From New York Times bestselling author Jennifer McMahon comes five dark and chilling novels in one e-book, including: Promise Not to Tell, Island of Lost Girls, Dismantled, Don't Breathe a Word, and The One I Left Behind. Promise Not to Tell—A chilling novel about a woman whose past and present collide when she returns to her small hometown to care for her aging mother on the same night a young girl is killed. Island of Lost Girls—When 23 year-old Rhonda sees someone in a large rabbit suit kidnap a young girl, the investigation that follows uncovers the secrets behind the disappearance of her childhood friend, Lizzy, years ago. Dismantled—A novel about a group of old friends who once believed things (and perhaps, people) must be taken apart, literally, to be truly understood. Don't Breathe a Word—One couple finds themselves in a seemingly supernatural web of fairies that links them to a young girl's disappearance 15 years ago. The One I Left Behind—A gut-wrenching mystery about an architect whose troubled mother has been found 25 years after being kidnapped by a serial killer who is still on the loose.
From the New York Times bestselling author of The Drowning Kind comes a genre-defying novel, inspired by Mary Shelley’s masterpiece Frankenstein, that brilliantly explores the eerie mysteries of childhood and the evils perpetrated by the monsters among us. 1978: At her renowned treatment center in picturesque Vermont, the brilliant psychiatrist, Dr. Helen Hildreth, is acclaimed for her compassionate work with the mentally ill. But when she’s home with her cherished grandchildren, Vi and Eric, she’s just Gran—teaching them how to take care of their pets, preparing them home-cooked meals, providing them with care and attention and love. Then one day Gran brings home a child to stay with the family. Iris—silent, hollow-eyed, skittish, and feral—does not behave like a normal girl. Still, Violet is thrilled to have a new playmate. She and Eric invite Iris to join their Monster Club, where they dream up ways to defeat all manner of monsters. Before long, Iris begins to come out of her shell. She and Vi and Eric do everything together: ride their bicycles, go to the drive-in, meet at their clubhouse in secret to hunt monsters. Because, as Vi explains, monsters are everywhere. 2019: Lizzy Shelley, the host of the popular podcast Monsters Among Us, is traveling to Vermont, where a young girl has been abducted, and a monster sighting has the town in an uproar. She’s determined to hunt it down, because Lizzy knows better than anyone that monsters are real—and one of them is her very own sister. “A must for psychological thriller fans” (Publishers Weekly, starred review), The Children on the Hill takes us on a breathless journey to face the primal fears that lurk within us all.
A chilling ghost story with a twist: the New York Times bestselling author of The Winter People returns to the woods of Vermont to tell the story of a husband and wife who don't simply move into a haunted house--they build one . . . In a quest for a simpler life, Helen and Nate have abandoned the comforts of suburbia to take up residence on forty-four acres of rural land where they will begin the ultimate, aspirational do-it-yourself project: building the house of their dreams. When they discover that this beautiful property has a dark and violent past, Helen, a former history teacher, becomes consumed by the local legend of Hattie Breckenridge, a woman who lived and died there a century ago. With her passion for artifacts, Helen finds special materials to incorporate into the house--a beam from an old schoolroom, bricks from a mill, a mantel from a farmhouse--objects that draw her deeper into the story of Hattie and her descendants, three generations of Breckenridge women, each of whom died suspiciously. As the building project progresses, the house will become a place of menace and unfinished business: a new home, now haunted, that beckons its owners and their neighbors toward unimaginable danger.
The latest novel from New York Times best-selling author Jennifer McMahon is an atmospheric, gripping, and suspenseful tale that probes the bond between sisters and the peril of keeping secrets. Once the thriving attraction of rural Vermont, the Tower Motel now stands in disrepair, alive only in the memories of Amy, Piper, and Piper's kid sister, Margot. The three played there as girls until the day that their games uncovered something dark and twisted in the motel's past, something that ruined their friendship forever. Now adult, Piper and Margot have tried to forget what they found that fateful summer, but their lives are upended when Piper receives a panicked midnight call from Margot, with news of a horrific crime for which Amy stands accused. Suddenly, Margot and Piper are forced to relive the time that they found the suitcase that once belonged to Silvie Slater, the aunt that Amy claimed had run away to Hollywood to live out her dream of becoming Hitchcock's next blonde bombshell leading lady. As Margot and Piper investigate, a cleverly woven plot unfolds—revealing the story of Sylvie and Rose, two other sisters who lived at the motel during its 1950s heyday. Each believed the other to be something truly monstrous, but only one carries the secret that would haunt the generations to come.
NATIONAL BESTSELLER • The New York Times bestselling author of The Invited will shock you with a simmering psychological thriller about ghostly secrets, dark choices, and the unbreakable bond between mothers and daughters. • "One of the year's most chilling novels." —The Miami Herald West Hall, Vermont, has always been a town of strange disappearances and old legends. The most mysterious is that of Sara Harrison Shea, who, in 1908, was found dead in the field behind her house just months after the tragic death of her daughter. Now, in present day, nineteen-year-old Ruthie lives in Sara’s farmhouse with her mother, Alice, and her younger sister. Alice has always insisted that they live off the grid, a decision that has weighty consequences when Ruthie wakes up one morning to find that Alice has vanished. In her search for clues, she is startled to find a copy of Sara Harrison Shea's diary hidden beneath the floorboards of her mother's bedroom. As Ruthie gets sucked into the historical mystery, she discovers that she’s not the only person looking for someone that they’ve lost. But she may be the only one who can stop history from repeating itself.
Alison has never been a fan of Christmas. But with it right around the corner and her husband busily decorating their cozy Vermont home, she has no choice but to face it. Then she gets the call. Mavis, Alison's estranged mother, has been diagnosed with cancer and has only weeks to live. She wants to spend her remaining days with her daughter, son-in-law, and two granddaughters. But Alison grew up with her mother's alcoholism and violent abuse and is reluctant to unearth these traumatic memories. Still, she eventually agrees to take in Mavis, hoping that she and her mother could finally heal and have the relationship she's always dreamed of. But when mysterious and otherworldly things start happening upon Mavis's arrival, Alison begins to suspect her mother is not quite who she seems. And as the holiday festivities turn into a nightmare, she must confront just how far she is willing to go to protect her family"--
The New York Times bestselling author of the acclaimed Island of Lost Girls and Promise Not to Tell returns with a chilling novel in which the secrets of the past come back to haunt a group of friends in terrifying ways. Dismantlement = Freedom Henry, Tess, Winnie, and Suz banded together in college to form a group they called the Compassionate Dismantlers. Following the first rule of their manifesto—"To understand the nature of a thing, it must be taken apart"—these daring misfits spend the summer after graduation in a remote cabin in the Vermont woods committing acts of meaningful vandalism and plotting elaborate, often dangerous, pranks. But everything changes when one particularly twisted experiment ends in Suz's death and the others decide to cover it up. Nearly a decade later, Henry and Tess are living just an hour's drive from the old cabin. Each is desperate to move on from the summer of the Dismantlers, but their guilt isn't ready to let them go. When a victim of their past pranks commits suicide—apparently triggered by a mysterious Dismantler-style postcard—it sets off a chain of eerie events that threatens to engulf Henry, Tess, and their inquisitive nine-year-old daughter, Emma. Is there someone who wants to reveal their secrets? Is it possible that Suz did not really die—or has she somehow found a way back to seek revenge? Full of white-knuckle tension with deeply human characters caught in circumstances beyond their control, Jennifer McMahon's gripping story and spine-tingling plot prove that she is a master at weaving the fear of the supernatural with the stark realities of life.
“McMahon unfurls a whirlwind of suspense...Combining murder mystery and coming-of-age tale with supernatural elements, this taut novel is above all a reflection on the haunting power of memory.” –Entertainment Weekly A woman’s past and present collide in terrifying ways in this explosive debut by New York Times bestselling author Jennifer McMahon. Forty-one-year-old school nurse Kate Cypher has returned home to rural Vermont to care for her mother, who's afflicted with Alzheimer's. On the night she arrives, a young girl is murdered—a horrific crime that eerily mirrors another from Kate's childhood. Three decades earlier, her dirt-poor friend Del—shunned and derided by classmates as "Potato Girl"—was brutally slain. Del's killer was never found, while the victim has since achieved immortality in local legends and ghost stories. Now, as this new murder investigation draws Kate irresistibly in, her past and present collide in terrifying, unexpected ways. Because nothing is quite what it seems . . . and the grim specters of her youth are far from forgotten. More than just a murder mystery, Jennifer McMahon's extraordinary debut novel, Promise Not to Tell, is a story of friendship and family, devotion and betrayal—tautly written, deeply insightful, beautifully evocative, and utterly unforgettable.
From the author of the acclaimed Promise Not to Tell comes a chilling and perfectly plotted tale in which crimes of the past and present blend in a mesmerizing tale of mystery, shattered innocence, guilt, and redemption On her a way to a job interview, Rhonda never expected to get caught in the middle of a crime. Sitting in her blue Honda at a gas station, she saw a person dressed as a rabbit grab a young girl out of nearby car. Confused by the absurdity of the rabbit costume, Rhonda does nothing at first. By the time she regains her senses, however, the kidnapper and child are gone. Plagued by guilt, she’s determined to help with the investigation. But as she gets closer to discovering the kidnapper’s identity, she also gets closer to uncovering the truth behind the disappearance of another child—her best friend Lizzy who went missing years before. As Rhonda races to solve the two overlapping mysteries, she rekindles an old romances, learns that people from her past a far different than what they seemed, and ultimately finds liberation. Filled with compelling, realistic characters, twisting supense, and creepy turns that will have readers flying through the pages, Island of Lost Girls is a remarkable display of narrative genius from a stellar new talent.
From the New York Times bestselling author of The Winter Sister comes a new work of psychological horror about a therapist who returns to the old family home after her sister drowns in its swimming pool, where she discovers that it has something sinister lurking beneath its surface"--
Fifteen-year-old Maggie, still grieving the loss of her mother in an accident that also gave her a limp, has turned her back on old friends but connects with a new student, Dahlia, who makes her part of her quirky family and plans their future together as roving musicians and lovers.
“One of the brightest new stars of literary suspense.” —Los Angeles Times New York Times bestselling author Jennifer McMahon is back with a gut-wrenching mystery about an architect whose troubled mother has been found 25 years after being kidnapped—by a killer who is still on the loose The summer of 1985 changed Reggie’s life. Thirteen, awkward, and without a father, she finds herself mixed up with her school’s outcasts—Charlie, the local detective’s son, and Tara, a goth kid who has a mental hold over Reggie and harbors a dark secret. That same summer a serial killer called Neptune begins kidnapping women. He leaves their severed hands on the police department steps and, five days later, displays their bodies around town. Just when Reggie needs her mother Vera—an ex-model with many “boyfriends” and a thirst for gin—the most, Vera’s hand is found on the steps. But after five days, there’s no body and Neptune disappears. Now a successful architect who left her hometown behind after that horrific summer, Reggie doesn’t trust anyone and lives with few attachments. But when she gets a call from a homeless shelter saying that her mother has been found alive, Reggie must confront the ghosts of her past and find Neptune before he kills again. With her signature style, Jennifer McMahon portrays the dark side of adolescent friendship and introduces characters who haunt the imagination, along with a disturbing web of secrets, betrayals, and murder.
Kate Cypher has returned home to Vermont, after a telephone call from friends who are worried about her mother's failing health. On the night she arrives, a young girl is murdered, a horrific crime that eerily mirrors another from Kate's childhood. Three decades earlier, her misfit friend Del, shunned and derided by her classmates as 'the potato girl', was brutally slain. Del's killer was never found, and Del achieved immortality in local legends and ghost stories. Now, as the new murder investigation draws Kate irresistibly in, her past and present collide in terrifying and unexpected ways. But nothing is quite what it seems - and the grim spectres of her childhood are far from forgotten...
From the New York Times bestselling author of The Winter People comes a novel of edge-of-your-seat suspense starring a group of misfits trying to outsmart a killer in small-town Vermont. On the surface, Ashford, Vermont, seems like a quaint New England college town, but to those who live among the shadowy remains of its abandoned mills and factories and beneath its towering steel bridges, it's known as Burntown. Eva Sandeski, who goes by the name Necco on the street, has been a part of Burntown's underworld for years, ever since the night her father, Miles, drowned in a flood that left her and her mother, Lily, homeless. Now, on the run from a man called Snake Eyes, Necco must rely on other Burntown outsiders to survive. As the lives of these misfits intersect, and as the killer from the Sandeski family's past draws ever closer, a story begins to unfurl with classic Jennifer McMahon twists and turns.
“Don’t Breathe a Word is a haunting page-turner that kept me up, spine shivering and enthralled, way past my bedtime.” —Joshilyn Jackson, author of Never Have I Ever On a soft summer night in Vermont, twelve-year-old Lisa went into the woods behind her house and never came out again. Before she disappeared, she told her little brother, Sam, about a door that led to a magical place where she would meet the King of the Fairies and become his queen. Fifteen years later, Phoebe is in love with Sam, a practical, sensible man who doesn't fear the dark and doesn't have bad dreams—who, in fact, helps Phoebe ignore her own. But suddenly the couple is faced with a series of eerie, unexplained occurrences that challenge Sam's hardheaded, realistic view of the world. As they question their reality, a terrible promise Sam made years ago is revealed—a promise that could destroy them all. “Jennifer McMahon never flinches and never fails to surprise…as [she] weaves a young couple into a perverse fairyland where Rosemary’s Baby could be at home.” —Randy Susan Meyers, author of The Murderer’s Daughters
In this book, McMahon argues that a reading of Kant’s body of work in the light of a pragmatist theory of meaning and language (which arguably is a Kantian legacy) leads one to put community reception ahead of individual reception in the order of aesthetic relations. A core premise of the book is that neo-pragmatism draws attention to an otherwise overlooked aspect of Kant’s "Critique of Aesthetic Judgment," and this is the conception of community which it sets forth. While offering an interpretation of Kant’s aesthetic theory, the book focuses on the implications of Kant’s third critique for contemporary art. McMahon draws upon Kant and his legacy in pragmatist theories of meaning and language to argue that aesthetic judgment is a version of moral judgment: a way to cultivate attitudes conducive to community, which plays a pivotal role in the evolution of language, meaning, and knowledge.
In Aesthetics and Material Beauty, Jennifer A. McMahon develops a new aesthetic theory she terms Critical Aesthetic Realism - taking Kantian aesthetics as a starting point and drawing upon contemporary theories of mind from philosophy, psychology, and cognitive science. The creative process does not proceed by a set of rules. Yet the fact that its objects can be understood or appreciated by others suggests that the creative process is constrained by principles to which others have access. According to her update of Kantian aesthetics, beauty is grounded in indeterminate yet systematic principles of perception and cognition. However, Kant’s aesthetic theory rested on a notion of indeterminacy whose consequences for understanding the nature of art were implausible. McMahon conceptualizes "indeterminacy" in terms of contemporary philosophical, psychological, and computational theories of mind. In doing so, she develops an aesthetic theory that reconciles the apparent dichotomies which stem from the tension between the determinacy of communication and the indeterminacy of creativity. Dichotomies such as universality and subjectivity, objectivity and autonomy, cognitivism and non-cognitivism, and truth and beauty are revealed as complementary features of an aesthetic judgment.
USA Today-Bestselling Author: A woman journeys through time to medieval Ireland and finds forbidden love as tension rises between clans… Pursued by Ireland’s notorious pirate queen, Maeve O’Malley is on a quest to Ireland’s medieval past to save the future of her clan and break her ancient family curse. Learning to use her haunting visions to travel to medieval Ireland leads Maeve on the adventure of a lifetime—or centuries of lifetimes. She is torn between the legends of ancient Ireland and the truths of modern life, as her loved ones pressure her to end the visions and leave history undisturbed. But her unexpected loyalty to a familiar medieval boy from the loathed rival clan complicates matters. Time is running out as threats of clan battles clash with the burden to make things right when Maeve realizes the danger of becoming trapped in the past forever—and is forced to make the boldest decision of her life—in this epic Irish adventure of seers and curses, the conclusion to the Pirate Queen series.
Nous approchons de la fin de son septième jour, mais ma petite fille reste tapie dans la pénombre. Elle est là, puis disparaît sans prévenir. J'ai pu constater qu'elle était très pâle, avec les yeux cernés et vêtue, comme ce matin où elle est partie chercher son père, de sa robe bleue, de ses bas en laine et de son petit manteau noir. Ses cheveux sont emmêlés. Elle a les joues maculées de terre. Il émane d'elle une odeur de brûlé, celle d'une bougie qu'on vient de souffler. Elle fait peur à Shep. Il fixe parfois les ténèbres en grognant, les poils du cou hérissés. Depuis que j'ai fini d'écrire notre histoire, je lui parle, lui fredonne des chansons, je fais tout pour l'inciter à se montrer. Tu te rappelles ? lui dis-je. Tu te rappelles ? " Et si l'amour était vraiment plus fort que la mort ? Et si vous aviez la possibilité de ramener de l'au-delà l'être que vous aimez le plus au monde ? Un suspense terrifiant pour un sujet grave. On ne peut pas lâcher l'histoire. On plonge dans l'effroi.
From the New York Times bestselling author of The Winter Sister comes a new work of psychological horror about a therapist who returns to the old family home after her sister drowns in its swimming pool, where she discovers that it has something sinister lurking beneath its surface"--
Perfect for any reader interested in fashion, history, or popular culture, this text is an essential resource that presents vital information and informed analysis of key fashion fads not found elsewhere. Fashion Fads Through American History: Fitting Clothes into Context explores fashion fads from the 19th century to the current decade, providing the reader with specific insights into each era. The text draws fascinating connections between what we see in fashion phenomena—including apparel, accessories, hair, and makeup—and events in popular culture in general and across history. Written by an art and design historian, the book is ideal for a wide range of student research projects, especially those in American history, social studies, art, and literature classes. It covers topics overlooked by fashion history texts because of their origination outside of the formal fashion system. Each entry provides critical historical context to help readers understand why the fad originated and why it resonated with consumers, and presents vital information and analysis of key fashions that were intimately related to currents in contemporary culture. The text also considers the resurgence of some fashion fads in the late 20th and early 21st centuries and provides context for their relevance.
“A wild read.” —The Guardian Part biography, part social history, Being Britney pieces together a collage of stories, interviews, legends, and fan experiences to construct a definitive portrait of one of the biggest stars in recent history. In her unique narrative, acclaimed music author Jennifer Otter Bickerdike provides a sympathetic yet objective reexamination of Britney’s trajectory from girl next door to woman trapped by fame. Being Britney is the compelling account of a talented, troubled, and much-discussed modern icon whose life, work, and individual significance will be recognized for many decades to come. “Britney is blessed to have such a talented writer and perceptive mind broaching the complexities of her story thus far.” —Shirley Manson, Garbage
India’s core goals for Southeast Asia are in basic harmony with those of the United States, including regional stability, peaceful settlement of territorial disputes, and containment of radicalism Still, America should not expect India to enter any sort of alliance, nor join any coalition to balance against China, but should demonstrate strategic patience and willingness to cultivate a long-term relationship.
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