For Herman Melville, the instability of democracy held tremendous creative potential. Examining the centrality of political thought to Melville's oeuvre, Jennifer Greiman argues that Melville's densely figurative aesthetics give form to a radical reimagining of democratic foundations, relations, and ways of being—modeling how we can think democracy in political theory today. Across Melville's five decades of writing, from his early Pacific novels to his late poetry, Greiman identifies a literary formalism that is radically political and carries the project of democratic theory in new directions. Recovering Melville's readings in political philosophy and aesthetics, Greiman shows how he engaged with key problems in political theory—the paradox of foundations, the vicious circles of sovereign power, the fragility of the people—to produce a body of radical democratic art and thought. Scenes of green and growing life, circular structures, and images of a groundless world emerge as forms for understanding democracy as a collective project in flux. In Melville's experimental aesthetics, Greiman finds a significant precursor to the tradition of radical democratic theory in the US and France that emphasizes transience and creativity over the foundations and forms prized by liberalism. Such politics, she argues, are necessarily aesthetic: attuned to material and sensible distinctions, open to new forces of creativity.
What is the hangman but a servant of law? And what is that law but an expression of public opinion? And if public opinion be brutal and thou a component part thereof, art thou not the hangman's accomplice?" Writing in 1842, Lydia Maria Child articulates a crisis in the relationship of democracy to sovereign power that continues to occupy political theory today. Is sovereignty, with its reliance on singular and exceptional power, fundamentally inimical to democracy? Or might a more fully realized democracy distribute, share, and popularize sovereignty, thus blunting its exceptional character and its basic violence? In Democracy's Spectacle, Jennifer Greiman looks to an earlier moment in the history of American democracy's vexed interpretation of sovereignty to argue that such questions about the popularization of sovereign power shaped debates about political belonging and public life in the antebellum United States. In an emergent democracy that was also an expansionist slave society, Greiman argues, the problems that sovereignty posed were less concerned with a singular and exceptional power lodged in the state than with a power over life and death that involved all Americans intimately. Drawing on Alexis de Tocqueville's analysis of the sovereignty of the people in Democracy in America, along with work by Gustave de Beaumont, Lydia Maria Child, Nathaniel Hawthorne, and Herman Melville, Greiman tracks the crises of sovereign power as it migrates out of the state to become a constitutive feature of the public sphere. Greiman brings together literature and political theory, as well as materials on antebellum performance culture, antislavery activism, and penitentiary reform, to argue that the antebellum public sphere, transformed by its empowerment, emerges as a spectacle with investments in both punishment and entertainment.
What is the hangman but a servant of law? And what is that law but an expression of public opinion? And if public opinion be brutal and thou a component part thereof, art thou not the hangman's accomplice?" Writing in 1842, Lydia Maria Child articulates a crisis in the relationship of democracy to sovereign power that continues to occupy political theory today. Is sovereignty, with its reliance on singular and exceptional power, fundamentally inimical to democracy? Or might a more fully realized democracy distribute, share, and popularize sovereignty, thus blunting its exceptional character and its basic violence? In Democracy's Spectacle, Jennifer Greiman looks to an earlier moment in the history of American democracy's vexed interpretation of sovereignty to argue that such questions about the popularization of sovereign power shaped debates about political belonging and public life in the antebellum United States. In an emergent democracy that was also an expansionist slave society, Greiman argues, the problems that sovereignty posed were less concerned with a singular and exceptional power lodged in the state than with a power over life and death that involved all Americans intimately. Drawing on Alexis de Tocqueville's analysis of the sovereignty of the people in Democracy in America, along with work by Gustave de Beaumont, Lydia Maria Child, Nathaniel Hawthorne, and Herman Melville, Greiman tracks the crises of sovereign power as it migrates out of the state to become a constitutive feature of the public sphere. Greiman brings together literature and political theory, as well as materials on antebellum performance culture, antislavery activism, and penitentiary reform, to argue that the antebellum public sphere, transformed by its empowerment, emerges as a spectacle with investments in both punishment and entertainment.
For Herman Melville, the instability of democracy held tremendous creative potential. Examining the centrality of political thought to Melville's oeuvre, Jennifer Greiman argues that Melville's densely figurative aesthetics give form to a radical reimagining of democratic foundations, relations, and ways of being—modeling how we can think democracy in political theory today. Across Melville's five decades of writing, from his early Pacific novels to his late poetry, Greiman identifies a literary formalism that is radically political and carries the project of democratic theory in new directions. Recovering Melville's readings in political philosophy and aesthetics, Greiman shows how he engaged with key problems in political theory—the paradox of foundations, the vicious circles of sovereign power, the fragility of the people—to produce a body of radical democratic art and thought. Scenes of green and growing life, circular structures, and images of a groundless world emerge as forms for understanding democracy as a collective project in flux. In Melville's experimental aesthetics, Greiman finds a significant precursor to the tradition of radical democratic theory in the US and France that emphasizes transience and creativity over the foundations and forms prized by liberalism. Such politics, she argues, are necessarily aesthetic: attuned to material and sensible distinctions, open to new forces of creativity.
From New York Times and USA Today bestselling authors Jennifer Probst, Tessa Bailey, Elisabeth Naughton, Laura Kaye, and introducing Erika Wilde. Five Dark Tales. Five Sensual Stories. Five Page Turners. SOMEHOW, SOME WAY: A Billionaire Builders Novella by Jennifer Probst When an opportunity to transform a dilapidated house in a dangerous neighborhood pops up, Charlotte Grayson goes in full throttle. Unfortunately, she’s forced to work with the firm’s sexy architect Bolivar Randy Heart (aka Brady), who’s driving her crazy with his archaic views on women. Somehow, some way, they need to work together to renovate a house without killing each other…or surrendering to the white-hot chemistry knocking at the front door. TOO CLOSE TO CALL: A Romancing the Clarksons Novella by Tessa Bailey A fairytale college career skyrocketed Kyler Tate to the NFL draft. Adoration and opportunity are thrown in his direction wherever he goes, thanks to being chosen in the first round by the Los Angeles Rage. None of the accolades mean anything, though, without his high school sweetheart, Bree Justice, by his side. Four years ago, she walked away from Kyler, choosing a quiet life over the flash and notoriety his career would someday bring. Now he’s back in their Indiana hometown, refusing to leave for Los Angeles without her. HUNTED: An Eternal Guardians Novella by Elisabeth Naughton Erebus was Hades’ secret weapon in the war between the immortal realms until Hades lost him in a bet to Zeus. For the last hundred years, Erebus has trained Zeus’s Siren warriors in warfare and the sexual arts. But he’s never stopped longing for freedom. Lately, he also longs for one Siren who entranced him during their steamy seduction sessions. A nymph he quickly became obsessed with and who was ripped from his grasp when her seduction training was complete. One he’s just learned Zeus has marked for death. EYES ON YOU: A Blasphemy Novella by Laura Kaye When a sexy stranger asks Wolf Henrikson to rescue her from a bad date, he never expected to want the woman for himself. But their playful conversation turns into a scorching one-night stand that reveals the shy beauty gets off on the idea of being seen, even if she’s a little scared of it, too. As Wolf introduces her to his world at Blasphemy, Liv finds herself tempted to explore submission and exhibitionism with the hard-bodied Dom. THE MARRIAGE DIARIES by Erika Wilde Even after nearly twenty years of marriage, Jillian Noble is still madly in love with her sexy-as-sin husband, Dean. But now that their two sons are grown and it’s just the two of them alone again, there’s something that Jillian wants from her husband—the dominant man he rarely lets show. When Dean agrees to unleash his more assertive side, all bets are off as he introduces her to dark, forbidden desires that will change the course of their marriage. Every Dark Nights tale is breathtakingly sexy and magically romantic.
This user-friendly pocket guide provides evidence-based data on the pre and post-operative nutrition care issues surrounding this increasingly popular weight management tool. Topics include: * Weight loss surgery overview. * The Nutrition Care Process. * Co-morbidity issues. * Long-term care post surgery. * Sample PES statements throughout.
Comprehensive index to current and retrospective biographical dictionaries and who's whos. Includes biographies on over 3 million people from the beginning of time through the present. It indexes current, readily available reference sources, as well as the most important retrospective and general works that cover both contemporary and historical figures.
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