A familiar shiver ran a zigzag line over her skin. Pressing the flower to her nose, Arlie breathed in deeply. Before her eyes, she suddenly saw water. Her heart raced at a memory of drowning. She steadied herself against her dresser as she gasped for air. 'Are you from my dream? How did you get in my room?' Arlie has always had the same dream. She dreamed of a magical place filled with the smell of flowers. She sat on a bench, looking over a crystal-blue lake. Ducks glided effortlessly over the lake, and never once did they stick their heads in the water searching for food. A few birds flew above; trees stood here and there, full and thick, and not one leaf lay beneath their mighty branches. Arlie was never alone there. A man sat with her, his hair long and white, like spun silk. He spoke a different language than her, but somehow she understood everything he said. His voice caused the birds and the ducks to stop and listen. Even the trees stopped swaying. How could a man control the animals and the wind? Who was he, and why was Arlie there with him? Arlie felt there was more to the dream, but she just couldn't remember. Now Arlie's Dreams have changed. Something has come back with her. With the help of her two best friends, Rachel and Billy, Arlie discovers a shattering connection to the spirit realm and her dreams. This discovery leads to an epic battle between good and evil, one that leads the trio to a journey somewhere they will never forget: hell. Will good triumph over evil? Can Arlie find out her true identity?
An unlikely friendship between two young women from opposite ends of Fitzroy sparks lifechanging transformations they could never have anticipated. Melbourne, 1945. Born into a well-to-do family, Maggie Johnson wants freedom from her parents' strict conservative beliefs and their unbending desire for her to marry the right sort of man. Instead, Maggie longs to forge her own path in life. Lil Kelly, who lives in the slums, works tirelessly to care for her mother and sister. Lil looks for contentment wherever she can find it, not daring to dream of more. When their paths cross during the exhilarating celebrations of Victory in the Pacific Day, they form a secret friendship. Determined to help lift Lil out of poverty, Maggie finds herself in need of her friend's help when her own carefully ordered world collapses. As Maggie discovers the strength and vibrancy within the close-knit community of southern Fitzroy, Lil is inspired to take a chance and look beyond the only life she has ever known. In a world where destiny is dictated by the street where you were born, can Maggie and Lil find the courage to pursue their dreams and follow their hearts? 'Jennie Jones entwines friendship, family and the class divide into a finely written tale that highlights the importance of love and a meaningful life.' - Mary-Lou Stephens, author of The Chocolate Factory
The love story is an integral part of many novels. What is its narrative status? How does it function, and why? In this original study of Socratic 'love stories, ' from Plato through Fielding and Faulkner to the Postmodernists, Jennie Wang proposes a new narrative theory in the study of the novel, which deconstructs the mimesis of 'love stories' and reconstructs their historicity. Wang claims that in the Platonic tradition, the construction of 'love stories' is often a dramatization of the author's historical vision, philosophical speculations, cultural criticism, or political ideology. Novelistic love functions as a literary medium, a power of free speech, that enables the novelist to speak unspeakable truths and include excluded subjects. Wang's work will be of interest to both philosophers and scholars of American literature and postmodernism.
First published in 1998. This book attempts to contribute a new framework for social research in the welfare field. As such, it engages with new theories, new approaches and new methods, alongside a constructive critique of both the old and the new. It attempts to illustrate approaches to conceptualization and operationalization within policy-relevant research, to reflect and explore both “new” thinking in social theory and in welfare policy, as well as to maintain a connection with “old” concerns. Our concern is with welfare research—both theory and method— broadly defined as the wider landscape of policy and provision captured, in the past at least, by the notion of the “welfare state”. The “new” thinking with which the book is primarily concerned involves a shift away from seeing people as the passive beneficiaries of “welfare” provided through state interventions and professional expertise and from seeing them as fixed single social categories of “poor”, “old”, “single parent” or as one dimensional, objective socio-economic classifications.
What is experimental music today? Recent attempts to define or identify examples of experimental music have been cautious and subjective, offering very little guidance to anyone with an interest in this field of activity. Is experimental music a historical event that refers only to John Cage and his influence, or does it have a greater spread and longevity? The development of this musical practice over the last 45 years merits a fresh definition and discussion. An experimental approach is not identifiable in specific sounds or techniques, and its scope would be drastically limited if it were judged on the basis of social or aesthetic groupings or self-identifications of composers.
A History of Medical Libraries and Librarianship in the United States: From John Shaw Billingsto the Digital Era presents a history of the profession from the beginnings of the Army Surgeon General’s Library in 1836 to today’s era of the digital health sciences library. The purpose of this book is not only to make this history available to the profession’s practitioners, but also to provide context as medical librarians and libraries enter a new age in their history as the digital information environment has undercut the medical library’s previous role as the depository of the print based KBI/information base. The book divides the profession’s history is divided into seven eras: 1. The Era of the Library of the Office of the Army Surgeon General and John Shaw Billings – 1836 – 1898 2. The Era of the Gentleman Physician Librarian – 1898 to 1945 3. The Era of the Development of the Clinical Research Infrastructure (NIH), the Rapid Expansion in Funded and Published Clinical Research and the Emergence of Medical Librarianship as a Profession – 1945 – 1962 4. The Era of the Development of the National Library of Medicine, Online digital Subject Searching (Medline) and the Creation of the National Health Science Library Infrastructure– 1962 – 1975 5. The Medline Era – A Golden Age for Medical Libraries – 1975 – 1995 6. The Era of Universal Access to Information and the Transition from Paper to Digitally Based Medical Libraries – 1995 – 2015 7. The Era of the Digital Health Sciences Library – 2015 – Each era is reviewed through discussing the developments in the field and the factors which drove those developments. The book will provide current and future medical librarians and information specialists an understanding of the development of their profession and some insights into its future.
Research into the rehabilitation of individuals following Traumatic Brain Injury (TBI) in the past 15 years has resulted in greater understanding of the condition. The second edition of this book provides an updated guide for health professionals working with individuals recovering from TBI. Its uniquely clinical focus provides both comprehensive background information, and practical strategies for dealing with common problems with thinking, memory, communication, behaviour and emotional adjustment in both adults and children. The book addresses a wide range of challenges, from those which begin with impairment of consciousness, to those occurring for many years after injury, and presents strategies for maximising participation in all aspects of community life. The book will be of use to practising clinicians, students in health disciplines relevant to neurorehabilitation, and also to the families of individuals with traumatic brain injury.
This book shows that the faith in educational markets is misplaced. Throughout the English speaking world and now Western Europe and parts of East Asia parental choice and educational markets are being seen by politicians and policy advisors as the panacea to problems of low educational standards and social exclusion. This book is the first to systematically test the key assumptions underlying the faith in markets by linking an analysis of parental choice to flows of students between schools and their impact on school effectiveness. The results of this study suggest that the ability to realize choices is dependent on social class, gender and ethnicity and that this can have a negative impact on some schools' performance. Rather than raising standards the impact of markets is to polarise them, leading to an impoverished education for many students. This important book will be vital reading for students of educational policy, sociology of education and school effectiveness and improvement, educational researchers, academics and policymakers.
This guide assists both student and graduate nurses in establishing and maintaining improved interpersonal relationships with their patients and with each other. Jennie Wilting, a psychiatric nurse, describes many actual situations where nurses are faced with misunderstandings or conflicts of interest.
Feminist theologians often claim that "women's experience" is their starting point. However, most feminist theology is remarkably void of analysis of particular women's experiences of imaging God. In this book, Knight provides practical recommendations to help people transform images in the context of religious practices. What difference does it make whether we picture God as an elderly white grandfather, a nurturing African American mother, or a stranger on the bus? Jennie Knight says our image of God affects how we see ourselves, how we worship, how we treat one another, how (or whether) we work for justice, and a host of other life practices. But after years of knowing intellectually that God transcends a specific human type, Knight still struggles to make an emotional connection with God in different forms. She suspects that that struggle is why many seminarians who wrote papers about thea/theology abandon nontraditional God images once they hit parish ministry, perpetuating the practice of seeing God as a European male on a throne and all the accompanying problems that such imagery creates. Knight believes that personal and critical reflection in the context of a supportive learning community, combined with experiences of diverse images for the divine in worship, can lead to profound changes in self-image, relationship with the divine, and agency in the world. This book aims to demonstrate why and how this transformation is both possible and necessary. The popularity of The Shack, The Secret Life of Bees, Joan of Arcadia, and other works with nontraditional God-figures reveals a culture ready to embrace God in many forms. Knight examines how the church can do the same.
In Blood at the Root, winner of the SUNY Press 2009 Dissertation/First Book Prize in African American Studies, Jennie Lightweis-Goff examines the centrality of lynching to American culture, focusing particularly on the ways in which literature, popular culture, and art have constructed the illusion of secrecy and obsolescence to conceal the memory of violence. Including critical study of writers and artists like Ida B. Wells-Barnett, Richard Wright, William Faulkner, George Schuyler, and Kara Walker, Lightweis-Goff also incorporates her personal experience in the form of a year-long travelogue of visits to lynching sites. Her research and travel move outside the American South and rural locales to demonstrate the fiction of confining racism to certain areas of the country and the denial of collective responsibility for racial violence. Lightweis-Goff seeks to implicate societal attitude in the actions of the few and to reveal the legacy of violence that has been obscured by more valiant memories in the public sphere. In exploring the ways that spatial and literary texts replace lynching with proclamations of innocence and regret, Lightweis-Goff argues that racial violence is an incompletely erupted trauma of American life whose very hiddenness links the past to still-present practices of segregation and exclusion.
Bestselling Australian author Jennie Jones takes us back to Swallow's Fall for one more story: Gemma has a burning need to stay and make a home. All Josh has ever wanted is to get out. Now he has the chance, and all he needs to do is tie up a few loose ends... Gemma Munroe loves hard, laughs hard and plays hard. Or at least she did before today. Her dream is finally within her grasp – owning the toy shop in Swallow's Fall and establishing herself permanently. Only one person has the power to get in her way: Josh Rutherford – the love of her life who kissed her and left her ten years ago is coming home. Josh will be in town for five days. Only five days. He'll finally sever the ties to a youth filled with poverty by selling the properties that are now his. He's returning healthy, wealthy and emotionally stable, and then he'll leave forever. It's all in the plan. Everything...except for Gem. He never forgot her, but he definitely forgot the effect she has on him. Now she's got problems, and he can't seem to leave without trying to help her solve them. The town itself also has its own plans: Gemma and Josh are thrown together in Speed–Date fiascos, kissing experiments, bar fights and an issue with the North Star – Josh's compass and the road to his next adventure. Seven weeks later Josh is still in town. Gem has to get through her best friends' wedding and Josh has to get over Gem. Because he's not staying. Is he?
Rural romance meets Blue Heelers in this cosy mystery about an outback cop, from the author of The Swallow's Fall series. Jaxine Brown has made a good life for herself in the Western Australian outback town of Mt Maria. But the homecoming of her teenage daughter, Frances, changes everything. At only seventeen, Jax was coerced to give up the baby to Frances's father and his wife. Finally, she has a chance to make it right, and hasn't got time to think about recently returned Detective Senior Sergeant Jack Maxwell, who inexplicably disappeared in the middle of their only date last year. But Jack's back in town to investigate suspicion of drug trafficking and the man he's watching works in the closest mine to town. He expects to have this case wrapped up in four weeks, and feels he can take his time, not only with the case but also with Jaxine Brown, the woman he hasn't been able to get out of his mind. When graffiti and vandalism escalate in an issue involving stolen animals, Jax and Frances are unwittingly drawn into a mystery connected to the same mine Jack has under surveillance. Can Jack get to the bottom of the furtive goings–on, and do whatever it takes to protect the would–be family that's wound its way into his heart? A new outback romance from the bestselling author of The Swallow's Fall series.
From the bestselling author of The House on Burra Burra Lane comes a brand–new story about opposites, attraction, an outback pub and a pink house... The mysterious death of her mother has left Charlotte Simmons on edge and off–balance for too long. The only way to move forward is to get answers, and those answers can only be found in one place. So Charlotte buys a bed & breakfast establishment in Swallow's Fall, a small town in Australia's Snowy Mountains, as a ploy to get close to the man who might have the answers. She'll jazz up the old place, flip it, get her answers, and be gone in two months – max. What she doesn't count on is opposition from the dogmatic and slightly eccentric members of the town council, and the hotshot owner of Kookaburra's Bar & Grill and his 200–squats–a–day physique who offers to act as mediator, but whose eyes promise so much more. Easygoing Daniel Bradford knows progress is slow in Swallow's Fall. He's finally about to put his plans into place to upgrade the hotel when a prim–and–proper citified redhead blows into town, putting everyone on edge. The only way to contain the trouble she's about to cause is to contain her – but he knows trouble when he sees it, and soon it becomes very clear that there's absolutely nothing containable about Charlotte, or the way he feels about her.
A war. The girl she'd been. And the woman she was forced to become. A dazzling, heartbreaking story of friendship and redemption from bestselling author Jennie Jones. Townsville, 1942. Young women aged sixteen and over are obliged by law to join the war effort, and Emma Hatton's world is at last about to change. Longing to escape the humdrum poverty of oceanside Blueholm Bay and the demands of her domineering mother, Emma reaches the bustling wartime mayhem of Townsville where the city streets are filled with glamorous GIs and red lipstick is the colour of the day. Befriending charismatic Cassie O'Byrne, Emma believes her adult life has finally begun. Private Frank Kendrick's kisses make her heart beat faster and with all the talk of his family in California, surely a proposal is imminent. But after a hasty seduction, Frank disappears and Emma finds herself in trouble. Her family's solution is the Holy Refuge of Saint Philomena in Brisbane, a prison-like 'home' where unmarried, pregnant young women are sent to repent and wait out their term before their babies are forcibly adopted. Longing to keep her child, Emma befriends other girls struggling in this cruel environment while her dearest friend of all seeks a way to help. The courageous choices Emma must make will lead her to true adulthood, forever friendships ... and a home and family she could never have anticipated.
A dilapidated house, a city girl looking for a tree change, and a rugged vet with a past. Just another day in rural Australia... Just ten days after her fresh start in the isolated Snowy Mountains, Samantha Walker trips over a three hundred pound pig and lands in the arms of Dr. Ethan Granger – and the firing line for gossip. It was hardly a 'date' but sparks of the sensual kind are difficult to smother in a community of only 87 people. Now there's a bet running on how long she'll stay and what she'll get up to while she's in town. Ethan has his own issues – Sammy's presence in his childhood home brings with it painful recollections of family scandals and a bad boy youth. When the gossip around them heightens, his life is suddenly a deck of cards spread on the table for all to see. Then Sammy's past catches up with her... and it looks like all bets are off.
Ground stone artefacts were widely used in food production in prehistory. However, the archaeological community has widely neglected the dataset of ground stone artefacts until now. 'New Approaches to Old Stones' offers a theoretical and methodological analysis of the archaeological data pertaining to ground stone tools. The essays draw on a range of case studies - from the Levant, Egypt, Crete, Anatolia, Mexico and North America - to examine ground stone technologies. From medieval Islamic stone cooking vessels and late Minoan stone vases, to the use of stone in ritual and as a symbol of luxury, 'New Approaches to Old Stones' offers a radical reassessment of the impact of ground-stone artefacts on technological change, production and exchange.
Spirit guides Spotted Eagle and Grandfather White Elk offer a compelling new model that allows us to embrace a reality not driven by fantasy or materialism, and that still affords us great freedom and peace of mind. They demonstrate how spiritual authenticity can give us access to our most powerful and intriguing possibilities. Personal Magic describes authenticity in real-world terms, as strengths and challenges, and as innate gifts and talents that we can employ in creating what fulfills our deepest desires for a joyful life. Personal Magic defines eight magic types. These magics express our uniquely human powers - the things that make us magical, creative, and able to build our lives on a foundation of what is real. This book offers fresh, no-nonsense insight into what human creative power is really all about, at the level of the individual, and how we might learn to dance with the uncertainties in the Universe that created us.
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