Seven chapters take up readings of sonnets by Wordsworth, Shelley, Keats, D.G. Rossetti, Hopkins, and, to draw out the implications of this study into our own century, Robert Frost. Close readings of individual Wordsworth sonnets in chapter 1 sketch out a constellation of themes and tropes, as well as a fundamental, revisionary poetic that the very form of the sonnet tropes. Both those tropes and that procedure are problematized and, in some cases, deconstructed by subsequent poets. Far from accepting Wordsworth's visionary claim for the sonnet, this study goes on to show how profoundly those claims were critiqued.
This title was first published in 2000: "Comedy" and "humour" are not words most associate with the Victorian period, yet their culture was rife with laughter and irony. The 12 essays in this volume reanimate this "comic spirit" by exploring the humour in its social context. While previous studies of humour in the period focus on the age's own ongoing interest in the old distinction in comic theory between wit and humour, this volume aims to show how inadequate this distinction is in accounting for the many types of Victorian comic representation. The essays turn from linguistic or psychological analyses of humour towards the social production of humour and the cultural dynamics which underlie it.
This study examines feminist speculative fiction from the late twentieth and early twenty-first century, and finds within it a new vision for the future. Rejecting notions of postmodern utopia as exclusionary, Jennifer A. Wagner-Lawlor advances one defined in terms of hospitality, casting what she calls 'imaginative sympathy' as the foundation of utopian desire. Tracing these themes through the works of Atwood, Butler, Lessing and Winterson, as well as those of well-known Muslim feminists such as El Saadawi, Parsipur and Mernissi, Wagner-Lawlor balances literary analysis with innovative extensions of feminist philosophy to show how inclusionary utopian thinking can inform and promote political agency. Examining these contemporary fictions reveals the rewards of attending to a community that acknowledges difference, diversity and the imaginative potential of every human being.
When four women formed The Writer's Coffee Shop, they didn't know the Fifty Shades of Grey trilogy was destined for worldwide success. After selling the publishing rights, one of the partners hid $40,000,000 in royalties. Jennifer Pedroza and Mike Farris filed a lawsuit to claim her share of the partnership's profits. This is their story.
Jones's explores the legal, cultural, and dramatic representations of six accused murderesses (Lizzie Borden, Susan Smith, and Louise Woodward being the best known) to look at how English-speaking society responded to and controlled anxiety over female transgressions.
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