The striking scene of Judith cutting off Holofernes’s head with his own sword in his own bed has inspired the imaginations of readers for millennia. But there is more to her story than just this climactic act and more to her character than just beauty and violence. This volume offers a comprehensive examination of gender ideologies in the book of Judith, from the hyper-masculine machinations of war and empire to the dynamics of class in Judith’s relationship with her enslaved handmaid. Overall, this commentary investigates the book of Judith through a feminist lens, informed by critical masculinity studies, queer theory, and reception criticism.
(Per)mutations of Qohelet explores the question, Who is Qohelet? Rather than peering behind or through the text to answer this question in terms of authorship, Koosed analyzes the identity that is created through the words on the page. The text is not a transparent medium connecting reader with author; instead, it is an opaque body - it has weight, substance, skin. Koosed begins with an analysis of the ways in which words construct identities and the reasons why words can affect us so profoundly, relying primarily on the work of Judith Butler and Elaine Scarry. She then explores autobiography and how the genre of autobiography - as reconfigured by Roland Barthes and Jacques Derrida - relates to Qohelet. These two chapters then set the framework for what follows: an analysis of the various bodily organs and sensations contained within the book of Qohelet. The body is embedded in the text through the naming of body parts (eye, hand, heart). And this same body is encoded in form, structure, and syntax, so that the text becomes a body with organs, systems, and even a life of its own. The book is a body and the book speaks of bodies. It speaks of the body's organs and senses; it concerns itself with the pleasures and pains of the body, the gendered body, the dying body. Finally, the ritual body is highlighted in the final passage of this enigmatic book.
The biblical story of Ruth celebrates the power to begin life anew, to gather what has been scattered, to glean what one needs. In this original approach to understanding an ancient love story, Jennifer L. Koosed crafts a multifaceted portrait of the Old Testament character of Ruth and of the demanding agricultural world in which her story unfolds. Highlighting the most complex aspects of the book—the relationships Ruth has with her mother-in-law, Naomi; sister-in-law, Orpah; future husband, Boaz; and infant son, Obed—Koosed explores the use of pairings to define Ruth's aspirational fortitude. Koosed also touches on the narrative's questions of sexuality, kinship, and law as well as the metaphoric activities of harvest that serve to advance the plot and illuminate the social and geographic context of Ruth's tale. From the private world of women to the public world of men, Koosed guides readers through the book of Ruth's revealing glimpses into the sociology of the ancient Hebrew world. The study concludes with a discussion of the postbiblical fascination with Ruth and her later representations in a variety of literary and visual media. Koosed's approach is eclectic, employing a host of methodologies from philology and theology to literature, folklore, and feminism. Thoughtful of the interests of both scholarly and lay audiences, Koosed presents inviting and compelling new insights into one of the Old Testament's most enigmatic characters.
(Per)mutations of Qohelet explores the question, Who is Qohelet? Rather than peering behind or through the text to answer this question in terms of authorship, Koosed analyzes the identity that is created through the words on the page. The text is not a transparent medium connecting reader with author; instead, it is an opaque body - it has weight, substance, skin. Koosed begins with an analysis of the ways in which words construct identities and the reasons why words can affect us so profoundly, relying primarily on the work of Judith Butler and Elaine Scarry. She then explores autobiography and how the genre of autobiography - as reconfigured by Roland Barthes and Jacques Derrida - relates to Qohelet. These two chapters then set the framework for what follows: an analysis of the various bodily organs and sensations contained within the book of Qohelet. The body is embedded in the text through the naming of body parts (eye, hand, heart). And this same body is encoded in form, structure, and syntax, so that the text becomes a body with organs, systems, and even a life of its own. The book is a body and the book speaks of bodies. It speaks of the body's organs and senses; it concerns itself with the pleasures and pains of the body, the gendered body, the dying body. Finally, the ritual body is highlighted in the final passage of this enigmatic book.
This work provides a brief introduction to feminist interpretation of scripture. It situates feminist biblical scholarship within the broader feminist movement, recounts its origins in the academy, and then examines the ways it has influenced almost every type of biblical scholarship, whether historical, literary, or poststructural.
The striking scene of Judith cutting off Holofernes’s head with his own sword in his own bed has inspired the imaginations of readers for millennia. But there is more to her story than just this climactic act and more to her character than just beauty and violence. This volume offers a comprehensive examination of gender ideologies in the book of Judith, from the hyper-masculine machinations of war and empire to the dynamics of class in Judith’s relationship with her enslaved handmaid. Overall, this commentary investigates the book of Judith through a feminist lens, informed by critical masculinity studies, queer theory, and reception criticism.
Jesse's Lineage explores the interconnections between David, Jesus, and Jesse James. All three of these figures evoked complicated and conflicted reactions from their contemporaries - considered criminals by some, saviors by others. David lives the life of a bandit while on the run from Saul; Jesus dies the death of a bandit alongside other bandits; Jesse James is the paragon of the bandit in the American West and yet his life and death is also understood in biblical terms. Iron Age Judah, Roman Galilee, and Reconstruction era Missouri alike invoke the context of colonial "territories" and areas of resistance. Such contexts give birth to bandits, the heroes of the subaltern. After their deaths, David, Jesus, and Jesse James live on thorough equally complicated and conflicted textual, ritual, and cultural memories. Their stories intertwine through reference and allusion as Jesus' mission is understood in terms of David's promise, and Jesse's death is understood in terms of Jesus' betrayal. The biography of each figure is further complicated by the processes of folk memory and oral transmission.
The biblical story of Ruth celebrates the power to begin life anew, to gather what has been scattered, to glean what one needs. In this original approach to understanding an ancient love story, Jennifer L. Koosed crafts a multifaceted portrait of the Old Testament character of Ruth and of the demanding agricultural world in which her story unfolds. Highlighting the most complex aspects of the book—the relationships Ruth has with her mother-in-law, Naomi; sister-in-law, Orpah; future husband, Boaz; and infant son, Obed—Koosed explores the use of pairings to define Ruth's aspirational fortitude. Koosed also touches on the narrative's questions of sexuality, kinship, and law as well as the metaphoric activities of harvest that serve to advance the plot and illuminate the social and geographic context of Ruth's tale. From the private world of women to the public world of men, Koosed guides readers through the book of Ruth's revealing glimpses into the sociology of the ancient Hebrew world. The study concludes with a discussion of the postbiblical fascination with Ruth and her later representations in a variety of literary and visual media. Koosed's approach is eclectic, employing a host of methodologies from philology and theology to literature, folklore, and feminism. Thoughtful of the interests of both scholarly and lay audiences, Koosed presents inviting and compelling new insights into one of the Old Testament's most enigmatic characters.
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