The essential account of the South Korean 1980 pro-democracy rebellion On May 18, 1980, student activists gathered in the South Korean city of Gwangju to protest the coup d’état and the martial law government of General Chun Doo-hwan. The security forces responded with unmitigated violence. Over the next ten days hundreds of students, activists, and citizens were arrested, tortured, and murdered. The events of the uprising shaped over a decade of resistance to the repressive South Korean regime and paved the way for the country’s democratization. This fresh translation by Slin Jung of a text compiled from eyewitness testimonies presents a gripping and comprehensive account of both the events of the uprising and the political situation that preceded and followed the violence of that period. Included is a preface by acclaimed Korean novelist Hwang Sok-yong. Gwangju Uprising is a vital resource for those interested in East Asian contemporary history and the global struggle for democracy.
The acclaimed International Review of Cytology series presents current advances and reviews in cell biology, both plant and animal. Articles address structure and control of gene expression, nucleocytoplasmic interactions, control of cell development and differentiation, and cell transformation and growth. Authored by some of the foremost scientists in the field, each volume provides up-to-date information and directions for future research. Contributors to this volume are YasushiMatsui, Janice A. Fischer, Robert J. Reid, Julie Hayes, Jüri J. Rumessen, Takayuki Hoson, Kouichi Soga, Shiro Suetsugu, and Tadaomi Takenawa.The acclaimed International Review of Cytology series presents current advances and reviews in cell biology, both plant and animal. Articles address structure and control of gene expression, nucleocytoplasmic interactions, control of cell development and differentiation, and cell transformation and growth. Authored by some of the foremost scientists in the field, each volume provides up-to-date information and directions for future research. Contributors to this volume are YasushiMatsui, Janice A. Fischer, Robert J. Reid, Julie Hayes, Jüri J. Rumessen, Takayuki Hoson, Kouichi Soga, Shiro Suetsugu, and Tadaomi Takenawa.
In December of 1997, the International Monetary Fund announced the largest bailout package in its history, aimed at stabilizing the South Korean economy in response to a credit and currency crisis of the same year. Vicious Circuits examines what it terms "Korea's IMF Cinema," the decade of cinema following that crisis, in order to think through the transformations of global political economy at the end of the American century. It argues that one of the most dominant traits of the cinema that emerged after the worst economic crisis in the history of South Korea was its preoccupation with economic phenomena. As the quintessentially corporate art form—made as much in the boardroom as in the studio—film in this context became an ideal site for thinking through the global political economy in the transitional moment of American decline and Chinese ascension. With an explicit focus of state economic policy, IMF cinema did not just depict the economy; it also was this economy's material embodiment. That is, it both represented economic developments and was itself an important sector in which the same pressures and changes affecting the economy at large were at work. Joseph Jonghyun Jeon's window on Korea provides a peripheral but crucial perspective on the operations of late US hegemony and the contradictions that ultimately corrode it.
Successful cult films like The Host and Snowpiercer proved to be harbingers for Bong Joon Ho’s enormous breakthrough success with Parasite. Joseph Jonghyun Jeon provides a consideration of the director’s entire career and the themes, ambitions, techniques, and preoccupations that infuse his works. As Jeon shows, Bong’s sense of spatial and temporal dislocations creates a hall of mirrors that challenges us to answer the parallel questions Where are we? and When are we?. Jeon also traces Bong’s oeuvre from its early focus on Korea’s US-fueled modernization to examining the entanglements of globalization in Mother and his subsequent films. A complete filmography and in-depth interview with the director round out the book. Insightful and engaging, Bong Joon Ho offers an up-to-date analysis of the genre-bending international director.
In Racial Things, Racial Forms, Joseph Jonghyun Jeon focuses on a coterie of underexamined contemporary Asian American poets — Theresa Hak Kyung Cha, Myung Mi Kim, Mei-mei Berssenbrugge, and John Yau — who reject many of the characteristics of traditional minority writing. In the poets’ various treatments of things (that is, objects of art), one witnesses a confluence of the avant-garde interest in objecthood and the racial question of objectification."-- Back cover.
When hired to kill Ssowori Rama, a new, unlicensed man-for-hire who is causing havoc even within his own chaotic profession, Muchaca sets out on the grim, futuristic streets of Soul City to seek his mark. Rated for older teens.
Muchaca starts out this volume by taking care of street thugs on "The Highway Where Killing's Permissible." Muchaca Smoooth examines how the anarchist state of Soul City came to be, and what role the men-for-hire played. An old nemesis, Inspector Relax from the Investigative Bureau shows up with an interesting case for Muchaca. Meanwhile, a new drug called Game Addiction Hallucinations is buzzing through the city. Will Muchaca and Ssowori find out who is pushing it on the streets?!?
When hired to kill Ssowori Rama, a new, unlicensed man-for-hire who is causing havoc even within his own chaotic profession, Muchaca sets out on the grim, futuristic streets of Soul City to seek his mark. Rated for older teens.
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