Former con Meg Gardner is now a repo lady in Missoula, Montana, trying to get her life together. A new boyfriend and a cozy cottage help--until she picks up a Jeep Cherokee belonging to a murdered man. A briefcase in the Jeep is the catalyst that sets off a chain of events that leads Meg into a dangerous web of infidelity, greed, and murder.
Desperately searching for a way to recover her memory, a young American woman on the run must unlock a terrible secret from her past Discovered in a ditch by the side of a country road in France, Eve has only good American dentistry and a ferry ticket scribbled with Arabic letters to suggest her identity. That, and a bullet wound in her brain that she miraculously survives, even as it destroys her memory. Only a few scattered violent images remain—or are they dreams?—along with one undeniable physical fact: she has had a child. When the nuns who have sheltered her for a year are brutally massacred, Eve realizes that whoever she was in her past life, she had powerful enemies. Just half a step ahead of her pursuers, she lights out for Morocco in an attempt to retrace her steps and discover her past. Away from the convent, she begins to discover things that startle her—among them, her capacity for violence and her facility with guns. Was she a spy? Who is the dying man in her nightmares? As she searches through spice-scented souks and glamorous nightclubs for clues to her past, she has to figure out who is after her, and why—before it's too late. Within scenes of heart-stopping terror, Jenny Siler's lyrical writing and memorable images stand out. As Marilyn Stasio said of Easy Money in The New York Times Book Review, Siler's is "a voice that gets your attention like a rifle shot.
Courier Allie Kerry embarks on a run for her life when her contact turns up dead in the bathroom and the computer disk she is supposed to deliver turns out to be the key to a deadly conspiracy dating back to the Vietnam war.
Trying to find out the truth about her husband's death, headstrong Lucy Greene stumbles on dangerous secrets about a government-sponsored biological warfare program that has maimed her past and threatens her future The story is that Lucy Greene's husband, Carl, died in a car accident. But why did Carl contact Lucy's high-school sweetheart Kevin, a recently discredited TV journalist, just a few days before he died with promises of a big story? Why does an intruder break into Carl's home office after the funeral? And what does any of this have to do with a rash of prison TB, their baby's encephalocele, or Lucy's brother's post-Gulf War illness? Lucy wants some answers, and before she knows it she's careening across the western landscape with a hired killer on her trail, warned that she's messing with some very big players. She's not alone-in helping her, Kevin wants to resuscitate his career and ex-con Darcy wants to protect her junkie sister who's still on the inside. But with her loved ones dead and a Glock for a new best friend, Lucy is the one who will do whatever it takes to uncover the real story behind her husband's death.
Desperately searching for a way to recover her memory, a young American woman on the run must unlock a terrible secret from her past Discovered in a ditch by the side of a country road in France, Eve has only good American dentistry and a ferry ticket scribbled with Arabic letters to suggest her identity. That, and a bullet wound in her brain that she miraculously survives, even as it destroys her memory. Only a few scattered violent images remain—or are they dreams?—along with one undeniable physical fact: she has had a child. When the nuns who have sheltered her for a year are brutally massacred, Eve realizes that whoever she was in her past life, she had powerful enemies. Just half a step ahead of her pursuers, she lights out for Morocco in an attempt to retrace her steps and discover her past. Away from the convent, she begins to discover things that startle her—among them, her capacity for violence and her facility with guns. Was she a spy? Who is the dying man in her nightmares? As she searches through spice-scented souks and glamorous nightclubs for clues to her past, she has to figure out who is after her, and why—before it's too late. Within scenes of heart-stopping terror, Jenny Siler's lyrical writing and memorable images stand out. As Marilyn Stasio said of Easy Money in The New York Times Book Review, Siler's is "a voice that gets your attention like a rifle shot.
From the author of the "New York Times" Notable Book "Easy Money" comes a riveting suspense novel about a headstrong repo woman in Montana. Only one year out of prison, romantically involved, and working the first legitimate job she's had, Meg finds herself implicated in a dangerous web of infidelity, greed, and murder.
Courier Allie Kerry embarks on a run for her life when her contact turns up dead in the bathroom and the computer disk she is supposed to deliver turns out to be the key to a deadly conspiracy dating back to the Vietnam war.
“One of the most beguiling criminal memoirs ever written….A rare gem of a book.” — T. J. English, New York Times bestselling author of Havana Nocturne How did the son of a decorated policeman grow up to be one of Boston’s most notorious criminals? How did he survive a decades-long feud with the FBI? How did he escape one jail sentence with a fake gun carved out of soap? How did he trade the return of a famous Rembrandt for early release from another sentence? The Art of the Heist is a roller-coaster ride of a life, the memoir of America’s most infamous art thief Myles Connor. Once a promising young rock musician, the son of a respected policeman, Myles Connor became one of Boston’s most infamous criminals—a legendary art thief with irresistible charm and a genius IQ whose approach to his chosen profession mixed brilliant tactical planning with stunning bravado, brazen disguises, audaciously elaborate con jobs, and even the broad-daylight grab-and-dash. New York’s Metropolitan Museum of Art, the Smithsonian Institution, Boston’s Museum of Fine Art . . . no museum was off-limits. The fact that he was in jail at the time of the largest art theft in American history—the still-unsolved robbery of the Isabella Stewart Gardener Museum—has not stopped the FBI from considering him a prime suspect. The Art of the Heist is Connor’s story—part confession, part thrill ride, and impossible to put down.
In recent years North Carolina has been recognized as a popular filming location for feature films and television series such as Last of the Mohicans and Dawson’s Creek. Few people, probably, realize that the first feature film in the state was shot in 1912. This comprehensive reference book provides a complete listing of every film, documentary, short, television program, newsreel, and promotional video in which at least some part was filmed in North Carolina, through the year 2000. The entries contain the following information: alternate titles, the type of film (feature film, television episode, etc), studio, cities, counties, scenes (Biltmore House, for example), comments (short synopses of the movies), director, producer, co-producer, executive producer, cinematographer, writer, music and casting credits, additional crew, and cast.
A poignant novel of desperation, escape, and survival across the U.S.-Mexico border, inspired by current events. A Pura Belpré 2021 Young Adult Author Honor Book! A BookPage Best Book of 2020! A Chicago Public Library Best of the Best of 2020! A School Library Journal Best Book of 2020! A New York Public Library 2020 Top 10 Best Book for Teens! Pulga has his dreams. Chico has his grief. Pequeña has her pride. And these three teens have one another. But none of them have illusions about the town they've grown up in and the dangers that surround them. Even with the love of family, threats lurk around every corner. And when those threats become all too real, the trio knows they have no choice but to run: from their country, from their families, from their beloved home. Crossing from Guatemala through Mexico, they follow the route of La Bestia, the perilous train system that might deliver them to a better life--if they are lucky enough to survive the journey. With nothing but the bags on their backs and desperation drumming through their hearts, Pulga, Chico, and Pequeña know there is no turning back, despite the unknown that awaits them. And the darkness that seems to follow wherever they go. In this striking portrait of lives torn apart, the plight of migrants at the U.S. southern border is brought to light through poignant, vivid storytelling. An epic journey of danger, resilience, heartache, and hope. Praise for We Are Not From Here: “A fierce and tender story...Relevant, timely, and perceptive.” --Margarita Engle, winner of the Pura Belpre Award and Newbery Honor "With poignant, exhausting lyricism and heart wrenching poetic prose, Jenny Torres Sanchez digs deep and shows us the throbbing, aching corazón--the hopeful, unbreakable spirit of the embattled immigrant. A book for the starving, lost soul." --Guadalupe García McCall, Pura Belpré Award-winning author of Under the Mesquite "An incredibly powerful, soul-searing YA. [I]mportant and necessary.... I could not put this book down." --Padma Venkatraman, award-winning author of The Bridge Home "One of the most relevant and needed young adult novels of the year, a must-read." --Jennifer Mathieu, critically acclaimed author of The Liars of Mariposa Island and Moxie "An achingly beautifully story...masterfully told...Jenny Torres Sanchez is a true leader within young adult fiction." --Christina Diaz Gonzalez, award-winning author of The Red Umbrella "We Are Not From Here is absolutely stunning. It's raw and real, gritty and gorgeously told. A story that's painfully relevant today, and told with such precision and beauty, you can feel it. It's breathtaking and left me absolutely breathless." --Lauren Gibaldi, author of This Tiny Perfect World "[This] is a book that will mark your heart. Jenny Torres Sanchez challenges us to feel, empathize and understand. A searing, necessary and ultimately beautiful book." --Alexandra Villasante, critically acclaimed author of The Grief Keeper * "A brutally honest, not-to-be-missed narrative...gripping, heart-wrenching, and thrilling." --Kirkus Reviews, STARRED REVIEW * "A candid, realistic story that will leave readers thinking about the characters--and about our own world--long after the last page." --SLJ, STARRED REVIEW * "Gripping, poignant...this soul-shaking narrative [recalls] the works of Gabriel García Márquez." --Booklist, STARRED REVIEW * "A devastating read that is difficult to put down, this unforgettable book unflinchingly illuminates the experiences of those leaving their homes to seek safety in the United States." --Publishers Weekly, STARRED REVIEW
Were slaves property or human beings under the law? In crafting answers to this question, Southern judges designed efficient laws that protected property rights and helped slavery remain economically viable. But, by preserving property rights, they sheltered the persons embodied by that property - the slaves themselves. Slave law therefore had unintended consequences: it generated rules that judges could apply to free persons, precedents that became the foundation for laws designed to protect ordinary Americans. The Bondsman's Burden, first published in 1998, provides a rigorous and compelling economic analysis of the common law of Southern slavery, inspecting thousands of legal disputes heard in Southern antebellum courts, disputes involving servants, employees, accident victims, animals, and other chattel property, as well as slaves. The common law, although it supported the institution of slavery, did not favor every individual slave owner who brought a grievance to court.
Investigating suspicious events surrounding her husband's untimely death, Lucy Green stumbles on a dangerous government conspiracy and finds herself racing for her life across the western landscape with a discredited journalist.
It's September 11th, 2004, three years after the attacks on the World Trade Center and the Pentagon. In Washington, D.C., Dick Morrow, retired spy chief and head of the Pentagon's Office of Special Plans, is grappling with his wife's imminent death. In Madrid, a CIA snitch - an eighteen year-old Moroccan boy named Jamal - is on the run after claiming to have seen the fugitive terrorist Hamid Bagheri. In London, former British special forces soldier Colin Mitchell is found dead in a train station bathroom, the victim of an apparent overdose. In Virginia, Colin's ex-lover, Katherine Caldwell, an Arabic specialist and Army Intelligence reservist, is unexpectedly called back to duty. Kat, who worked as an interrogator in Afghanistan, knows Jamal from the prison at Bagram Airbase, where he was held after being captured with a group of foreign fighters, one of whom was Bagheri. Kat's mission, which will take her from Madrid's red-light district to the slums of Casablanca, is clear: find the boy before Bagheri does. But when another member of Colin's special forces team is found dead, just days before the start of a court-martial to decide his responsibility in the death of one of the Bagram detainees, Kat begins to suspect that Jamal's safety may not be the primary concern for those who want him found. And when Jamal tracks down his reluctant former CIA handler, Harry Comfort, he not only puts himself in further danger, but rekindles a decades-old struggle between the man who can save him and the one who wants him dead.
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