In her foreword to Awayward, National Book Award–winning poet Jean Valentine writes, “Jennifer Kronovet’s poems in Awayward are so surprising and compelling and beautiful, so intelligent and felt. Kronovet uses simple words and works at a mysterious depth, one we can enter with gladness.” Written while Kronovet was living in Beijing, Awayward illuminates the sense of disconnect that travelers experience when their major touchstones of language and geography are altered. These poems wander the world, drifting in and out of conversations that are alternately comical and grave. Jennifer Kronovet is founding co-editor of CIRCUMFERENCE, a journal of poetry in translation.
In her foreword to Awayward, National Book Award–winning poet Jean Valentine writes, “Jennifer Kronovet’s poems in Awayward are so surprising and compelling and beautiful, so intelligent and felt. Kronovet uses simple words and works at a mysterious depth, one we can enter with gladness.” Written while Kronovet was living in Beijing, Awayward illuminates the sense of disconnect that travelers experience when their major touchstones of language and geography are altered. These poems wander the world, drifting in and out of conversations that are alternately comical and grave. Jennifer Kronovet is founding co-editor of CIRCUMFERENCE, a journal of poetry in translation.
Some Say the Lark is a piercing meditation, rooted in loss and longing, and manifest in dazzling leaps of the imagination—the familiar world rendered strange." —Natasha Trethewey Chang’s poems narrate grief and loss, and intertwines them with hope for a fresh start in the midst of new beginnings. With topics such as frustration with our social and natural world, these poems openly question the self and place and how private experiences like motherhood and sorrow necessitate a deeper engagement with public life and history. From "The Winter's Wife": I want wild roots to prosper an invention of blooms, each unknown to every wise gardener. If I could be a color. If I could be a question of tender regard. I know crabgrass and thistle. I know one algorithm: it has nothing to do with repetition or rhythm. It is the route from number to number (less to more, more to less), a map drawn by proof not faith. Unlike twilight, I do not conclude with darkness. I conclude. Jennifer Chang is the author of The History of Anonymity, which was a finalist for the Glasgow/Shenandoah Prize for Emerging Writers and listed by Hyphen Magazine as a Top Five Book of Poetry for 2008. Her poems have appeared in American Poetry Review, Best American Poetry 2012, The Nation, Poetry, A Public Space, and elsewhere. She is an assistant professor of English and Creative Writing at George Washington University and lives in Washington, DC with her family.
An Authentic Life is an exacting and fearless interrogation of the education one receives from the institutions of academia and family. Sprawling yet urgent, meditative yet lucid, the poems in Jennifer Chang’s anticipated third collection, An Authentic Life, offer a bold examination of a world deeply influenced by war and patriarchy. In dialogues against literature, against philosophy, and against God, Chang interrogates the “fathers” who stand at the center of history. Poems navigate wounds opened by explorations of family and generational trauma, and draw on the author’s experiences as a mother, as the daughter of immigrants, and as a citizen of our deeply divided nation. Here, the patriarchal violence of history becomes intimate, brought down to a domestic scale. A woman sweeping the floor cannot escape thoughts of war, or her dying mother, while another scene shows friends questioning the “despite-ness” of love. In poems where the lyric is reimagined as porous, discursive, and bursting open, Chang fearlessly confronts the forms of knowledge that hold power. Meticulous and masterful, An Authentic Life creates a world where we can begin “to unlearn everything.”
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