Gale Researcher Guide for: Speech Perception is selected from Gale's academic platform Gale Researcher. These study guides provide peer-reviewed articles that allow students early success in finding scholarly materials and to gain the confidence and vocabulary needed to pursue deeper research.
A novel of the early years of Elizabeth Tudor-as told by the spirited niece of her real-life governess. Her name is Eloise Rousell . Daughter of a well-bred lady and a strolling player, she lived her early years in peaceful obscurity. But then her father died-and her new stepfather wanted none of her. So she was sent to her aunt, Kat Ashley-governess to the young Elizabeth Tudor. In the tumultuous household of the princess in exile, Eloise finds her destiny- best friend, confidante, lady-in-waiting, and favored seamstress of the fiery girl who would become the greatest monarch of all time. Through a decade of plots and counter-plots, tragedies and triumphs, Eloise, like her aunt, is a constant in Elizabeth's life. Risking her heart- and her head-in service to the cause of seeing Elizabeth on the throne, Eloise is a bright, brave, sprightly witness to history. This is her story.
Oxford's unique collection of university and college buildings both old and new form a major part of this book. The city itself with its medieval walls and castle and ancient churches is also fully described. Among the county's distinguished houses are Vanbrugh's Blenheim and Kent's Rousham Park, each in magnificently landscaped grounds, while village churches range from notable Norman examples such as Iffley to G.E. Street's inventive Victorian creations such as St Simon & St Jude at Shipton-under-Wychwood. Other attractive towns in this still strongly rural county vary from stone-built Chipping Norton in the Cotswolds to brick-built Henley on the Thames.
For people living in U.S. cities, social services come not only from the government but increasingly also from local religious communities. Ever since the Clinton administration's welfare reform, faith-based institutions, and especially congregations, have been allowed to bid for federal funds for their programs. In The Other Philadelphia Story, drawing on the first-ever census of congregations in any American city, Ram Cnaan and his colleagues provide an authoritative account of the functioning of congregations, their involvement in social services, and their support of other charitable organizations. An in-depth study of 1,392 congregations in Philadelphia, the book illuminates how these groups function as community hubs where members and neighbors alike gather throughout the week. Cnaan's findings show that almost every assembly of parishioners emphasizes caring for others, even if the help is modest. Thus American congregations uphold an implicit but strong norm of social responsibility and work to improve the quality of life for members and nonmembers alike. Many of the problems associated with urban life persist in the face of governmental inaction, and the burden of responsibility cannot be shouldered entirely by congregations. However, in a city such as Philadelphia, where half the residents are regular attenders of religious congregations, hopes for urban improvement are largely to be found in these local groups. Special focus is given in the book to kinds of care that often go unnoticed: volunteerism, provision of refuge, and informal assistance to community members in need. All told, Cnaan asserts, congregations are an essential component of Philadelphia's civil society. Without them, the quality of life would deteriorate immeasurably.
The first major work of art history to focus on women artists and their engagement with the spirit world, by the author of The Mirror and the Palette. It's not so long ago that a woman's expressed interest in other realms would have ruined her reputation, or even killed her. And yet spiritualism, in various incarnations, has influenced numerous men—including lauded modernist artists such as Wassily Kandinsky, Piet Mondrian, Kazimir Malevich and Paul Klee—without repercussion. The fact that so many radical female artists of their generation—and earlier—also drank deeply from the same spiritual well has been sorely neglected for too long. In The Other Side, we explore the lives and work of a group of extraordinary women, from the twelfth-century mystic, composer, and artist Hildegard of Bingen to the nineteenth-century English spiritualist Georgiana Houghton, whose paintings swirl like a cosmic Jackson Pollock; the early twentieth-century Swedish artist, Hilma af Klint, who painted with the help of her spirit guides and whose recent exhibition at New York's Guggenheim broke all attendance records to the 'Desert Transcendentalist', Agnes Pelton, who painted her visions beneath the vast skies of California. We also learn about the Swiss healer, Emma Kunz, who used geometric drawings to treat her patients and the British surrealist and occultist, Ithell Colquhoun, whose estate of more than 5,000 works recently entered the Tate gallery collection. While the individual work of these artists is unique, the women loosely shared the same goal: to communicate with, and learn from, other dimensions. Weaving in and out of these myriad lives while sharing her own memories of otherworldly experiences, Jennifer Higgie discusses the solace of ritual, the gender exclusions of art history, the contemporary relevance of myth, the boom in alternative ways of understanding the world and the impact of spiritualism on feminism and contemporary art. A radical reappraisal of a marginalized group of artists, The Other Side is an intoxicating blend of memoir, biography, and art history.
Featuring 15 nature-inspired quilt projects ranging from pieced and appliqu d quilts to easy fusible-web designs, this book features projects designed by quilt makers from a variety of wine regions throughout the US includes wine label mini-quilts, cork critters and even shadow boxes. It also features comprehensive listings of wine country quilt shops and special events; tips for holding one's wine tasting party; and suggestions for invitations, table toppers, and wine glass charms.
This book, first published in 2000, examines the BBC's attempts to manipulate critical and public responses to contemporary music between 1922 and 1936.
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