You know him from his breakout role as Hank Kingsley on The Larry Sanders Show, his outrageous turn as George and Oscar Bluth on Arrested Development, and his Emmy Award-winning performance as Maura Pfefferman on Transparent. A Broadway star, a television legend, an accomplished screen actor whose singular wit and heartrending performances have been entertaining audiences for more than four decades, but the question remains: Who the hell is Jeffrey Tambor? In his illuminating, often hilarious, and always honest memoir, Tambor looks back at the key moments in his life that taught him about creativity and play and pain and fear. The son of what you might call "eccentric" Russian and Hungarian Jewish parents, Tambor grew up in San Francisco a husy kid with a lisp, who suffered in his "otherness" and found salvation in the theater. While he learned his art from the best of the best—Al Pacino, George C. Scott, Garry Shandling, Mitch Hurwitz, Jill Soloway—he also introduces his many unexpected teachers, from the nameless man in a Detroit bookstore who gave him the love of reading, to his young children who (at this ridiculously late stage in his life) have reintroduced him to play, bravery, and the simple joy of not giving a shit. Tambor shares the triumph of landing his first Broadway role, but not before experiencing the humbling that is commercial work (and how even saying "my socks don't cling" can prove a challenge). He invites you behind the scenes of his wildly successful television shows, but he doesn't leave out the pit stops he made at addiction, Scientology, and what it feels like to get fourth billing after Sylvia the Seal on The Love Boat. At last, Tambor answers the question "Are you anybody?" with a promise that success doesn't mean perfection and failure most definitely is an option.
You know him from his breakout role as Hank Kingsley on The Larry Sanders Show, his outrageous turn as George and Oscar Bluth on Arrested Development, and his Emmy Award-winning performance as Maura Pfefferman on Transparent. A Broadway star, a television legend, an accomplished screen actor whose singular wit and heartrending performances have been entertaining audiences for more than four decades, but the question remains: Who the hell is Jeffrey Tambor? In his illuminating, often hilarious, and always honest memoir, Tambor looks back at the key moments in his life that taught him about creativity and play and pain and fear. The son of what you might call "eccentric" Russian and Hungarian Jewish parents, Tambor grew up in San Francisco a husy kid with a lisp, who suffered in his "otherness" and found salvation in the theater. While he learned his art from the best of the best—Al Pacino, George C. Scott, Garry Shandling, Mitch Hurwitz, Jill Soloway—he also introduces his many unexpected teachers, from the nameless man in a Detroit bookstore who gave him the love of reading, to his young children who (at this ridiculously late stage in his life) have reintroduced him to play, bravery, and the simple joy of not giving a shit. Tambor shares the triumph of landing his first Broadway role, but not before experiencing the humbling that is commercial work (and how even saying "my socks don't cling" can prove a challenge). He invites you behind the scenes of his wildly successful television shows, but he doesn't leave out the pit stops he made at addiction, Scientology, and what it feels like to get fourth billing after Sylvia the Seal on The Love Boat. At last, Tambor answers the question "Are you anybody?" with a promise that success doesn't mean perfection and failure most definitely is an option.
One of the most beloved programs in the history of television, cop show Northie, has fallen into a ratings slump. Will it be cannibalized by unscrupulous studio executives for one last burst of high ratings? Or will it be allowed to conclude its run in dignity? These are the questions faced by television producer Louie.
Challenging the widely held belief that Nicaragua has been ethnically homogeneous since the 19th century, TO DIE IN THIS WAY reveals the continued existence of a "forgotten" indigenous culture. By recovering a significant part of Nicaraguan history that has been excised from national memory, Jeffrey Gould critiques the enterprise of third world nation-building and marks an important step in the study of Latin American culture and history. 11 photos.
Cautionary Tales About the Derailing of Mental Health Care: Volume 2: Scientology, Alien Abduction, False Memories, Psychoanalysis On Trial, Black Psychiatry, Bizarre Surgery, Lobotomy, and the Siren Call of Psychopharmacology
Cautionary Tales About the Derailing of Mental Health Care: Volume 2: Scientology, Alien Abduction, False Memories, Psychoanalysis On Trial, Black Psychiatry, Bizarre Surgery, Lobotomy, and the Siren Call of Psychopharmacology
Off the Tracks: Cautionary Tales About the Derailing of Mental Health Care delivers more than its title. It is both a stimulating, accessible read and a highly researched, valuable, and thought provoking work. It will appeal to both professionals and the general public. The authors' thesis, that treatment relationships are a powerful force in and of itself, is illustrated by extensive narrative examples of various theoretical approaches of mismanaged relationships that harmed patients. The authors include physical treatments since they too involve clinical judgments. The range of examples in the study is extensive. Off the Tracks will intrigue and enrich all readers." --Judith Schachter, Former President, American Psychoanalytic Association (1994-1996)
Contrary to arguments that television is detrimental to democracy, Entertaining Politics explores the role of new political television in shaping a changing civic culture. Jeffrey P. Jones shows how viewers understand and make use of the increasingly blurred lines between 'serious' and 'entertainment' programming and argues that alarmist critics who predict the end of politics in the age of television have misconstrued the role of the medium and the commitment of audiences to both TV and public life. Visit our website for sample chapters!
Detailed and timely information on accommodations, restaurants and local attractions highlight these updated travel guides, which feature all-new covers, a dramatic visual design, symbols to indicate budget options, must-see ratings, multi-day itineraries, Smart Travel Tips, helpful bulleted maps, tips on transportation, guidelines for shopping excursions and other valuable features. Original.
First Published in 1990. This title embraces the descriptive, comparative and historical aspects of the language. It also concerns itself with the classical form as well as the modern and contemporary standard forms and their dialects. Moreover, it attempts to study the language in the appropriate regional, social and cultural settings. This series will be of interest not only to students and researchers in Arabic linguistics but also to students and scholars of other disciplines who are looking for information of theoretical, practical or pragmatic interest.
Since its inception, the U.S.-Mexico border has invited the creation of cultural, economic, and political networks that often function in defiance of surrounding nation-states. It has also produced individual and group identities that are as subversive as they are dynamic. In Are We Not Foreigners Here?, Jeffrey M. Schulze explores how the U.S.-Mexico border shaped the concepts of nationhood and survival strategies of three Indigenous tribes who live in this borderland: the Yaqui, Kickapoo, and Tohono O'odham. These tribes have historically fought against nation-state interference, employing strategies that draw on their transnational orientation to survive and thrive. Schulze details the complexities of the tribes' claims to nationhood in the context of the border from the nineteenth century to the present. He shows that in spreading themselves across two powerful, omnipresent nation-states, these tribes managed to maintain separation from currents of federal Indian policy in both countries; at the same time, it could also leave them culturally and politically vulnerable, especially as surrounding powers stepped up their efforts to control transborder traffic. Schulze underlines these tribes' efforts to reconcile their commitment to preserving their identities, asserting their nationhood, and creating transnational links of resistance with an increasingly formidable international boundary.
Would you like your children to grow up bilingual, even if you aren’t yet? Then speak to your kids in Spanish as you learn the language along with them. Becoming a Bilingual Family gives English-speaking parents the tools to start speaking Spanish with their kids in their earliest years, when children are most receptive to learning languages. It teaches the vocabulary and idioms for speaking to children in Spanish and offers practical, proven ways to create a language-learning environment at home. The first part of the book introduces parents to many resources—books, audio books, music, television, computer programs, childcare workers, school, and friends—that can help you establish a home environment conducive to the acquisition of Spanish. The second part is a Spanish phrasebook that takes you through all the typical activities that parents and children share, from getting up in the morning to going to bed at night. Few, if any, other Spanish study aids provide this much vocabulary and guidance for talking to small children about common daily activities. The authors also include a quick course in Spanish pronunciation and enough grammar to get a parent started. Spanish-language resources, kids’ names in Spanish, and an easy-to-use index and glossary complete the book. Take the Markses’ advice and start talking to your kids in Spanish, even if it’s not perfect. You’ll learn the language together and share the excitement of discovering the peoples and cultures that make up the Spanish-speaking world.
In this book Jeffrey Alexander develops a new sociological theory of social crisis and applies it to a wide range of cases, from the church paedophilia crisis to the #MeToo movement. He argues that crises are triggered not by objective social strains but by the discourse and institutions of the civil sphere. When strains become subject to the utopian aspirations of the civil sphere, there emerges widespread anguish about social justice and the future of democratic life. Once admired institutional elites come to be represented as perpetrators and the civil sphere becomes legally and organizationally intrusive, demanding repairs in the name of civil purification. Resisting such repair, institutional elites foment backlash, and a war of the spheres ensues. This major new work by one of the world’s leading social theorists will be of great interest to students and scholars in sociology, politics, and the social sciences generally.
The founding of Home Box Office in the early 1970s was a harbinger of the innovations that transformed television as an industry and a technology in the decades that followed. HBO quickly became synonymous with subscription television and became the leading force in cable programming. Having interests in television, motion picture, and home video industries was crucial to its success. HBO diversified into original television and movie production, home video sales, and international distribution as these once-separate entertainment sectors began converging into a global entertainment industry in the mid-1980s. HBO has grown from a domestic movie channel to an international cable-and-satellite network with a presence in over seventy countries. It is now a full-service content provider with a distinctive brand of original programming and landmark shows such as The Sopranos and Sex and the City. The network is widely recognized for its award-winning, innovative and provocative programming, including dramatic series such as Six Feet Under and The Wire, miniseries such as Band of Brothers and Angels in America, comedies such as Curb Your Enthusiasm and Def Comedy Jam, sports shows such as Inside the NFL and Real Sports with Bryant Gumbel, documentary series such as Taxi Cab Confessions and Autopsy, and six Oscar-winning documentaries between 1999 and 2004. In The Essential HBO Reader, editors Gary R. Edgerton and Jeffrey P. Jones bring together an accomplished group of scholars to explain how HBO's programming transformed the world of cable television and how the network continues to shape popular culture and the television industry. Now, after more than three and a half decades, HBO has won acclaim in four distinct programming areas—drama, comedy, sports, and documentaries—emerging as TV's gold standard for its breakout series and specials. The Essential HBO Reader provides a comprehensive and compelling examination of HBO's development into the prototypical entertainment corporation of the twenty-first century.
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