Landscape Stories' offers a selection from the works of photographer Jem Southam. Each series of pictures describes the subtle changes in the landscape of the English West Country that he has witnessed over years of close observation, concentrating on water features.
Landscape Stories' offers a selection from the works of photographer Jem Southam. Each series of pictures describes the subtle changes in the landscape of the English West Country that he has witnessed over years of close observation, concentrating on water features.
`An important contribution to the development of cognitive therapy that synthesizes the best of traditional cognitive therapy with important new developments emerging from a range of different areas. Combining practical accessibility with theoretical sophistication, this book will be invaluable reading for both beginning therapists and experienced clinicians' - Jeremy D. Safran, Ph.D., Professor and Director of Clinical Psychology, New School for Social Research, New York `Like a powerful river with many tributaries, this book somehow manages to weave influences from all kinds of diverse sources into an exciting, coherent whole. It is everything you'd want of a new CBT book for students and practitioners - fresh, practical, accessible' - James Bennett-Levy, Oxford Cognitive Therapy Centre Assessment and Case Formulation in Cognitive Behavioural Therapy is a comprehensive guide to key areas of professional knowledge and skill. The successful outcome of therapy depends on the therapist's ability to work collaboratively with clients to create rounded assessments and formulations as a solid basis for therapeutic work. Drawing directly on their own clinical work, the authors describe how assessment and formulation should evolve throughout the process. The case examples chosen include helping individuals with axis I and II problems such as psychosis, depression, borderline personality disorder and family case formulation. The authors also discuss the importance of the therapist taking into account their own beliefs and emotions in formulating each case and present suggested self-practice/self-reflection trajectories to support continuous professional development in this area. Alec Grant is Principal Lecturer and Course Leader MSc in Cognitive Psychotherapy at INAM, University of Brighton. Michael Townend is Reader in Cognitive Behavioural Psychotherapy and Programme Leader for the MSc in Cognitive Behavioural Psychotherapy and Postgraduate Certificate in Clinical Supervision, University of Derby. Jem Mills is Managing Director Aurora CBT Ltd and also Cognitive Psychotherapist in Private Practice. Adrian Cockx is Community Psychiatric Nurse and MSc in Cognitive Psychotherapy student at University of Brighton.
Now completely revised and updated for this thirteenth edition, "The Canadian Writer's Market is the authority on who publishes what, and how best to bring attention to your work. Success in getting your manuscript published depends on knowing where you are most likely to sell your work, who to approach and how, and where to find professional and financial assistance. In the ever-changing and increasingly competitive world of Canadian publishing, this is not as easy as it might sound. The indispensable tool for keeping up is "The Canadian Writer's Market, acclaimed coast to coast for more than 25 years as the most important reference book for writers, next to a dictionary and thesaurus. In addition, "The Canadian Writer's Market includes listings for literary agents, awards, competitions, and grants, and offers practical advice on all aspects of manuscript preparation and marketing. It also contains useful background information on the thorny issues of income tax for the freelancer and copyright and libel law.
In November 2010, after a photographic lull of half a year, Jem Southam took a photograph which became the first in this series, 'The River - Winter' and which spurred him to make one of the most concentrated bodies of work in his career. From late autumn through to the earliest signs of spring, along the banks of the river Exe in Devon, Southam chose locations and took photographs, returning at regular intervals. This pattern continued for the next five months with Southam documenting the subtle agencies of change transforming the landscape. By the end of January 2011 he realized this had become a new work, one that caught the effects of the Earth's turn on film, one which followed the passage of a single winter". -- From publisher's website.
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