A witty, irreverent tour of history's worst plagues—from the Antonine Plague, to leprosy, to polio—and a celebration of the heroes who fought them In 1518, in a small town in Alsace, Frau Troffea began dancing and didn’t stop. She danced until she was carried away six days later, and soon thirty-four more villagers joined her. Then more. In a month more than 400 people had been stricken by the mysterious dancing plague. In late-seventeenth-century England an eccentric gentleman founded the No Nose Club in his gracious townhome—a social club for those who had lost their noses, and other body parts, to the plague of syphilis for which there was then no cure. And in turn-of-the-century New York, an Irish cook caused two lethal outbreaks of typhoid fever, a case that transformed her into the notorious Typhoid Mary. Throughout time, humans have been terrified and fascinated by the diseases history and circumstance have dropped on them. Some of their responses to those outbreaks are almost too strange to believe in hindsight. Get Well Soon delivers the gruesome, morbid details of some of the worst plagues we’ve suffered as a species, as well as stories of the heroic figures who selflessly fought to ease the suffering of their fellow man. With her signature mix of in-depth research and storytelling, and not a little dark humor, Jennifer Wright explores history’s most gripping and deadly outbreaks, and ultimately looks at the surprising ways they’ve shaped history and humanity for almost as long as anyone can remember.
**Longlisted for the Brooklyn Public Library Book Prize in Nonfiction (2023)** **An Amazon EDITOR'S PICK for BEST BOOKS OF 2023 SO FAR in BIOGRAPHY/MEMOIR and HISTORY** **An Amazon EDITOR'S PICK for BEST BOOKS OF THE MONTH (March 2023)** **A Bookshop.Org EDITOR'S PICK (March 2023)** “This is the story of one of the boldest women in American history: self-made millionaire, a celebrity in her era, a woman beloved by her patients and despised by the men who wanted to control them.” An industrious immigrant who built her business from the ground up, Madame Restell was a self-taught surgeon on the cutting edge of healthcare in pre-Gilded Age New York, and her bustling “boarding house” provided birth control, abortions, and medical assistance to thousands of women—rich and poor alike. As her practice expanded, her notoriety swelled, and Restell established her-self as a prime target for tabloids, threats, and lawsuits galore. But far from fading into the background, she defiantly flaunted her wealth, parading across the city in designer clothes, expensive jewelry, and bejeweled carriages, rubbing her success in the faces of the many politicians, publishers, fellow physicians, and religious figures determined to bring her down. Unfortunately for Madame Restell, her rise to the top of her field coincided with “the greatest scam you’ve never heard about”—the campaign to curtail women’s power by restricting their access to both healthcare and careers of their own. Powerful, secular men—threatened by women’s burgeoning independence—were eager to declare abortion sinful, a position endorsed by newly-minted male MDs who longed to edge out their feminine competition and turn medicine into a standardized, male-only practice. By unraveling the misogynistic and misleading lies that put women’s lives in jeopardy, Wright simultaneously restores Restell to her rightful place in history and obliterates the faulty reasoning underlying the very foundation of what has since been dubbed the “pro-life” movement. Thought-provoking, character-driven, boldly written, and feminist as hell, Madame Restell is required reading for anyone and everyone who believes that when it comes to women’s rights, women’s bodies, and women’s history, women should have the last word.
A powerful collection of stories about women who murdered—for revenge, for love, and even for pleasure—rife with historical details that will have any true crime junkie on the edge of their seat In every tragic story, men are expected to be the killers. There are countless studies and works of art made about male violence. However, when women are featured in stories about murder, they are rarely portrayed as predators. They’re the prey. This common dynamic is one of the reasons that women are so enthralled by female murderers. They do the things that women aren’t supposed to do and live the lives that women aren’t supposed to want: lives that are impulsive and angry and messy and inconvenient. Maybe we feel bad about loving them, but we eat it up just the same. Residing squarely in the middle of a Venn diagram of feminism and true crime, She Kills Me tells the story of 40 women who murdered out of necessity, fear, revenge, and even for pleasure.
A history of heartbreak-replete with beheadings, uprisings, creepy sex dolls, and celebrity gossip-and its disastrously bad consequences throughout time Spanning eras and cultures from ancient Rome to medieval England to 1950s Hollywood, Jennifer Wright's It Ended Badly guides you through the worst of the worst in historically bad breakups. In the throes of heartbreak, Emperor Nero had just about everyone he ever loved-from his old tutor to most of his friends-put to death. Oscar Wilde's lover, whom he went to jail for, abandoned him when faced with being cut off financially from his wealthy family and wrote several self-serving books denying the entire affair. And poor volatile Caroline Lamb sent Lord Byron one hell of a torch letter and enclosed a bloody lock of her own pubic hair. Your obsessive social media stalking of your ex isn't looking so bad now, is it? With a wry wit and considerable empathy, Wright digs deep into the archives to bring these thirteen terrible breakups to life. She educates, entertains, and really puts your own bad breakup conduct into perspective. It Ended Badly is for anyone who's ever loved and lost and maybe sent one too many ill-considered late-night emails to their ex, reminding us that no matter how badly we've behaved, no one is as bad as Henry VIII.
“An explosive, fascinating book that reveals how the Bible cannot be used as a rulebook when it comes to sex. A terrific read by a top scholar.” —Bart Ehrman, author of Misquoting Jesus Boston University’s cutting-edge religion scholar Jennifer Wright Knust reveals the Bible’s contradictory messages about sex in this thoughtful, riveting, and timely reexploration of the letter of the gospels. In the tradition of Bart Erhman’s Jesus Interrupted and John Shelby Spong’s Sins of Scripture, Knust’s Unprotected Texts liberates us from the pervasive moralizing—the fickle dos and don’ts—so often dictated by religious demagogues. Knust’s powerful reading offers a return to the scripture, away from the mere slogans to which it is so often reduced.
History's most fabulous, revered, and sassy women provide wise counsel about modern life's romantic complexities, from dating apps, to feminist conundrums, and how not to give a f*ck. In her punchy new book, bestselling author Jennifer Wright imagines how history's most powerful women would approach current-day dating anxieties, with agony-aunt-style questions, quirky illustrations, and more. Witty, intelligent, and charming, We Came First is the modern guide to seduction and dating for badass ladies.
For fans of WWII fiction comes a powerful novel by Jennifer L. Wright about two young women coming of age during the Trinity nuclear bomb test in 1945. Sixteen-year-old Olive Alexander has lived on a ranch in the Jornada del Muerto region of southern New Mexico her entire life. But when World War II begins, the government seizes her family's land for the construction of a new, top secret Army post. While her mother remains behind, Olive is forced to live in nearby Alamogordo with her grandmother and find a place in a new school. When Jo Hawthorne crosses her path, Olive sees a chance for friendship--until she learns that Jo's father is the Army sergeant who now occupies her beloved ranch. Already angry about her new reality, Olive pushes Jo away. But as she struggles to make sense of her grandmother's lapses into the past and increasingly unsettling hints about what's happening at the ranch, she slowly warms to Jo's winsome faith and steady attempts at friendship . . . until one devastating day when the sky explodes around them and their lives are torn apart. Seven years later, Jo returns to Alamogordo, still angry and wounded by the betrayals of that fateful day. Determined to put the past behind her once and for all, Jo hunts for answers and begins to realize the truth may be far more complicated than she believed, leading her on a desperate search to find her friend before it's too late.
Isadora Duncan was Red Put on a scarf; popped off her head Fashion is silly, thought Stein It may tear your head from your spine A darkly comic book about some surprisingly lethal garments. Featuring stories like the untimely demise of dancer Isadora Duncan caused by her signature red scarf and the bloody riot that greeted the appearance of the first top hat, among many others, these bite-size accounts will frighten and delight. Killer Fashion includes over twenty of these short tales along with beautiful full-page illustrations. Both morbid and humorous, this book will appeal to fans of Edward Gorey and dark historical trivia.
Inspired by one of America’s most notorious couples, Bonnie and Clyde, Jennifer L. Wright delivers a riveting tale set during the public enemy era of the Great Depression. Beatrice Carraway has dreams. Although she’s aged out of the childhood pageant circuit, she’s intent on carrying her talents all the way to the big screen—if only she can escape the poverty of West Dallas first. But as the Great Depression drags the working class further and further under, Beatrice struggles just to keep herself, her mother, and her younger sister afloat. After a string of failed auditions, she feels defeated. And then in walks Jack Turner. Though Beatrice is determined to pull herself up by her bootstraps, Jack has decided on a different path out of the gutters. It isn’t long before Beatrice is swept into an exciting and glamorous life of crime beside the man she loves. Keeping one step ahead of the law, she sees her dreams of fame come true when her name and picture are plastered in newspapers across the country. Yet as their infamy grows, the distance between them widens. While Jack begins seeking bigger payouts and publicity, Beatrice starts to long for a safe, quiet life and something deeper to fill the emptiness in her soul. But when the danger of Jack’s schemes ratchets up, Beatrice fears her dreams—and her future—will end up going down in a hail of bullets.
The story of the woman taken in adultery features a dramatic confrontation between Jesus and the Pharisees over whether the adulteress should be stoned as the law commands. In response, Jesus famously states, “Let him who is without sin be the first to throw a stone at her.” To Cast the First Stone traces the history of this provocative story from its first appearance to its enduring presence today. Likely added to the Gospel of John in the third century, the passage is often held up by modern critics as an example of textual corruption by early Christian scribes and editors, yet a judgment of corruption obscures the warm embrace the story actually received. Jennifer Knust and Tommy Wasserman trace the story’s incorporation into Gospel books, liturgical practices, storytelling, and art, overturning the mistaken perception that it was either peripheral or suppressed, even in the Greek East. The authors also explore the story’s many different meanings. Taken as an illustration of the expansiveness of Christ’s mercy, the purported superiority of Christians over Jews, the necessity of penance, and more, this vivid episode has invited any number of creative receptions. This history reveals as much about the changing priorities of audiences, scribes, editors, and scholars as it does about an “original” text of John. To Cast the First Stone calls attention to significant shifts in Christian book cultures and the enduring impact of oral tradition on the preservation—and destabilization—of scripture.
A story of resilience and redemption set against one of America's defining moments--the Dust Bowl. It's 1935 in Oklahoma, and lives are determined by the dust. Fourteen-year-old Kathryn Baile, a spitfire born with a severe clubfoot, is coming of age in desperate times. Once her beloved older sister marries, Kathryn's only comfort comes in the well-worn pages of her favorite book, The Wonderful Wizard of Oz. Then Kathryn's father decides to relocate to Indianapolis, and only the promise of a surgery to finally make her "normal" convinces Kathryn to leave Oklahoma behind. But disaster strikes along the way, and Kathryn must rely on her grit and the ragged companions she meets on the road if she is to complete her journey. Back in Boise City, Melissa Baile Mayfield is the newest member of the wealthiest family in all of Cimarron County. In spite of her poor, rural upbringing, Melissa has just married the town's most eligible bachelor and is determined to be everything her husband--and her new social class--expects her to be. But as the drought tightens its grip, Henry's true colors are revealed. Melissa covers her bruises with expensive new makeup and struggles to reconcile her affluent life with that of her starving neighbors. Haunted by the injustice and broken by Henry's refusal to help, Melissa secretly defies her husband, risking her life to follow God's leading. Two sisters, struggling against unspeakable hardship, discover that even in their darkest times, they are still united in spirit, and God is still with them, drawing them home.
As creators of the first airplane to be successful in manned flight, the Wright brothers made long-distance travel much easier. Historic photos and easy-to-read text take readers into the athlete’s life. Zoom in even deeper with quick stats, a timeline, and bolded glossary terms. Aligned to Common Core Standards and correlated to state standards. Abdo Zoom is a division of ABDO.
With just a handful of exceptions, the poetry of Jennifer Cram Wright has heretofore been unpublished. In this collection you will find a troubling yet compelling and ultimately triumphant story of a human soul profoundly broken, longing desperately for healing and understanding, and in a glorious turn of grace finding hope rewarded.
Examines the life and career of the American architect, detailing the evolution of his innovative design and the structures which won him fame around the world.
Early Christians used charges of adultery, incest, and lascivious behavior to demonize their opponents, police insiders, resist pagan rulers, and define what it meant to be a Christian. Christians frequently claimed that they, and they alone were sexually virtuous, comparing themselves to those marked as outsiders, especially non-believers and "heretics," who were said to be controlled by lust and unable to rein in their carnal desires. True or not, these charges allowed Christians to present themselves as different from and morally superior to those around them. Through careful, innovative readings, Jennifer Knust explores the writings of Paul, Justin Martyr, Irenaeus of Lyons, and other early Christian authors who argued that Christ alone made self-mastery possible. Rejection of Christ led to both immoral sexual behavior and, ultimately, alienation and punishment from God. Knust considers how Christian writers participated in a long tradition of rhetorical invective, a rhetoric that was often employed to defend status and difference. Christians borrowed, deployed, and reconfigured classical rhetorical techniques, turning them against their rulers to undercut their moral and political authority. Knust also examines the use of accusations of licentiousness in conflicts between rival groups of Christians. Portraying rival sects as depraved allowed accusers to claim their own group as representative of "true Christianity." Knust's book also reveals the ways in which sexual slurs and their use in early Christian writings reflected cultural and gendered assumptions about what constituted purity, morality, and truth. In doing so, Abandoned to Lust highlights the complex interrelationships between sex, gender, and sexuality within the classical, biblical, and early-Christian traditions.
Is it truly better to have loved and lost than to have never loved at all? In Larken's case, he isn't so sure. He did love someone, then he lost them, and it hurt like hell. Now, Larken has to figure out how he's going to get over it and find love once more. Then again, does he even want to care for someone so strongly for a second time? He's had his heart broken once, and he fears it's too soon to open up to someone else. But how can he really deny the new feelings that are growing inside him? Khale, on the other hand, has yet to fall in love at all. It's something he's wanted his whole life, and now he finds that it may be within his grasp. Khale could love Larken with all his heart-he can see himself with the warrior for the rest of his life. But Khale also yearns for Vardel to finally accept him as his son, and this wanting misguides him, leading him into trouble. Now he needs Larken's help-he needs the man he's fallen in love with to save him, but he fears his secrets and possible betrayal will have ruined his chance of ever finding happiness.
This book is rooted in the conviction that human biology plays a critical role in understanding drug abuse and antisocial behavior. In the same breath, however, it fundamentally affirms the importance of the many social and environmental factors that influence our behavior across the life course. The study begins with an overview of the scope of the problem of drug abuse and crime, and an examination of how these problems often feed into one another. Building upon that foundation, the focus shifts to a review of cutting-edge research on the genetics and neurobiology of addiction and antisocial behavior across the developmental periods of childhood, adolescence, and adulthood. An exploration of the implications of a biosocial life course approach in terms of drug abuse prevention, and an examination of what lies ahead for drug abuse and criminological research conclude this detailed and timely book. Policy makers, practitioners and scholars of criminology and sociology will find this of particular interest.
Russel and Mary Wright: Dragon Rock at Manitoga, explores the home and woodland paths imagined by Russel and Mary Wright in Hudson Valley New York; a modernist haven that allows for ambiguity, and the natural world where the spirit could flourish. In the era of TV dinners and suburban conformity, Russel and Mary Wright were individualists. The Wrights rejected rigid modernism that did not allow for ambiguity, let alone the natural world. Here we find multiple binary factors: New York City and the sublime Hudson Valley landscape, commercial mass production and handmade nuance, Japanese aesthetics and American ideals, queer attraction, and family yearnings. Wright: Dragon Rock at Manitoga traces a journey, beyond an exploration of space, but a way of life, the story of the creation of a haven where the spirit could flourish. Our understanding of the Wrights's architectural, design, and environmental achievements, synthesizes four archives, including the estate of the Wright family, The Center for Photography at Woodstock, The Russel Wright Design Center at Manitoga, and the Russel Wright Papers at Syracuse University. With a clarion voice, we examine this partnership, revealing new understandings and cultural relevance.
Will I live with my parents again? Will I stay with my foster parents forever? For children in foster care, the answer to many questions is often "maybe." Maybe Days addresses the questions, feelings, and concerns these children most often face. Honest and reassuring, it also provides basic information that children want and need to know, including the roles of various people in the foster care system and whom to ask for help. An extensive afterword for adults caring for foster children describes the child's experience, underscores the importance of open communication, and outlines a variety of ways to help children adjust to the "maybe days"—and to thrive. From the Note to Foster Parents and Other Adults: The enormity of adjustment that children in foster care are asked to make is hard to over-state. Children in foster care may experience and express a range of feelings, many of which may emerge during the reading of this book. Multiple feelings may occur at the same time and may include: Relief and a sense of safety Happiness and a sense of enjoyment Sadness Anger Fear or worry Confusion Guilt Shame Loneliness Sense of loss Some children respond well to verbal discussion about their feelings....Keep in mind that asking questions and encouraging activities can be useful for some children, but it is not always necessary and is never a substitute for simply listening.
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