On My Feet Again is the heartwarming and intellectually stimulating story of how a determined and resourceful young woman overcame many of the obstacles that came her way after being paralyzed in a snowboarding accident. Although told she would never get out of a wheelchair, Jennifer French refused to accept that fate and sought out experimental new technologies for people with spinal cord injuries. She became a participant in a clinical trial of an implanted neuroprosthetic system that enables her to stand up out of her wheelchair and move around on her own two feet.
IMHO, LOL, OIC, OMG. If you’ve recently graded middle school or high school writing, chances are you’ve read terms like these; or my favorite, “wtf - idk” which also happened to be an answer on a student’s quiz. As a middle school English teacher, I became more and more perplexed to see students using texting talk on their homework, and classroom writing assignments; not to mention answers on the writing portion of the state standardized test. My students were not differentiating appropriate writing contexts. The answers written on the unit test were written the same way that they invited their friends to hang @ *$ (Starbucks). How do we as educators and parents allow students to creatively express themselves, support them academically, and prepare them for a professional world built on written and verbal communication? Herein lies this text. Hopefully it will alleviate the concerns of those who are worried about the disintegration of the English language and help those ISO (in search of) strategies to support textspeaking learners.
Jennifer Dupee's debut novel is a delight...a story about discovering your authentic self when things get hard, and the joys you can find when you live from your heart." —Louise Miller Is a lie of omission still a lie? Larisa Pearl didn't think so and it got her into a heap of trouble. When Larisa Pearl returns to her small seaside hometown in Massachusetts to manage her beloved great aunt's estate, she's a bit of an emotional mess. She's just lost her job and her boyfriend and she's struggling to cope with her mother's failing health. When she passes by the window of The Little French Bridal Shop, a beautiful ivory satin wedding gown catches her eye... Now, to the delight of everyone in town, Larisa is planning her wedding. She has her dress, made floral arrangements, and set the date. The only thing missing is the groom. How did this happen? All she did was try on a dress and let her fantasy take flight. But word about her upcoming nuptials has reached the ears of Jack Merrill. As teenagers, they spent time together on her great aunt's estate, building a friendship that could have become something more had they chosen different paths. Lost in a web of her own lies, Larisa must first face some difficult truths, including her mother's fragile future, before she can embrace her family, straighten out her life, and open her heart to finding love.
The acclaimed chef and author of Field Peas to Foie Gras offers a unique approach to home cooking inspired by Southern and French cuisine. Chef Jennifer Hill Booker learned to cook Southern-style food before studying French cooking at Le Cordon Bleu in Paris. She noticed that rustic French and Southern dishes use many of the same ingredients, and that she could add flare to her favorite Southern dishes by using French techniques. In Dinner Déjà Vu, Booker shares her own home cooking and meal planning secrets—including grocery lists and time-saving tips—showing readers how to take full advantage of the overlap between these different cooking styles. The recipes are paired to make grocery shopping simple and cost-effective, with certain recipes even using leftovers from the previous night’s dinner.
What will be will be... Belinda Marshall’s idyllic teenage life in Brittany, France, fell apart when her parents dramatically separated and her mother took her back to England. Fast forward thirty-five years when Belinda’s world is once again turned upside down. It’s the week before Christmas and Belinda's employer 'surprises’ her by asking for her help to rejuvenate their latest investment, a run-down campsite in Brittany. Memories and anxieties that had lain dormant for years suddenly begin to resurface. As secrets from a lost life threaten to overwhelm her, there is a realisation that maybe she wasn’t told the whole truth by her mother all those years ago. Can Belinda reconcile her emotions and find happiness once more in the place she so loved and called home? Praise for Jennifer Bohnet: 'A gorgeous and captivating read that made me want to jump straight on a plane to the south of France.' Samantha Tonge 'Unputdownable, a heart-warming story of love, family and friendship in the glorious south of France. What’s not to love!' Lucy Coleman 'This was the first Jennifer Bohnet book I've read, but it definitely won't be the last. A beautifully written and heart-warming tale of family and friendship, I was completely transported to the south of France' Jessica Redland, author of The Secret to Happiness 'A perfect summer read! I couldn’t stop myself from turning the pages and read it in one sitting. I absolutely loved it. Highly recommended!' Alison Sherlock, author of A House To Mend A Broken Heart What readers are saying about A French Affair: ‘An absolute treat to read’ ’It is a lovely story to escape into with fantastic characters, a beautiful setting, strong friendships and, of course, romance. It is another enchanting read from this highly talented author.’ ’An uplifting and emotional tale of secrets, renewal and second chances’ ’The author really is a wonderful storyteller, and I thoroughly enjoyed the way this one unfolded – perfectly paced, a few surprises along the way, that strong focus on family and friendship, a couple of satisfying romances, and the vividly drawn setting.’ ’It makes me want to rent a cabin in the mountains and sit by the fire looking up at the stars while roasting marshmallows.’ ’The plot was interesting and the love interest was perfect. All in all, a pure escapism read.’
The Risky Business of French Feminism: Publishing, Politics, and Artistry examines the institutional history of the publishing house Editions des Femmes as well as its relationship to the French Women’s Liberation Movement (MLF) from 1972 to the present. The founding and subsequent success of Editions des Femmes in the publishing milieu intensified the ideological divisions within the MLF and highlighted the extent to which that movement failed to adequately reflect on the power inherent in its recourse to print culture as an agent of change. In particular, Editions des Femmes produced several periodical publications and pioneered a woman-centered subculture that attached militant political meanings to the practice of buying and publishing books. While the MLF succeeded in changing legislation detrimental to women, it was not able to create unified cultural politics or construct a long-term media strategy that could preserve the movement’s original ideals and unity. Jennifer L. Sweatman explores the long-term dissipation of the MLF as a unified force not only as an outcome of ideological disagreement, but also due to conflicting views on culture, women’s creativity as a strategy for empowerment, and the utility of media for creating change. As the MLF fragmented, unable to fully come to terms with its various consumer identities, its need for capital to support creative projects, and its difficult experience with collective decision-making, the Editions des Femmes’ project was seen as incredibly controversial. However, Editions des Femmes embodied a broader strategy for cultural transformation that privileged women’s creative works rather than feminism, situating it as a successful forerunner of the revitalization of the publishing industry from below as small, independent houses challenged the large, media conglomerate control of the industry.
Escape to hills high above the French Riviera with international bestseller Jennifer Bohnet. After tragically losing her husband, Nicola Jacques and her teenage son Oliver relocate to his father’s family's olive farm in the hills above the French Riviera. Due to a family feud, Oliver has never known his father's side of the family but Grandpapa Henri is intent that Oliver will take over the reins of the ancestral farm and his rightful inheritance. Determined to keep her independence from a rather controlling Grandpapa, Nicola buys a run-down cottage on the edge of the family's Olive Farm and sets to work renovating their new home and providing an income by cultivating the small holding that came with the Cottage. As the summer months roll by, Nicola and Oliver begin to settle happily into their new way of life with the help of Aunts Josephine and Odette, Henri’s twin sisters and local property developer Gilles Bongars. But the arrival of some unexpected news and guests at the farm, force Nicole and Aunt Josephine to assess what and where their futures lie. This book was previously published as The French Legacy.
In the course of the nineteenth century France built up a colonial empire second only to Britain's. The literary tradition in which it dealt with its colonial 'Other' is frequently understood in terms of Edward Said's description of Orientalism as both a Western projection and a 'will to govern' over the Orient. There is, however, a body of works that eludes such a simple categorisation, offering glimpses of colonial resistance, of a critique of imperialist hegemony, or of a blurring of the boundaries between the Self and the Other. Some of the ways in which the imperialist enterprise is subverted in the metropolitan literature of this period are examined in this volume through detailed case studies of key works by Chateaubriand, Hugo, Flaubert and Segalen.
Presents 3,800 terms in English and Cajun French and includes a historical overview of Cajun French, frequently asked questions about the language, a pronunciation guide, basic grammar, and essential phrases.
In considering cultural works from French-speaking North Africa and the Middle East all published or released in France from 1962-2011, Solheim’s study of listening across cultural genres will be of interest to any scholar curious about contemporary postcolonial France.
In the eighteenth and nineteenth centuries, French cooks began to claim central roles in defining and enforcing taste, as well as in educating their diners to changing standards. Tracing the transformation of culinary trades in France during the Revolutionary era, Jennifer J. Davis argues that the work of cultivating sensibility in food was not simply an elite matter; it was essential to the livelihood of thousands of men and women. Combining rigorous archival research with social history and cultural studies, Davis analyzes the development of cooking aesthetics and practices by examining the propagation of taste, the training of cooks, and the policing of the culinary marketplace in the name of safety and good taste. French cooks formed their profession through a series of debates intimately connected to broader Enlightenment controversies over education, cuisine, law, science, and service. Though cooks assumed prominence within the culinary public sphere, the unique literary genre of gastronomy replaced the Old Regime guild police in the wake of the French Revolution as individual diners began to rethink cooks' authority. The question of who wielded culinary influence -- and thus shaped standards of taste -- continued to reverberate throughout society into the early nineteenth century. This remarkable study illustrates how culinary discourse affected French national identity within the country and around the globe, where elite cuisine bears the imprint of the country's techniques and labor organization.
Following the stories of families who built their lives and fortunes across the Atlantic Ocean, Intimate Bonds explores how households anchored the French empire and shaped the meanings of race, slavery, and gender in the early modern period. As race-based slavery became entrenched in French laws, all household members in the French Atlantic world —regardless of their status, gender, or race—negotiated increasingly stratified legal understandings of race and gender. Through her focus on household relationships, Jennifer L. Palmer reveals how intimacy not only led to the seemingly immutable hierarchies of the plantation system but also caused these hierarchies to collapse even before the age of Atlantic revolutions. Placing families at the center of the French Atlantic world, Palmer uses the concept of intimacy to illustrate how race, gender, and the law intersected to form a new worldview. Through analysis of personal, mercantile, and legal relationships, Intimate Bonds demonstrates that even in an era of intensifying racial stratification, slave owners and slaves, whites and people of color, men and women all adapted creatively to growing barriers, thus challenging the emerging paradigm of the nuclear family. This engagingly written history reveals that personal choices and family strategies shaped larger cultural and legal shifts in the meanings of race, slavery, family, patriarchy, and colonialism itself.
Examining little-known policing archives in France, Senegal, and Cambodia, Jennifer Boittin unearths the stories of hundreds of women labeled "undesirable" by the French imperial police in the early twentieth century. These undesirables were often women traveling alone, women who were poor or ill, women of color proclaiming their "Frenchness" to move throughout the empire, or women whose intimate lives were deemed unruly. Undesirability often brought alongside it immobility or imposed migration; French officials routinely either denied passage throughout the empire or attempted to relocate women as they saw fit. To refute the label, women wrote impassioned letters to police and ministers throughout France, French West Africa, and French Indochina. Some emphasized their "undesirable" qualities to suggest that they needed the care and protection of the state to support their movements. Others used the empire's own laws around Frenchness and mobility to challenge state interference, illustrating their independence. Tacking between advocacy and supplication, these women summoned intimate details to move beyond, contest, or confound surveillance efforts and the intrusions of imperial policing, bringing to life a practice that Boittin terms "passionate mobility." In considering how ordinary European, Southeast Asian, and West African women pursued autonomy, security, companionship, or simply a better existence in the face of police surveillance and control, Undesirable illuminates pressing contemporary issues of migration and violence"--
Heroic Hearts examines how young women in nineteenth-century France, authorized by a widespread cultural discourse that privileged individual authority over domesticity and marriage, sought to change the world. Jennifer J. Popiel offers a recuperative reading of sentimental authority, especially in its relationship to religious vocabulary. Heroic Hearts uncovers the ways sentimental appeals authorized women to trust themselves as modern actors for a project of cultural restoration. With their emphasis on sacrifice and heroism, these cultural currents offered liberatory potential. Heroic Hearts examines not only general cultural currents but their adoption by particular women, each of whom was privileged with access to money and social influence. The words of three extraordinary women, Philippine Duchesne, Pauline Jaricot, and Zélie Martin, offer powerful testimony to their agency. These women's rejection of "traditional" domesticity, believed to be a formative influence for their class, demonstrates how women understood the imperative to change the world outside of their natural families. Their writings, which demonstrate the appeal of sentimental virtue, show us how women's public lives could exist not in opposition to prevailing religious and social ideals but because of them.
An act of bad taste was more than a faux pas to French philosophers of the Enlightenment. To Montesquieu, Voltaire, Diderot, and others, bad taste in the arts could be a sign of the decline of a civilization. These intellectuals, faced with the potential chaos of an expanding literary market, created seals of disapproval in order to shape the literary and cultural heritage of France in their image. In The Bad Taste of Others Jennifer Tsien examines the power of ridicule and exclusion to shape the period's aesthetics. Tsien reveals how the philosophes consecrated themselves as the protectors of true French culture modeled on the classical, the rational, and the orderly. Their anxiety over the invasion of the Republic of Letters by hordes of hacks caused them to devise standards that justified the marginalization of worldy women, "barbarians," and plebeians. While critics avoided strict definitions of good taste, they wielded the term "bad taste" against all popular works they wished to erase from the canon of French literature, including Renaissance poetry, biblical drama, the burlesque theater of the previous century, the essays of Montaigne, and genres associated with the so-called précieuses. Tsien's study draws attention to long-disregarded works of salon culture, such as the énigmes, and offers a new perspective on the critical legacy of Voltaire. The philosophes' open disdain for the undiscerning reading public challenges the belief that the rise of aesthetics went hand in hand with Enlightenment ideas of equality and relativism.
The French Revolution transformed the nation's—and eventually the world's—thinking about citizenship, nationality, and gender roles. At the same time, it created fundamental contradictions between citizenship and family as women acquired new rights and duties but remained dependents within the household. In The Family and the Nation, Jennifer Ngaire Heuer examines the meaning of citizenship during and after the revolution and the relationship between citizenship and gender as these ideas and practices were reworked in the late 1790s and early nineteenth century.Heuer argues that tensions between family and nation shaped men's and women's legal and social identities from the Revolution and Terror through the Restoration. She shows the critical importance of relating nationality to political citizenship and of examining the application, not just the creation, of new categories of membership in the nation. Heuer draws on diverse historical sources—from political treatises to police records, immigration reports to court cases—to demonstrate the extent of revolutionary concern over national citizenship. This book casts into relief France's evolving attitudes toward patriotism, immigration, and emigration, and the frequently opposing demands of family ties and citizenship.
Johnny B. Falcon is an Anglo/Paiute Indian teen who runs away from home looking for "something more." During his travels, he encounters various people, including Hoot Owl, an 80-year old Indian custodian, who helps Johnny through his darkest hours and helps him change his life forever
Approach life at home the Madame Chic way: a beautiful, illustrated toolbox of tips and ideas for organizing and entertaining. Organized by the pleasures that can be found throughout the day, this charming, helpful book is full of ideas, playlists, recipes, beauty routines, and advice that can turn an irritating day into an enjoyable experience.
If you're looking for a kidnapping, tales of abandonment, brainwashing, or being sold into an underground slave trade, don't read this book.This is a memoir of a normal family. Sunshine in my Pocket reads like a good conversation with an old friend as debut author Jennifer French shares all the quirks, annoyances, and sometimes sadness of her life as the daughter of Margaret, a forty-something stay-at-home mom, and John, an even older truck driver.The story, which covers everything from cervical cancer to an earless cow, reads as smoothly as any novel. So smoothly, in fact, that readers will find themselves revisiting their own childhood and growing up alongside Jennifer, themselves.Sunshine in my Pocket is not a "tell-all," nor is it a seemingly endless rant about a dysfunctional upbringing.Instead, Sunshine dares to dive into something deeper: real life.Mostly happy, never normal (because really- what is?), but always real, Sunshine in my Pocket is a tribute the the ordinary and the extraordinary in the lives of every day people.
A survey of the use of the refrain in thirteenth and fourteenth-century French music and poetry, showing how it was skilfully deployed to assert the validity of the vernacular. The relationship between song quotation and the elevation of French as a literary language that could challenge the cultural authority of Latin is the focus of this book. It approaches this phenomenon through a close examination of the refrain, a short phrase of music and text quoted intertextually across thirteenth- and early fourteenth-century musical and poetic genres. The author draws on a wide range of case studies, from motets, trouvère song, plays, romance, vernacular translations, and proverb collections, to show that medieval composers quoted refrains as vernacular auctoritates; she argues that their appropriation of scholastic, Latinate writing techniques workedto authorize Old French music and poetry as media suitable for the transmission of knowledge. Beginning with an exploration of the quasi-scholastic usage of refrains in anonymous and less familiar clerical contexts, the book goeson to articulate a new framework for understanding the emergence of the first two named authors of vernacular polyphonic music, the cleric-trouvères Adam de la Halle and Guillaume de Machaut. It shows how, by blending their craftwith the writing practices of the universities, composers could use refrain quotation to assert their status as authors with a new self-consciousness, and to position works in the vernacular as worthy of study and interpretation. Jennifer Saltzstein is Assistant Professor of Musicology at the University of Oklahoma.
Nineteenth-century French Realism focuses on metropolitan France, with Paris as its undisputed heart. Through Jennifer Yee's close reading of the great novelists of the French realist and naturalist canon - Balzac, Flaubert, Zola, Maupassant - The Colonial Comedy reveals that the colonies play a role at a distance even in the most apparently metropolitan texts. In what Edward Said called 'geographical notations' of race and imperialism the presence of the colonies off-stage is apparent as imported objects, colonial merchandise, and individuals whose colonial experience is transformative. Indeed, the realist novel registers the presence of the emerging global world-system through networks of importation, financial speculation, and immigration as well as direct colonial violence and power structures. The literature of the century responds to the last decades of French slavery, and direct colonialism (notably in Algeria), but also economic imperialism and the extension of French influence elsewhere. Far from imperialist triumphalism, in the realist novel exotic objects are portrayed as fake or mass-produced for the growing bourgeois market, while economic imperialism is associated with fraud and manipulation. The deliberate contrast of colonialism and exoticism within the metropolitan novel, and ironic distancing of colonial narratives, reveal the realist mode to be capable of questioning its own epistemological basis. The Colonial Comedy argues for the existence in the nineteenth century of a Critical Orientalism characterized by critique of its own discursive foundations. Using the tools of literary analysis within a materialist approach, The Colonial Comedy opens up the domestic Paris-Provinces axis to signifying chains pointing towards the colonial space.
The decolonization of Algeria represents a turning point in world history, marking the end of France’s colonial empire, the birth of the Algerian republic, and the appearance of the Third World and pan-Arabism. Algeria emerged from colonial domination to negotiate the release of American hostages in Iran during the Carter administration. Radical Islam would later rise from the ashes of Algeria’s failed democracy, leading to a civil war and the training of Algerian terrorists in Afghanistan. Moreover, the decolonization of Algeria offered an imperfect model of decolonization to other nations like South Africa that succeeded in abolishing apartheid while retaining its white settler population. Algeria and its war of national liberation therefore constitute an inescapable reference for those looking to understand today’s “war on terror” and ever-expanding islamophobia in Western media circuits. Consequently, it is imperative that students and educators understand the global implications of the Algerian War and how to best approach this conflict in school and at home so as to learn from the consequences of misrepresentation at all levels of the memory transmission chain. These objectives are all the more important today given the West’s misunderstanding and mischaracterization of Islam, the Arab Spring, the Muslim-majority world, and, most importantly, the continuing influence of French colonialism—especially in the postcolonial era. Conceived as a case study, The Algerian War in French-Language Comics: Postcolonial Memory, History, and Subjectivity argues that comics provide an alternative to textbook representations of the Algerian War in France because they draw from many of the same source materials yet produce narratives that are significantly different. This book demonstrates that although comics rely on conventional vectors of memory transmission like national education, the family, and mainstream media, they can also create new and productive dialogues using these same vectors in ways unavailable to traditional textbooks. From this perspective, these comics are an effective and alternative way to develop a more inclusive social consciousness.
Between 1880 and 1940, English responses to French poetry evolved from marginalised expressions of admiration associated with rebellion against the ""establishment"" to mainstream mutual exchange and appreciation. The translation of poetry underwent a simultaneous evolution, from attempts to produce definitive renderings to definitions of translation as an ongoing, generative process at the centre of literary debate. This study traces the impact of French poetry in England, via a wide range of translations by major poets of the time as well as renderings by now forgotten writers. It explores poetry and translations beyond the limits of the usual canon and identifies key moments of influence, from late 19th-century English homages to Victor Hugo as a liberal icon, to Ezra Pound re-interpreting Charles Baudelaire for the 20th century.
Between the world wars, the mesmerizing capital of France's colonial empire attracted denizens from Africa, the Caribbean, and the United States. Paris became not merely their home but also a site for political engagement. Colonial Metropolis tells the story of the interactions and connections of these black colonial migrants and white feminists in the social, cultural, and political world of interwar Paris and of how both were denied certain rights lauded by the Third Republic such as the vote, how they suffered from sensationalist depictions in popular culture, and how they pursued parity in ways that were often interpreted as politically subversive.
In the sixteenth century, a period of proliferating transatlantic travel and exploration, and, latterly, religious civil wars in France, the ship is freighted with political and religious, as well as poetic, significance; symbolism that reaches its height when ships--both real and symbolic--are threatened with disaster. The Direful Spectacle argues that, in the French Renaissance, shipwreck functions not only as an emblem or motif within writing, but as a part, or the whole, of a narrative, in which the dynamics of spectatorship and of co-operation are of constant concern. The possibility of ethical distance from shipwreck--imagined through the Lucretian suave mari magno commonplace--is constantly undermined, not least through a sustained focus on the corporeal. This book examines the ways in which the ship and the body are made analogous in Renaissance shipwreck writing; bodies are described and allegorized in nautical terms, and, conversely, ships themselves become animalized and humanized. Secondly, many texts anticipate that the description of shipwreck will have an affect not only on its victims, but on those too of spectators, listeners, and readers. This insistence on the physicality of shipwreck is also reflected in the dynamic of bricolage that informs the production of shipwreck texts in the Renaissance. The dramatic potential of both the disaster and the process of rebuilding is exploited throughout the century, culminating in a shipwreck tragedy. By the late Renaissance, shipwreck is not only the end, but often forms the beginning of a story.
The BRAND NEW gorgeous, escapist romantic read from Jennifer Bohnet for 2024 A fresh start in the beautiful Brittany countryside is what dreams are made of... Buying and relocating to the Château du Cheval in rural France has fulfilled one of Peter and Ingrid Chevalier’s lifelong ambitions. Despite never being able to trace a missing link in Peter’s French ancestry he feels he has finally come home. Now they must renovate the Château to its former glory and make it pay for itself... With money getting tight, they take the decision to sell a couple of cottages on the estate. Can the Château begin to pay for itself and be sustainable for the future? Divorced Sasha Heath and her brother Freddie decide to sensibly invest their mother’s inheritance into property and buy the two rundown cottages on the Château’s estate. Putting the past behind them, a new life in France beckons, but will it live up to their dreams? As they relax and settle into their new idyllic lifestyle, their new lives throw up several surprises, and all they can do is cross their fingers and hope everything will turn out well in the end. An uplifting tale of new adventures and second chances. Perfect for the fans of Jill Mansell and Fern Britton. Praise for Jennifer Bohnet 'Unputdownable, a heart-warming story of love, family and friendship in the glorious south of France. What’s not to love!' - Lucy Coleman 'I couldn’t stop myself from turning the pages and read it in one sitting. I absolutely loved it. Highly recommended!' - Alison Sherlock A beautifully written and heart-warming tale of family and friendship' - Jessica Redland 'There is much joy in this story, tempered with some bittersweet memories, but I can promise that you’ll be left feeling both joyous and uplifted. Highly recommended.' - Reader Review 'No surprises here. Just two sweet romances in a dream-come-true story. Not soppy sweet, just charmingly so. Perfect for a rainy day on the couch or a sunny day on a patio.' - Reader Review 'I absolutely love Jennifer’s stories, the characters and storyline’s are superb and she always leaves us wanting more.' - Reader Review ' I couldn't put it down it's definitely a page turner.' - Reader Review 'What a lovely, happy story. Full of the ups and downs of life, but with a happy ending full of love and promise . Thank you.' - Reader Review
When your old life ceases to exist, it’s time to build a new one... It’s early summer on the French Riviera when Vivienne Wilson arrives for a one-woman writers’ retreat after her philandering husband informs her that their 30-year marriage is over. There to collect the shell-shocked Vivienne is recently widowed Maxine Zonszain, who is struggling to come to terms with her empty life following the sudden death of her husband. Florist extraordinaire, Olivia Murray, shares the Villa that Vivienne is renting. She’s pretty content with life - but longs to meet ‘The One’. Life under the summer sun in Antibes becomes a challenging time for all three women. Secrets are shared, problems are halved as they forge new and unexpected friendships and embark on new adventures. Sometimes life’s surprises turn out to be unwanted but just sometimes the ‘new normal’ makes for a happier life than the one lost. A uplifting tale of friendship and second chances. Perfect for the fans of Jill Mansell and Fern Britton. Praise for Jennifer Bohnet 'Unputdownable, a heart-warming story of love, family and friendship in the glorious south of France. What’s not to love!' - Lucy Coleman 'I couldn’t stop myself from turning the pages and read it in one sitting. I absolutely loved it. Highly recommended!' - Alison Sherlock A beautifully written and heart-warming tale of family and friendship' - Jessica Redland 'There is much joy in this story, tempered with some bittersweet memories, but I can promise that you’ll be left feeling both joyous and uplifted. Highly recommended.' - Reader Review 'No surprises here. Just two sweet romances in a dream-come-true story. Not soppy sweet, just charmingly so. Perfect for a rainy day on the couch or a sunny day on a patio.' - Reader Review
This volume is devoted to the variety of relationships that defined France and ist citizens. Man's connection with God is explored, the travel raelation and the particular hierarchy that exists between a director and a dramatist, respectively. These themes are further addressed in the articles that follow on relationships of authority, Catholics and Protestants, books and Illustrations, literary genres, travel relations, aesthetics and ethics and family relationships.
Inspired by Paris, this lighthearted and deceptively wise contemporary memoir serves as a guidebook for women on the path to adulthood, sophistication, and style, perfect for any woman looking to lead a more fulfilling, passionate, and artful life. Paris may be the City of Light, but for many it is also the City of Transformation. When Jennifer Scott arrived in Paris as an exchange student from California, she had little idea she would become an avid fan of French fashion, lifestyle, and sophistication. Used to a casual life back home, in Paris she was hosted by a woman she calls “Madame Chic,” mistress of a grand apartment in the Sixteenth Arrondissement. Madame Chic mentors Jennifer in the art of living, with elegance and an impeccably French less-is-more philosophy. Three-course meals prepared by the well-dressed Madame Chic (her neat clothes covered by an apron, of course) lure Jennifer from her usual habit of frequent snacks, junk food, sweatpants, and TV. Additional time spent with “Madame Bohemienne,” a charming single mother who passionately embraces Parisian joie de vivre, introduces readers to another facet of behind-closed-doors Parisian life. While Francophiles will appreciate this memoir of a young woman’s adventure abroad, others who may not know much about France will thrill to the surprisingly do-able (yet chic!) hair and makeup lessons, plus tips on how to create a capsule wardrobe with just ten useful core pieces. Each chapter of Lessons from Madame Chic reveals the valuable secrets Jennifer learned while under Madame Chic’s tutelage—tips you can master no matter where you live or the size of your budget. Embracing the classically French aesthetic of quality over quantity, aspiring Parisiennes will learn the art of eating (deprive yourself not; snacking is not chic), fashion (buy the best you can afford), grooming (le no-makeup look), among other tips. From entertaining to decor, you will gain insights on how to cultivate old-fashioned sophistication while living an active, modern life. Lessons from Madame Chic is the essential handbook for a woman that wants to look good, live well, and enjoy that Parisian je ne sais quoi in her own arrondissement.
Christmas is a time for family and friends, but will the allure of the French Riviera be able to work its magic? As a toddler Elodie Jacques was abandoned by her mother and left in the care of her French grandmother, Gabriella in Dartmouth, Devon. Now 24 years old, Elodie struggles to reconcile the deep anger for the mother she has never since seen. When Gabriella unexpectedly announces she wants the two of them to spend Christmas and her 70th birthday in her home town of Juan-les-Pins in the South of France Elodie is thrilled. Gabriella meanwhile has her own ulterior motives for wanting to return after 40 years, a daunting homecoming potentially filled with memories, secrets and recriminations. With Juan-les-Pins pulsing with lights, decorations and the festive spirit, Christmas promises to be filled with fun. But when Elodie learns there is the possibility that her long absent mother may join them she hides her feelings behind a show of indifference and animosity. Will there be the reconciliation that Gabriella longs for - or will the spirit of Christmas fail to work its wonder? 'What isn't to love? You are taken on an incredible journey to the vibrant French Riviera, with all the colours, lights and traditions of Christmas beautifully combined with the joy of friendship and the possibility of new romance... ' Bestselling author Judy Leigh
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