Link reversal is a versatile algorithm design technique that has been used in numerous distributed algorithms for a variety of problems. The common thread in these algorithms is that the distributed system is viewed as a graph, with vertices representing the computing nodes and edges representing some other feature of the system (for instance, point-to-point communication channels or a conflict relationship). Each algorithm assigns a virtual direction to the edges of the graph, producing a directed version of the original graph. As the algorithm proceeds, the virtual directions of some of the links in the graph change in order to accomplish some algorithm-specific goal. The criterion for changing link directions is based on information that is local to a node (such as the node having no outgoing links) and thus this approach scales well, a feature that is desirable for distributed algorithms. This monograph presents, in a tutorial way, a representative sampling of the work on link-reversal-based distributed algorithms. The algorithms considered solve routing, leader election, mutual exclusion, distributed queueing, scheduling, and resource allocation. The algorithms can be roughly divided into two types, those that assume a more abstract graph model of the networks, and those that take into account more realistic details of the system. In particular, these more realistic details include the communication between nodes, which may be through asynchronous message passing, and possible changes in the graph, for instance, due to movement of the nodes. We have not attempted to provide a comprehensive survey of all the literature on these topics. Instead, we have focused in depth on a smaller number of fundamental papers, whose common thread is that link reversal provides a way for nodes in the system to observe their local neighborhoods, take only local actions, and yet cause global problems to be solved. We conjecture that future interesting uses of link reversal are yet to be discovered. Table of Contents: Introduction / Routing in a Graph: Correctness / Routing in a Graph: Complexity / Routing and Leader Election in a Distributed System / Mutual Exclusion in a Distributed System / Distributed Queueing / Scheduling in a Graph / Resource Allocation in a Distributed System / Conclusion
“Perfectly captures the spirit of Music City . . . An incredible collection of recipes that makes you want to spend as much time as possible in Nashville” (Sean Brock, chef and author of Heritage). If it seems like Nashville is everywhere these days—that’s because it is. GQ recently declared it “Nowville,” and it has become the music hotspot for both country and rock. But as hot as the music scene is, the food scene is even hotter. In Nashville Eats, more than one hundred mouthwatering recipes reveal why food lovers are headed south for Nashville’s hot chicken, buttermilk biscuits, pulled pork sandwiches, cornmeal-crusted catfish, chowchow, fried green tomatoes, and chess pie. Author Jennifer Justus whips up the classics—such as pimento cheese and fried chicken—but also includes dishes with a twist on traditional Southern fare—such as Curried Black Chickpeas or Catfish Tacos. And alongside the recipes, Jennifer shares her stories of Nashville—the people, music, history, and food that make it so special. “A love letter to the working-class cooking of Nashville . . . Nashville Eats by Jennifer Justus is a well-honed cultural passkey to one of America’s great culinary cities.” —John T. Edge, coeditor, The Southern Foodways Alliance Community Cookbook
At a time when biblical authority was under challenge from the Higher Criticism and evolutionary science, ‘what providence meant’ was the most keenly contested of questions. This book takes up the controversial subject of Dickens and religion, and offers a significant contribution to the interdisciplinary area of religion and literature. In a close study of major novels, it argues that networks of biblical allusion reveal the Judeo-Christian grand narrative as key to his development as a writer, and as the ontological ground on which he stands to appeal to ‘the conscience of a Christian people’. Engaging the biblical narrative in dialogue with other contemporary narratives that concern themselves with origins, destinations, and hermeneutic decipherments, the inimitable Dickens affirms the Bible’s still-active role in popular culture. The providential thinking of two twentieth-century theorists, Bakhtin and Ricoeur, sheds light on an exploration of Dickens’s narrative theology.
Examining the subject from a holistic and multidisciplinary perspective, Principles of Financial Regulation considers the underlying policies and the objectives of financial regulation.
In 1822 a young James Webber, recently arrived in the Colony, took up his land grant on the Paterson River. In that one act of possession, the landscape, managed and maintained by Aboriginal people for many centuries, was changed forever. James and his convict crew carved out a European-style agricultural enterprise by exploiting the rich diversity of the land. In a nod to the earlier custodians, he named his estate ‘Tocal’, an aboriginal word for ‘plenty’. Through toil and enterprise, successive owners grew rich on the Tocal lands, until, in 1965, private ownership ceased, and a new agricultural college was born on the site. That college, now retaining the name given to the land by its original custodians, grew into a thriving educational centre, with tentacles of training reaching throughout the nation. 2022 marks a significant milestone in the history of the land. This brief overview of its story—including the millennia before dispossession—has been compiled by four authors with over 170 years of combined memories associated with Tocal College and recording its agriculture and its history. Over its history, Tocal has touched many families and many lives, and it continues to expand its reach, including to the descendants of its original peoples who cared for and respected its resources. This book in a small way pays homage to all of those lives.
This study of poetry and political thought in late twelfth- and thirteenth-century England explores how Latin, French, and Middle English political poetry and Latin grammar and rhetoric shaped ideas about constitutional governance, the common good, and just rule.
Emily Hobhouse, 1860-1926, was one of the first great women of the twentieth century. She was a feminist, a pacifist and an internationalist, and above all a humanitarian. She worked tirelessly for the disadvantaged and, in the case of the South African women and children who were herded into concentration camps by Lord Kitchener, was relentless in expound¬ing their cause. This took great courage. She was deported from Cape Town, and was unable to get legal redress. Emily Hobhouse's young life was spent in a tiny village in east Cornwall where her father was Rector and it was only when he died that she was able to expand her horizons. She was 35 and untrained. She went to Minnesota, USA, to do welfare work for Cornish miners and formed an unfortunate relationship with a man who became Mayor of the town. They planned to marry and live in Mexico. Emily spent a trying time until the engagement was broken off just before the Boer War started. After the war she travelled through the ravaged areas of South Africa and devised a successful scheme of home industries for young girls on isolated farms. Illness forced her to seek refuge in Italy where she remained almost to the beginning of World War I, and began her famous corre-spondence first with J.C. Smuts and then with Isabel Steyn. Her comments on the events of the day show unusual foresight. She was loved by the people of South Africa and admired by those like Mahatma Gandhi who asked for her help. She was a bit of a painter, a writer and an entertainer, and in spite of ill-health travelled easily between countries, even in the midst of the first World War when she went to Germany, and hoped to obtain peace. Returning to Europe after that war Emily Hobhouse put into a place a number of schemes to help the impoverished, but the cry of the children of Leipzig won her particular sympathy, and with the help of the Save the Children Fund and later the South Africans she devised a feeding scheme for them. The South Africans so admired her that they clubbed together to buy her a little house in Cornwall, at St. Ives. Later Emily moved to London where she died, 8th June 1926. Her remains were cremated and the ashes buried at the foot of the memorial for the women and children who died in the Anglo Boer War for whom she had worked so hard. This book contains an outline of Emily Hobhouse's life and work including much new material; official and un-official records of the Concentration Camps set up by Lord Kitchener in the Anglo Boer War; many letters, and correspondence with J.C. Smuts and Isabel Steyn, wife of the ex-President of the Orange Free State.
Understanding Greek Religion is one of the first attempts to fully examine any religion from a cognitivist perspective, applying methods and findings from the cognitive science of religion to the ancient Greek world. In this book, Jennifer Larson shows that many of the fundamentals of Greek religion, such as anthropomorphic gods, divinatory procedures, purity beliefs, reciprocity, and sympathetic magic arise naturally as by-products of normal human cognition. Drawing on evidence from across the ancient Greek world, Larson provides detailed coverage of Greek theology and local pantheons, rituals including processions, animal sacrifice and choral dance, and afterlife beliefs as they were expressed through hero worship and mystery cults. Eighteen in-depth essays illustrate the theoretical discussion with primary sources and include case studies of key cult inscriptions from Kyrene, Kos, and Miletos. This volume features maps, tables, and over twenty images to support and expand on the text, and will provide conceptual tools for understanding the actions and beliefs that constitute a religion. Additionally, Larson offers the first detailed discussion of cognition and memory in the transmission of Greek religious beliefs and rituals, as well as a glossary of terms and a bibliographical essay on the cognitive science of religion. Understanding Greek Religion is an essential resource for both undergraduate and postgraduate students of Greek culture and ancient Mediterranean religions.
From Mental Floss, the premier online destination for curious minds, comes a deep dive into the greatest television shows from the last 20 years. Filled with little-known facts and lists of must-see shows, this fascinating collection includes: The hardest role to cast on Game of Thrones • The DEA’s involvement in Breaking Bad • The lost Black-ish episode deemed too divisive for TV • The real-life inspiration for Mad Men’s Don Draper • The identity of “Ugly Naked Guy” on Friends • When George Lucas sued Battlestar Galactica • How Curb Your Enthusiasm saved a man from the death penalty • When Doctor Who’s TARDIS went to court • The story behind Law & Order’s iconic “dun-dun” sound effect Mental Floss: The Curious Viewer also contains many of Mental Floss’s famously fascinating lists, such as Actors Who Asked for Their Characters to Be Killed Off, The Most-Watched TV Series Finales Ever, TV Characters Who Were Inspired by Real People, Bizarre TV Crossovers, Amazing One-Season Shows, Important Moments in LGBTQ+ History on TV, and Unforgettable Television Cliff-Hangers.
Publisher's Note: Products purchased from 3rd Party sellers are not guaranteed by the Publisher for quality, authenticity, or access to any online entitlements included with the product. Trusted by radiology residents, interns, and students for more than 20 years, Brant and Helms’ Fundamentals of Diagnostic Radiology, 5th Edition delivers essential information on current imaging modalities and the clinical application of today's technology. Comprehensive in scope, it covers all subspecialty areas including neuroradiology, chest, breast, abdominal, musculoskeletal imaging, ultrasound, pediatric imaging, interventional techniques, and nuclear radiology. Full-color images, updated content, new self-assessment tools, and dynamic online resources make this four-volume text ideal for reference and review.
Outgrowth of the author's thesis (Yale University, 2007) under the title: The plague of jocularity: contesting humor in American art and culture, 1863-1893.
THIS ISN'T WHAT DETECTIVE DAN ROBINSON PLANNED When he promised to watch over his late partner's wife and daughters, Dan didn't expect to fall for beautiful widow Jessica Michaels. She's the one woman Dan shouldn't pursue, but can't resist. Though his growing feelings warn him to stay away, Jessica needs him now more than ever. Jessica's always thought of Dan simply as her husband's friend. But as he spends time helping her with the girls, Jessica realizes her true feelings for Dan are much more than platonic. Torn between love and loyalty, can Jessica and Dan build a future together without betraying the past?
At War with Women reveals how post-9/11 politics of gender and development have transformed US military power. In the mid-2000s, the US military used development as a weapon as it revived counterinsurgency in Iraq and Afghanistan. The military assembled all-female teams to reach households and wage war through development projects in the battle for "hearts and minds." Despite women technically being banned from ground combat units, the all-female teams were drawn into combat nonetheless. Based on ethnographic fieldwork observing military trainings, this book challenges liberal feminist narratives that justified the Afghanistan War in the name of women's rights and celebrated women's integration into combat as a victory for gender equality. Jennifer Greenburg critically interrogates a new imperial feminism and its central role in securing US hegemony. Women's incorporation into combat through emotional labor has reinforced gender stereotypes, with counterinsurgency framing female soldiers as global ambassadors for women's rights. This book provides an analysis of US imperialism that keeps the present in tension with the past, clarifying where colonial ideologies of race, gender, and sexuality have resurfaced and how they are changing today.
An in-depth look at how democratic values have widened the American arts scene, even as it remains elite and cosmopolitan Two centuries ago, wealthy entrepreneurs founded the American cathedrals of culture—museums, theater companies, and symphony orchestras—to mirror European art. But today’s American arts scene has widened to embrace multitudes: photography, design, comics, graffiti, jazz, and many other forms of folk, vernacular, and popular culture. What led to this dramatic expansion? In Entitled, Jennifer Lena shows how organizational transformations in the American art world—amid a shifting political, economic, technological, and social landscape—made such change possible. By chronicling the development of American art from its earliest days to the present, Lena demonstrates that while the American arts may be more open, they are still unequal. She examines key historical moments, such as the creation of the Museum of Primitive Art and the funneling of federal and state subsidies during the New Deal to support the production and display of culture. Charting the efforts to define American genres, styles, creators, and audiences, Lena looks at the ways democratic values helped legitimate folk, vernacular, and commercial art, which was viewed as nonelite. Yet, even as art lovers have acquired an appreciation for more diverse culture, they carefully select and curate works that reflect their cosmopolitan, elite, and moral tastes.
If you were looking for a philosopher likely to appeal to Americans, Friedrich Nietzsche would be far from your first choice. After all, in his blazing career, Nietzsche took aim at nearly all the foundations of modern American life: Christian morality, the Enlightenment faith in reason, and the idea of human equality. Despite that, for more than a century Nietzsche has been a hugely popular—and surprisingly influential—figure in American thought and culture. In American Nietzsche, Jennifer Ratner-Rosenhagen delves deeply into Nietzsche's philosophy, and America’s reception of it, to tell the story of his curious appeal. Beginning her account with Ralph Waldo Emerson, whom the seventeen-year-old Nietzsche read fervently, she shows how Nietzsche’s ideas first burst on American shores at the turn of the twentieth century, and how they continued alternately to invigorate and to shock Americans for the century to come. She also delineates the broader intellectual and cultural contexts within which a wide array of commentators—academic and armchair philosophers, theologians and atheists, romantic poets and hard-nosed empiricists, and political ideologues and apostates from the Left and the Right—drew insight and inspiration from Nietzsche’s claims for the death of God, his challenge to universal truth, and his insistence on the interpretive nature of all human thought and beliefs. At the same time, she explores how his image as an iconoclastic immoralist was put to work in American popular culture, making Nietzsche an unlikely posthumous celebrity capable of inspiring both teenagers and scholars alike. A penetrating examination of a powerful but little-explored undercurrent of twentieth-century American thought and culture, American Nietzsche dramatically recasts our understanding of American intellectual life—and puts Nietzsche squarely at its heart.
Introduction - Archiving America: sound technology and musical representation - Opera cut short: from the castrato to the film fragment - Selling jazz short: Hollywood and the fantasy of musical agency - Opers and jazz in the score: toward a new spectatorship - Conclusion.
This book argues that Shakespeare and various cultures of celebrity have enjoyed a ceaselessly adaptive, symbiotic relationship since the final decade of the sixteenth century, through which each entity has contributed to the vitality and adaptability of the other. In five chapters, Jennifer Holl explores the early modern culture of theatrical celebrity and its resonances in print and performance, especially in Shakespeare’s interrogations of this emerging phenomenon in sonnets and histories, before moving on to examine the ways that shifting cultures of stage, film, and digital celebrity have perpetually recreated the Shakespeare, or even the #shakespeare, with whom audiences continue to interact. Situated at an intersection of multiple critical conversations, this book will be of great interest to scholars and graduate students of Shakespeare and Shakespearean appropriations, early modern theater, and celebrity studies.
It Takes a Candidate serves as the first systematic, nationwide empirical account of the manner in which gender affects political ambition. Based on data from the Citizen Political Ambition Study, a national survey conducted on almost 3,800 'potential candidates', we find that women, even in the highest tiers of professional accomplishment, are substantially less likely than men to demonstrate ambition to seek elected office. Women are less likely than men to be recruited to run for office. They are less likely than men to think they are 'qualified' to run for office. And they are less likely than men to express a willingness to run for office in the future. This gender gap in political ambition persists across generations. Despite cultural evolution and society's changing attitudes toward women in politics, running for public office remains a much less attractive and feasible endeavor for women than men.
Taking up the work of prominent theater and performance artists, Beyond Text reveals the audacity and beauty of avant-garde performance in print. With extended analyses of the works of Edward Gordon Craig, German expressionist Lothar Schreyer, the Living Theatre, Carolee Schneemann, and Guillermo Gómez-Peña, the book shows how live performance and print aesthetically revived one another during a period in which both were supposed to be in a state of terminal cultural decline. While the European and American avant-gardes did indeed dismiss the dramatic author, they also adopted print as a theatrical medium, altering the status, form, and function of text and image in ways that continue to impact both the performing arts and the book arts. Beyond Text participates in the ongoing critical effort to unsettle conventional historical and theoretical accounts of text-performance relations, which have too often been figured in binary, chronological (“from page to stage”), or hierarchical terms. Across five case studies spanning twelve decades, Beyond Text demonstrates that print—as noun and verb—has been integral to the practices of modern and contemporary theater and performance artists.
In Another Aesthetics Is Possible Jennifer Ponce de León examines the roles that art can play in the collective labor of creating and defending another social reality. Focusing on artists and art collectives in Argentina, Mexico, and the United States, Ponce de León shows how experimental practices in the visual, literary, and performing arts have been influenced by and articulated with leftist movements and popular uprisings that have repudiated neoliberal capitalism and its violence. Whether enacting solidarity with Zapatista communities through an alternate reality game or using surrealist street theater to amplify the more radical strands of Argentina's human rights movement, these artists fuse their praxis with forms of political mobilization from direct-action tactics to economic resistance. Advancing an innovative transnational and transdisciplinary framework of analysis, Ponce de León proposes a materialist understanding of art and politics that brings to the fore the power of aesthetics to both compose and make visible a world beyond capitalism.
In 2012, Jennifer Schell brought together 160 of the Okanagan Valley's best chefs, wine makers, and food producers to create The Butcher, the Baker, the Wine and Cheese Maker: An Okanagan Cookbook. It was an instant success, selling more than 7000 copies and winning national and global awards. Updated to reflect the constant evolution of food production and culture in the famed valley, this second edition includes profiles of the newest players in the area's culinary scene, new recipes and food and wine pairings, and updated profiles of the region's renowned and respected farmers, producers, artisans and agricultural innovators. In addition to delicious recipes for every meal, such as Quinoa Crusted Falafel Mignon, Sezmu Beef Tartare, Okanagan Lavender Mascarpone Souffle, and Saskatoon Berry Pie, this collection features the stories of the area's experts, and a listing of the area's foodie festivals and events.
The New Deal placed security at the center of American political and economic life by establishing an explicit partnership between the state, economy, and citizens. In America, unlike anywhere else in the world, most people depend overwhelmingly on private health insurance and employee benefits. The astounding rise of this phenomenon from before World War II, however, has been largely overlooked. In this powerful history of the American reliance on employment-based benefits, Jennifer Klein examines the interwoven politics of social provision and labor relations from the 1910s to the 1960s. Through a narrative that connects the commercial life insurance industry, the politics of Social Security, organized labor's quest for economic security, and the evolution of modern health insurance, she shows how the firm-centered welfare system emerged. Moreover, the imperatives of industrial relations, Klein argues, shaped public and private social security. Looking closely at unions and communities, Klein uncovers the wide range of alternative, community-based health plans that had begun to germinate in the 1930s and 1940s but that eventually succumbed to commercial health insurance and pensions. She also illuminates the contests to define "security"--job security, health security, and old age security--following World War II. For All These Rights traces the fate of the New Deal emphasis on social entitlement as the private sector competed with and emulated Roosevelt's Social Security program. Through the story of struggles over health security and old age security, social rights and the welfare state, it traces the fate of New Deal liberalism--as a set of ideas about the state, security, and labor rights--in the 1950s, the 1960s, and beyond.
A Working Woman: The Remarkable Life of Ray Strachey is a traditional biography of a very untraditional woman. Tug-of-love child, Ward in Chancery, pampered schoolgirl, pioneer car driver, would-be electrical engineer, triumphant suffragist, political lobbyist, historian, biographer, novelist, journalist, broadcaster, well-known public figure, enthusiastic bricklayer, devoted mother, despairing stepmother, neglected wife: Ray Strachey was all of these and more. Bertrand Russell taught her maths; John Maynard Keynes fell (a little) in love with her; Virginia Woolf was over-awed by her; Millicent Garrett Fawcett and Nancy Astor depended on her. She inspired admiration in men and gratitude close to worship in women. As a close colleague of Millicent Fawcett, Ray Strachey played a major, non-violent, role in gaining British women the vote in 1918. She was one of the first female Parliamentary candidates, and became one of the leading feminists of the inter-war years, devoted in particular to improving employment opportunities for women. A brilliant political lobbyist with an extraordinary range of contacts, she was also a celebrated author, journalist and broadcaster, still remembered for her classic history of the Women’s Movement, The Cause (1928). She achieved all this as a working mother with overwhelming family responsibilities and an unusual (some said eccentric) private life. Lavishly illustrated, this first full account of Ray Strachey’s life is based on extensive research and draws heavily on her own lively and forthright comments on people and events. Interweaving her public roles with her challenging private life on the fringes of the Bloomsbury set, it features a host of well-known personalities, and introduces a new generation of readers to a fascinating though neglected fighter for women’s rights.
First published in 1992, this Sourcebook is a basic working tool for all those concerned with children’s reading. It will help librarians and teachers to select a comprehensive stock of children’s’ fiction for their institutions.The authors in the sourcebook have been selected on the grounds of importance, popularity and current availability. Author entries are arranged in alphabetical order and indexes provided by title, series, age-range and genre. Each entry consists of some background information, and evaluative comment on style of the book, a list of the authors books with publisher, date and price, and literary agent where applicable. There is a suggestion of similar authors, sequels, related series and reader age range.
An examination of the nineteenth-century American novel that argues for a new genealogy of the concept of the will. What if the modern person were defined not by reason or sentiment, as Enlightenment thinkers hoped, but by will? Western modernity rests on the ideal of the autonomous subject, charting a path toward self-determination. Yet novelists have portrayed the will as prone to insufficiency or excess—from indecision to obsession, wild impulse to melancholic inertia. Jennifer Fleissner’s ambitious book shows how the novel’s attention to the will’s maladies enables an ongoing interrogation of modern premises from within. Maladies of the Will reveals the nineteenth-century American novel’s relation to a wide-ranging philosophical tradition, highly relevant to our own tumultuous present. In works from Moby-Dick and The Scarlet Letter to Elizabeth Stoddard’s The Morgesons and Charles W. Chesnutt’s The Marrow of Tradition, the will’s grandeur and its perversity emerge as it alternately aligns itself with and pits itself against a bigger Will—whether of God, the state, society, history, or life itself. Today, when invocations of autonomy appear beside the medicalization of many behaviors, and democracy’s tenet of popular will has come into doubt, Maladies of the Will provides a map to how we got here, and how we might think these vital dilemmas anew.
The definitive guide for all fans of Georgette Heyer, Jane Austen, and the glittering Regency period "Detailed, informative, impressively researched. A Heyer lover writing for Heyer fans." —Times Literary Supplement Immerse yourself in the resplendent glow of Regency England and the world of Georgette Heyer... From the fascinating slang, the elegant fashions, the precise ways the bon ton ate, drank, danced, and flirted, to the shocking real life scandals of the day, Georgette Heyer's Regency World takes you behind the scenes of Heyer's captivating novels. As much fun to read as Heyer's own novels, beautifully illustrated, and meticulously researched, Jennifer Kloester's essential guide brings the world of the Regency to life for Heyer fans and Jane Austen fans alike. "An invaluable guide to the world of the bon ton. No lover of Georgette Heyer's novels should be without it." — Katie Fforde "Splendidly entertaining" —Publishers Weekly "Meticulously researched yet splendidly entertaining, Kloester's comprehensive guide to the world of upper-class regency England is a must-have." —Publishers Weekly Starred Review
American Girls and Global Responsibility brings together insights from Cold War culture studies, girls’ studies, and the history of gender and militarization to shed new light on how age and gender work together to form categories of citizenship. Jennifer Helgren argues that a new internationalist girl citizenship took root in the country in the years following World War II in youth organizations such as Camp Fire Girls, Girl Scouts, YWCA Y-Teens, schools, and even magazines like Seventeen. She shows the particular ways that girls’ identities and roles were configured, and reveals the links between internationalist youth culture, mainstream U.S. educational goals, and the U.S. government in creating and marketing that internationalist girl, thus shaping the girls’ sense of responsibilities as citizens.
Settler Feminism and Race Making in Canada engages in a discursive analysis of three 'texts' - the narratives of Anna Jameson (Winter Studies and Summer Rambles in Canada), Theresa Gowanlock and Theresa Delaney (Two Months in the Camp of Big Bear), and the 'Janey Canuck' books of Emily Murphy - in order to examine how, in the context of a settler colony, white women have been part of the project of its governance, its racial constitution, and its role in British imperialism. Using Foucauldian theories of governmentality to connect these first-person narratives to wider strategies of race making, Jennifer Henderson develops a feminist critique of the ostensible freedom that Anglo-Protestant women found within nineteenth-century liberal projects of rule. Henderson's interdisciplinary approach - including critical studies in law, literature, and political history - offers a new perspective on these women that detaches them from the dominant colony-to-nation narrative and shows their importance in a tradition of moral regulation. This project not only redresses problems in Canadian literary history, it also responds to the limits of postcolonial, nationalist, and feminist projects that search for authentic voices and resistant agency without sufficient attention to the layers of historical sedimentation through which these voices speak.
Mabel Constanduros was one of the first British radio comediennes and a beloved star of the early BBC, best known as the creator and performer of the comic Cockney family, the Bugginses. In this, the first significant biography of Constanduros, Jennifer J Purcell explores Constanduros's career and influence on the shaping of popular British entertainment alongside the history of the nascent BBC. Mother of the BBC provides new insights into programming decisions and content on the early BBC, deepening our understanding of the history and evolution of situation comedy and soap opera. Further, Constanduros's biography considers class in the representation of the British people on BBC radio, the gendered experience and performance of radio celebrity, and the intersections between BBC entertainment and other forms of popular media prior to the advent of television. Constanduros's emphasis on the everyday and the family had far-reaching impacts on the shape of sitcom and soap opera in Britain, two popular lenses through which the nation sees itself at home. Her role in developing entertainment on the BBC and the ways in which she cultivated her career make her the Mother of the BBC, but in constructing a popular image of family life she might also be considered the Mother of the Nation.
You must see yourself." The exhortation was increasingly familiar to English men and women in the two centuries before the Reformation. They encountered it repeatedly in their devotional books, the popular guides to spiritual self-improvement that were reaching an ever-growing readership at the end of the Middle Ages. But what did it mean to see oneself? What was the nature of the self to be envisioned, and what eyes and mirrors were needed to see and know it properly? Looking Inward traces a complex network of answers to such questions, exploring how English readers between 1350 and 1550 learned to envision, examine, and change themselves in the mirrors of devotional literature. By all accounts, it was the most popular literature of the period. With literacy on the rise, an outpouring of translations and adaptations flowed across traditional boundaries between religious and lay, and between female and male, audiences. As forms of piety changed, as social categories became increasingly porous, and as the heart became an increasingly privileged and contested location, the growth of devotional reading created a crucial arena for the making of literate subjectivities. The models of private reading and self-reflection constructed therein would have important implications, not only for English spirituality, but for social, political, and poetic identities, up to the Reformation and beyond. In Looking Inward, Bryan examines a wide range of devotional and secular texts, from works by Walter Hilton, Julian of Norwich, and Thomas Hoccleve to neglected translations like The Chastising of God's Children and The Pricking of Love. She explores the models of identification and imitation through which they sought to reach the inmost selves of their readers, and the scripts for spiritual desire that they offered for the cultivation of the heart. Illuminating the psychological paradigms at the heart of the genre, Bryan provides fresh insights into how late medieval men and women sought to know, labor in, and profit themselves by means of books.
When we imagine the activities of Asian American women in the mid-twentieth century, our first thoughts are not of skiing, beauty pageants, magazine reading, and sororities. Yet, Shirley Jennifer Lim argues, these are precisely the sorts of leisure practices many second generation Chinese, Filipina, and Japanese American women engaged in during this time. In A Feeling of Belonging, Lim highlights the cultural activities of young, predominantly unmarried Asian American women from 1930 to 1960. This period marks a crucial generation—the first in which American-born Asians formed a critical mass and began to make their presence felt in the United States. Though they were distinguished from previous generations by their American citizenship, it was only through these seemingly mundane “American”activities that they were able to overcome two-dimensional stereotypes of themselves as kimono-clad “Orientals.” Lim traces the diverse ways in which these young women sought claim to cultural citizenship, exploring such topics as the nation's first Asian American sorority, Chi Alpha Delta; the cultural work of Chinese American actress Anna May Wong; Asian American youth culture and beauty pageants; and the achievement of fame of three foreign-born Asian women in the late 1950s. By wearing poodle skirts, going to the beach, and producing magazines, she argues, they asserted not just their American-ness, but their humanity: a feeling of belonging.
A reconsideration of Church's works offering a sustained examination of the aesthetics of detail that fundamentally shaped 19th-century American landscape painting.
This book presents new information on the export trade, patronage, artistic collaboration, and the small-scale shop traditions that defined early Rhode Island craftsmanship. This stunning volume features more than 200 illustrations of beautifully constructed and carved objects—including chairs, high chests, bureau tables, and clocks—that demonstrate the superb workmanship and artistic skill of the state’s furniture makers.
The Contributions of Artists Pierre Bonnard, Edouard Vuillard, Maurice Denis, and Ker Xavier Roussel to the French avant-garde of the 1890s, as members of the Nabis, are widely recognized. What is less known about these artists' careers is their extraordinary work in decorative painting - work on a large or unusual scale for private interiors. This illustrated book focuses on the many decorative works carried out by the four artists between 1890 and 1930. During these years, they moved beyond the narrow parameters of easel painting and applied their wholly untraditional aesthetic of decoration to a wide range of works for domestic interiors, from wall-size ensembles to folding screens. The cosmopolitan group of patrons who made this work possible ranged from the avant-garde circle of La Revue Blanche to prominent members of the French establishment. An examination of their role and tastes is another fascinating feature of this publication." "The book and accompanying exhibition reunite paintings that have long been dispersed, introducing contemporary viewers to a group of bold and evocative works, which had a wide-ranging, though little-recognized, influence on modern art. As the book's authors argue, the aesthetic embodied by these works indeed helped set the stage for the large, non-narrative paintings by artists as diverse as Rothko and Lichtenstein that came to dominate the avant-garde after World War II."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
American Indians have produced some of the most powerful and lyrical literature ever written in North America. Encyclopedia of American Indian Literature covers the field from the earliest recorded works to some of today's most exciting writers. Th
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