When South Africa is riven by war and the Smales, a white couple, take refuge in the village of their former servant July, their relationships are completely transformed.
Upon learning that her college sweetheart husband has been seeing another woman, Mira Serafino’s once perfect world is shattered and she wants no one, least of all her big Italian family, to know. She takes off—with no destination and little money—heading north until her car breaks down in Seattle. There she takes a job at the offbeat Coffee Shop at the Center of the Universe, where she’ll experience a terrifying but invigorating freedom, and meet someone she’ll come to love: the new Mira.
Women’s work challenges influential accounts about gender and the novel by revealing the complex ways in which labour informed the lives and writing of a number of middling and genteel women authors publishing between 1750 and 1830. This book provides a particularly rich, yet largely neglected, seam of texts for exploring the vexed relationship between gender, work and writing. The four chapters that follow contain thoroughly contextualised case studies of the treatment of manual, intellectual and domestic labour in the work and careers of Sarah Scott, Charlotte Smith, Mary Wollstonecraft and women applicants to the writer’s charity, the Literary Fund. By making women’s work visible in our studies of female-authored fiction of the period, Batchelor reveals the crucial role that these women played in articulating debates about the gendered division of labour, the (in)compatibility of women’s domestic and professional lives and the status and true value of women’s work that shaped eighteenth-century culture as surely as they shape our own.
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