Jeremy Begbie explores how the practices of music and the discourses it has generated bear witness to some of the pivotal theological currents and counter-currents shaping modernity. Begbie argues that music is capable of yielding highly effective ways of addressing some of the more intractable theological problems and dilemmas of modernity.
World-renowned theologian Jeremy Begbie has been at the forefront of teaching and writing on theology and the arts for more than twenty years. Amid current debates and discussions on the topic, Begbie emphasizes the role of a biblically grounded creedal orthodoxy as he shows how Christian theology and the arts can enrich each other. Throughout the book, Begbie demonstrates the power of classic trinitarian faith to bring illumination, surprise, and delight whenever it engages with the arts.
How can the arts witness to the transcendence of the Christian God? It is widely believed that there is something transcendent about the arts, that they can awaken a profound sense of awe, wonder, and mystery, of something “beyond” this world. Many argue that this opens up fruitful opportunities for conversation with those who may have no use for conventional forms of Christianity. Jeremy Begbie—a leading voice on theology and the arts—in this book employs a biblical, trinitarian imagination to show how Christian involvement in the arts can (and should) be shaped by a vision of God’s transcendence revealed in the person of Jesus Christ. After critiquing some current writing on the subject, he goes on to offer rich resources to help readers engage constructively with the contemporary cultural moment even as they bear witness to the otherness and uncontainability of the triune God of love.
How can the arts witness to the transcendence of the Christian God? Many people believe that there is something transcendent about the arts, that they can awaken a profound sense of awe, wonder, and mystery, of something “beyond” this world—even for those who may have no use for conventional forms of Christianity. In this book Jeremy Begbie—a leading voice on theology and the arts—employs a biblical, Trinitarian imagination to show how Christian involvement in the arts can be shaped by the distinctive vision of God’s transcendence opened up in and through Jesus Christ.
A love letter to the sonic maelstrom that is noise rock, From Chaos to Ambiguity charts a path of exploration through a fertile but often ignored genre of music, tracing its history through roots in both punk and no wave, into the full fruition of noisy madness. This text puts these transgressive sounds into dialogue with various strains of subversive theology, inviting readers into borderland spaces where the brokenness of humanity can both be fully embraced and traversed into healing, liberation, and celebration.
Theology, Music and Time aims to show how music can enrich and advance theology, extending our wisdom about God and God's ways with the world. Instead of asking: what can theology do for music?, it asks: what can music do for theology? Jeremy Begbie argues that music's engagement with time gives the theologian invaluable resources for understanding how it is that God enables us to live 'peaceably' with time as a dimension of the created world. Without assuming any specialist knowledge of music, he explores a wide range of musical phenomena - rhythm, metre, resolution, repetition, improvisation - and through them opens up some of the central themes of the Christian faith - creation, salvation, eschatology, time and eternity, Eucharist, election and ecclesiology. He shows that music can not only refresh theology with new models, but also release it from damaging habits of thought which have hampered its work in the past.
Jeremy Paxman's magnificent history of the First World War tells the entire story of the war in one gripping narrative from the point of view of the British people. *** We may think we know about it, but what was life really like for the British people during the First World War? The well-known images - the pointing finger of Lord Kitchener; a Tommy buried in the mud of the Western Front; the memorial poppies of Remembrance Day - all reinforce the idea that it was a pointless waste of life. So why did the British fight it so willingly and how did the country endure it for so long? Using a wealth of first-hand source material, Jeremy Paxman brings vividly to life the day-to-day experience of the British over the entire course of the war, from politicians, newspapermen, campaigners and Generals, to Tommies, factory workers, nurses, wives and children. It shows how both British life and identity were utterly transformed - not always for the worst - by the enormous upheaval of the war. Rich with personalities, surprises and ironies, this lively narrative history paints a picture of courage and confusion, doubts and dilemmas, and is written with Jeremy Paxman's characteristic flair for storytelling, wry humour and pithy observation. *** "A fine introduction to the part Britain played in the first of the worst two wars in history. The writing is lively and the detail often surprising and memorable" Guardian "He writes so well and sympathetically, and chooses his detail so deftly, that if there is one new history of the war that you might actually enjoy from the very large centennial selection this is very likely it" The Times
These 14 essays by scholars who have worked with David Jasper in both church and academy develop original discussions of themes emerging from his writings on literature, theology and hermeneutics. The arts, institutions, literature and liturgy are among the subject areas they cover.
Is It Really Too Much To Ask? is the fifth book in Jeremy Clarkson's bestselling The World According to Clarkson series. Well, someone's got to do it: in a world which simply will not see reason, Jeremy sets off on another quest to beat a path of sense through all the silliness and idiocy. And there's no knowign what might catch Jeremy's eye along the way. It could be: -The merits of Stonehenge as a business model -Why all meetings are a waste of time -The theft of the Queen's cows -One Norwegian man's unique approach to showing his gratitude -Fitting a burglar alarm to a tortoise -Or how Lou Reed was completely wrong about what makes a perfect day Pithy and provocative, this is Clarkson at his best, taking issue with whatever nonsense gets in the way of his search for all that's worth celebrating. Why should we be forced to accept stuff that's a bit rubbish? Shouldn't things work? Why doesn't someone care? I mean, is it really too much to ask? It's a good thing we've still got Jeremy out there, still looking, without fear or favour, for the answers. Jeremy Clarkson becomes the hilarious voice of a nation once more in Is It Really Too Much To Ask?, Volume 5 of The World According To Clarkson, following bestselling titles The World According to Clarkson, And Another Thing, For Crying Out Loud and How Hard Can It Be?. Praise for Clarkson: 'Brilliant... laugh-out-loud' Daily Telegraph 'Outrageously funny... will have you in stitches' Time Out Jeremy Clarkson began his writing career on the Rotherham Advertiser. He now writes for the Sun and the Sunday Times and is the tallest person working in British television.
This gripping and chillingly realistic novel from "New York Times" bestselling author Sharon Draper shows that all it takes is one bad decision for everything to change. Diamond knows not to get into a car with a stranger. But what if the stranger is well-dressed and handsome? On his way to meet his wife and daughter? And casting a movie that very night--a movie in need of a star dancer? What then? Then Diamond might make the wrong decision. It's a nightmare come true: Diamond Landers has been kidnapped. She was at the mall with a friend, alone for only a few brief minutes--and now she's being held captive, forced to endure horrors beyond what she ever could have dreamed, while her family and friends experience their own torments and wait desperately for any bit of news. From "New York Times "bestselling author Sharon Draper, this is a riveting exploration of power: how quickly we can lose it--and how we can take it back.
Faithful and effective church leadership requires preparation in prayer, theological reflection and a wide range of pastoral, prophetic and practical skills in order to ensure that what the Church discerns as necessary the Church does. Faithful Improvisation? is both a contribution to a current and sometimes vigorous debate on how the Church trains its leaders and also a practical and theological resource for discerning what the Spirit is saying and then acting upon it in local church contexts. Part One includes the full text of the Senior Church Leadership report from the Faith and Order Commission. Part Two offers reflections by Cally Hammond, Thomas Seville, Charlotte Methuen, Jeremy Morris and David Hilborn, on practices, models and theologies of leadership in different periods of church history which informed the FAOC report. Part Three opens up a broader discussion about present and future leadership within the Church of England. Mike Higton sketches out a dialogue between Senior Church Leadership and Lord Green’s report, Talent Management for Future Leaders; Tim Harle offers a personal reflection from the perspective of the community of leadership practitioners; and Rachel Treweek concludes with an exploration of the essentially relational character of leadership.
THE NO. 1 SUNDAY TIMES BESTSELLER Head back down to Clarkson Farm with the latest bestseller from our favourite welly-wearing wannabe farmer, Jeremy Clarkson ___________ Enthusiastic trainee farmer Jeremy Clarkson made just £144 in his first year at Diddly Squat Farm. This year he's determined to do better. Not because he now knows what he's doing. But because he's fed up of getting stick from Kaleb. Yet farming continues to be a challenge. For instance . . . · Loading a grain trailer was more demanding than flying an Apache gunship? · Cows were more dangerous than motor-racing? · It's easier to get planning permission to build a nuclear plant than to turn a barn into a restaurant? Jeremy's always got a plan. Loads of them. Often cunning. Not always greeted with wild enthusiasm by Kaleb and Cheerful Charlie, however . . . ___________ PRAISE FOR DIDDLY SQUAT 'Clarkson has done more for farmers in one series than Countryfile achieved in 30 years' James Rebanks, author of A Shepherd's Life 'Clarkson has showcased the passion, humour and personalities of the people who work throughout the year to grow the nation's food . . . and brought an understanding of many of the issues faced by farmers to the British public' National Farmers Union 'A deserving Farming Champion of the Year' Farmers Weekly 'I don't know anything about farming. It's like David Attenborough doing jet-skiing, or Nicholas Witchell saying, "I'm going to be a cage fighter'" Jeremy Clarkson
How do the arts in worship form individuals and communities? Every choice of art in worship opens up and closes down possibilities for the formation of our humanity. Every practice of music, every decision about language, every use of our bodies, every approach to visual media or church buildings forms our desires, shapes our imaginations, habituates our emotional instincts, and reconfigures our identity as Christians in contextually meaningful ways, generating thereby a sense of the triune God and of our place in the world. Glimpses of the New Creation argues that the arts form us in worship by bringing us into intentional and intensive participation in the aesthetic aspect of our humanity—that is, our physical, emotional, imaginative, and metaphorical capacities. In so doing they invite the people of God to be conformed to Christ and to participate in the praise of Christ and in the praise of creation, which by the Spirit’s power raises its peculiar voice to the Father in heaven, for the sake of the world that God so loves.
Theology, Music and Time aims to show how music can enrich and advance theology, extending our wisdom about God and God's ways with the world. Instead of asking: what can theology do for music?, it asks: what can music do for theology? Jeremy Begbie argues that music's engagement with time gives the theologian invaluable resources for understanding how it is that God enables us to live 'peaceably' with time as a dimension of the created world. Without assuming any specialist knowledge of music, he explores a wide range of musical phenomena - rhythm, metre, resolution, repetition, improvisation - and through them opens up some of the central themes of the Christian faith - creation, salvation, eschatology, time and eternity, Eucharist, election and ecclesiology. He shows that music can not only refresh theology with new models, but also release it from damaging habits of thought which have hampered its work in the past.
The Spirit and the Song:Pneumatological Reflections on Popular Music explores pertinent pneumatological issues that arise in music. It offers three distinct contributions: first, it asks what, if anything, music tells listeners about God’s Spiritedness. Can the experience of music speak to human spiritedness, the world’s transcendentality, or a person’s own self-transcendence in ways nothing else does or can? Second, this book explores how the Spirit functions within, and even determines, culture through music. Because music is a profound human expression, it can find itself in a rich dialogue with the Spirit. Third and finally, this book explores the contested status of music in Christian spiritual traditions. It deals with music as inspired by the Spirit, music as participation in Spiritedness, and music as temptation of “the flesh.” As such, this book also engages music’s placement in Christian spiritual traditions. The contributors of this book ask how Christian convictions about and experiences of the Spirit might shape the way one thinks about music.
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