Fusing the craft of writing with the philosophy of yoga, The Yogic Writer charts a path to the heart of creativity through the practice of yogic breathing, somatic exercises, and meditations. In response to an oftentimes paralyzing focus on outcome and product, Jennifer Sinor summons decades of experience teaching creative writing and yoga to guide our attention back to the body, the place from which all art arises. When invested with deep awareness, writing transforms us as human beings. The Yogic Writer connects the recursive process of writing creating space for intentions, drafting, revision, and sitting in sites of possibility and potential with the four stages of breath. Through brief insightful essays, Sinor meets writers in the present moment, providing craft advice while challenging us to explore how we look, who is really writing, and how to listen to our bodies. Steeped in ideas owed to ancient wisdom as well as creative writing pedagogy and Sinor's own experience, The Yogic Writer offers a unique, alternative approach to finding creativity that forsakes external validation for internal knowledge and experimentation. Inspirational, affirmational, and personal, this book is for anyone seeking permission to embody the life of a writer that they already know, deep down, to be theirs.
Sky Songs is a collection of essays that takes inspiration from the ancient seabed in which Jennifer Sinor lives, an elemental landscape that reminds her that our lives are shaped by all that has passed through. Beginning with the conception of her first son, which coincided with the tragic death of her uncle on an Alaskan river, and ending a decade later in the Himalayan home of the Dalai Lama, Sinor offers a lyric exploration of language, love, and the promise inherent in the stories we tell: to remember. In these essays, Sinor takes us through the mountains, deserts, and rivers of the West and along with her on her travels to India. Whether rooted in the dailiness of raising children or practicing yoga, Sinor searches for the places where grace resides. The essays often weave several narrative threads together in the search for relationship and connection. A mother, writer, teacher, and yoga instructor, Sinor ultimately tackles the most difficult question: how to live in a broken world filled with both suffering and grace.
Fusing the craft of writing with the philosophy of yoga, The Yogic Writer charts a path to the heart of creativity through the practice of yogic breathing, somatic exercises, and meditations. In response to an oftentimes paralyzing focus on outcome and product, Jennifer Sinor summons decades of experience teaching creative writing and yoga to guide our attention back to the body, the place from which all art arises. When invested with deep awareness, writing transforms us as human beings. The Yogic Writer connects the recursive process of writing creating space for intentions, drafting, revision, and sitting in sites of possibility and potential with the four stages of breath. Through brief insightful essays, Sinor meets writers in the present moment, providing craft advice while challenging us to explore how we look, who is really writing, and how to listen to our bodies. Steeped in ideas owed to ancient wisdom as well as creative writing pedagogy and Sinor's own experience, The Yogic Writer offers a unique, alternative approach to finding creativity that forsakes external validation for internal knowledge and experimentation. Inspirational, affirmational, and personal, this book is for anyone seeking permission to embody the life of a writer that they already know, deep down, to be theirs.
Krutch’s trenchant observations about life prospering in the hostile environment of Arizona’s Sonoran Desert turn to weighty questions about humanity and the precariousness of our existence, putting lie to Western denials of mind in the “lower” forms of life: “Let us not say that this animal or even this plant has ‘become adapted’ to desert conditions. Let us say rather that they have all shown courage and ingenuity in making the best of the world as they found it. And let us remember that if to use such terms in connection with them is a fallacy then it can only be somewhat less a fallacy to use the same terms in connection with ourselves.”
In Pole Raising and Speech Making, author Jennifer Eastman Attebery focuses on the beginnings of the traditional Scandinavian Midsummer celebration and the surrounding spring-to-summer seasonal festivities in the Rocky Mountain West during the height of Swedish immigration to the area—1880–1917. Combining research in folkloristics and history, Attebery explores various ways that immigrants blended traditional Swedish Midsummer-related celebrations with local civic celebrations of American Independence Day on July 4 and the Mormons’ Pioneer Day on July 24. Functioning as multimodal observances with multiple meanings, these holidays represent and reconsider ethnicity and panethnicity, sacred and secular relationships, and the rural and the urban, demonstrating how flexible and complex traditional celebrations can be. Providing a wealth of detail and information surrounding little-studied celebrations and valuable archival and published primary sources—diaries, letters, speeches, newspaper reports, and images—Pole Raising and Speech Making is proof that non-English immigrant culture must be included when discussing “American” culture. It will be of interest to scholars and graduate students in ethnic studies, folklore, ritual and festival studies, and Scandinavian American cultural history.
Sky Songs is a collection of essays that takes inspiration from the ancient seabed in which Jennifer Sinor lives, an elemental landscape that reminds her that our lives are shaped by all that has passed through. Beginning with the conception of her first son, which coincided with the tragic death of her uncle on an Alaskan river, and ending a decade later in the Himalayan home of the Dalai Lama, Sinor offers a lyric exploration of language, love, and the promise inherent in the stories we tell: to remember. In these essays, Sinor takes us through the mountains, deserts, and rivers of the West and along with her on her travels to India. Whether rooted in the dailiness of raising children or practicing yoga, Sinor searches for the places where grace resides. The essays often weave several narrative threads together in the search for relationship and connection. A mother, writer, teacher, and yoga instructor, Sinor ultimately tackles the most difficult question: how to live in a broken world filled with both suffering and grace.
The monograph series Oxford Studies in Medieval Literature and Culture showcases the plurilingual and multicultural quality of medieval literature and actively seeks to promote research that not only focuses on the array of subjects medievalists now pursue in literature, theology, and philosophy, in social, political, jurisprudential, and intellectual history, the history of art, and the history of science but also that combines these subjects productively. It offers innovative studies on topics that may include, but are not limited to, manuscript and book history; languages and literatures of the global Middle Ages; race and the post-colonial; the digital humanities, media and performance; music; medicine; the history of affect and the emotions; the literature and practices of devotion; the theory and history of gender and sexuality, ecocriticism and the environment; theories of aesthetics; medievalism. l Literature and Law in the Era of Magna Carta traces processes of literary training and experimentation across the early history of the English common law, from its beginnings in the reign of Henry II to its tumultuous consolidations under the reigns of John and Henry III. The period from the mid-twelfth through the thirteenth centuries witnessed an outpouring of innovative legal writing in England, from Magna Carta to the scores of statute books that preserved its provisions. An era of civil war and imperial fracture, it also proved a time of intensive self-definition, as communities both lay and ecclesiastic used law to articulate collective identities. Literature and Law in the Era of Magna Carta uncovers the role that grammatical and rhetorical training played in shaping these arguments for legal self-definition. Beginning with the life of Archbishop Thomas Becket, the book interweaves the histories of literary pedagogy and English law, showing how foundational lessons in poetics helped generate both a language and theory of corporate autonomy. In this book, Geoffrey of Vinsauf's phenomenally popular Latin compositional handbook, the Poetria nova, finds its place against the diplomatic backdrop of the English Interdict, while Robert Grosseteste's Anglo-French devotional poem, the Château d'Amour, is situated within the landscape of property law and Jewish-Christian interactions. Exploring a shared vocabulary across legal and grammatical fields, this book argues that poetic habits of thought proved central to constructing the narratives that medieval law tells about itself and that later scholars tell about the origins of English constitutionalism.
Jennifer Sinor has built a creative memoir out of interwoven but episodic vignettes (linked flashes, as she calls them) drawn from a transient childhood dictated by the life of a troubling and troubled military father. Her focus is on traumatic events, which though a number of them seem more than ordinary by many measures, are presented as such by means of precise, luminescent prose that by its very restraint and lack of affect magnifies its impact. In this author's hands, understatement proves an effective method of engaging and holding readers: surprising, or shocking, through sudden reiterations of trauma disrupting quotidian lives, not itself unusual yet always unique in specifics and variable in consequences. This creates tension in anticipation of the next disruption, which is perhaps unexpected in its particulars but now expectable and hence recognizable as ordinary, as it is also recognizable through the knowledge that stumbling into and navigating distress, pain, and shock is normal in living, even if all trauma is not the same in terms of damage or of negotiation by the traumatized"--Provided by publisher.
Georgia O’Keeffe mistrusted words. She claimed color as her language. Nevertheless, in the course of her long life, the great American painter wrote thousands of letters—more than two thousand survive between her and her husband, Alfred Stieglitz, alone. Jennifer Sinor’s Letters Like the Day honors O’Keeffe, her modernist landscapes, and, crucially, the value of letter writing. In the painter’s correspondence, we find an intimacy with words that is all her own. Taking her letters as a touchstone, Sinor experiments with the limits of language using the same aesthetic that drove O’Keeffe’s art. Through magnification, cropping, and juxtaposition—hallmarks of modernism—Sinor explores the larger truths at the center of O’Keeffe’s work: how we see, capture, and create. Letters Like the Day pursues the highest function of art—to take one’s medium to the edge and then push beyond.
Containing more than 600 entries, this valuable resource presents all aspects of travel writing. There are entries on places and routes (Afghanistan, Black Sea, Egypt, Gobi Desert, Hawaii, Himalayas, Italy, Northwest Passage, Samarkand, Silk Route, Timbuktu), writers (Isabella Bird, Ibn Battuta, Bruce Chatwin, Gustave Flaubert, Mary Kingsley, Walter Ralegh, Wilfrid Thesiger), methods of transport and types of journey (balloon, camel, grand tour, hunting and big game expeditions, pilgrimage, space travel and exploration), genres (buccaneer narratives, guidebooks, New World chronicles, postcards), companies and societies (East India Company, Royal Geographical Society, Society of Dilettanti), and issues and themes (censorship, exile, orientalism, and tourism). For a full list of entries and contributors, a generous selection of sample entries, and more, visit the Literature of Travel and Exploration: An Encyclopedia website.
Author Jennifer Rothschild has a story for you. It's about an unlikely couple, an unusual courtship, a beautiful wedding, and an illicit affair. Despite this situation, the marriage did not fail. It flourished. Here is the story of Hosea's love for Gomer—a woman who might have disappeared into her transgressions if not for the love of her husband. It's a beautiful illustration of the story of God and Israel. Believe it or not, it's your story too. God chose you and loves you. If you wander off, He will find you. If you are afraid, He will reassure you. If you are broken, He will restore you. If you are ashamed, He will cover you. If you give up on Him, He will not give up on you. No matter where you are, God sees who you are and loves you faithfully. Through the story of Hosea and Gomer, God tenderly reaches out to you and whispers, "My daughter, my name and nature are love. My name makes you lovely. Because I am worthy, I make you worthy. I am here to remind you of who you are. You are never invisible to me.
When four women formed The Writer's Coffee Shop, they didn't know the Fifty Shades of Grey trilogy was destined for worldwide success. After selling the publishing rights, one of the partners hid $40,000,000 in royalties. Jennifer Pedroza and Mike Farris filed a lawsuit to claim her share of the partnership's profits. This is their story.
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