Through a literary lens, Neoliberalism and Cultural Transition in New Zealand Literature, 1984-2008: Market Fictions examines the ways in which the reprise of market-based economics has impacted the forms of social exchange and cultural life in a settler-colonial context. Jennifer Lawn proposes that postcolonial literary studies needs to take more account of the way in which the new configuration of dominance—increasingly gathered under the umbrella term of neoliberalism—works in concert with, rather than against, assertions of cultural identity on the part of historically subordinated groups. The pre-eminence of new right economics over the past three decades has raised a conundrum for writers on the left: while neoliberalism has tended to undermine collective social action, it has also fostered expressions of identity in the form of “cultural capital” which minority communities can exploit for economic gain. Neoliberalism and Cultural Transition in New Zealand Literature, 1984-2008 advocates for reading practices that balance the appeals of culture against the structuring forces of social class and the commodification of identity, while not losing sight of the specific aesthetic qualities of literary fiction. Jennifer Lawn demonstrates the value of this approach in a wide-ranging account of New Zealand literature. Movements towards decolonization in a bicultural society are read within the context of a marginal post-industrial economy that was, in many ways, a test case for radical free market reforms. Through a study of politically-engaged writing across a range of genres by both Māori and non-Māori authors, the New Zealand experience shows in high relief the twinned dynamics of a decline in the ideal of social egalitarianism and the corresponding rise of the idea of culture as a transformative force in economic and civic life, tending ultimately to blur the distinction between these spheres altogether. This work includes well-recognized authors such as Alan Duff, Patricia Grace, Witi Ihimaera, Eleanor Catton and Maurice Gee, but also introduces a number of non-canonical or emergent writers whose work is discussed in detail for the first time in this volume. The result is a distinctive literary history of a turbulent period of social and economic change.
In this collection of poems, winner of the Hollis Summers Poetry Prize, Jennifer Rose writes primarily of places and displacement. Using the postcard's conventions of brevity, immediacy, and, in some instances, humor, these poems are greetings from destinations as disparate as Cape Cod, Kentuckiana, and Croatia. Rich in imagery, deftly crafted, and imbued with a lightness of voice these poems are also postmarked from poetry's more familiar provinces of love, nature and loss. Chosen from hundreds of submissions, Hometown for an Hour, is the winner of the ninth Summers Poetry Prize. As final judge David Yezzi wrote:“Jennifer Rose's “postcards” arrive with news of a world receding-but for her evocative communiquésˆrapidly into the past. The poems serve to fix in time her transient locals, revealing not remote tourist destinations but the very places where the poet has been most alive. Rose's odd assortment of places, she tells us, have seduced her, just as reading her poems, with their elegant and muscular formal excellence, will most certainly seduce readers. Tempering nostalgia with wit and emotional immediacy with consummate musicianship and craft, these poems reconstruct a world that, in Rose's fine imagining of it, becomes not only hers but ours as well.” Poet and city planner Jennifer Rose has been a “Discovery”/ The Nation winner and the recipient of awards and fellowships from the National Endowment for the Arts and the Poetry Society of America, among others. Her previous collection, The Old Direction of Heaven, was published in 2000. She lives in Waltham, Massachusetts.
If only attraction always led to happily ever after… Mina Clements wants to grab life with both hands. With a fixer-upper and a fresh start in Montana, the graphic novelist is ready to do just that. Plus, having handsome handyman Levi Pardo next door could be a bonus… But even though sparks sizzle when Levi helps with her renovations, the widower's in no hurry to fall in love again. Still, he's much more than the neighbor who looks good swinging a hammer. He's a man she wants to trust with her biggest secret—one that can either bring them closer or wreck the new beginning they both need.
You stroll out into your backyard. You see a tangle of overgrown shrubs, a lawn that needed to be mowed yesterday, and a series of rosebushes minus the roses. Or maybe you’ve just taken possession of your brand-new house in a brand-new subdivision, and when you step out the back door, all you see is a vista of sod – and in the far distance, the neighbor’s sapling. Either way, you know that you want to do something to your yard, and soon. But you’re not quite sure what or how. Feng Shui Your Garden For Dummies has the answer. This ancient Chinese philosophy of design can be applied to any room, building, or outdoor space, and it doesn’t require burning incense or belief in bizarre, esoteric ideas. Feng Shui Your Garden For Dummies is for you if you Have a yard, garden, or piece of outdoor space Know that your surroundings influence how you feel Want to design a friendly, welcoming outdoor space Feng Shui Your Garden For Dummies is organized so that the information is easy to find and easy to use. Each part of the book relates to a general topic. You'll discover information about: Understanding the principles of Feng Shui, to give you some hints about getting the energy flowing in your garden (can you feel those good vibes?) Getting started on your Feng Shui garden, by choosing an auspicious (favorable) location for your garden, creating positive energy with your plants, and raising the energy by inviting wildlife into it Creating a theme garden, such as an aromatherapy garden, hummingbird garden, butterfly garden, or Zen garden. You'll also gain insight into gardening in tight spaces such as patios, rooftops, and courtyards Feng Shui is just a way of looking at the world and shaping your environment to be pleasing and welcoming to you. You don’t even have to believe in it for it to work. But it does work. Let this book show you how.
Down in Louisiana, family comes first. In the delta town of Turn-Coupe, that’s the rule the Benedicts live by. So when a beautiful redhead starts paying a little too much attention to Kane Benedict’s grandfather, Kane decides to find out what the woman really wants. Kane’s sure Regina Dalton’s up to no good. She’s either out to grab his grandfather’s money or a spy for the company that’s trying to put him out of business. Kane — who everyone calls Sugar Kane, ’cause he’s sweet as sin...with all the consequences-figures he’ll have no trouble getting answers from Regina. But he’s wrong. She’s not about to tell him the truth. Because her own family’s in trouble and she’ll do anything — and everything — to save it.
How far will a mother go to save her child? What will a man do to protect the woman he loves? Janna Kerr's eight–year–old daughter is dangerously ill and she knows her last hope is an unscrupulous doctor who – for the right price – will help her child. Secluded in a small cabin in the Louisiana bayou, Janna and Lainey wait for the summons. But when Clay Benedict shows up, an already desperate woman is pushed to the edge. Clay, whose powerful Louisiana family owns this land, was just checking on the place. He didn't expect to be drugged and held captive by a beautiful woman whose secret is revealed the moment he looks into her young daughter's eyes – Benedict eyes. The last thing Janna needs is this powerful man affecting her in ways her heart cannot allow. Because nothing is more important than saving her daughter – and Clay is getting too close to understanding the terrible risk she's willing to take. But in Louisiana, a man fights for what he wants
Wade Benedict has a job to do: infiltrate a treacherous land and rescue Chloe Madison. It was her father's dying wish–and Wade is taking it personally. The problem is, this stubborn, angry and courageous woman doesn't want to be saved. Her rage at t
The New Year begins with a lady's intriguing proposition for Gavin Blackford though not the sort he's accustomed to. Alluring widow Ariadne Faucher requests private lessons from the rakish sword master in order to challenge her sworn enemy to a duel. Though disinclined at first to teach a woman, Gavin is fascinated by this statuesque beauty, cloaked as she is in grief and mystery. Ariadne proves a quick study with a blade, her resolve fuelled by a vendetta that is all she has left in the world. Their lessons crackle with undeniable electricity but the secret of her all-consuming vengeance may have rendered her heart impervious even to such a virtuoso as Gavin.
Sheriff Roan Benedict comes from a family of hard–headed men with a habit of rescuing and falling in love with equally hard–headed woman. And sure enough, he's falling for a woman he just shot She a mystery wrapped inside a gorgeous enigma. This classy lady just helped rob a convenience store. But that doesn't explain the bruises on her jaw and rope burns on her wrist.He's intrigued, suspicious, and tormented as his own hands–off policy for beautiful, confounding women is sorely tested. She claims she doesn't remember what happened. But two things are clear to Roan. One: she's lying. Two: someone is trying to kill her. There's only one place safe enough for a lady in danger. Right by his side. Because in Louisiana, this man holds on to what he wants
A Stirring Memoir on Parenthood and the Invisible Threads that Bind Us to Those We Are Meant to Love The obstacles, surprises, and moments of grace that Jennifer Grant experienced, working through the adoption process to bring home her daughter from Guatemala, forever changed her life. Love You More tells Grant’s deeply personal story of adopting her daughter, Mia. The process confronted her notions about what family means, pushed her into uncomfortable places, and—despite the waiting, adjustments, and challenges of a blended family—brought abiding joy. Written for all parents but especially those interested in adoption, Love You More includes discussion questions, tips for prospective adoptive parents, and suggestions for readers on how to reach out in love and support for the world’s most vulnerable people, including orphans. “From page one of her courageously vulnerable, intoxicatingly funny memoir about faith and family, Jennifer Grant finds the God of grace in each pot of macaroni and cheese, sticky little hand, doctor’s visit, late-night lawn mowing, and unlikely friend-turned-family-member that decorate her life.”—Cathleen Falsani, author, Sin Boldly “So much written about adoption seems to overlook this essential truth: adoption is about love. Jennifer Grant’s story demonstrates this in every sentence and paragraph and on every page. She tells a story that is smart, funny, and brutally honest.”—Jessica O’Dwyer, author, Mamalita
The bridges of Central Park are whimsically elegant and practical in their efficiency. Straddling great rock formations, roads, bridle trails, footpaths, and waterways, more than 50 ornate bridges and arches enable over 60 miles of pathways to fit neatly within a 1.3-square-mile recreational space on Manhattan Island. Frederick Law Olmsted and Calvert Vaux's competition-winning Greensward Plan of 1857 enabled Central Park to become the first landscaped public urban park in America. Architects Vaux and Jacob Wrey Mould designed the bridges, including some of America's oldest cast-iron spans. These graceful structures provide breathtaking vistas and unique venues for visitors and artisans alike. Standing inconspicuously in most cases and with bold pronouncement in others, they are thoughtfully placed to assure a timeless beauty and ongoing utility. Built at great expense and well integrated with the surrounding natural and engineered terrain, park bridges continue to circulate horseback riders, pedestrians, and horse-drawn carriages effortlessly through the man-made haven. The Bridges of Central Park celebrates the beauty and dimension of these structures, which provide relief for crowded paths and are frequently subjects of the photographer's eye.
At ease making life-and-death decisions, maître d’armes Nicholas Pasquale proposes marriage to a beautiful and desperate stranger. A woman who offers comfort to his irascible young charge. Though pledged to the church since infancy, Juliette Armant must save her family in the only way possible -- by marriage. Once she is wed, she will claim an ancestral chest and protect its secret contents from her twin sister, who wants the treasure all to herself. Juliette never dreamed such a practical arrangement could unleash the sensual woman within. But someone is determined to stop the wedding, willing to go to any lengths to claim the chest, plunging Juliette into a fight to claim a legacy and a love worth any price.
In exploring the hidden landscape of desire in American gardens, Gardenland examines literary fiction, horticultural publications, and environmental writing, including works by Charles Dudley Warner, Henry David Thoreau, Willa Cather, Jamaica Kincaid, John McPhee, and Leslie Marmon Silko.
The Three Graces of Graydon are well–born sisters bearing an ominous curse: any man betrothed to them without love is doomed to die. Much to her chagrin, Lady Isabel Milton has been given to Earl Rand Braesford – a reward from the Tudor king for his loyalty to the throne. The lusty nobleman quickly claims his husbandly rights, an experience Isabel scarcely hoped to enjoy so much. But youth and strength may not save Braesford from his bride's infamous curse. Accused of a heinous crime with implications that reach all the way to King Henry himself, Braesford is imprisoned in the Tower, and Isabel is offered her salvation – but for a price. She has the power to seal his fate, have him sent to the executioner and be freed from her marriage bonds. Yet the more Isabel learns of Rand, the less convinced she is of his guilt, and she commits to discover the truth about the enigmatic husband she never expected to love.
They were professionally trained, highly skilled men of valour, but the roguish, dangerous sword masters were not always respectable When her brother challenges New Orleans’ most infamous swordsman to a duel, Celina Vallier boldly confronts his opponent, Rio de Silva, determined to thwart what would be her brother’s certain death. The legendary maître d’armes agrees for a price—Celina’s innocence. Though Rio is captivated by Celina’s beauty and courage, she is also the perfect pawn for his revenge. She is to be betrothed to his sworn enemy, the Count De Lérida. And what sweet vengeance it would be to take the bride before the wedding. But neither anticipates the tangled web of scandal and danger that will soon follow. Devious plots are afoot, and Celina is wary of trusting anyone, including the man whose brazen sensuality tempts her to think of nothing but her own desires
Kerr Wallace has spent years studying swordplay, preparing to challenge his sworn enemy and avenge his brother's death. The scoundrel Rouillard, now living in Mexico as a profiteer, has decided to take a wife, and the lady requires an escort to Veracruz. Kerr seizes his chance he will deliver the bride and dispatch the groom. If only it were so easy. Headstrong Sonia Bonneval will do anything to escape this doomed marriage to Rouillard. Coquettish ploys cannot melt the iron resolve of her damnable escort, however, and the voyage with Kerr becomes an exhilarating battle of wills. But a very real declaration of war forces them into even closer quarters and greater temptation in a fight for survival. Before the end, both must choose between duty and freedom vengeance and passion.
Once a starveling bootblack, Christien Lenoir has risen to become the sword master known as Faucon, the Falcon. When a desperate gambler stakes his plantation in a late-night card game, sharp-eyed Christien antes up. For he wants River's Edge; and the tempestuous widow whose birthright it is. And he will stop at nothing to have both. Reine Cassard Pingre feels trapped: the only way to keep her beloved home; and her inheritance; is to accept Christien's bold proposal of marriage. Though she instantly mistrusts his purpose, and despite rumours that she had a hand in her husband's mysterious death, Reine cannot dissuade him from wedding...and bedding...her. Their union is electrifying, but the honeymoon may be cut short by the lurid secrets at the heart of R
Luke Benedict figures he's the only one in Turn–Coupe, Louisiana, who can save novelist April Halstead from someone intent on revenge. If only he could get April to cooperate. Years ago, Luke had let April down – in the worst possible way. She's never been able to forgive him and she still doesn't want anything to do with the man she once loved. But that's not about to stop Luke.He'd never turn his back on a friend – especially one whose life is in danger. And if he's got to kidnap a woman who despises him to keep her safe, he will. 'Cause down in Louisiana, this man will do whatever it takes... "Treachery, blackmail, and greed lace a plot that is made all the more intriguing by Blake's trademark overlay of sultry, deep–South charm." –Library Journal
Jennifer Grant is the only child of Cary Grant, who was, and continues to be, the epitome of all that is elegant, sophisticated, and deft. Almost half a century after Cary Grant’s retirement from the screen, he remains the quintessential romantic comic movie star. He stopped making movies when his daughter was born so that he could be with her and raise her, which is just what he did. Good Stuff is an enchanting portrait of the profound and loving relationship between a daughter and her father, who just happens to be one of America’s most iconic male movie stars. Cary Grant’s own personal childhood archives were burned in World War I, and he took painstaking care to ensure that his daughter would have an accurate record of her early life. In Good Stuff, Jennifer Grant writes of their life together through her high school and college years until Grant’s death at the age of eighty-two. Cary Grant had a happy way of living, and he gave that to his daughter. He invented the phrase “good stuff” to mean happiness. For the last twenty years of his life, his daughter experienced the full vital passion of her father’s heart, and she now—delightfully—gives us a taste of it. She writes of the lessons he taught her; of the love he showed her; of his childhood as well as her own . . . Here are letters, notes, and funny cards written from father to daughter and those written from her to him . . . as well as bits of conversation between them (Cary Grant kept a tape recorder going for most of their time together). She writes of their life at 9966 Beverly Grove Drive, living in a farmhouse in the midst of Beverly Hills, playing, laughing, dining, and dancing through the thick and thin of Jennifer's growing up; the years of his work, his travels, his friendships with “old Hollywood royalty” (the Sinatras, the Pecks, the Poitiers, et al.) and with just plain-old royalty (the Rainiers) . . . We see Grant the playful dad; Grant the clown, sharing his gifts of laughter through his warm spirit; Grant teaching his daughter about life, about love, about boys, about manners and money, about acting and living. Cary Grant was given the indefinable incandescence of charm. He was a pip . . . Good Stuff captures his special quality. It gives us the magic of a father’s devotion (and goofball-ness) as it reveals a daughter’s special odyssey and education of loving, and being loved, by a dad who was Cary Grant.
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