This thesis explores an amazing family of oxide compounds - the nickelates - known for their metal-to-insulator transition and, in the case of LaNiO3, to be a possible building block for designing a synthetic high Tc superconductor. Competition between various fascinating phases makes these materials very sensitive to external parameters and it is thus possible to dramatically tune their properties. This work on ultrathin LaNiO3 and the solid solution Nd1-xLaxNiO3 has important implications for the search for superconductivity in this class of materials.
Jennifer Lawrence is one of the youngest Oscar nominees for Best Leading Actress in Academy history. This engaging volume examines Lawrences career from its beginnings on "The Bill Engvall Show to her landing the starring role in the much-anticipated The Hunger Games trilogy. Accessible text explores the drive that fuels this talented young actress to rise to new challenges.
This thesis explores an amazing family of oxide compounds - the nickelates - known for their metal-to-insulator transition and, in the case of LaNiO3, to be a possible building block for designing a synthetic high Tc superconductor. Competition between various fascinating phases makes these materials very sensitive to external parameters and it is thus possible to dramatically tune their properties. This work on ultrathin LaNiO3 and the solid solution Nd1-xLaxNiO3 has important implications for the search for superconductivity in this class of materials.
This book brings together, in a novel and exciting combination, three authors who have written movingly about mourning: two medieval Italian poets, Dante Alighieri and Francesco Petrarca, and one early twentieth-century French novelist, Marcel Proust. Each of these authors, through their respective narratives of bereavement, grapples with the challenge of how to write adequately about the deeply personal and painful experience of grief. In Jennifer Rushworth's analysis, discourses of mourning emerge as caught between the twin, conflicting demands of a comforting, readable, shared generality and a silent, solitary respect for the uniqueness of any and every experience of loss. Rushworth explores a variety of major questions in the book, including: what type of language is appropriate to mourning? What effect does mourning have on language? Why and how has the Orpheus myth been so influential on discourses of mourning across different time periods and languages? Might the form of mourning described in a text and the form of closure achieved by that same text be mutually formative and sustaining? In this way, discussion of the literary representation of mourning extends to embrace topics such as the medieval sin of acedia, the proper name, memory, literary epiphanies, the image of the book, and the concept of writing as promise. In addition to the three primary authors, Rushworth draws extensively on the writings of Sigmund Freud, Julia Kristeva, Jacques Derrida, and Roland Barthes. These rich and diverse psychoanalytical and French theoretical traditions provide terminological nuance and frameworks for comparison, particularly in relation to the complex term melancholia.
Incorporating the novels, pamphlets and letters of Henry Miller, Killing the Buddha argues for Miller’s written work to be considered as a whole in relation to the theme of Zen Buddhism, specifically the concept of Satori (awakening). By reading Miller’s literary output and letters as a spiritual journey to awakening, it is possible to chart his development as a writer, and offer insight into his repetitive use of biographical material. Reflecting upon the influence of Otto Rank and Henri Bergson on Miller’s conceptualization of the role of the writer, and then by examining his complex rejection of Surrealism, it is possible to show Miller’s burgeoning Zen Buddhism as a life-long quest for acceptance and authenticity explicitly explored within his work. With close readings of the ‘Obelisk Trilogy’ of the 1930s (Tropic of Cancer, Tropic of Capricorn and Black Spring) and The Rosy Crucifixion Trilogy (1949-1960), Miller’s complex journey to Satori is shown as a continuous progression from his early notorious novels through to the essays and pamphlets of his later career.
Girl, Stop Apologizing: A Shame-Free Plan for Embracing and Achieving Your Goals Book Summary Jennifer WiderGirl Stop Apologizing is a motivational and self-help book that is written for a predominantly female audience. It covers day-to-day experiences that border on work, productivity and personal life. The core message of this book is for the reader to come to the understanding that they are unique and special. The writer painstakingly drives home the point that people's opinions of a person's dreams do not matter. No matter what a person decides to pursue, there will always be people who are judgmental about it and feel inconvenienced by the decision.The book is divided into three parts: excuses to let go of, behaviors to adopt, and skills to acquire. This book contains a comprehensive, well detailed summary and key takeaways of the original book by Rachel Hollis It summarizes the book in detail, to help people effectively understand, articulate and imbibe the original work by Rachel. This book is not meant to replace the original book but to serve as a companion to itContained is an Executive Summary of the original book Key Points of each chapter and Brief chapter-by-chapter summaries To get this book, Scroll Up Now and Click on the "Buy now with 1-Click" Button to Download your Copy Right Away!Enjoy this edition instantly on your Kindle device!Now available in paperback and digital editions.Disclaimer: This is a summary, review of the book "Girl Stop Apologizing" and not the original book.
This book is the first comprehensive textbook on political marketing. Drawing on the latest theoretical work and applying it to a wide variety of international case studies, it provides an essential resource for all students of political marketing.
A new, definitive biography of the iconic and mysterious singer, Warhol superstar, Velvet Underground collaborator: influential solo artist Nico. YOU ARE BEAUTIFUL AND YOU ARE ALONE is a new biography of Nico, the mysterious singer best known for her work with the Velvet Underground and her solo album Chelsea Girl. Her life is tangled in myth--much of it of her own invention. Rock and roll cultural historian Jennifer Bickerdike delivers a definitive book that unravels the story while making a convincing case for Nico's enduring importance. Over the course of her career, Nico was an ever-evolving myth: art film house actress, highly coveted fashion model, Dietrich of Punk, Femme Fatale, Chelsea Girl, Garbo of Goth, The Last Bohemian, Heroin Junkie. Lester Bangs described her as 'a true enigma.' At age 27, Nico became Andy Warhol's newest Superstar, featuring in his one commercial break out hit film Chelsea Girls and garnering the position of chanteuse for the Velvet Underground. It wasn't Nico's musical chops which got her the gig; it was her striking beauty. Her seeming otherworldly and unattainable presence was further amplified by her reputation for dating rock stars (Brian Jones, Bob Dylan, Jim Morrison, among others). She became famous for being Nico. Yet Nico's talent and her contribution to rock culture are often overlooked. She spent most of her career as a solo artist on the road, determined to make music, seemingly against all the odds, enduring empty concert halls, abusive fans, and the often perilous reality of being an ageing artist and drug addict. She created mesmerizing and unique projects that inspired a generation of artists, including Henry Rollins, Morrissey, Siousxie Sioux and the Banshees and Iggy Pop. Drawing on the archives at the Andy Warhol Museum and at Nico's record labels, various private collections, and rarely seen footage, and featuring exclusive new interviews from those who knew her best, including Iggy Pop and Danny Fields, and those inspired by her legacy, YOU ARE BEAUTIFUL AND YOU ARE ALONE reveals the complicated, often compromised, self-destructive and always head strong woman behind the one-dimensional myths.
Dealing with Death is a comprehensive and authoritative source of information for professionals on the procedures, laws and cultural customs that should be observed when someone dies. This completely updated and expanded second edition takes into account the recent changes in UK law and the impact of the Harold Shipman and Alder Hey enquiries. Clear guidance is provided on all the legal, technical and forensic procedures surrounding death, including: * medical certification of cause of death * coroner's enquiries * autopsy * organ and tissue donation * burial and cremation * exhumation. The authors give insights into a wide range of sensitive areas, such as dignified care for the dying and considerations for the bereaved, the particular issues that arise when a baby dies, and the appropriate handling of death from AIDS. Part 3 provides an overview of a wide range of cultural and religious death rites and the implications of religious beliefs on blood transfusions, terminal care and euthanasia. This professional handbook is a key text for coroners, lawyers, police, funeral directors and clergy, as well as healthcare professionals, palliative care workers, social care professionals and students.
Dun & Bradstreet and the Gale Group have teamed up to offer your library an unprecedented new line of industry references. These detailed, industry-specific sourcebooks eliminate the need to search through dozens of scattered sources to find background and directory information. Students and professionals now have a single source to access current and emerging industry trends, analyze industry overviews and forecasts and review key financial information.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.