“A gripping exploration of some of society’s biggest contradictions.… [Natality] is a fascinating read.” —Dana Suskind, MD, author of Parent Nation An exhilarating exploration of natality, a much-needed counterpoint to mortality, drawing on the insights of brilliant writers and thinkers. Birth is one of the most fraught and polarized issues of our time, at the center of debates on abortion, gender, work, and medicine. But birth is not solely an issue; it is a fundamental part of the human condition, and, alongside death, the most consequential event in human life. Yet it remains dramatically unexplored. Although we have long intellectual traditions of wrestling with mortality, few have ever heard of natality, the term political theorist Hannah Arendt used to describe birth’s active role in our lives. In this ambitious, revelatory book, Jennifer Banks begins with Arendt’s definition of natality as the “miracle that saves the world” to develop an expansive framework for birth’s philosophical, political, spiritual, and aesthetic significance. Banks focuses on seven renowned western thinkers—Arendt, Friedrich Nietzsche, Mary Wollstonecraft, Mary Shelley, Sojourner Truth, Adrienne Rich, and Toni Morrison—to reveal a provocative countertradition of birth. She narrates these writers’ own experiences alongside the generative ways they contended with natality in their work. Passionately intelligent and wide-ranging, Natality invites readers to attend to birth as a challenging and life-affirming reminder of our shared humanity and our capacity for creative renewal.
A leading art historian presents a new grammar for understanding the meaning and significance of print In process and technique, printmaking is an art of physical contact. From woodcut and engraving to lithography and screenprinting, every print is the record of a contact event: the transfer of an image between surfaces, under pressure, followed by release. Contact reveals how the physical properties of print have their own poetics and politics and provides a new framework for understanding the intelligence and continuing relevance of printmaking today. The seemingly simple physics of printmaking brings with it an array of metamorphoses that give expression to many of the social and conceptual concerns at the heart of modern and contemporary art. Exploring transformations such as reversal, separation, and interference, Jennifer Roberts explores these dynamics in the work of Christiane Baumgartner, David Hammons, Edgar Heap of Birds, Jasper Johns, Corita Kent, Glenn Ligon, Julie Mehretu, Robert Rauschenberg, and many other leading artists who work at the edge of the medium and beyond. Focusing on the material and spatial transformations of the printmaking process rather than its reproducibility, this beautifully illustrated book explores the connections between print, painting, and sculpture, but also between the fine arts, industrial arts, decorative arts, and domestic arts. Throughout, Roberts asks what artists are learning from print, and what we, in turn, can learn from them. Published in association with the Center for Advanced Study in the Visual Arts, National Gallery of Art, Washington
Jennifer Lawrence is one of the youngest Oscar nominees for Best Leading Actress in Academy history. This engaging volume examines Lawrences career from its beginnings on "The Bill Engvall Show to her landing the starring role in the much-anticipated The Hunger Games trilogy. Accessible text explores the drive that fuels this talented young actress to rise to new challenges.
When four women formed The Writer's Coffee Shop, they didn't know the Fifty Shades of Grey trilogy was destined for worldwide success. After selling the publishing rights, one of the partners hid $40,000,000 in royalties. Jennifer Pedroza and Mike Farris filed a lawsuit to claim her share of the partnership's profits. This is their story.
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