From the clothes to the pose, here's everything you need to create fierce fashion illustrations. Create fabulous fashion moments! Drawing on 20+ years of fashion illustrating experience, Jennifer Lilya uses acrylic paint and black ink to show you how to draw the clothes, poses and attitudes behind runway-worthy art. Follow her expert tips, techniques and step-by-step illustrations to draw girls that rock the look, from flirty and fun to strong and sexy. Illustrated with tons of gorgeous examples, this guide covers everything from assembling your tools and mixing skin tones to the secrets behind natural looking poses and proper fabric drape. Jennifer uses acrylic paint and black ink to create her happy illustrations, and shows you how, too. But you can follow along with markers, pencils or whatever you like! Find out how to: • Draw standing and walking poses full of attitude and movement. • Use highlights, shadows and line quality to liven up your illustrations. • Evoke a variety of facial expressions using loose indications of eyes, lips and noses. • Create the look of batik, plaid, leather, lace, tweed and other fabrics. • Pull it all together into complete fashion illustrations. Pulsing with style, color and energy, this super-sassy guide will help you move your fashion art forward. Give your girls the spirit and spunk they need to enchant the crowd as they cruise the runway, hit the town or strike a pose.
From the clothes to the pose, here's everything you need to create fierce fashion illustrations. Create fabulous fashion moments! Drawing on 20+ years of fashion illustrating experience, Jennifer Lilya uses acrylic paint and black ink to show you how to draw the clothes, poses and attitudes behind runway-worthy art. Follow her expert tips, techniques and step-by-step illustrations to draw girls that rock the look, from flirty and fun to strong and sexy. Illustrated with tons of gorgeous examples, this guide covers everything from assembling your tools and mixing skin tones to the secrets behind natural looking poses and proper fabric drape. Jennifer uses acrylic paint and black ink to create her happy illustrations, and shows you how, too. But you can follow along with markers, pencils or whatever you like! Find out how to: • Draw standing and walking poses full of attitude and movement. • Use highlights, shadows and line quality to liven up your illustrations. • Evoke a variety of facial expressions using loose indications of eyes, lips and noses. • Create the look of batik, plaid, leather, lace, tweed and other fabrics. • Pull it all together into complete fashion illustrations. Pulsing with style, color and energy, this super-sassy guide will help you move your fashion art forward. Give your girls the spirit and spunk they need to enchant the crowd as they cruise the runway, hit the town or strike a pose.
23rd of February [1923] . . . .It is also possible that there is no other love than animal love, or that horribly peaceful brotherly love. If only it were simpler. Romanticism will never fade away. And so I plod along, to put it simply. But my nerves are scattered across the sky in a fruitless fever. Good Lord, the burden! Pull my life together. I despair of doing so myself. If only I had lived without biography, in work and my essays. That would have been better (biography destroys). Does a Nekrasov-Mayakovsky still reside in each of us? An. [Anna Akhmatova], I love you nevertheless. I simply love you. I love you like Galya [Punin's wife], and you too will be mistress of my house, a little more original than Galya, but therefore also unfaithful...Only you are not to blame. You covered everything with your sufferings long ago. Go, Warm Intercessor, and give her peace, bless her from your height (cold and empty, like the sky between the stars), bless her head, which I so loved to hold in my hands, which I would have held in my hands forever. If there were such a thing as forever. Be gentle with her, Lord, as we cannot. Why is it so painful, because of what?
What is the hangman but a servant of law? And what is that law but an expression of public opinion? And if public opinion be brutal and thou a component part thereof, art thou not the hangman's accomplice?" Writing in 1842, Lydia Maria Child articulates a crisis in the relationship of democracy to sovereign power that continues to occupy political theory today. Is sovereignty, with its reliance on singular and exceptional power, fundamentally inimical to democracy? Or might a more fully realized democracy distribute, share, and popularize sovereignty, thus blunting its exceptional character and its basic violence? In Democracy's Spectacle, Jennifer Greiman looks to an earlier moment in the history of American democracy's vexed interpretation of sovereignty to argue that such questions about the popularization of sovereign power shaped debates about political belonging and public life in the antebellum United States. In an emergent democracy that was also an expansionist slave society, Greiman argues, the problems that sovereignty posed were less concerned with a singular and exceptional power lodged in the state than with a power over life and death that involved all Americans intimately. Drawing on Alexis de Tocqueville's analysis of the sovereignty of the people in Democracy in America, along with work by Gustave de Beaumont, Lydia Maria Child, Nathaniel Hawthorne, and Herman Melville, Greiman tracks the crises of sovereign power as it migrates out of the state to become a constitutive feature of the public sphere. Greiman brings together literature and political theory, as well as materials on antebellum performance culture, antislavery activism, and penitentiary reform, to argue that the antebellum public sphere, transformed by its empowerment, emerges as a spectacle with investments in both punishment and entertainment.
Essential tools for implementing right-sized prospect research techniques that help nonprofit organizations reach their fundraising goals Written especially for front-line fundraisers, Prospect Research for Fundraisers presents a practical understanding of prospect research, prospect management, and fundraising analytics, demonstrating how research can be used to raise more money. Filled with examples, case studies, interviews, and stories, this unique book is structured around the fundraising cycle and illustrates the myriad of current and ever-changing prospect research tools and techniques available to boost an organization's fundraising effectiveness. From essential overviews to how-to-search skills, this practical book gives development officers the tools to understand how to use prospect research in ways that best fit their goals for each stage of the fundraising cycle. Provides practical insight to understand the best use of each prospect research tool and technique Features a companion website with a variety of online tools to help readers implement key concepts Part of the AFP Fund Development Series Prospect Research for Fundraisers provides fundraisers with an understanding of what prospect research is and which resources are available to small organizations that have limited internal capacity, medium-sized organizations building capacity, and large organizations wanting to maximize their strengths. It offers a practical understanding of the relevant tools at the disposal of development officers and managers responsible for hiring, outsourcing, purchasing, managing, and implementing prospect research within their organizations.
Outgrowth of the author's thesis (Yale University, 2007) under the title: The plague of jocularity: contesting humor in American art and culture, 1863-1893.
The third edition of Major Business Organisations of Eastern Europe and the Commonwealth of Independent Guide to the States provides comprehensive data on over 3,000 organisations including Manufacturers, Foreign Trading arrangement of this Organisations, Banks, Ministries, Chambers of Commerce and Services. book Due to the change in the import/export laws in Eastern Europe it is now possible to trade directly with many This book has been arranged in order to allow the reader organisations, and with over 7,000 named contacts and to find any entry rapidly and accurately. comprehensive details on each organisation, this directory enables the western business community to Company entries are listed alphabetically within each reach this new market. country section; in addition three indexes are provided on coloured paper at the back of the book. The information in this directory is the result of a careful research and extensive translation operation ensuring The alphabetical index of organisations throughout the entries are as accurate and up-to-date as possible. Eastern Europe and the C.I.S. lists all entries in The Editors would like to express thanks to the huge alphabetical order irrespective of their main country of number of organisations who provided information about operation. themselves for inclusion in this book. The alphabetical index of organisations within each Whilst the editors have taken every care to ensure the country of Eastern Europe and the C.I.S. lists information in this book is up-to-date, due to the fast organisations by their country of operation.
Sport in the Soviet Union, Second Revised Edition focuses on the development of sports in the Soviet Union, particularly noting the sport programs and contributions of sports organizations in the development of sports in the country. The manuscript first offers information on the historical background of sports in the Soviet Union, including contemporary organizations of Soviet sports and sports for children. The text then discusses various sports played in the country. These include soccer, rugby, basketball, volleyball, handball, tennis, table tennis, and badminton. The text also underscores the involvement of Soviets in other sports, such as badminton, skating, gymnastics, track and field, hockey, judo, and fencing. The Soviets excelled in more strenuous sports, such as weightlifting, boxing, wrestling, mountaineering, and cycling. The book also notes that Soviets are also interested in water sports, such as water polo, yachting, rowing, canoeing, swimming, and diving. The book also offers information on the medal tally of the Soviet Union in different Olympic Games. The manuscript is a vital reference for readers and sports enthusiasts wanting to explore the development of sports in the Soviet Union.
Recent human rights campaigns against sex trafficking have focused on individual victims, treating trafficking as a criminal aberration in an otherwise just economic order. In Economies of Violence Jennifer Suchland directly critiques these explanations and approaches, as they obscure the reality that trafficking is symptomatic of complex economic and social dynamics and the economies of violence that sustain them. Examining United Nations proceedings on women's rights issues, government and NGO anti-trafficking policies, and campaigns by feminist activists, Suchland contends that trafficking must be understood not solely as a criminal, gendered, and sexualized phenomenon, but as operating within global systems of precarious labor, neoliberalism, and the transition from socialist to capitalist economies in the former Soviet Union and Eastern Bloc. In shifting the focus away from individual victims, and by underscoring trafficking's economic and social causes, Suchland provides a foundation for building more robust methods for combatting human trafficking.
Women without Men illuminates Russia's "quiet revolution" in family life through the lens of single motherhood. Drawing on extensive ethnographic and interview data, Jennifer Utrata focuses on the puzzle of how single motherhood—frequently seen as a social problem in other contexts—became taken for granted in the New Russia. While most Russians, including single mothers, believe that two-parent families are preferable, many also contend that single motherhood is an inevitable by-product of two intractable problems: "weak men" (reflected, they argue, in the country's widespread, chronic male alcoholism) and a "weak state" (considered so because of Russia's unequal economy and poor social services). Among the daily struggles to get by and get ahead, single motherhood, Utrata finds, is seldom considered a tragedy. Utrata begins by tracing the history of the cultural category of "single mother," from the state policies that created this category after World War II, through the demographic trends that contributed to rising rates of single motherhood, to the contemporary tension between the cultural ideal of the two-parent family and the de facto predominance of the matrifocal family. Providing a vivid narrative of the experiences not only of single mothers themselves but also of the grandmothers, other family members, and nonresident fathers who play roles in their lives, Women without Men maps the Russian family against the country’s profound postwar social disruptions and dislocations.
Author Jennifer Rothschild has a story for you. It's about an unlikely couple, an unusual courtship, a beautiful wedding, and an illicit affair. Despite this situation, the marriage did not fail. It flourished. Here is the story of Hosea's love for Gomer—a woman who might have disappeared into her transgressions if not for the love of her husband. It's a beautiful illustration of the story of God and Israel. Believe it or not, it's your story too. God chose you and loves you. If you wander off, He will find you. If you are afraid, He will reassure you. If you are broken, He will restore you. If you are ashamed, He will cover you. If you give up on Him, He will not give up on you. No matter where you are, God sees who you are and loves you faithfully. Through the story of Hosea and Gomer, God tenderly reaches out to you and whispers, "My daughter, my name and nature are love. My name makes you lovely. Because I am worthy, I make you worthy. I am here to remind you of who you are. You are never invisible to me.
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