A Wake with Nine Shades is an exploration of grief and culpability, a Dantean descent through contemporary midlife crisis. Populated by ghosts and children, lovers and amputations, bodies of water, insomnia, debt and domestic violence, Steinorth measures what is broken against the white space of the page, paying homage to the Great Lakes and snowscapes her poems inhabit and the vacancies, denials, and drains they circle. Formally inventive and musically obsessive, the book’s unconventional formal construction and lyric wit contribute what Eleanor Wilner deems the essential “Lightness” described by Italo Calvino, noting Steinorth’s “ability to treat weighty subjects with a mastery of style . . . a liveliness of imagination and intelligence that lightens, without denial, what would otherwise be unbearable. . . .”
Her Read: A Graphic Poem is a hybrid text at once poetry and visual art. In the tradition of reusing canvases, Steinorth takes a seminal text, The Meaning of Art by Herbert Read and with the liberal use of correction fluid, scalpel and embroidery floss, transforms the book from art criticism into feminist verse. Though the maternal body appears with frequency in Read’s illustrated text which spans from prehistory to the modern age, he includes zero female artists. Her Read: A Graphic Poem is an excavation of buried voices, a reclamation of bodies framed in gilt and an homage to those whose arts remain unsung.
A Wake with Nine Shades is an exploration of grief and culpability, a Dantean descent through contemporary midlife crisis. Populated by ghosts and children, lovers and amputations, bodies of water, insomnia, debt and domestic violence, Steinorth measures what is broken against the white space of the page, paying homage to the Great Lakes and snowscapes her poems inhabit and the vacancies, denials, and drains they circle. Formally inventive and musically obsessive, the book’s unconventional formal construction and lyric wit contribute what Eleanor Wilner deems the essential “Lightness” described by Italo Calvino, noting Steinorth’s “ability to treat weighty subjects with a mastery of style . . . a liveliness of imagination and intelligence that lightens, without denial, what would otherwise be unbearable. . . .”
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