In Tell the World You're a Wildflower, Jennifer Horne luminously brings to life the criss-crossing experiences of Southern women in twenty-four contemporary short stories.
This book presents a selection of poems by a mother, wife and daughter about her life, family, and love. The poems also explore themes of loss, death, and grief. Jennifer has had a long career as a barrister, writer and artist living in London.
This book covers in unmatched detail the life history, relationships, biology, and conservation of all the world's toucans, barbets, and honeyguides. These number 133 species, found in tropical regions around the world. The toucans are especially well-known because of their dramatic bills and their association with the Amazon rainforest. The colour plates, painted by well- known US artist Albert Earl Gilbert, are probably the best paintings of these birds ever produced.
Volume 2 (Regional Series, Volume 1: Alabama Issue) includes original chapbooks by Pattti White, Laura Hendrix Ezell, Emma Bolden, Jennifer Horne, and Jim Hilgartner. V 2 also includes facsimiles of The Sex Life of the Fantastic Four by Michael Martone and The Fortune-Teller by Jessica Smith.
Keen intelligence and the rich musicality of language make it impossible to over-praise this book. An elegant and sensual writer attuned to the sounds and senses of the environment--Nature and nature, Horne conveys how an 'entirely ordinary, unexceptional day' can be anything but, can be a 'study of love' and the ways in which it unfurls in relationships and gives meaning to life. --Sue Walker.
The world's premier publisher of Asian forms in English, Eastern Structures picks up where Contemporary Ghazals left off, publishing English-language examples of the Middle Eastern form, but now in addition to Korean sijo and Japanese forms such as haiku and tanka-rendered exclusively in the 5-7-5 and 5-7-5-7-7 syllabic structures. Issue 20 features the ghazals of Christopher Mooney-Singh, John Baglow, Jennifer Horne, Norma Jenckes and Shelli Jankowski-Smith; the sijo of Edward Baranosky and Gareth Writer-Davies; the haiku of Joshua St. Claire, Jonathan Aylett, Priscilla Lignori, R. W. Watkins, Alex Lubman, Danielle Woerner, Steve Denehan, Anne Hills, Becka Chester, Susan Polizzotto and several others; a renga by Joshua St. Claire and Jill Trade; and an essay on the 'Significance of Season' by Jim Wilson. Issue 21 of Eastern Structures is expected in Match of 2022, and submissions of traditionally structured Asian poetry and relevant non-fiction are welcome and encouraged.
A nasty builder with a huge digger is threatening the guinea pigs' woodland! The furry pals must protect it--but how? Terry wants to tell all his friends online. Eduardo thinks a protest song will do the trick. While Coco just wants everyone to get on with it! Then they meet Olaf the Viking guinea pig who claims to be over 1,000 years old. Can they use his ancient tactics to help fight the builder?
In this hilarious adventure for elementary school readers, a team of lovable, fuzzy guinea pigs go online to solve mysteries. "A really amusing story, with irresistible characters, that will delight readers age 5+, in a chunky format that is just right for small hands," says Parents in Touch. In a new adventure, it's Christmas in Strawberry Park and the guinea pigs are decorating the hutch and rocking around their broccoli Christmas tree. But when Henrietta's mother is called to investigate the mystery of missing Inca gold, the furry friends find themselves on their way to . . . Peru! Eduardo is thrilled to be heading back home to see his family. But when he discovers that their precious Christmas Cocoa Bean has been stolen, he realizes he has a mission, too. As Peruvian guinea pig legend has it, if the traditional Cocoa Bean is not on the table for Christmas dinner, a gigantic condor will swoop down and eat the guinea pigs. Can the pals find the Cocoa Bean in time to save Christmas and keep the condor at bay?
Poem as lyric travelogue, poet at little wanderer - this is the basis for this book of poems set in Greece, Italy, Romania, England, Ireland, and the southern US.
Fuzzy and Coco, the guinea pigs of Strawberry Park, London, are enjoying the spring, cleaning out their hutch and looking forward to the Easter Fair! But then Fuzzy's owner Ben, comes home very upset. The Rescue Center for local animals has to close down, and all because a very naughty bunny called Binny made a huge mess and chewed through all the cages! And, worst of all, the Rescue Center's Easter Fair will have to be cancelled. Things get worse when Ben brings Binny the Bunny home to stay with the guinea pigs. Binny causes lots of trouble'she poops everywhere and is very rude to Coco. Meanwhile, Fuzzy and Terry, the guinea pig next door, plan to help get the Easter Fair back on track by using the internet to invite all of the locals to come help fix up the Rescue Center. Coco and Eduardo try to help Binny improve her behavior, but she is too naughty to listen. She is a very sad bunny'she wants to be a pet in a home of her own, like Fuzzy and Coco. But then she runs off and everyone is scared that the fox will find her and eat her! The day of the Easter Fair arrives, and lots of volunteers turn up to help fix the Rescue Center. It won't have to close after all! But where is Binny'the Easter Bunny' Fuzzy and Terry told everyone that she should be there! At the last minute, Eduardo and Coco find her, and they rush to the Rescue Center. It's not too late! Binny is adopted by a lovely little girl, the Rescue Center can stay open, and all because of the cleverness of the Guinea Pigs Online!
The unheard history of how race and racism are constructed from sound and maintained through the listening ear. Race is a visual phenomenon, the ability to see “difference.” At least that is what conventional wisdom has lead us to believe. Yet, The Sonic Color Line argues that American ideologies of white supremacy are just as dependent on what we hear—voices, musical taste, volume—as they are on skin color or hair texture. Reinforcing compelling new ideas about the relationship between race and sound with meticulous historical research, Jennifer Lynn Stoever helps us to better understand how sound and listening not only register the racial politics of our world, but actively produce them. Through analysis of the historical traces of sounds of African American performers, Stoever reveals a host of racialized aural representations operating at the level of the unseen—the sonic color line—and exposes the racialized listening practices she figures as “the listening ear.” Using an innovative multimedia archive spanning 100 years of American history (1845-1945) and several artistic genres—the slave narrative, opera, the novel, so-called “dialect stories,” folk and blues, early sound cinema, and radio drama—The Sonic Color Line explores how black thinkers conceived the cultural politics of listening at work during slavery, Reconstruction, and Jim Crow. By amplifying Harriet Jacobs, Frederick Douglass, Elizabeth Taylor Greenfield, Charles Chesnutt, The Fisk Jubilee Singers, Ann Petry, W.E.B. Du Bois, and Lena Horne as agents and theorists of sound, Stoever provides a new perspective on key canonical works in African American literary history. In the process, she radically revises the established historiography of sound studies. The Sonic Color Line sounds out how Americans have created, heard, and resisted “race,” so that we may hear our contemporary world differently.
Jennifer Lawrence is one of the youngest Oscar nominees for Best Leading Actress in Academy history. This engaging volume examines Lawrences career from its beginnings on "The Bill Engvall Show to her landing the starring role in the much-anticipated The Hunger Games trilogy. Accessible text explores the drive that fuels this talented young actress to rise to new challenges.
Josephine Tey was the pen-name of Elizabeth MacKintosh (1896-1952). Born in Inverness, MacKintosh lived several lives: Best known as Golden Age Crime Fiction writer Tey, she was also successful novelist and playwright Gordon Daviot. During her exceptional career, she had plays on simultaneously in the West End in London and on Broadway, and even wrote for Hollywood, all from her home in the north of Scotland.Celebrating the 125th anniversary of MacKintosh's birth, this updated edition of the definitive biography includes a new preface.
At War with Women reveals how post-9/11 politics of gender and development have transformed US military power. In the mid-2000s, the US military used development as a weapon as it revived counterinsurgency in Iraq and Afghanistan. The military assembled all-female teams to reach households and wage war through development projects in the battle for "hearts and minds." Despite women technically being banned from ground combat units, the all-female teams were drawn into combat nonetheless. Based on ethnographic fieldwork observing military trainings, this book challenges liberal feminist narratives that justified the Afghanistan War in the name of women's rights and celebrated women's integration into combat as a victory for gender equality. Jennifer Greenburg critically interrogates a new imperial feminism and its central role in securing US hegemony. Women's incorporation into combat through emotional labor has reinforced gender stereotypes, with counterinsurgency framing female soldiers as global ambassadors for women's rights. This book provides an analysis of US imperialism that keeps the present in tension with the past, clarifying where colonial ideologies of race, gender, and sexuality have resurfaced and how they are changing today.
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