Jennifer Niven quit her job as a television producer to write the true story of a doomed 1913 Arctic expedition in her first book, The Ice Master, which was named one of the top ten nonfiction books by Entertainment Weekly, and won the Barnes & Noble Discover Award. She received high praise for her follow- up arctic adventure, Ada Blackjack, which detailed the life of one woman who overcame enormous odds to survive. Now, Niven tells a survival tale of a different kind; her own thrilling, excruciating, amazing, and utterly unforgettable adventure in a midwestern high school during the 1980s. Richmond, Indiana, was a place where people knew their neighbors and went to church on Sundays. It also had only one high school with 2,500 students, and for both the students and the townspeople, it was the center of the universe. In The Aqua-Net Diaries, Niven takes readers through her adolescent years in full, glorious—and hilarious—detail, sharing awkward moments from the first day of school, to driver’s ed, and her first love, against a backdrop of bad 1980s fashion and big hair. Like Chuck Klosterman in Fargo Rock City, Niven’s talented voice perfectly captures the pain, joy, and shame of going through adolescence in America’s heartland, making a funny, touching, and universal experience.
Katrina Roberts accepted the ultimate media challenge from her boss. Interview Richmond Michaels, elusive billionaire president of Michaels Oil. Michaels hates the media and never gives interviews. Mistaking Katrina for a temp receptionist hes requested, he turns the entire office over to her before she has a chance to ask for the interview. Her ethics wont allow deception and before he is able to confront her with his discovery of her true identity, she confesses. Admiring her honesty, Richmond agrees to the interview on the condition she help him find the terrorist responsible for murdering his father. Has she made a deal with the devil which might cost her life? Will the sensual attraction they cannot ignore turn both their worlds upside down? Can they expose those behind the terrorist before anyone else dies or anything else blows up?
In 1730 Stephen Duck became the most famous agricultural labourer in the Hanoverian England when his writing won him the patronage of Queen Caroline. Duck and his writing intrigued his contemporaries. How was it possible for an agricultural labourer to become a poet? What would a thresher write? Did he really deserve royal patronage, and what would he do with such an honour? How should he be supported? And was he an isolated prodigy, or were there others like him, equally deserving of support? Duck's remarkable story reveals the tolerances, and intolerances, of the Hanoverian social order. Class, Patronage, and Poetry in Hanoverian England: Stephen Duck, The Famous Threshing Poet explores these complex and contested relationships through Duck's life and work. It sheds new light on the poet's early life, revealing how the farm labourer developed an interest in poetry; how he wrote his most famous poem, 'The Thresher's Labour'; how his public identity as the 'famous Threshing Poet' took shape; and how he came to be positioned as a figurehead of labouring-class writing. It explores how the patronage Duck received shaped his writing; how he came to reconceive his relationship with land, labour, and leisure; and how he made use of his newly acquired classical learning to develop new friendships and career opportunities. Finally, it reveals how, after Duck's death, rumours about his suicide came to overshadow the achievements of his life. Both in life, and in death, this book argues, Duck provided both opportunity and provocation for thinking through the complex interplay of class, patronage, and poetry in Hanoverian England.
Pledging her loyalty to the North at the risk of her life when her native Virginia secedes, Quaker-educated aristocrat Elizabeth Van Lew uses her innate skills for gathering military intelligence to help construct the Richmond underground and orchestrate escapes from the infamous Confederate Libby Prison.
Bradley Hurstaff is a decent man from a quiet town with a call to duty. Following his departure from the Marine Corps, Bradley moves with his wife, Elizabeth, to Texas to sprout roots and transition to a new career as a police officer. Bradley soon finds out that wearing the badge comes with firsthand experience, grappling with the chaos and darkness of modern society. Is Bradley stumbling on everaEUR"thinning ice in a fight with personal demons, or is this the silent burden all police officers bear? Can his mind handle the strain of being immersed in the horrific acts human beings both suffer and inflict, or will the darkness claim another victim?
As movies took the country by storm in the early twentieth century, Americans argued fiercely about whether municipal or state authorities should step in to control what people could watch when they went to movie theaters, which seemed to be springing up on every corner. Many who opposed the governmental regulation of film conceded that some entity—boards populated by trusted civic leaders, for example—needed to safeguard the public good. The National Board of Review of Motion Pictures (NB), a civic group founded in New York City in 1909, emerged as a national cultural chaperon well suited to protect this emerging form of expression from state incursions. Using the National Board’s extensive files, Monitoring the Movies offers the first full-length study of the NB and its campaign against motion-picture censorship. Jennifer Fronc traces the NB’s Progressive-era founding in New York; its evolving set of “standards” for directors, producers, municipal officers, and citizens; its “city plan,” which called on citizens to report screenings of condemned movies to local officials; and the spread of the NB’s influence into the urban South. Ultimately, Monitoring the Movies shows how Americans grappled with the issues that arose alongside the powerful new medium of film: the extent of the right to produce and consume images and the proper scope of government control over what citizens can see and show.
What does it mean to grow up today as working-class young adults? How does the economic and social instability left in the wake of neoliberalism shape their identities, their understandings of the American Dream, and their futures? Coming Up Short illuminates the transition to adulthood for working-class men and women. Moving away from easy labels such as the "Peter Pan generation," Jennifer Silva reveals the far bleaker picture of how the erosion of traditional markers of adulthood-marriage, a steady job, a house of one's own-has changed what it means to grow up as part of the post-industrial working class. Based on one hundred interviews with working-class people in two towns-Lowell, Massachusetts, and Richmond, Virginia-Silva sheds light on their experience of heightened economic insecurity, deepening inequality, and uncertainty about marriage and family. Silva argues that, for these men and women, coming of age means coming to terms with the absence of choice. As possibilities and hope contract, moving into adulthood has been re-defined as a process of personal struggle-an adult is no longer someone with a small home and a reliable car, but someone who has faced and overcome personal demons to reconstruct a transformed self. Indeed, rather than turn to politics to restore the traditional working class, this generation builds meaning and dignity through the struggle to exorcise the demons of familial abuse, mental health problems, addiction, or betrayal in past relationships. This dramatic and largely unnoticed shift reduces becoming an adult to solitary suffering, self-blame, and an endless seeking for signs of progress. This powerfully written book focuses on those who are most vulnerable-young, working-class people, including African-Americans, women, and single parents-and reveals what, in very real terms, the demise of the social safety net means to their fragile hold on the American Dream.
During the American Civil the Wabash Intelligencer and the Wabash Plain Dealer frequently printed letters from Wabash County men serving in the Union army. The letter writers are a remarkable cast of characters: young and old, soldiers, doctors, ministers, officers, enlisted men, newspaper men, and a fifteen-year-old printers’ devil who enlisted as a drummer boy. These are not stories of generals or battle strategies; they are the stories of the ordinary soldiers and their everyday lives. They describe long tiring marches across state after state, crossing almost impossible terrain, facing shortages of rations and supplies, enduring extremes of weather where they froze one day and sweltered the next, and encountering guerrillas that harried the wagon trains. The correspondents wrote of walking over the bodies of fallen comrades and foes alike, of mules and their wagons sinking into muddy roads that became like quicksand, of shipwrecks, and of former slaves.
Drawing on an array of archival evidence from court records to the poems of Chaucer, this work explores how medieval thinkers understood economic activity, how their ideas were transmitted and the extent to which they were accepted. Moving beyond the impersonal operations of an economy to its ethical dimension, Hole’s socio-cultural study considers not only the ideas and beliefs of theologians and philosophers, but how these influenced assumptions and preoccupations about material concerns in late medieval English society. Beginning with late medieval English writings on economic ethics and its origins, the author illuminates a society which, although strictly hierarchical and unequal, nevertheless fostered expectations that all its members should avoid greed and excess consumption. Throughout, Hole aims to show that economic ethics had a broader application than trade and usury in late medieval England.
Written to celebrate the centennial of the Sphinx's arrival in Philadelphia, The Sphinx That Traveled to Philadelphia tells the fascinating story of the colossal sphinx that is a highlight of the Penn Museum's Egyptian galleries and an iconic object for the Museum as a whole. The narrative covers the original excavations and archaeological history of the Sphinx, how it came to Philadelphia, and the unexpected ways in which the Sphinx's story intersects with the history of Philadelphia, the University of Pennsylvania, and the Museum just before World War I. The book features ample illustrations—photographs, letters, newspaper stories, postcards, maps, and drawings—drawn largely from the extensive materials in the Museum Archives. Images of related artifacts in the Penn Museum's Egyptian collection and other objects from the Egyptian, Near East, and Mediterranean Sections (many not on view and some never before published), as well as pieces in museums in the United States, Europe, and Egypt, place the story of the Penn Museum Sphinx in a wider context. The writing style is informal and text is woven around the graphics that form the backbone of the narrative. The book is designed to be of interest to a wide audience of adult readers but accessible and engaging to younger readers as well.
Chiaverini has once again written an intense and beautiful book-so much so that readers will almost hear the hollow echo of the fife and drum as they immerse themselves in every compelling page . . . Truly unforgettable."--BookPage In 1862, the men of Water's Ford, Pennsylvania, rally to President Lincoln's call while Dorothea Granger marshals her friends to "wield their needles for the Union." Meanwhile, Anneke Bergstrom hides the shame she feels for her husband's pacifism; gifted writer Gerda Bergstrom takes on local Southern sympathizers in the pages of the Water's Ford Register; and Constance Wright struggles to help her husband gain entry to the Union Army-despite the color of his skin. As the women work, hope, and pray, the men they love confront loneliness, boredom, and danger on the battlefield. But the women of the sewing circle also forge a new independence that will forever alter the patchwork of life in the Elm Creek Valley.
A vital resource for educational leaders, Entry Planning for Equity-Focused Leaders introduces an equity-minded process for intentional entry planning that sets the stage for sustainable change within organizations. In this practitioner-focused and action-oriented work, Jennifer Perry Cheatham, Rodney Thomas, and Adam Parrott-Sheffer consolidate their extensive experience centering equity in leadership. They affirm that the entry of a new leader, or the pivot of an established one, affords an unparalleled opportunity to garner the insight, trust, and commitment that will establish a basis for positive, equitable transformation within a system. This essential work provides a flexible framework for leadership entry that is customized to fit the complex social, political, and economic demands of a given organization and the community it serves. It highlights how such an approach prepares leaders to begin addressing one of the most entrenched and persistent issues in education: structural and systemic racism. Appealing to community and school leadership at all levels—superintendents, principals, project managers, and nonprofit partners, among others—the book presents seven components needed to enact an entry plan, from understanding context, to establishing transparency, to galvanizing partners for action. Through case studies and interviews, the authors explore the key skills necessary for each component. They then offer a wide range of supplementary tools and exercises to help leaders begin or recast their tenures and advance their agendas successfully. The process outlined here encourages readers to reflect, take calculated risks, and chart new paths. This book gives leaders the means to make necessary, meaningful progress.
From New York Times and USA Today Bestselling author Gemma Halliday... Her name is Bond. Jamie Bond. And she is licensed to kill any pre-nup you can throw at her. Catching cheating husbands became Jamie Bond's life when her father was shot and wounded on the job, forcing Jamie to take over the family business: The Bond Agency. But three years later, the P.I. is shocked when the gun that wounded her father surfaces during a high-profile murder trial. Is this the connection Jamie's been waiting for to finally nail her father's shooter? But, oddly enough, Derek Bond doesn't seem interested. In fact, if Jamie didn't know better, she'd say he's even trying to stop her from looking into it. Along with her team of bombshell investigators, Jamie suddenly finds herself in the middle of a cold case that's heating up the media, dodging old grudges and new enemies, and questioning the motives of those closest to her. If she can live with the truth, the secrets Jamie uncovers may just bring down more than a marriage this time. The Jamie Bond Mysteries: Unbreakable Bond (book #1) Secret Bond (book #2) Lethal Bond (book #3) Dangerous Bond (book #4) Fatal Bond (book #5) Deadly Bond (book #6) Here's what critics are saying about Gemma Halliday's books: "A saucy combination of romance and suspense that is simply irresistible." - Chicago Tribune "Stylish... nonstop action...guaranteed to keep chick lit and mystery fans happy!" - Publishers' Weekly, starred review "Smart, funny and snappy… the perfect beach read!" - Fresh Fiction
In the earliest years of cinema, travelogues were a staple of variety film programs in commercial motion picture theaters. These short films, also known as "scenics," depicted tourist destinations and exotic landscapes otherwise inaccessible to most viewers. Scenics were so popular that they were briefly touted as the future of film. But despite their pervasiveness during the early twentieth century, travelogues have been overlooked by film historians and critics. In Education in the School of Dreams, Jennifer Lynn Peterson recovers this lost archive. Through innovative readings of travelogues and other nonfiction films exhibited in the United States between 1907 and 1915, she offers fresh insights into the aesthetic and commercial history of early cinema and provides a new perspective on the intersection of American culture, imperialism, and modernity in the nickelodeon era. Peterson describes the travelogue's characteristic form and style and demonstrates how imperialist ideologies were realized and reshaped through the moving image. She argues that although educational films were intended to legitimate filmgoing for middle-class audiences, travelogues were not simply vehicles for elite ideology. As a form of instructive entertainment, these technological moving landscapes were both formulaic and also wondrous and dreamlike. Considering issues of spectatorship and affect, Peterson argues that scenics produced and disrupted viewers' complacency about their own place in the world.
Meet nine men and women whose competitive goals take them to state and county fairs between 1889 and 1930. From baking pie to polishing pigs, from sculpting butter to stitching quilts, everyone has something to prove to themselves and their communities. But in going for the blue ribbon, will nine women miss the greatest prize of all—the devoted heart of a godly man?
A Primer for Teaching Digital History is a guide for college and high school teachers who are teaching digital history for the first time or for experienced teachers who want to reinvigorate their pedagogy. It can also serve those who are training future teachers to prepare their own syllabi, as well as teachers who want to incorporate digital history into their history courses. Offering design principles for approaching digital history that represent the possibilities that digital research and scholarship can take, Jennifer Guiliano outlines potential strategies and methods for building syllabi and curricula. Taking readers through the process of selecting data, identifying learning outcomes, and determining which tools students will use in the classroom, Guiliano outlines popular research methods including digital source criticism, text analysis, and visualization. She also discusses digital archives, exhibits, and collections as well as audiovisual and mixed-media narratives such as short documentaries, podcasts, and multimodal storytelling. Throughout, Guiliano illuminates how digital history can enhance understandings of not just what histories are told but how they are told and who has access to them.
The Gentleman Dancing-Master: Mr Isaac and the English Royal Court from Charles II to Queen Anne considers the life and times of the dancer known as Mr Isaac, performer, teacher and creator of prestigious dances for performance at the royal court. Includes facsimiles and discussion of his surviving dances and their context.
How a single haunting image tells a story about violence, mourning, and memory In 1865, Clara Barton traveled to the site of the notorious Confederate prison camp in Andersonville, Georgia, where she endeavored to name the missing and the dead. The future founder of the American Red Cross also collected their relics—whittled spoons, woven reed plates, a piece from the prison’s “dead line,” a tattered Bible—and brought them back to her Missing Soldiers Office in Washington, DC, presenting them to politicians, journalists, and veterans’ families before having them photographed together in an altar-like arrangement. Relics of War reveals how this powerful image, produced by Mathew Brady, opens a window into the volatile relationship between suffering, martyrdom, and justice in the wake of the Civil War. Jennifer Raab shows how this photograph was a crucial part of Barton’s efforts to address the staggering losses of a war in which nearly half of the dead were unnamed and from which bodies were rarely returned home for burial. The Andersonville relics gave form to these absent bodies, offered a sacred site for grief and devotion, mounted an appeal on behalf of the women and children left behind, and testified to the crimes of war. The story of the photograph illuminates how military sacrifice was racialized as political reconciliation began, and how the stories of Black soldiers and communities were silenced. Richly illustrated, Relics of War vividly demonstrates how one photograph can capture a precarious moment in history, serving as witness, advocate, evidence, and memory.
A WOMAN OF BREEDING MEETS A MAN OF NO STANDING… To redeem her family’s disgraced name, Lady Louisa Scranton has decided to acquire a proper husband. He needs to be a man of fortune and highly respectable in order to restore both her family's lost wealth and reputation. She enters the Marriage Mart with all flags flying, determined to find the right bachelor. But Louisa’s hopes are dashed when the Bishop of Hargate drops dead at her feet—and she is shockingly accused of murder! Soon, Louisa’s so-called friends begin shunning her, because the company of a suspected killer is never desirable in polite society. The problem comes to the ears of Detective Inspector Lloyd Fellows, by-blow of the decadent Scottish Mackenzie family and an inspector for Scotland Yard. He has shared two passionate kisses with Lady Louisa–and vows to clear her name. For not only does he know she’s innocent, he recognizes he’s falling for the lovely lady. Fellows is Louisa's only hope of restoring her family's honor—and it is he alone who intrigues Louisa in a way that may be even more scandalous than murder… INCLUDES A PREVIEW OF THE UPCOMING NOVEL THE WICKED DEEDS OF DANIEL MACKENZIE
A vibrant social history set against the backdrop of the Antebellum south and the Civil War that recreates the lives and friendship of two exceptional women: First Lady Mary Todd Lincoln and her mulatto dressmaker, Elizabeth Keckly. “I consider you my best living friend,” Mary Lincoln wrote to Elizabeth Keckly in 1867, and indeed theirs was a close, if tumultuous, relationship. Born into slavery, mulatto Elizabeth Keckly was Mary Lincoln’s dressmaker, confidante, and mainstay during the difficult years that the Lincolns occupied the White House and the early years of Mary’s widowhood. But she was a fascinating woman in her own right, Lizzy had bought her freedom in 1855 and come to Washington determined to make a life for herself. She was independent and already well-established as the dressmaker to the Washington elite when she was first hired by Mary Lincoln upon her arrival in the nation’s capital. Mary Lincoln hired Lizzy in part because she was considered a “high society” seamstress and Mary, as an outsider in Washington’s social circles, was desperate for social cachet. With her husband struggling to keep the nation together, Mary turned increasingly to her seamstress for companionship, support, and advice—and over the course of those trying years, Lizzy Keckly became her confidante and closest friend. Historian Jennifer Fleischner allows us to glimpse the intimate dynamics of this unusual friendship for the first time, and traces the pivotal events that enabled these two women to forge such an unlikely bond at a time when relations between blacks and whites were tearing the nation apart. Mrs. Lincoln and Mrs. Keckly is a remarkable work of scholarship that explores the legacy of slavery and sheds new light on the Lincoln White House.
The New York Times bestselling author of Mrs. Lincoln’s Dressmaker and Canary Girls returns with a riveting work of historical fiction following the notorious John Wilkes Booth and the four women who kept his perilous confidence. John Wilkes Booth, the mercurial son of an acclaimed British stage actor and a Covent Garden flower girl, committed one of the most notorious acts in American history—the assassination of President Abraham Lincoln. The subject of more than a century of scholarship, speculation, and even obsession, Booth is often portrayed as a shadowy figure, a violent loner whose single murderous act made him the most hated man in America. Lost to history until now is the story of the four women whom he loved and who loved him in return: Mary Ann, the steadfast matriarch of the Booth family; Asia, his loyal sister and confidante; Lucy Lambert Hale, the senator’s daughter who adored Booth yet tragically misunderstood the intensity of his wrath; and Mary Surratt, the Confederate widow entrusted with the secrets of his vengeful plot. Fates and Traitors brings to life pivotal actors—some willing, others unwitting—who made an indelible mark on the history of our nation. Chiaverini portrays not just a soul in turmoil but a country at the precipice of immense change.
Ethnomusicology: A Research and Information Guide is an annotated bibliography of books, recordings, videos, and websites in the field of ethnomusicology. The book is divided into two parts; Part One is organised by resource type in catagories of greatest concern to students and scholars. This includes handbooks and guides; encyclopedias and dictionaries; indexes and bibliographies; journals; media sources; and archives. It also offers annotated entries on the basic literature of ethnomusicological history and research. Part Two provides a list of current publications in the field that are widely used by ethnomusicologists. Multiply indexed, this book serves as an excellent tool for librarians, researchers, and scholars in sorting through the massive amount of new material that has appeared in the field over the past decades.
In telling the story of John Webster's long and colorful life for the first time, this biography also explores the wider transformation of relationships between Maori and Pakeha during the 19th century. In this remarkable biography, Jennifer Ashton uses the life of one man as a unique lens through which to view the early history of New Zealand.
A novel about friendship and freedom with compelling characters based on real people from American history. Julia Grant was the wife of US President and Civil War general Ulysses S. Grant. Despite her husband's objections, Julia kept as her slave another Julia, known as Jule. Both women risked certain danger as they travelled to and from the field of war. Though Julia secretly taught Jule how to read - while Jule became her vision-impaired mistress's eyes to the world - the signing of the Emancipation Proclamation inspired Jule to make a daring bid for freedom.
The New Deal placed security at the center of American political and economic life by establishing an explicit partnership between the state, economy, and citizens. In America, unlike anywhere else in the world, most people depend overwhelmingly on private health insurance and employee benefits. The astounding rise of this phenomenon from before World War II, however, has been largely overlooked. In this powerful history of the American reliance on employment-based benefits, Jennifer Klein examines the interwoven politics of social provision and labor relations from the 1910s to the 1960s. Through a narrative that connects the commercial life insurance industry, the politics of Social Security, organized labor's quest for economic security, and the evolution of modern health insurance, she shows how the firm-centered welfare system emerged. Moreover, the imperatives of industrial relations, Klein argues, shaped public and private social security. Looking closely at unions and communities, Klein uncovers the wide range of alternative, community-based health plans that had begun to germinate in the 1930s and 1940s but that eventually succumbed to commercial health insurance and pensions. She also illuminates the contests to define "security"--job security, health security, and old age security--following World War II. For All These Rights traces the fate of the New Deal emphasis on social entitlement as the private sector competed with and emulated Roosevelt's Social Security program. Through the story of struggles over health security and old age security, social rights and the welfare state, it traces the fate of New Deal liberalism--as a set of ideas about the state, security, and labor rights--in the 1950s, the 1960s, and beyond.
New York Times bestselling author Jennifer Chiaverini's compelling historical novel unveils the private lives of Abraham and Mary Lincoln through the perspective of the First Lady's most trusted confidante and friend, her dressmaker, Elizabeth Keckley. In a life that spanned nearly a century and witnessed some of the most momentous events in American history, Elizabeth Hobbs Keckley was born a slave. A gifted seamstress, she earned her freedom by the skill of her needle, and won the friendship of First Lady Mary Todd Lincoln by her devotion. A sweeping historical novel, Mrs. Lincoln's Dressmaker illuminates the extraordinary relationship the two women shared, beginning in the hallowed halls of the White House during the trials of the Civil War and enduring almost, but not quite, to the end of Mrs. Lincoln's days.
Jericho Richmond is both a gifted classical guitarist and a vampire. All he wants is to live his life in peace away from the Richmond influence. The household of vampires led by his ruthless, unwavering father Connor makes the rules and all within the circle must follow or suffer the consequences. When Jericho escapes, he doesn't get far before his father finds him, punishes him, and leaves him to die. Tristan Richmond wants to be just like Connor, and, when Jericho disappears, he's determined to be the one to bring him back where others have failed. But Tristan isn't like Connor, despite his earlier, short-sighted goals. He can't see Jericho suffer for simply wanting to lead a normal life. Alexander Ross, reputedly the oldest vampire in the world and an accomplished luthier making and repairing musical instruments, finds Jericho. Instead of returning him to the family, he takes in Jericho--and then Tristan--in order to teach both young men a different way of living. Jericho begins to hope a normal life is possible, outside his father's influence, but the illusion is temporary. When they're betrayed, their hideout discovered by Connor, Tristan is given to vampire hunters who kill first and ask questions later. Even when he impossibly escapes, Jericho has fallen into the hands of the Richmond Household, and Tristan knows that as long as Connor lives, he'll never be safe or free. As long as Connor lives...
The Wild Hunt roamed the forest outside of Beth-Hill until the Council bound them for a hundred years. Nevertheless, a century of existence has made an indelible mark not easily forgotten for these ghostly myths that are no longer so ghostly or myth-like... Twelve-year-old Arthur Morgan is small and slight, forced into a life of fairy taxidermy by his father. As a member of the cruel Morgan Household of vampires, Arthur has spent a lifetime being abused by his father and grandmother. In this family, all kowtow to the monstrous duo's iron will in sheer terror of what will be done to them if they disobey. When Arthur meets Iris, a cousin not highly-placed in the Morgan hierarchy, he sees himself in a light he's never wanted to before. He's becoming as cruel as his father, having trapped and killed fairies out in the forest for years. With Iris's influence, Arthur decides to free one of them and, in doing so, meets Maya, a water fairy, who shows him just how horrible and twisted the household he's grown up is--for both the innocent, defenseless fairies and family members that have been unjustly imprisoned by his father and grandmother. Deciding to smuggle those caged out of the household and to safety gives Arthur a sense of power he's never had before. But his secret can't be hidden long. With the help of water fairy and an adult vampire, Arthur and Iris attempt to escape. Even though Arthur is determined not to let his father win this time, he wonders if it's possible to become something other than what his family has decreed he must be to serve them.
White Feather is an inspirational fictional story following the lives of three friends who seek their life purpose and destinies. They find a mission complex bringing ethnic cultures into the modern era and spend a pleasant time in learning and making new friends. Time comes for each of the friends to fulfill their personal journey of discovery and each one finds their life partners. Prophecies come true, and with the expansion of family members, a new tribe is born of integrated races which can live in harmony and peace. White Feather and Golden Dawn become the New Mr and Mrs Adams, who parent children whose futures are destined for fame and fortune. A countries history is founded upon such people that contribute their personal talents and abilities to a beautiful future.
Updated textbook for Microsoft Office 2003 includes coverage of the new features in Word, Excel, Access, and PowerPoint. It contains three Portfolio Project Sections, Advanced Challenge Exercises and higher level tasks.
A guide to pseudonyms, pen names, nicknames, epithets, stage names, cognomens, aliases, and sobriquets of twentieth-century persons, including the subjects' real names, basic biographical information, and citations for the sources from which the entries were compiled. Covers authors, sports figures, entertainers, politicians, military leaders, underworld figures, religious leaders, and other contemporary personalities.
Dun & Bradstreet and the Gale Group have teamed up to offer your library an unprecedented new line of industry references. These detailed, industry-specific sourcebooks eliminate the need to search through dozens of scattered sources to find background and directory information. Students and professionals now have a single source to access current and emerging industry trends, analyze industry overviews and forecasts and review key financial information.
A Practical Guide to Graphics Reporting explains all of the most important skills and theoretical considerations for creating diagrams, charts, maps, and other forms of information graphics intended to provide readers with valuable visual and textual news and information. Research and writing skills as they relate to graphics reporting are explained, as well as illustration techniques for maps and diagrams, rules for creating basic charts and diagrams, and the various types of uses for maps in graphics reporting. While other texts related to these topics may address similar skill sets, A Practical Guide to Graphics Reporting uniquely teaches these skills in the context of journalistic storytelling and visual reporting. Newspapers, magazines, online publications, and various other media employ information graphics reporters. Studying this text in conjunction with instruction in journalistic visual storytelling prepares you to enter this field. This text offers a solid foundation for print and online graphics reporters and helps beginners and professionals alike become better, well-rounded visual communicators. While other texts related to these topics may address similar skill sets, A Practical Guide to Graphics Reporting uniquely teaches these skills in the context of journalistic storytelling and visual reporting. Newspapers, magazines, online publications, and various other media employ information graphics reporters. Studying this text in conjunction with instruction in journalistic visual storytelling prepares you to enter this field. This text offers a solid foundation for print and online graphics reporters and helps beginners and professionals alike become better, well-rounded visual communicators.
Comprehensive index to current and retrospective biographical dictionaries and who's whos. Includes biographies on over 3 million people from the beginning of time through the present. It indexes current, readily available reference sources, as well as the most important retrospective and general works that cover both contemporary and historical figures.
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