In the 1930s, Georges Bataille proclaimed a ferociously religioussensibility characterized by simultaneous ecstasy and horror. Ecce Monstrum investigates this religious sensibility by examining Bataille's insistent linking of monstrosity and the sacred.Bataille enacts a monstrousmode of reading and writing in his approaches to other thinkers and artists-a mode at once agonistic and intimate. Ecce Monstrum examines this mode through investigations of Bataille's sacrificialinterpretations of Kojve's Hegel and Friedrich Nietzsche; his contentious relationship with Simone Weil and its implications for his mystical and writing practices; his fraught affiliation with surrealist Andr Breton and his attempt to displace surrealism with hyperchristianity; and his peculiar relations to artist Hans Bellmer, whose work evokes Bataille's religious sensibility
Min Kamp-or My Struggle in English-is a six-volume novel by Karl Ove Knausgaard and one of the most significant literary works of the young twenty-first century. Published in Norwegian between 2009 and 2011, the year-by-year translation into English of the novels became something of a slow-gathering storm. Ambiguously figured as autobiographical by some, the six volumes present an absorbing first-person narrative of the life of a Norwegian writer, an Everyman of sorts, one with the same name as the author. In its expansiveness, textures, and anti-romanticism, Knausgaard's is a world at once fully disillusioned and thoroughly enchanted. In 2015 a small group of scholars, all admirers of Knausgaard's work, began meeting to discuss the peculiarly "religious" qualities of My Struggle and other writings. Some were interested in Knausgaard's attention to religious topics, his uses of religious histories, objects, and artworks, while others were curious about his capacity to engage various religious moods in ways that were not critical, suspicious, or celebratory. The group wanted to know, in part, what reading these textures of religion in these volumes might say about our times, about writing, about themselves. The Abyss or Life is Simple is the culmination of this collective endeavor-a remarkable collection of interlocking essays on everything from ritual, beauty, writing, and morality to divine plans for the end of the world"--
In the 1930s, Georges Bataille proclaimed a ferociously religioussensibility characterized by simultaneous ecstasy and horror. Ecce Monstrum investigates this religious sensibility by examining Bataille's insistent linking of monstrosity and the sacred.Bataille enacts a monstrousmode of reading and writing in his approaches to other thinkers and artists-a mode at once agonistic and intimate. Ecce Monstrum examines this mode through investigations of Bataille's sacrificialinterpretations of Kojve's Hegel and Friedrich Nietzsche; his contentious relationship with Simone Weil and its implications for his mystical and writing practices; his fraught affiliation with surrealist Andr Breton and his attempt to displace surrealism with hyperchristianity; and his peculiar relations to artist Hans Bellmer, whose work evokes Bataille's religious sensibility
An absorbing collection of essays on religious textures in Knausgaard’s writings and our time. Min kamp, or My Struggle, is a six-volume novel by Karl Ove Knausgaard and one of the most significant literary works of the young twenty-first century. Published in Norwegian between 2009 and 2011, the novel presents an absorbing first-person narrative of the life of a writer with the same name as the author, in a world at once fully disillusioned and thoroughly enchanted. In 2015, a group of scholars began meeting to discuss the peculiarly religious qualities of My Struggle. Some were interested in Knausgaard’s attention to explicitly religious subjects and artworks, others to what they saw as more diffuse attention to the religiousness of contemporary life. The group wondered what reading these textures of religion in these volumes might say about our times, about writing, and about themselves. The Abyss or Life Is Simple is the culmination of this collective endeavor—a collection of interlocking essays on ritual, beauty, and the end of the world.
An amusing miscellany of more than 100 years of legendary, obscure, hilarious, and inspiring Olympics history, including the heroes, the records, the forgotten moments, the sports themselves (ski ballet? tug of war? firefighting?), the controversies, and the athletes who achieved Olympic glory (or shame).
While Americans prize the ability to get behind the wheel and hit the open road, they have not always agreed on what constitutes safe, decorous driving or who is capable of it. Mobility without Mayhem is a lively cultural history of America’s fear of and fascination with driving, from the mid-twentieth century to the present. Jeremy Packer analyzes how driving has been understood by experts, imagined by citizens, regulated by traffic laws, governed through education and propaganda, and represented in films, television, magazines, and newspapers. Whether considering motorcycles as symbols of rebellion and angst, or the role of CB radio in regulating driving and in truckers’ evasions of those regulations, Packer shows that ideas about safe versus risky driving often have had less to do with real dangers than with drivers’ identities. Packer focuses on cultural figures that have been singled out as particularly dangerous. Women drivers, hot-rodders, bikers, hitchhikers, truckers, those who “drive while black,” and road ragers have all been targets of fear. As Packer debunks claims about the dangers posed by each figure, he exposes biases against marginalized populations, anxieties about social change, and commercial and political desires to profit by fomenting fear. Certain populations have been labeled as dangerous or deviant, he argues, to legitimize monitoring and regulation and, ultimately, to curtail access to automotive mobility. Packer reveals how the boundary between personal freedom and social constraint is continually renegotiated in discussions about safe, proper driving.
Compound interest is the greatest mathematical discovery of all time. Those who understand compound interest are destined to collect it. Those who don't are doomed to pay it." Attrib. Albert Einstein. "Every day while people try to save 50 cents clipping coupons, drive around the block to save $0.03 on a gallon of gas, or just plain shop for bargains, they are literally throwing away tens of thousands, even hundreds of thousands of dollars to interest. It is sickening. It is a financial crisis. But if you understand interest, you are destined to earn it, not pay it." Jeremy Washburn
This new resource provides you with an introduction to battery design and test considerations for large-scale automotive, aerospace, and grid applications. It details the logistics of designing a professional, large, Lithium-ion battery pack, primarily for the automotive industry, but also for non-automotive applications. Topics such as thermal management for such high-energy and high-power units are covered extensively, including detailed design examples. Every aspect of battery design and analysis is presented from a hands-on perspective. The authors work extensively with engineers in the field and this book is a direct response to frequently-received queries. With the authors’ unique expertise in areas such as battery thermal evaluation and design, physics-based modeling, and life and reliability assessment and prediction, this book is sure to provide you with essential, practical information on understanding, designing, and building large format Lithium-ion battery management systems.
Sport is all about thrilling moments. It takes just a few seconds of inspiration and talent to change the course of sporting history. A kick, a pass, a burst of speed and courage in the right place at the right time — that's what separates winners from losers. Great athletes spend their whole careers preparing for when a career highlight might happen. Nobody can predict them. But, once in a while during a match, out on the track or in the pool, all the elements line up perfectly. In Thrilling Sporting Moments you'll read about some of the most exciting moments in our sporting history. Featuring: Lungi Ngidi, Quinton de Kock, Akani Simbine, Faf de Klerk, Ernst van Dyk, Luvo Manyonga, Kevin Anderson, Cheslin Kolbe, Chad le Clos, Percy Tau, Louis Oosthuizen, Lucas Radebe, Josia Thugwane, Bongiwe Msomi, Caster Semenya, Janine van Wyk, Sunette Viljoen, Tatjana Schoenmaker.
In the fifth book of the Road to Glory series, Jeremy Daniel shows us how Caster Semenya developed into a world-class athlete. Growing up in poverty in Limpopo, Caster's early experiences at school are marked by many ups and downs: while her friends and family accept her for who she is, she is constantly bullied for her appearance. But she discovers soccer and immerses herself in the game – even making the boys' team. It is only after she enrols at the University of Pretoria that her life changes completely. Away from village life, she impresses on the track and is noticed as a talent, eventually meeting Coach Daniels in whom she finds a trainer and mentor. Battling controversy over her gender on the track and in the media, she nevertheless goes on to win gold at the 2016 Olympics, becoming an ambassador for South Africa.
What did Tallis and Byrd mean to convey by their use of the word "argument" in their title, Cantiones, quae ab argumento sacrae vocantur? Thomas Tallis's and William Byrd's Cantiones, quae ab argumento sacrae vocantur (songs, which by their argument are called sacred) of 1575 is one of the first sets of sacred music printed in England. It is widely recognized as a landmark achievement in English music history. Dedicated to Queen Elizabeth I to mark the seventeenth year of her reign, each composer contributed seventeen motets to the collection, which proved to be greatly influential among the era's composers. But what did Tallis and Byrd mean to convey by their use of the word "argument" in their title? The current view is that they treated their project as an opportunity to pull together a grand compendium of musical accomplishment that drew on the past, but looked to the future, and that the texts functioned as mere vehicles for musical display. In contrast, this book claims that these very texts were chosen by the composers to develop a theme, or argument, on the topic of sacred judgment. In offering a new interpretation of the song collection Smith employs a carefully constructed musical, literary, theological, and political argumentation. The book will encourage new ways of approaching and interpreting Tudor and Elizabethan sacred music.
The third edition of this successful textbook has been fully revised and updated. Essentials of Early English is a practical and highly accessible introduction to the early stages of the English language: Old English, Middle English, and Early Modern English. Designed specifically as a handbook for students beginning the study of Early English language, whether for linguistic or literary purposes, it presumes little or no prior knowledge of the history of English. Features of this new edition include: Comprehensive updating of the contents to take account of new developments in the subject Newly added sample texts and accompanying notes Links to images of many of the illustrative texts An updated annotated bibliography. A contextual introduction of the history of English is provided, which includes an outline of English in relation to its origins. A deeper analysis is then given on each of the key stages of Early English, using the language of King Alfred, Chaucer, and Shakespeare respectively to illustrate points. Thus, the essential characteristics of each stage of the language are provided to create the ideal course book for History of English courses and to give the student a firm foundation of basic linguistic knowledge which can be applied to further study.
`In one of tje funniest biographies I have ever read, Lewis assembles all the excellently entertaining anecdotes about this deeply loved, much mocked, sometimes reviled figure whose departure has robbed the litarary world of its social smartness and any worthwhile eccentricity . . . [An] excellent, wildly funny and informative biography. `Auberon Waugh, Literary Review. Precociously brilliant in his youth, Cyril Connolly was haunted for the rest of his life by a sense of failure and a romatic yearning to recover a lost Eden. His two great books, The Unquiet Grave and Enemies of Promise, are classics of English prose, combining wit, romanticism and merciless self-knowledge. As witty in person as he as in his prose, he was notoriously slothful and greedy; he was married three times, abd his dealings with women were bedevilled by a lifelong tendency to be in love with two or more people at once.
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