Til Death explores the conflict that male and females experience in relationships, especially marriage. Part one examines the theological and moral aspects of male/female relationships. Part two is a love story where differing moral values clash and its consequences.
In this book, Jeff is sharing from some of his own adversities in hopes that you will see through scripture how God's grace and mercy helped people in the Bible, helped in Jeff's life and how God's grace and mercy is sufficient to help you today no matter where you are in life. The hope is that by the time you are done reading this book, you will start to see how the Lord's grace, mercy and love is what will help you through your situation no matter how small or big you think it is. No matter how bad we think it is, it doesn't matter to Him. He has already paid the ultimate sacrifice and still wants you to come to Him, just as you are, so He can help and show you the way through it. Jeffrey Dunn and his wife Tammy have three young children. Jeff was born in the Milwaukee area and still resides there today. Jeff is the youngest of four siblings. He is a Navy veteran, serving from 1987 - 1991. He is also an avid fan of all Wisconsin's sport teams. Jeff is an ordained deacon and also a certified Joy Restoration/Grief Coach and Steven's Minister. By going through these trainings, it has helped him in his own life and in his walk with Lord, allowing him to help others by coming alongside them.
Til Death explores the conflict that male and females experience in relationships, especially marriage. Part one examines the theological and moral aspects of male/female relationships. Part two is a love story where differing moral values clash and its consequences.
The Civil War in the Eastern Theater during the late summer and fall of 1863 was anything but inconsequential. Generals Meade and Lee continued where they had left off, executing daring marches while boldly maneuvering the chess pieces of war in an effort to gain decisive strategic and tactical advantage. Cavalry actions crisscrossed the rolling landscape; bloody battle revealed to both sides the command deficiencies left in the wake of Gettysburg. It was the first and only time in the war Meade exercised control of the Army of the Potomac on his own terms. Jeffrey Wm Hunt brilliant dissects these and others issues in Meade and Lee at Bristoe Station: The Problems of Command and Strategy After Gettysburg, from Brandy Station to the Buckland Races, August 1 to October 31, 1863. The carnage of Gettysburg left both armies in varying states of command chaos as the focus of the war shifted west. Lee further depleted his ranks by dispatching James Longstreet (his best corps commander) and most of his First Corps via rail to reinforce Bragg’s Army of Tennessee. The Union defeat that followed at Chickamauga, in turn, forced Meade to follow suit with the XI and XII Corps. Despite these reductions, the aggressive Lee assumed the strategic offensive against his more careful Northern opponent, who was also busy waging a rearguard action against the politicians in Washington. Meade and Lee at Bristoe Station is a fast-paced, dynamic account of how the Army of Northern Virginia carried the war above the Rappahannock once more in an effort to retrieve the laurels lost in Pennsylvania. When the opportunity beckoned Lee took it, knocking Meade back on his heels with a threat to his army as serious as the one Pope had endured a year earlier. As Lee quickly learned again, A. P. Hill was no Stonewall Jackson, and with Longstreet away Lee’s cudgel was no longer as mighty as he wished. The high tide of the campaign ebbed at Bristoe Station with a signal Confederate defeat. The next move was now up to Meade. Hunt’s follow-up volume to his well-received Meade and Lee After Gettysburg is grounded upon official reports, regimental histories, letters, newspapers, and other archival sources. Together, they provide a day-by-day account of the fascinating high-stakes affair during this three-month period. Coupled with original maps and outstanding photographs, this new study offers a significant contribution to Civil War literature.
The third installment of this award-winning Civil War series offers a vivid and authoritative chronicle of Meade and Lee’s conflict after Gettysburg. The Eastern Theater of the Civil War during the late summer and fall of 1863 was anything but inconsequential. Generals George Meade and Robert E. Lee clashed in cavalry actions and pitched battles that proved that the war in Virginia was far decided at Gettysburg. Drawing on official reports, regimental histories, letters, newspapers, and other archival sources, Jeffrey Wm Hunt sheds much-needed light on this significant period in Meade and Lee at Rappahannock Station. After Gettysburg, the Richmond War Department sent James Longstreet and two divisions from Lee’s army to reinforce Braxton Bragg’s Army of Tennessee. Washington followed suit by sending two of Meade’s corps to reinforce William Rosecrans’ Army of the Cumberland. Despite his weakened state, Lee launched a daring offensive that drove Meade back but ended in a bloody defeat at Bristoe Station on October 14th. What happened next is the subject of Meade and Lee at Rappahannock Station, a fast-paced and dynamic account of Lee’s bold strategy to hold the Rappahannock River line. Hunt provides a day-by-day, and sometimes minute-by-minute, account of the Union army’s first post-Gettysburg offensive action and Lee’s efforts to repel it. In addition to politics, strategy, and tactics, Hunt examines the intricate command relationships, Lee’s questionable decision-making, and the courageous spirit of the fighting men.
Anchored at the foot of the Blue Ridge Mountains, Greenville is the cultural center of South Carolina's Piedmont. Today, residents and tourists often find themselves immersed among the charming shops and quaint cafes that line the avenues in the historic Main Street district. A revitalized area today, Greenville's Main Street was the commercial center of the town during the life of William Coxe, a Greenville photographer who acquired many early images and who brilliantly extended the collection with his own photographs. Remembering Greenville: Photographs from the Coxe Collection explores Greenville during the first half of the 20th century. Stunning black-and-white images enlighten readers about the "old" Greenville that virtually disappeared as the small city was transformed into a large metropolitan area. These images, taken from the 1900s to the 1960s, depict Furman University and Greenville Women's College, both then located in Greenville's downtown; Camp Wetherill, Greenville's Spanish-American War training camp; and such personalities as an older, but still legendary, "Shoeless" Joe Jackson.
Today, country music enjoys a national fan base that transcends both economic and social boundaries. Sixty years ago, however, it was primarily the music of rural, working-class whites living in the South and was perceived by many Americans as “hillbilly music.” In Smile When You Call Me a Hillbilly, Jeffrey J. Lange examines the 1940s and early 1950s as the most crucial period in country music’s transformation from a rural, southern folk art form to a national phenomenon. In his meticulous analysis of changing performance styles and alterations in the lifestyles of listeners, Lange illuminates the acculturation of country music and its audience into the American mainstream. Dividing country music into six subgenres (progressive country, western swing, postwar traditional, honky-tonk, country pop, and country blues), Lange discusses the music’s expanding appeal. As he analyzes the recordings and comments of each of the subgenre’s most significant artists, including Roy Acuff, Bob Wills, Bill Monroe, Hank Williams, and Red Foley, he traces the many paths the musical form took on its road to respectability. Lange shows how along the way the music and its audience became more sophisticated, how the subgenres blended with one another and with American popular music, and how Nashville emerged as the country music hub. By 1954, the transformation from “hillbilly” music to country music was complete, precipitated by the modernizing forces of World War II and realized by the efforts of promoters, producers, and performers.
Celebrates the American writer who in his works confronted and explored the social fabric of the United States in the early 20th century. More than 500 entries include synopses of his novels, short stories, and nonfiction; descriptions of his characters, details about family, friends, and associates.
Immigration and American Popular Culture looks at the relationship between American immigrants and the popular culture industry in the twentieth century. Through a series of case studies, Rachel Rubin and Jeffrey Melnick uncover how particular trends in popular culture-such as portrayals of European immigrants as gangsters in 1930s cinema, the zoot suits of the 1940s, the influence of Jamaican Americans on rap in the 1970s, and cyberpunk and Asian American zines in the 1990s-have their roots in the complex socio-political nature of immigration in America. Supplemented by a timeline of key events, Immigration and American Popular Culture offers a unique history of twentieth-century U.S. immigration and an essential introduction to the study of popular culture.
Just because the art is beautiful doesn't mean the artist was a saint . . . Scoundrels, Cads, and Other Great Artists examines the lives of nine great artists who were less than exemplary human beings in their lives outside of their art. It explores the question, “Why do we like magnificent art from artists who were awful human beings?” For example, the great Baroque painter, Caravaggio, who developed the chiaroscuro style of painting, was in constant trouble with the law, even having killed a man in a duel. Frederick Remington, the great painter of the American West, was an incredible racist and bigot. His evocative paintings of Native Americans on the trail on horseback give no hint of Remington’s enmity toward them and other ethnic groups in America. Jackson Pollock? His irascibility and petulance were compounded by a lifelong battle with alcoholism, ultimately leading to a fatal automobile accident. Whistler and Courbet were philanderers and libertines. Scoundrels introduces people to great art by showing the more salacious side of the personal lives of great artists over time. This book not only tells the stories of a dozen artists, but explores how to look at art and the separation between art and artist. This lively narrative is enhanced by over 100 full-color reproductions of great paintings and details from them.
Rendezvous in Dallas chronicles the events surrounding the assassination of President Kennedy ... This is not a conspiracy book. In the opinion of the author, the preponderance of evidence indicates that Lee Harvey Oswald, acting alone, assassinated President Kennedy. Two days later, Jack Ruby, also acting alone, shot and killed Oswald in an impulsive fashion. While the reader may disagree with the theories proposed in this book, it is hoped the book will be both educational and entertaining."--The prologue
The great director John Ford (1894-1973) is best known for classic westerns, but his body of work encompasses much more than this single genre. Jeffrey Richards develops and broadens our understanding of Ford's film-making oeuvre by studying his non-Western films through the lens of Ford's life and abiding preoccupations. Ford's other cinematic worlds included Ireland, the Family, Catholicism, War and the Sea, which share with his westerns the recurrent themes of memory and loss, the plight of outsiders and the tragedy of family breakup. Richards' revisionist study both provides new insights into familiar films such as The Fugitive (1947); The Quiet Man (1952), Gideon's Way and The Informer (1935) and reclaims neglected masterpieces, among them Wee Willie Winkie (1937) and the extraordinary The Long Voyage Home. (1940).
This textbook inspires an appreciation for literature by studying important literary themes found in comics. Chapters discuss DC, Marvel and other comics' varied attempts at portraying race, politics, economics, business ethics and democracy; responses t
Ultimately, Black Power reveals a black freedom movement in which the ideals of desegregation through nonviolence and black nationalism marched side by side.
Film is an important source of social history, as well as having been a popular art form from the early twentieth century. This study shows how a society, consciously or unconsciously, is mirrored in its cinema. It considers the role of the cinema in dramatizing popular beliefs and myths, and takes three case studies – American populism, British imperialism, German Nazism – to explain how a nation’s pressures, tensions and hopes come through in its films. Examining the American cinema is accomplished by analysing the careers of three great directors, John Ford, Frank Capra and Leo McCarey, while the British and German cinemas are studied by theme. The analysis of the British Empire as seen in film broke exciting new ground with a pioneering account of ‘the cinema of Empire’ when it was first published in 1973. With full filmographies and a carefully selected bibliography it is an outstanding work of reference and its lively approach makes it a delight to read. Reviews of the original edition: ‘A work of considerable force and considerable wit.’ – Clive James, Observer ‘...a work that is original, mentally stimulating and most pleasurable to read.’ – Focus on Film
The Battle of Pyle's Defeat was the bloodiest ten minutes of all Alamance County history. On February 24, 1781, a few hundred yards of Alamance County (then Orange County) were stained red with the blood of a few hundred local citizens. Nearly 100 Tory soldiers were killed, with another 100 taken prisoner, wounded, or unaccounted.For generations historians have pondered what really happened at this killing field without any real depth of rationality. Some have just simply replaced fact with convenient speculation of where the hacking actually took place. Our answer to these contemporaries, and their agendas, is the comprehensive presentation in this work, of the letters, memoirs, and field notes of the men who participated. Besides the insight gained from these writings, we provide the reader the proper locations and mileage by plotting the actual routes. It was not our wish when we started this project to revise history, but to correct the myths that have been perpetuated since 1849.
The Civil War left no Vermonters untouched, and few families free from pain. More than 140 letters -- carefully selected from some 9000 in several archives -- convey in personal terms the combat experience of Vermonters throughout the war. Vermont raised seventeen infantry regiments, one cavalry regiment, three batteries of light artillery and three companies of sharpshooters -- nearly 35,000 soldiers in all. As a result of this impressive commitment, Vermont suffered one of the highest rates of military deaths of any Union state. A War of the People covers the war chronologically, with editor Jeffrey D. Marshall providing running commentary on both the war overall, and Vermonters' experiences. Supplemented with maps and photographs, it includes many voices -- from privates to colonels, mothers, wives, and best friends, young and old -- writing about battle narratives, camp life, financial advice, family matters, and much more. An African-American soldier from Hinesburgh, a French-Canadian soldier who enlisted in Milton, and dozens of others record their experiences in unforgettable words. Marshall's battlefront/homefront choice of letters provides a deeper understanding of the social and political dimensions that, although secondary to military concerns, were an integral part of Vermont's war years.
Ever since the courtroom doors closed in 1919, the tragic Charlotte Streetcar Strike has haunted the collective memory of the Carolina Piedmont region. During a season of labor unrest, it briefly made national headlines. Five men were killed and at least twelve others were wounded by gunfire during a demonstration against Southern Public Utilities, a subsidiary of James B. Duke’s Southern Power. For many who lived afterward in North Carolina’s “Queen City,” the strike and riot were events better left forgotten, while, for later generations, the “Battle of the Barn” has become an item of curiosity. As the centennial approaches, this book represents the result of over ten years’ worth of primary research about the Charlotte Streetcar Strike, a story that rightfully belongs to a larger narrative about the AFL’s campaign to organize transportation workers among the textile mill towns of North and South Carolina. Prior to the 1919 Charlotte Strike, the national streetcar union had overcome fierce anti-labor sentiment, from South Carolina’s state capital of Columbia to the Upcountry citadel of Spartanburg. To AFL organizers, Charlotte represented the last link in the Piedmont chain.
Turning the Corner at Moreland and Euclid recounts the story of the author through humorous anecdotes as a child, an adolescent, and into adulthood. Life was going good until one tragic night, his wife, the mother of his two young children, suddenly died in the arms of their twelve-year-old daughter. The author, as a result of his seething anger, turns away from his faith and God. Over the years, a series of events occur in his life that culminate in a spine-tingling experience as he literally turns a corner on his drive to work one fateful morning. This sentinel event dramatically alters his perspective, vision, and hope for his future, causing his life to turn a corner in a new and fresh direction.
In this highly original study of Confederate ideology and politics, Jeffrey Zvengrowski suggests that Confederate president Jefferson Davis and his supporters saw Bonapartist France as a model for the Confederate States of America. They viewed themselves as struggling not so much for the preservation of slavery but for antebellum Democratic ideals of equality and white supremacy. The faction dominated the Confederate government and deemed Republicans a coalition controlled by pro-British abolitionists championing inequality among whites. Like Napoleon I and Napoleon III, pro-Davis Confederates desired to build an industrial nation-state capable of waging Napoleonic-style warfare with large conscripted armies. States’ rights, they believed, should not preclude the national government from exercising power. Anglophile anti-Davis Confederates, in contrast, advocated inequality among whites, favored radical states’ rights, and supported slavery-in-the-abstract theories that were dismissive of white supremacy. Having opposed pro-Davis Democrats before the war, they preferred decentralized guerrilla warfare to Napoleonic campaigns and hoped for support from Britain. The Confederacy, they avowed, would willingly become a de facto British agricultural colony upon achieving independence. Pro-Davis Confederates, wanted the Confederacy to become an ally of France and protector of sympathetic northern states. Zvengrowski traces the origins of the pro-Davis Confederate ideology to Jeffersonian Democrats and their faction of War Hawks, who lost power on the national level in the 1820s but regained it during Davis' term as secretary of war. Davis used this position to cultivate friendly relations with France and later warned northerners that the South would secede if Republicans captured the White House. When Lincoln won the 1860 election, Davis endorsed secession. The ideological heirs of the pro-British faction soon came to loathe Davis for antagonizing Britain and for offering to accept gradual emancipation in exchange for direct assistance from French soldiers in Mexico. Zvengrowski’s important new interpretation of Confederate ideology situates the Civil War in a global context of imperial competition. It also shows how anti-Davis ex-Confederates came to dominate the postwar South and obscure the true nature of Confederate ideology. Furthermore, it updates the biographies of familiar characters: John C. Calhoun, who befriended Bonapartist officers; Davis, who was as much a Francophile as his namesake, Thomas Jefferson; and Robert E. Lee, who as West Point’s superintendent mentored a grand-nephew of Napoleon I.
For many the entry of Jackie Robinson into Major League Baseball in 1947 marked the beginning of integration in professional baseball, but the entry of American Indians into the game during the previous half-century and the persistent racism directed toward them is not as well known. From the time that Louis Sockalexis stepped onto a Major League Baseball field in 1897, American Indians have had a presence in professional baseball. Unfortunately, it has not always been welcomed or respected, and Native athletes have faced racist stereotypes, foul epithets, and abuse from fans and players throughout their careers. The American Indian Integration of Baseball describes the experiences and contributions of American Indians as they courageously tried to make their place in America?s national game during the first half of the twentieth century. Jeffrey Powers-Beck provides biographical profiles of forgotten Native players such as Elijah Pinnance, George Johnson, Louis Leroy, and Moses Yellow Horse, along with profiles of better-known athletes such as Jim Thorpe, Charles Albert Bender, and John Tortes Meyers. Combining analysis of popular-press accounts with records from boarding schools for Native youth, where baseball was used as a tool of assimilation, Powers-Beck shows how American Indians battled discrimination and racism to integrate American baseball.
New Orleans in the 1920s and 1930s was a deadly place. In 1925, the city’s homicide rate was six times that of New York City and twelve times that of Boston. Jeffrey S. Adler has explored every homicide recorded in New Orleans between 1925 and 1940—over two thousand in all—scouring police and autopsy reports, old interviews, and crumbling newspapers. More than simply quantifying these cases, Adler places them in larger contexts—legal, political, cultural, and demographic—and emerges with a tale of racism, urban violence, and vicious policing that has startling relevance for today. Murder in New Orleans shows that whites were convicted of homicide at far higher rates than blacks leading up to the mid-1920s. But by the end of the following decade, this pattern had reversed completely, despite an overall drop in municipal crime rates. The injustice of this sharp rise in arrests was compounded by increasingly brutal treatment of black subjects by the New Orleans police department. Adler explores other counterintuitive trends in violence, particularly how murder soared during the flush times of the Roaring Twenties, how it plummeted during the Great Depression, and how the vicious response to African American crime occurred even as such violence plunged in frequency—revealing that the city’s cycle of racial policing and punishment was connected less to actual patterns of wrongdoing than to the national enshrinement of Jim Crow. Rather than some hyperviolent outlier, this Louisiana city was a harbinger of the endemic racism at the center of today’s criminal justice state. Murder in New Orleans lays bare how decades-old crimes, and the racially motivated cruelty of the official response, have baleful resonance in the age of Black Lives Matter.
While Bud Abbott and Lou Costello are more famously known for their straight comedy routines, they did make a number of films in which horror played a crucial role. The first part of this critical reference examines the Abbott and Costello "Meet the Monsters" spoof films (Frankenstein, The Invisible Man, Dr. Jekyll and Mr. Hyde and The Mummy). The second sections deals with Abbott and Costello's films with horror elements that do not follow this formula: Hold That Ghost, The Time of Their Lives and Abbott and Costello Meet the Killer, Boris Karloff. The plot of each film is examined in detail with special attention paid to the comedians' styles of comedy, the effect of the horror scenes, and the place of the film in the Abbott and Costello canon. The reactions of critics (then and now) and the influences the films have had on the horror and comedy genres and on pop culture are also discussed. A lengthy introduction provides background on the lives of Bud Abbott and Lou Costello and the development of Universal Studios as the premier horror factory.
Enjoy a unique glimpse into the intelligent and quirky inner workings of the comedic mind! This special e-version of Show Me the Funny! presents 28 top comedy screenwriters--including three bonus interviews not in the original print book--from the revered figures of televisions “Golden Age” to todays favorite movie jokesters. Authors Desberg and Davis put an innovative spin on the traditional interview: each writer was given the same loosely structured comedic premise and asked to develop it in any way he or she wanted-no rules, no boundaries, no limits! The result is a hilarious and illuminating look at the comic process. INCLUDES: o Leonard Stern (co-creator of Get Smart) o Sherwood Schwartz (Gilligans Island, The Brady Bunch) o Peter Casey (co-creator of The Jeffersons, Cheers, Wings, Frasier) o Phil Rosenthal (co-creator of Everybody Loves Raymond) o Ed Decter (co-writer of Theres Something About Mary) o plus three e-book only interviews: Marley Simms (Home Improvement, Sabrina the Teenage Witch) Dan O’Shannon (Modern Family, Frasier, Cheers), and Charlie Hauck (Maude, Cheers)
A remarkable illustrated volume of artwork and images selected from the diaries David Sedaris has been creating for four decades In this richly illustrated book, readers will for the first time experience the diaries David Sedaris has kept for nearly 40 years in the elaborate, three-dimensional, collaged style of the originals. A celebration of the unexpected in the everyday, the beautiful and the grotesque, this visual compendium offers unique insight into the author's view of the world and stands as a striking and collectible volume in itself. Compiled and edited by Sedaris's longtime friend Jeffrey Jenkins, and including interactive components, postcards, and never-before-seen photos and artwork, this is a necessary addition to any Sedaris collection, and will enthrall the author's fans for many years to come.
There is a feeling of pure delight that comes from laughing out loud while watching a hilarious movie or a TV show. Yet as funny as these lines may be, they are the work of people you will never see. The magic behind any comedy hit begins when an idea is hatched in the mind of a comedy writer and is then put down on paper. And while few of us are privy to this fascinating process, for writers Peter Desberg and Jeffrey Davis, the challenge of observing and understanding how comedy is born has culminated in a unique new book, Now That’s Funny! Desberg and Davis provide an intimate look into the minds of twenty-four of Hollywood’s funniest comedy writers, who have given us such shows as: Saturday Night Live Monk Everybody Loves Raymond The Simpsons Frasier Maude Home Improvement Valerie Modern Family Cheers There’s Something about Mary The Honeymooners Suddenly Susan Newhart Sabrina the Teenage Witch Archie Bunker’s Place The Tracey Ullman Show Wings Who’s The Boss? and more How do you get to see the creative wheels turn? The authors’ premise was simple: Using a Q and A format, they provided each writer with a story idea and let them run with it. Each of the writers was told there were no rules, no boundaries, and no limits! Because everyone started with the same concept, the authors could see how some writers jumped in and began creating, while others asked lots of questions; how some writers stuck closely to the premise, while others turned it on its head. What emerges is an entertaining look—illuminating and hilarious in turn—at the creative process behind hit TV shows and movies. If you’re one of the millions who have enjoyed watching the work of comedy writers, here is an opportunity to go behind the scenes and see the madness unfold. Now that’s funny!
In ''General Walker and the Murder of President Kennedy: The Extensive New Evidence of a Radical-Right Conspiracy'', author Jeffrey H. Caufield explores the forces which led Oswald to be in Dallas that day. Dr. Caufield applies acquired academic methodology in rigorously researching the story through public records, private correspondence, and a number of sources not available to the general public until the Freedom of Information Act released them.
Written by two distinguished American historians, this acclaimed classic traces the history of the oldest constitutional democracy in the world and presents and interprets the rise of the American people--from their earliest settlements to the emergence of the U.S. as a world power and beyond. Completely revised and updated. Maps. Bibliography. Index.
Since the time of the Vikings, the Atlantic has shaped the lives of people who depend on it for survival, and people have shaped the Atlantic. In his account of this interdependency, Bolster, a historian and professional seafarer, takes us through a millennium-long environmental history of our impact on one of the largest ecosystems in the world.
Of all the theatrical genres most prized by the Victorians, pantomime is the only one to have survived continuously into the twenty-first century. It remains as true today as it was in the 1830s, that a visit to the pantomime constitutes the first theatrical experience of most children and now, as then, a successful pantomime season is the key to the financial health of most theatres. Everyone went to the pantomime, from Queen Victoria and the royal family to the humblest of her subjects. It appealed equally to West End and East End, to London and the provinces, to both sexes and all ages. Many Victorian luminaries were devotees of the pantomime, notably among them John Ruskin, Charles Dickens, Lewis Carroll and W.E. Gladstone. In this vivid and evocative account of the Victorian pantomime, Jeffrey Richards examines the potent combination of slapstick, spectacle and subversion that ensured the enduring popularity of the form. The secret of its success, he argues, was its continual evolution. It acted as an accurate cultural barometer of its times, directly reflecting current attitudes, beliefs and preoccupations, and it kept up a flow of instantly recognisable topical allusions to political rows, fashion fads, technological triumphs, wars and revolutions, and society scandals. Richards assesses throughout the contribution of writers, producers, designers and stars to the success of the pantomime in its golden age. This book is a treat as rich and appetizing as turkey, mince pies and plum pudding.
Divides the creative writing process into five simple steps, from inspiration to publishable story, and includes in-depth treatment of the graphic novel genre with writing prompts"--Provided by publisher.
“A must-own title.” —National Review Online American Conservatism: An Encyclopedia is the first comprehensive reference volume to cover what is surely the most influential political and intellectual movement of the past half century. More than fifteen years in the making—and more than half a million words in length—this informative and entertaining encyclopedia contains substantive entries on those persons, events, organizations, and concepts of major importance to postwar American conservatism. Its contributors include iconic patriarchs of the conservative and libertarian movements, celebrated scholars, well-known authors, and influential movement activists and leaders. Ranging from “abortion” to “Zoll, Donald Atwell,” and written from viewpoints as various as those which have informed the postwar conservative movement itself, the encyclopedia’s more than 600 entries will orient readers of all kinds to the people and ideas that have given shape to contemporary American conservatism. This long-awaited volume is not to be missed.
In 1917, fifty-two years after its founding, the University of Kentucky faced stagnation, financial troubles, and disturbing reports of nepotism, resulting in a leadership crisis. A special committee investigated the institution and issued a report calling for a massive transformation of the university, including the hiring of a new president who could execute the report's suggested initiatives. The Board of Trustees hired Frank L. McVey. McVey labored tirelessly for more than two decades to establish Kentucky as one of the nation's most respected institutions of higher learning, which brought him recognition as one of the leading progressive educators in the South. In Frank L. McVey and the University of Kentucky, Eric A. Moyen chronicles McVey's triumphs and challenges as the president sought to transform the university from a small state college into the state's flagship institution. McVey recruited an exceptional faculty, expanded graduate programs, promoted research, oversaw booming enrollments and campus construction, and defended academic freedom during the nation's first major antievolution controversy. Yet he faced challenges related to the development of modern collegiate athletics, a populace suspicious of his remarkable new conception of a state university, and the Great Depression. This authoritative biography not only details an important period in the history of the university and the commonwealth, but also tells the story of the advancement of education reform in early-twentieth-century America.
The 1956 wedding of Marilyn Monroe and Arthur Miller surprised the world. The Genius and the Goddess presents an intimate portrait of the prelude to and ultimate tragedy of their short marriage. Distinguished biographer Jeffrey Meyers skillfully explores why they married, what sustained them for five years, and what ultimately destroyed their marriage and her life. The greatest American playwright of the twentieth century and the most popular American actress both complemented and wounded one another. Marilyn craved attention and success but became dependent on drugs, alcohol, and sexual adventures. Miller experienced creative agony with her. Their marriage coincided with the creative peak of her career, yet private and public conflict caused both of them great anguish. Meyers has crafted a richly nuanced dual biography based on his quarter-century friendship with Miller, interviews with major players of stage and screen during the postwar Hollywood era, and extensive archival research. He describes their secret courtship. He also reveals new information about the effect of the HUAC anti-Communist witch-hunts on Miller and his friendship with Elia Kazan. The fascinating cast of characters includes Marilyn's co-stars Sir Laurence Olivier, Yves Montand, Montgomery Clift, and Clark Gab≤ her leading directors John Huston, Billy Wilder, and George Cuk∨ and her literary friends Dame Edith Sitwell, Isak Dinesen, Saul Bellow, and Vladimir Nabokov. Meyers offers the most in-depth account of the making and meaning of The Misfits. Written by Miller for Monroe, this now-classic film was a personal disaster. But Marilyn remained Miller's tragic muse and her character, exalted and tormented, lived on for the next forty years in his work.
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