholder of the company. Smyth, code named Smoke by the Department of Justice, must rely on his military training and survival instincts to ensure they live through the bizarre plot and bring down their enemy. The lies and abuse of power by senior members of the U.S. government in Smoke parallel those in today's society. Jim Smyth must prove he is up to the challenge against an adversary of unsurpassed evil and intelligence; in this competition, losers die.
Approximation methods are vital in many challenging applications of computational science and engineering. This is a collection of papers from world experts in a broad variety of relevant applications, including pattern recognition, machine learning, multiscale modelling of fluid flow, metrology, geometric modelling, tomography, signal and image processing. It documents recent theoretical developments which have lead to new trends in approximation, it gives important computational aspects and multidisciplinary applications, thus making it a perfect fit for graduate students and researchers in science and engineering who wish to understand and develop numerical algorithms for the solution of their specific problems. An important feature of the book is that it brings together modern methods from statistics, mathematical modelling and numerical simulation for the solution of relevant problems, with a wide range of inherent scales. Contributions of industrial mathematicians, including representatives from Microsoft and Schlumberger, foster the transfer of the latest approximation methods to real-world applications.
The Salvation of Israel investigates Christianity's eschatological Jew: the role and characteristics of the Jews at the end of days in the Christian imagination. It explores the depth of Christian ambivalence regarding these Jews, from Paul's Epistle to the Romans, through late antiquity and the Middle Ages, to the Puritans of the seventeenth century. Jeremy Cohen contends that few aspects of a religion shed as much light on the character and the self-understanding of its adherents as its expectations for the end of time. Moreover, eschatological beliefs express and mold an outlook toward nonbelievers, situating them in an overall scheme of human history and conditioning interaction with them as that history unfolds. Cohen's close readings of biblical commentary, theological texts, and Christian iconography reveal the dual role of the Jews of the last days. For rejecting belief and salvation in Jesus Christ, they have been linked to the false messiah—the Antichrist, the agent of Satan and the exemplary embodiment of evil. Yet from its inception, Christianity has also hinged its hopes for the second coming on the enlightenment and repentance of the Jews; for then, as Paul prophesized, "all Israel will be saved." In its vast historical scope, from the ancient Mediterranean world of early Christianity to seventeenth-century England and New England, The Salvation of Israel offers a nuanced and insightful assessment of Christian attitudes toward Jews, rife with inconsistency and complexity, thus contributing significantly to our understanding of Jewish-Christian relations.
This Element focuses on the combination of digital, novel, and analogue technology that was used in the album Slave to the Rhythm, and the organisational and transformational treatments of recorded material it offered, along with their associated musical cultures.
From explorers tracing rivers to navigators hunting for longitude, spatial awareness and the need for empirical understanding were linked to British strategy in the 1700s. This strategy, in turn, aided in the assertion of British power and authority on a global scale. In this sweeping consideration of Britain in the 18th century, Jeremy Black explores the interconnected roles of power and geography in the creation of a global empire. Geography was at the heart of Britain’s expansion into India, its response to uprisings in Scotland and America, and its revolutionary development of railways. Geographical dominance was reinforced as newspapers stoked the fires of xenophobia and defined the limits of cosmopolitan Europe as compared to the "barbarism" beyond. Geography provided a system of analysis and classification which gave Britain political, cultural, and scientific sovereignty. Black considers geographical knowledge not just as a tool for creating a shared cultural identity but also as a key mechanism in the formation of one of the most powerful and far-reaching empires the world has ever known.
The first five volumes of the Correspondence of Jeremy Bentham contain over 1,300 letters written both to and from Bentham over a 50-year period, beginning in 1752 (aged three) with his earliest surviving letter to his grandmother, and ending in 1797 with correspondence concerning his attempts to set up a national scheme for the provision of poor relief. Against the background of the debates on the American Revolution of 1776 and the French Revolution of 1789, to which he made significant contributions, Bentham worked first on producing a complete penal code, which involved him in detailed explorations of fundamental legal ideas, and then on his panopticon prison scheme. Despite developing a host of original and ground-breaking ideas, contained in a mass of manuscripts, he published little during these years, and remained, at the close of this period, a relatively obscure individual. Nevertheless, these volumes reveal how the foundations were laid for the remarkable rise of Benthamite utilitarianism in the early nineteenth century. The letters in this volume document Bentham’s meeting and friendship with the Earl of Shelburne (later the Marquis of Lansdowne), which opened a whole new set of opportunities for him, as well as his extraordinary journey, by way of the Mediterranean, to visit his brother Samuel in Russia.
Highlighting the importance of regional and national differences in industrial development, this book is a pioneering long term comparison of the two regions of Lancashire and Kansai.
The essays contained in the present volume represent Bentham's attempt to influence the direction of political and constitutional change taking place in Spain and Portugal in the early 1820s. At the same time as commenting on Spanish and Portuguese questions, Bentham outlined important aspects of his own legal and constitutional theories, defended measures of democratic reform, and offered a vigorous defence of free speech and communication. The volume complements Colonies, Commerce, and Constitutional Law, in which Bentham commented on the disastrous effects on Spain of her attempts to retain her overseas possessions.
Video stores are dying. But most of you don’t care. You’ve got your Netflix and your DVR, so why deal with VHS tapes or scratched DVDs? Why deal with the grumpy guy at the worn-down independent video store? That grumpy guy is Waring Wax, and he’s usually too drunk to worry about his declining business at Star Video, let alone his quickly evolving extinction in popular culture. But everything changes in his small college town when a bright and shiny Blockbuster Video opens nearby: Clearly, this means war. So, Waring enlists the help of his two reluctant employees, charismatic but conflicted Alaura and desperate virgin Jeff, to hatch a series of wild schemes to save their little store. Together, these three misfits try to save Star Video while confronting, among other things, Waring’s self-destructive tendencies, a life training cult, corporate bicycle gangs, and a Hollywood director who constantly sees the ghost of Alfred Hitchcock. The Last Days of Video is a hilarious elegy for a bygone era, a quirky and charming story of redemption for a group of loveable cinema freaks, and a love letter to the art of the movies.
Covering over 2,000 years in under 200 pages, Jeremy Black takes the reader on a breathless tour of British history, providing invaluable context for students of any period. A truly British overview, this book covers all four constituent parts of the UK, as well as migration to and from Britain, and introduces questions of national identity and collective memory. The author begins by considering how the geography of Britain has influenced its development and goes on to examine the formation of its society and political culture. Resisting the Whiggish tradition of triumphalist national histories, Jeremy Black provides a balanced and sensitive account in his trademark pithy style. This new edition has been considerably revised and expanded, bringing the coverage right up to the present day, including what the Scottish referendum on independence says about the nature of modern 'Britishness'.
Reactions of the Torres Strait Islanders, Australia's "other" indigenous minority, to colonialism and their position in Australian society, are compared with the Aborigine experience.
Brings together in a single volume chonological, statistical, tabular and bibliographical information covering all the major aspects of eighteenth-century British history from the 'Glorious' Revolution of 1688-89 to the death of George III - the 'long' eighteenth century"--Back cover.
An illuminating and entertaining history of the law’s treatment of animals Trespassing bees, murderous zebras, reasonable cows ... Ever since Biblical times, animals have been clashing with human laws. What to do with animals that injure or kill people, in particular, has long troubled humans. In medieval Europe, ‘killer’ animals – horses, cattle and most often pigs, which were notorious for eating young children – were put on trial. Even in the early twentieth century, circus elephants who lashed out at their keepers in America were summarily executed for their crimes. In Guilty Pigs, animal law experts Katy Barnett and Jeremy Gans guide readers through the philosophy and practice of animal-related law, from the very earliest cases to the issues we are debating today, including the responsibilities of pet owners and the application of human rights to animals. They also cover hunting rights, using animals to solve crime, protecting animals from abuse and neglect, and the unique nature of owning a living being. Filled with lively and sometimes bizarre case studies, this is a fascinating and entertaining read – for all lovers of misbehaving creatures. Katy Barnett is a professor of law at the University of Melbourne. She is the author of the young adult novel The Earth Below and co-author of Remedies in Australian Private Law. Jeremy Gans is a professor of law at the University of Melbourne. He is the author of Modern Criminal Law of Australia and The Ouija Board Jurors: Mystery, Mischief and Misery in the Jury System, a true crime book. He is a co-author of Uniform Evidence.
Ivan Bawtree has left behind a vast array of archives that tell the story of his work as a photographer with the Graves Registration Units on the Western Front from 1915 to 1919. He traveled to numerous parts of Northern France and Flanders most notably the Ypres Salient to photograph and record graves of fallen soldiers on behalf of grieving relatives. He was one of only three professional photographers assigned to this task, hired by the newly formed Graves Registration Commission in 1915.Through his pencil and lens we gain detailed insight not just into the work he did and the men he worked with, but also aspects of the military zones, the perils of proximity to the Front Line, the devastation of war, and the birth and early work of the Imperial War Graves Commission.Today, the war cemeteries that Ivan saw spring up across battle-scarred landscapes and provide the most widespread and enduring reminder of the scale of loss and sacrifice of the Great War.
From the events this past autumn, I am compelled to relate my perilous trial. The supposition that darkness is merely the absence of light is both popular and false, as those who practise the occult can affirm. In the dark cellar of number thirteen Jolimont Street, a house the Professor had assumed benign, I unwittingly brought forth an ancient evil that first threatened our reputations, then our souls. This is the fourth book in the Paranormology Series.
Now revised and expanded with more beloved films and loads of special features and photos across 70+ pages of new content, this is the must-have viewing guide for the holidays, showcasing the greatest and most beloved Christmas movies of all time. Nothing brings the spirit of the season into our hearts quite like a great holiday movie. Turner Classic Movies' Christmas in the Movies showcases the very best among this uniquely spirited strain of cinema. Each film is profiled on what makes it a "Christmas movie," along with behind-the-scenes stories of its production, reception, and legacy. Complemented by a trove of full-color and black-and-white photos, this volume is a glorious salute to a collection of the most treasured films of all time. Among the 35 films included: The Shop Around the Corner, Holiday Inn, Meet Me in St. Louis, It's a Wonderful Life, Miracle on 34th Street, White Christmas, A Christmas Story, National Lampoon's Christmas Vacation, Die Hard, Home Alone, Little Women, The Preacher's Wife, Love Actually, The Nightmare Before Christmas, and many more.
A social history of Renaissance England that raises the curtain on the cultural influences that inspired Shakespeare’s plays. How did it feel to hear Macbeth’s witches chant of “double, double toil and trouble” at a time when magic and witchcraft were as real as anything science had to offer? How were justice and forgiveness understood by the audience who first watched King Lear; how were love and romance viewed by those who first saw Romeo and Juliet? In England in the Age of Shakespeare, Jeremy Black takes readers on a tour of life in the streets, homes, farms, churches, and palaces of the Bard’s era. Panning from play to audience and back again, Black shows how Shakespeare's plays would have been experienced and interpreted by those who paid to see them. From the dangers of travel to the indignities of everyday life in teeming London, Black explores the jokes, political and economic references, and small asides that Shakespeare’s audiences would have recognized. These moments of recognition often reflected the audience’s own experiences of what it was to, as Hamlet says, “grunt and sweat under a weary life.” Black’s clear and sweeping approach seeks to reclaim Shakespeare from the ivory tower and make the plays’ histories more accessible to the public for whom the plays were always intended.
Turner Classic Movies presents a bucket list of the best and most beloved holiday films of all time, complete with spirited commentary, behind-the-scenes stories, and photos spanning eight decades of Christmastime favorites. Nothing brings the spirit of the season into our hearts quite like a great holiday movie. "Christmas films" come in many shapes and sizes and exist across many genres. Some, like It's a Wonderful Life and A Christmas Story, are perennials, while others, such as Die Hard, have only gradually become yuletide favorites. But they all have one thing in common: they use themes evoked by the holiday period - nostalgia, joy, togetherness, dysfunction, commercialism, or cynicism - as a force in their storytelling. Turner Classic Movies: Christmas in the Movies showcases the very best among this uniquely spirited strain of cinema. Each film is profiled on what makes it a "Christmas movie," along with behind-the-scenes stories of its production, reception, and legacy. Complemented by a trove of color and black-and-white photos, Turner Classic Movies: Christmas in the Movies is a glorious salute to a collection of the most treasured films of all time. Among the 30 films included: The Shop Around the Corner, Holiday Inn, Meet Me in St. Louis, It's a Wonderful Life, Miracle on 34th Street, White Christmas, A Christmas Story, National Lampoon's Christmas Vacation, Home Alone, Little Women,and The Nightmare Before Christmas.
Simplify your approach to implementing Response-to-Intervention (RTI) and make strides toward improved achievement in your high school. In this book, experienced educator Jeremy Koselak shows high school leaders how to attain measurable results through a framework of tiered, dynamic intervention strategies known as RTI. With an awareness of the challenges unique to implementing RTI in high schools, the author explains many of the best policies for continuous improvement. Strategies highlight essential steps for successfully implementing RTI and present a pathway for avoiding common pitfalls. Unique features of this book include: An updated synthesis of high school level RTI recommendations derived from an assortment of research. A frank discussion on the practical concerns and limitations associated with implementing RTI in high schools An illustration of how to embed data-based decision-making into a school's culture Templates and figures demonstrating high school samples Reflections and case studies for actual high schools And more!
The relationship between religion and government in the United States ultimately is governed by the Establishment Clause of the Constitution. Since the early 1970s, however, conservative scholars and jurists have been increasingly influential in arguing that the "wall of separation" metaphor is inappropriate for explaining the relationship between religion and government. They have suggested that the framers of the Constitution supported governmental accommodation and encouragement of religion through means that included sponsoring prayers in public fora, promoting public displays of religious symbols, and financing religious institutions. This book argues that this increasingly influential "Accommodationist" interpretation of the Establishment Clause of the Constitution is ill-founded. The historical arguments upon which the Accommodationists rely do not support the interpretation they offer. This argument does not challenge the Accommodationist belief in the importance of "founders’ intent" adjudication. This book shows, instead, that the founders did not assume that the Establishment Clause had any specific meaning.
Smith and Monkcom: The Law of Gambling, Fourth Edition provides a detailed and practical explanation of legislation covering casinos, betting shops, bingo halls, amusement arcades, pubs and clubs with gaming machines and lotteries. This important book provides a detailed and practical explanation of the legislation by detailing the purpose of the legislation, how to apply for operating licences, premises licences and personal licences, the conditions attached to licences and enforcement of the law as it relates to gambling. The fourth edition covers the following legislation: The Gambling Commission's guidance All updates to the Gaming Act 2005 Coverage of the Gambling (Licensing and Advertising) Act 2014 which requires all operators that transact with, or advertise to, British consumers to obtain an operating licence from the Gambling Commission Case law includes: R (on the application of Hemming (t/a Simply Pleasure Ltd) and others) v Westminster City Council R v Goldstein and Rimmington “Spotting the Ball” Partnership v HMRC HMRC v IFX Investment Company Limited The English Bridge Union Limited v HMRC Greene King (tribunal case) Newham Council v Paddy Power
What did Tallis and Byrd mean to convey by their use of the word "argument" in their title, Cantiones, quae ab argumento sacrae vocantur? Thomas Tallis's and William Byrd's Cantiones, quae ab argumento sacrae vocantur (songs, which by their argument are called sacred) of 1575 is one of the first sets of sacred music printed in England. It is widely recognized as a landmark achievement in English music history. Dedicated to Queen Elizabeth I to mark the seventeenth year of her reign, each composer contributed seventeen motets to the collection, which proved to be greatly influential among the era's composers. But what did Tallis and Byrd mean to convey by their use of the word "argument" in their title? The current view is that they treated their project as an opportunity to pull together a grand compendium of musical accomplishment that drew on the past, but looked to the future, and that the texts functioned as mere vehicles for musical display. In contrast, this book claims that these very texts were chosen by the composers to develop a theme, or argument, on the topic of sacred judgment. In offering a new interpretation of the song collection Smith employs a carefully constructed musical, literary, theological, and political argumentation. The book will encourage new ways of approaching and interpreting Tudor and Elizabethan sacred music.
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