Inside the Whale is a story about the big things that hold us together and the small things that prove our undoing. It is a dazzling celebration of the bright joys, hard losses and deep contentments borne by two eccentric families as the twentieth century unfolds. Fizzing with eclectic characters and poignant imagery, this heart-wrenching debut novel is a story to relish.
Inspired by the true story of a female spy, this is “an infectious page-turner, as crafty and nuanced and impassioned as any classic thriller” (The National). Inspired by the true story of Melita Norwood, unmasked as the KGB’s longest-serving British spy in 1999, at age eighty-seven, Red Joan centers on the deeply conflicted life of a young physicist during the Second World War. Talented and impressionable, Cambridge undergraduate Joan Stanley befriends the worldly Sonya, whose daring history is at odds with Joan’s provincial upbringing. Joan also feels a growing attraction toward Leo, Sonya’s mysterious and charismatic cousin. Sonya and Leo, known communist sympathizers with ties to Russia and Germany, interpret wartime loyalty in ways Joan can only begin to fathom. As nations throughout the continent fall to fascism, Joan is enlisted into an urgent project that will change the course of the war—and the world—forever. Risking both career and conscience, leaking information to the Soviets while struggling to maintain her own semblance of morality, Joan is caught at a crossroads in which all paths lead to the same endgame: the deployment of the atomic bomb. Life during wartime, however, is often ambiguous, and when—decades later—MI5 agents appear at her doorstep, Joan must reaffirm the cost of the choices she made and face the cold truth: our deepest secrets have a way of dragging down those we love most. The basis of the film starring Judi Dench and Sophie Cookson, this is “a brilliant spy novel, with [a] deft, involving plot . . . Tense, beautifully pitched, and very moving” (Marie Claire).
Costa-shortlisted author Jennie Rooney takes her readers back to the first giddying days of human flight in her much-anticipated follow-up to bittersweet wartime love storyInside the Whale. At Niagara Falls, one of the attractions is a red and blue striped hot air balloon offering rides over the rushing water. The balloon is a day job for Toby O'Hara, a young man whose night work is to continue to perfect his father's design for a flying machine. On the other side of the Atlantic, Ursula Bridgewater, an independent woman from Liverpool, is ungraciously dumped by her fiancé, Henry Springton. Ursula turns to the thrill of travel as an escape, and her sights are soon set on thomas Cook's famous new tour of America. She chooses a young orphan, Sally Walker, as her travelling companion, but Sally is never going to be quite as prepared for the land of freedom and opportunity as Ursula - and certainly not ready to accept Toby O'Hara's invitation to see Niagara from a great height. The Opposite of Fallingconfirms Costa-shortlisted Jennie Rooney as an author with a remarkable and rare talent. In this billowing love story, told with tender wit and a distinctive turn of phrase, Rooney's indomitable characters are lifted by small acts of bravery to find -- surprised and heartened -- that what once seemed terrifying is in fact just the opposite...
Inside the Whale is a story about the big things that hold us together and the small things that prove our undoing. It is a dazzling celebration of the bright joys, hard losses and deep contentments borne by two eccentric families as the twentieth century unfolds. Fizzing with eclectic characters and poignant imagery, this heart-wrenching debut novel is a story to relish.
Inspired by the true story of a female spy, this is “an infectious page-turner, as crafty and nuanced and impassioned as any classic thriller” (The National). Inspired by the true story of Melita Norwood, unmasked as the KGB’s longest-serving British spy in 1999, at age eighty-seven, Red Joan centers on the deeply conflicted life of a young physicist during the Second World War. Talented and impressionable, Cambridge undergraduate Joan Stanley befriends the worldly Sonya, whose daring history is at odds with Joan’s provincial upbringing. Joan also feels a growing attraction toward Leo, Sonya’s mysterious and charismatic cousin. Sonya and Leo, known communist sympathizers with ties to Russia and Germany, interpret wartime loyalty in ways Joan can only begin to fathom. As nations throughout the continent fall to fascism, Joan is enlisted into an urgent project that will change the course of the war—and the world—forever. Risking both career and conscience, leaking information to the Soviets while struggling to maintain her own semblance of morality, Joan is caught at a crossroads in which all paths lead to the same endgame: the deployment of the atomic bomb. Life during wartime, however, is often ambiguous, and when—decades later—MI5 agents appear at her doorstep, Joan must reaffirm the cost of the choices she made and face the cold truth: our deepest secrets have a way of dragging down those we love most. The basis of the film starring Judi Dench and Sophie Cookson, this is “a brilliant spy novel, with [a] deft, involving plot . . . Tense, beautifully pitched, and very moving” (Marie Claire).
Ground stone artefacts were widely used in food production in prehistory. However, the archaeological community has widely neglected the dataset of ground stone artefacts until now. 'New Approaches to Old Stones' offers a theoretical and methodological analysis of the archaeological data pertaining to ground stone tools. The essays draw on a range of case studies - from the Levant, Egypt, Crete, Anatolia, Mexico and North America - to examine ground stone technologies. From medieval Islamic stone cooking vessels and late Minoan stone vases, to the use of stone in ritual and as a symbol of luxury, 'New Approaches to Old Stones' offers a radical reassessment of the impact of ground-stone artefacts on technological change, production and exchange.
Costa-shortlisted author Jennie Rooney takes her readers back to the first giddying days of human flight in her much-anticipated follow-up to bittersweet wartime love story Inside the Whale. At Niagara Falls, one of the attractions is a red and blue striped hot air balloon offering rides over the rushing water. The balloon is a day job for Toby O'Hara, a young man whose night work is to continue to perfect his father's design for a flying machine. On the other side of the Atlantic, Ursula Bridgewater, an independent woman from Liverpool, is ungraciously dumped by her fiancé, Henry Springton. Ursula turns to the thrill of travel as an escape, and her sights are soon set on thomas Cook's famous new tour of America. She chooses a young orphan, Sally Walker, as her travelling companion, but Sally is never going to be quite as prepared for the land of freedom and opportunity as Ursula - and certainly not ready to accept Toby O'Hara's invitation to see Niagara from a great height. The Opposite of Falling confirms Costa-shortlisted Jennie Rooney as an author with a remarkable and rare talent. In this billowing love story, told with tender wit and a distinctive turn of phrase, Rooney's indomitable characters are lifted by small acts of bravery to find -- surprised and heartened -- that what once seemed terrifying is in fact just the opposite...
Communication is a basic behaviour, found across animal species. Human language is often thought of as a unique system, which separates humans from other animals. This textbook serves as a guide to different types of communication, and suggests that each is unique in its own way: human verbal and nonverbal communication, communication in nonhuman primates, in dogs and in birds. Research questions and findings from different perspectives are summarized and integrated to show students similarities and differences in the rich diversity of communicative behaviours. A core topic is how young individuals proceed from not being able to communicate to reaching a state of competent communicators, and the role of adults in this developmental process. Evolutionary aspects are also taken into consideration, and ideas about the evolution of human language are examined. The cross-disciplinary nature of the book makes it useful for courses in linguistics, biology, sociology and psychology, but it is also valuable reading for anyone interested in understanding communicative behaviour.
Women’s work challenges influential accounts about gender and the novel by revealing the complex ways in which labour informed the lives and writing of a number of middling and genteel women authors publishing between 1750 and 1830. This book provides a particularly rich, yet largely neglected, seam of texts for exploring the vexed relationship between gender, work and writing. The four chapters that follow contain thoroughly contextualised case studies of the treatment of manual, intellectual and domestic labour in the work and careers of Sarah Scott, Charlotte Smith, Mary Wollstonecraft and women applicants to the writer’s charity, the Literary Fund. By making women’s work visible in our studies of female-authored fiction of the period, Batchelor reveals the crucial role that these women played in articulating debates about the gendered division of labour, the (in)compatibility of women’s domestic and professional lives and the status and true value of women’s work that shaped eighteenth-century culture as surely as they shape our own.
Detailed and timely information on accommodations, restaurants, and local attractions highlight these updated travel guides, which feature all-new covers, a dramatic visual design, symbols to indicate budget options, must-see ratings, multi-day itineraries, Smart Travel Tips, helpful bulleted maps, tips on transportation, guidelines for shopping excursions, and other valuable features. Original.
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