Hailed by Plato as the “Tenth Muse” of ancient Greek poetry, Sappho is inarguably antiquity’s greatest lyric poet. Born over 2,600 years ago on the Greek island of Lesbos, and writing amorously of women and men alike, she is the namesake lesbian. What’s left of her writing, and what we know of her, is fragmentary. Shrouded in mystery, she is nonetheless repeatedly translated and discussed – no, appropriated – by all. Sappho has most recently undergone a variety of treatments by agenda-driven scholars and so-called poet-translators with little or no knowledge of Greek. Classicist-translator Jeffrey Duban debunks the postmodernist scholarship by which Sappho is interpreted today and offers translations reflecting the charm and elegant simplicity of the originals. Duban provides a reader-friendly overview of Sappho’s times and themes, exploring her eroticism and Greek homosexuality overall. He introduces us to Sappho’s highly cultured island home, to its lyre-accompanied musical legends, and to the fabled beauty of Lesbian women. Not least, he emphasizes the proximity of Lesbos to Troy, making the translation and enjoyment of Homer’s Iliad and Odyssey a further focus. More than anything else, argues Duban, it is free verse and its rampant legacy – and no two persons more than Walt Whitman and Ezra Pound – that bear responsibility for the ruin of today’s classics in translation, to say nothing of poetry in the twentieth century. Beyond matters of reflection for classicists, Duban provides a far-ranging beginner’s guide to classical literature, with forays into Spenser and Milton, and into the colonial impulse of Virgil, Spenser, and the West at large.
National Review has been the leading conservative national magazine since it was founded in 1955, and in that capacity it has played a decisive role in shaping the conservative movement in the United States. In The Making of the American Conservative Mind, Jeffrey Hart provides an authoritative and high-spirited history of how the magazine has come to define and defend conservatism for the past fifty years. He also gives a firsthand account of the thought and sometimes colorful personalities—including James Burnham, Willmoore Kendall, Russell Kirk, Frank Meyer, William Rusher, Priscilla Buckley, Gerhart Niemeyer, and, of course, the magazine’s founder, William F. Buckley Jr.—who contributed to National Review’s life and wide influence. As Hart sees it, National Review has regularly veered toward ideology, but it has also regularly corrected its course toward, in Buckley’s phrase, a “politics of reality.” Its catholicity and originality—attributable to Buckley’s magnanimity and sense of showmanship—has made the magazine the most interesting of its kind in the nation, concludes Hart. His highly readable and occasionally contrarian history, the first history of National Review yet published, marks another milestone in our understanding of how the conservatism now so influential in American political life draws from, and in some ways repudiates, the intellectual project that National Review helped launch a half century ago.
Originally published in 1980 and nominated for the Duff Cooper Prize, this was the first biography of Wyndham Lewis and was based on extensive archival research and interviews. It narrates Lewis’ years at Rugby and the Slade, his bohemian life on the Continent, the creation of Vorticism and publication of Blast, and his experiences at Passchendaele, as well as his many love affairs, his bitter quarrels with Bloomsbury and the Sitwells, the suppressed books of the thirties, the evolution of his political ideas, his self-imposed exile in North America and creative resurgence during his final blindness. Jeffrey Meyers also describes Lewis’ relationships with Roy Campbell, D. H. Lawrence, Katherine Mansfield, T. E Lawrence, Hemingway, Huxley, Yeats, Auden, Spender, Orwell and McLuhan. As the self-styled Enemy emerges from the shadows, he is seen as an independent and courageous artist and one of the most controversial and stimulating figures in modern English art and literature.
The first book to offer an overview, at once introductory and comprehensive, of the philosophical thought of Owen Barfield, sometimes known as the first and last Inkling and as the British Heidegger. Beginning by placing Barfield's early poetics in the context of the critical hurly-burly of modernist London of the 1920s, Owen Barfield's Poetic Philosophy: Meaning and Imagination shows how Barfield's subsequent development of a philosophy of history, metaphysics, and ethics culminates in his development of a poetic cosmology. Hipolito situates Barfield's poetic philosophy in relation to his significant contemporaries (and predecessors) including T.S. Eliot, D.H. Lawrence, I.A. Richards, Jean Paul Sartre, Martin Heidegger and Ernst Cassirer, bringing to light for the first time many important aspects of Barfield's thought. The book concludes with an analysis of the Burgeon trilogy, in which Barfield recapitulates the themes and arguments of his poetic philosophy by exemplifying them in three genre-defying works of fiction. Structured chronologically and giving a systematic examination of Barfield's thought, Owen Barfield's Poetic Philosophy paints a much-needed picture of a major thinker and poet, who was entirely engaged with his times and who remains crucially relevant to our own.
When James Joyce's Ulysses was first published in America, it quickly became a dynamic symbol of both modern art and the modern age. Jeffrey Segall skillfully demonstrates how various political, ideological, and religious allegiances influenced the critical reception and eventual canonization of what is perhaps the twentieth century's greatest novel. In re-creating the polemical debates that erupted, Segall provides a dramatic reminder of just how challenging and controversial Ulysses was—and is. Seventy years after Ulysses was first banned, the novel remains at the center of contemporary debates among feminist, neo-Marxist, and poststructuralist critics. Segall allows us the opportunity to view Ulysses from the perspective of its early readers, and he also elucidates key moments in recent American cultural history.
Distance Yearning refl ections Contemplated on extraordinary horizons Where the sun slowly sets And the stars meet the sea with twinkling realizations of Distance Goodbye remembered heavens Breathes one last warrior soul Dreaming of an era gone by One of chosen travels and mighty deeds Taking delight in whispering desires of Distance
The ten Americans profiled in this book may not be familiar to some people, but their inventions certainly are. Today, we take for granted devises such as televisions, microchips, lasers, and even the Super Soaker® water gun. Within the last one hundred years in the United States, creative individuals such as those introduced in this book have pushed technology beyond the dreams of just a few years ago. Each of these inventors began with an idea for improving some aspect of life. Through ingenuity, hard work, and talent, they made their ideas a reality. Includes profiles of William Lear, Philo Farnsworth, Beatrice Kenner, Gertrude Belle Elion, Gordon Gould, Charles Ginsburg, Robert Shurney, Jack Kilby, Stephanie Kwolek and Lonnie Johnson.
One of the first studies to explore the relationship between environmental criticism and British modernism, Green Modernism explores the cultural function of nature in the modernist novel between 1900 and 1930. This theoretically engaged, historically informed book brings new materialist insights to novels by Conrad, Ford, Lawrence, and Butts.
In his captivating memoir, Jeffrey Breslow tells how: •Creating a game is a mix of Rube Goldberg, Santa’s elves, mass production, and the bottom line. •He oversaw two multi-million dollar businesses that earned profits for more than four decades. Even while the industry transformed itself from using cardboard and plastics into electronics, his companies never acquired debt and never borrowed money from a bank! •He overcame the terrible misfortune of a deadly workplace shooting and led his shaken employees through the tragedy and back to running a thriving business. Millions of people around the world have played with games and toys Breslow and his partners invented—perhaps you have, too! Now, read Breslow’s remarkable story and see how a flash of inspiration, followed by hard work and ingenuity, brought these wonderful games to life.
This is not just 'another Gettysburg book,' but a different Gettysburg book. Most of the prior Gettysburg books have been accounts of Confederate command failures that led to Confederate defeat. This is the story of the Federal defense leading to Federal victory. The book contains new material and new insights. It rivals Coddington as an essential Gettysburg book, and it maps the battle like Bigelow mapped The Campaign at Chancellorsville." -- Alan T. Nolan, author of Lee Considered and The Iron Brigade This major reinterpretation of the key battle of the American Civil War tells the story of the Gettysburg campaign as it unfolded from early June through mid-July 1863, and its climax with the Federal victory at Gettysburg. The book strives to describe the campaign with utmost clarity. In pursuit of this goal, it restricts itself to the campaign's major events and participants. Yet many components of even a boiled-down account of the campaign are complex. Accordingly, The Stand features more than 160 maps and numerous diagrams that allow the reader to understand what happened at every important stage of the campaign, with special emphasis on the three-day battle of July 1--3. The book also pays tribute to the vast literature on Gettysburg, with careful consideration of the many analyses of the campaign, paying particular attention to recent works. The appearance of new interpretations, including those offered here, suggests that only now, nearly 150 years after the event, are we approaching a complete and accurate view of what happened during those crucial days at Gettysburg.
“A must-own title.” —National Review Online American Conservatism: An Encyclopedia is the first comprehensive reference volume to cover what is surely the most influential political and intellectual movement of the past half century. More than fifteen years in the making—and more than half a million words in length—this informative and entertaining encyclopedia contains substantive entries on those persons, events, organizations, and concepts of major importance to postwar American conservatism. Its contributors include iconic patriarchs of the conservative and libertarian movements, celebrated scholars, well-known authors, and influential movement activists and leaders. Ranging from “abortion” to “Zoll, Donald Atwell,” and written from viewpoints as various as those which have informed the postwar conservative movement itself, the encyclopedia’s more than 600 entries will orient readers of all kinds to the people and ideas that have given shape to contemporary American conservatism. This long-awaited volume is not to be missed.
The 26th Ohio Veteran Volunteer Infantry: The Groundhog Regiment is the gripping story of the men and boys who valiantly fought to preserve their country's glory during the Civil War. These brave souls were among the first to answer the Union 's call to duty and among the last to be mustered home. They proudly adopted the nickname, "The Groundhog Regiment," as the rodent's agility and determination epitomized their strengths. The Old 26th played a pivotal role in numerous major western theater campaigns and battles, from the early conflicts in western Virginia and Shiloh to the bloody fields of Stones River, Chickamauga, Missionary Ridge, Kennesaw, Spring Hill, Franklin, and Nashville. After the war's end, the veterans yearned to write their regiment's history as so many other units had done. Regrettably, the high price of publishing proved to be too steep for the soldiers, and their dream of telling their story died with them. The descendant of two veterans of the 26th Ohio, Jeffrey A. Hill resurrected their dream and brought it to fruition. Meticulously researched, this history is based on over three hundred primary source documents from the soldiers. From the daily struggles of the privates to the internal anguish of Colonel Fyffe and the other senior commanders, the history offers an intriguing insight into the men who preserved the Union. The book chronicles the involvement of the 26th Ohio from the initial fervor following Fort Sumter, throughout the War, and the post-war activities of the veterans. The appendices include an updated roster, list of burial sites, and a photo gallery. The history is a lasting tribute to the men who so bravely fought to protect what they held most dear: their country. At long last, here is their story...
Of all the theatrical genres most prized by the Victorians, pantomime is the only one to have survived continuously into the twenty-first century. It remains as true today as it was in the 1830s, that a visit to the pantomime constitutes the first theatrical experience of most children and now, as then, a successful pantomime season is the key to the financial health of most theatres. Everyone went to the pantomime, from Queen Victoria and the royal family to the humblest of her subjects. It appealed equally to West End and East End, to London and the provinces, to both sexes and all ages. Many Victorian luminaries were devotees of the pantomime, notably among them John Ruskin, Charles Dickens, Lewis Carroll and W.E. Gladstone. In this vivid and evocative account of the Victorian pantomime, Jeffrey Richards examines the potent combination of slapstick, spectacle and subversion that ensured the enduring popularity of the form. The secret of its success, he argues, was its continual evolution. It acted as an accurate cultural barometer of its times, directly reflecting current attitudes, beliefs and preoccupations, and it kept up a flow of instantly recognisable topical allusions to political rows, fashion fads, technological triumphs, wars and revolutions, and society scandals. Richards assesses throughout the contribution of writers, producers, designers and stars to the success of the pantomime in its golden age. This book is a treat as rich and appetizing as turkey, mince pies and plum pudding.
Jeffrey Perl presents in this book a comprehensive reassessment of modernism and an effort to enrich our understanding of the direction literary culture has taken since the Renaissance. Originally published in 1984. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Cleanse Your Body, Clear Your Mind teaches how to clean out your body, and in the process a metamorphosis happens: good health returns, weight normalizes, and the mind becomes clearer. A toxic body is not able to access quality of life. This is a great, important, timely, well-researched book." -Suzanne Somers Modern life is toxic. The average person accumulates more than 700 harmful chemicals in his or her body, making us fat, sick, and tired. But there's a safe, simple solution that brings noticeable results in as little as ten days. Debunking the myth that you have to drink odd concoctions or eat weird food to jump-start your body's natural detoxification, the clinically proven plan in this book eases symptoms from chronic ailments like allergies and autoimmune diseases as well as daily annoyances such as brain fog, fatigue, and insomnia-without strictly restricting your diet or lifestyle. Complete with a symptom-specific quiz that helps target specific areas for improvement, Dr. Morrison's customizable, inexpensive program helps reverse the symptoms of toxicity, drop excess weight, and keep your body healthy.
This comprehensive biography of prolific critic, essayist, historian, and novelist Edmund Wilson (1895-1972) posits, quite successfully, that the subject lived a life as romantic and chaotic as his friend F. Scott Fitzgerald's. Wilson suffered a nervous breakdown and the tragic death of his second wife (he was married four times, among them, Mary McCarthy); had affairs with numerous beautiful women, including Edna St. Vincent Millay; and was friend to literary giants such as John Dos Passos, Vladimir Nabakov, and W.H. Auden.
Leipzig, Germany, is renowned as the city where Johann Sebastian Bach worked as a church musician until his death in 1750, and where Felix Mendelssohn Bartholdy directed the famed Gewandhaus orchestra until his own death in 1847. But the century in between these events was critically important as well. During this period, Leipzig's church music enterprise was convulsed by repeated external threats-a growing middle class that viewed music as an object of public consumption, religious and political tumult, and the chaos of the Seven Years and Napoleonic wars. Jeffrey S. Sposato's Leipzig After Bach examines how these forces changed church and concert life in Leipzig. Whereas most European cities saw their public concerts grow out of secular institutions such as a royal court or an opera theater, neither of these existed when Leipzig's first subscription concert series, the Grosse Concert, was started in 1743. Instead, the city had a thriving Lutheran church-music enterprise that had been brought to its zenith by Bach. Paid subscription concerts therefore found their roots in Leipzig's church music tradition, with important and unique results. These included a revolving door between the Thomaskantor position and the Gewandhaus directorship, as well as public concerts with a distinctly sacred flavor. Late in the century, as church attendance faltered and demand for subscription concerts rose, the Gewandhaus dominated the musical life of Leipzig, influencing church music programming in turn. Examining liturgical documents, orchestral programs, and dozens of unpublished works of church and concert music, Leipzig After Bach sheds new light on a century that redefined the relationship between sacred and secular musical institutions.
This practical investment tool contains a wealth of information you can use to enhance your profit potential. Organized on a calendar basis, the Almanac alerts you to little-known market patterns and tendencies useful in forecasting market trends. You'll learn: How our presidential elections affect the economy and the stock market. How the passage of the Twentieth Amendment to the Constitution fathered the January Barometer, which has a 90.7% accuracy ratio. Why there is a significant market bias at certain times of the day, week, month, and year. Even if you pay scant attention to cycles, indicators, and patterns, your investment survival could hinge on your interpretation on one of the recurring patterns found with these pages. Order your copy today!
American art museums of the Gilded Age were established as civic institutions intended to provide civilizing influences to an urban public, but the parochial worldview of their founders limited their democratic potential. Instead, critics have derided nineteenth-century museums as temples of spiritual uplift far removed from the daily experiences and concerns of common people. But in the early twentieth century, a new generation of cultural leaders revolutionized ideas about art institutions by insisting that their collections and galleries serve the general public. Things American: Art Museums and Civic Culture in the Progressive Era tells the story of the civic reformers and arts professionals who brought museums from the realm of exclusivity into the progressive fold of libraries, schools, and settlement houses. Jeffrey Trask's history focuses on New York's Metropolitan Museum of Art, which stood at the center of this movement to preserve artifacts from the American past for social change and Americanization. Metropolitan trustee Robert de Forest and pioneering museum professional Henry Watson Kent influenced a wide network of fellow reformers and cultural institutions. Drawing on the teachings of John Dewey and close study of museum developments in Germany and Great Britain, they expanded audiences, changed access policies, and broadened the scope of what museums collect and display. They believed that tasteful urban and domestic environments contributed to good citizenship and recognized the economic advantages of improving American industrial production through design education. Trask follows the influence of these people and ideas through the 1920s and 1930s as the Met opened its innovative American Wing while simultaneously promoting modern industrial art. Things American is not only the first critical history of the Metropolitan Museum. The book also places museums in the context of the cultural politics of the progressive movement—illustrating the limits of progressive ideas of democratic reform as well as the boldness of vision about cultural capital promoted by museums and other cultural institutions.
An astounding cultural shift took place 150 years ago. Good science, hard work, and innovation propelled humanity into a world of convenience, comfort, and health that kings of old could never have imagined. It also cast a long shadow. Today, we stand at a cross-road. Will we continue to limit ourselves to 19th century fossil fuel inefficiencies and pollution, thereby denying future generations the affluence we enjoy? Or will we gather the courage to move into a cleaner, safer more abundant solar powered world? Using historical anecdotes as well as modern story-telling and basic science, this book describes how humans are changing the chemistry of our air and oceans. The great life-giving cycles that maintain a livable environment are being altered, causing wide range of consequences. Serious as the situation is, it is also an opportunity. Very real solutions, both technological and economic are addressed. There is a promising future that awaits if we, as a species, are willing to take on the challenges of growth and change.
In ''General Walker and the Murder of President Kennedy: The Extensive New Evidence of a Radical-Right Conspiracy'', author Jeffrey H. Caufield explores the forces which led Oswald to be in Dallas that day. Dr. Caufield applies acquired academic methodology in rigorously researching the story through public records, private correspondence, and a number of sources not available to the general public until the Freedom of Information Act released them.
The ethnically diverse scope, broad chronological coverage, and mix of biographical, critical, historical, political, and cultural entries make this the most useful and exciting poetry reference of its kind for students today. American poetry springs up out of all walks of life; its poems are "maternal as well as paternal...stuff'd with the stuff that is coarse and stuff'd with the stuff that is fine," as Walt Whitman wrote, adding "Of every hue and caste am I, of every rank and religion." Written for high school and undergraduate students, this two-volume encyclopedia covers U.S. poetry from the Colonial era to the present, offering full treatments of hundreds of key poets of the American canon. What sets this reference apart is that it also discusses events, movements, schools, and poetic approaches, placing poets in their social, historical, political, cultural, and critical contexts and showing how their works mirror the eras in which they were written. Readers will learn about surrealism, ekphrastic poetry, pastoral elegy, the Black Mountain poets, and "language" poetry. There are long and rich entries on modernism and postmodernism as well as entries related to the formal and technical dimensions of American poetry. Particular attention is paid to women poets and poets from various ethnic groups. Poets such as Amiri Baraka, Nathaniel Mackey, Natasha Trethewey, and Tracy Smith are featured. The encyclopedia also contains entries on a wide selection of Latino and Native American poets and substantial coverage of the avant-garde and experimental movements and provides sidebars that illuminate key points.
Creepy crawling" was the Manson Family's practice of secretly entering someone's home and, without harming anyone, leaving only a trace of evidence that they had been there, some reminder that the sanctity of the private home had been breached. Now, author Jeffrey Melnick reveals just how much the Family creepy crawled their way through Los Angeles in the sixties and then on through American social, political, and cultural life for close to fifty years, firmly lodging themselves in our minds. Even now, it is almost impossible to discuss the sixties, teenage runaways, sexuality, drugs, music, California, and even the concept of family without referencing Manson and his "girls." Not just another history of Charles Manson, Creepy Crawling explores how the Family weren't so much outsiders but emblematic of the Los Angeles counterculture freak scene, and how Manson worked to connect himself to the mainstream of the time. Ever since they spent two nights killing seven residents of Los Angeles—what we now know as the "Tate-LaBianca murders"—the Manson family has rarely slipped from the American radar for long. From Emma Cline's The Girls to the recent TV show Aquarius, the family continues to find an audience. What is it about Charles Manson and his family that captivates us still? Author Jeffrey Melnick sets out to answer this question in this fascinating and compulsively readable cultural history of the Family and their influence from 1969 to the present.
Three friends return to their Texas hometown, and a supernatural war that will decide the fate of worlds, in this horror thriller. As teenagers, Molly, Byrd, and Wade faced inconceivable evil in an underground labyrinth on the banks of the Rio Grande. Now they are reunited as adults, about to discover that their terrifying experience was only the beginning. Something has drawn the three friends back to their small Texas town and the caves in which they faced their fate. A mysterious force is plunging them into a supernatural war that spans across the globe, through raging rivers, mysterious murders, long-buried gods, and secrets worth dying—or killing—for.
Most scholars since World War Two have assumed that composer Felix Mendelssohn Bartholdy (1809-1847) maintained a strong attachment to Judaism throughout his lifetime. As these commentators have rightly noted, Mendelssohn was born Jewish and did not convert to Protestantism until age seven, his grandfather was the famous Jewish reformer and philosopher Moses Mendelssohn, and his music was banned by the Nazis, who clearly viewed him as a Jew. Such facts tell only part of the story, however. Through a mix of cultural analysis, biographical study, and a close examination of the libretto drafts of Mendelssohn's sacred works, The Price of Assimilation provides dramatic new answers to the so-called "Mendelssohn Jewish question." Sposato demonstrates how Mendelssohn's father, Abraham, worked to distance the family from its Jewish past, and how Mendelssohn's reputation as a composer of Christian sacred music was threatened by the reverence with which German Jews viewed his family name. In order to prove the sincerity of his Christian faith to both his father and his audiences, Mendelssohn aligned his early sacred works with a nineteenth-century anti-Semitic musical tradition, and did so more fervently than even his Christian collaborators required. With the death of Mendelssohn's father and the near simultaneous establishment of the composer's career in Leipzig in 1835, however, Mendelssohn's fear of his background began to dissipate, and he began to explore ways in which he could prove the sincerity of his faith without having to publicly disparage his Jewish heritage.
In the style of a cinematic travel journal, film columnist and critic Jeffrey Overstreet of Christianity Today and lookingcloser.org leads readers down paths less traveled to explore some of the best films you’ve never seen. Examining a feast of movies, from blockbusters to buried treasure, Overstreet peels back the layers of work by popular entertainers and under-appreciated masters. He shares excerpts from conversations with filmmakers like Peter Jackson, Wim Wenders, Kevin Smith, Scott Derrickson, producer Ralph Winter, and stars like Elijah Wood, Ian McKellan, Keanu Reeves and the cast of Serenity, drawing “war-stories” from his encounters with movie stars, moviemakers, moviegoers and other critics in both mainstream and religious circles. He argues that what makes some films timeless rather than merely popular has everything to do with the way these artists—whether they know it or not—have captured reflections of God in their work. Through a Screen Darkly also includes a collection of reviews, humorous anecdotes and on-the-scene film festival reports, as well as recommendations for movie discussion groups and meditations on how different films echo the myriad ways in which Christ captured the attention and imagination of culture.
Germany today boasts the fastest growing population of Jews in Europe. The streets of Berlin abound with signs of a revival of Jewish culture, ranging from bagel shops to the sight of worshipers leaving synagogue on Saturday. With the new energy infused by Jewish immigration from Russia and changes in immigration and naturalization laws in general, Jeffrey M. Peck argues that we must now begin considering how Jews live in Germany rather than merely asking why they would choose to do so. In Being Jewish in the New Germany, Peck explores the diversity of contemporary Jewish life and the complex struggles within the community-and among Germans in general-over history, responsibility, culture, and identity. He provides a glimpse of an emerging, if conflicted, multicultural country and examines how the development of the European Community, globalization, and the post-9/11 political climate play out in this context. With sensitive, yet critical, insight into the nation's political and social life, chapters explore issues such as the shifting ethnic/national makeup of the population, changes in political leadership, and the renaissance of Jewish art and literature. Peck also explores new forms of anti-Semitism and relations between Jews and Turks-the country's other prominent minority population. In this surprising description of the rebirth of a community, Peck argues that there is, indeed, a vibrant and significant future for Jews in Germany. Written in clear and compelling language, this book will be of interest to the general public and scholars alike.
With a new epilogue updated from its hardcover edition titled Creepy Crawling: Charles Manson and the Many Lives of America's Most Infamous Family "Creepy crawling" was the Manson Family's practice of secretly entering someone's home, and without harming anyone, leaving only a trace of evidence that they had been there, some reminder that the sanctity of the private home had been breached. Now, author Jeffrey Melnick reveals just how much the Family creepy crawled their way through Los Angeles in the sixties and then on through American social, political, and cultural life for fifty years, firmly lodging themselves in our minds. Even now, it is almost impossible to discuss the sixties, teenage runaways, sexuality, drugs, music, California, or even the concept of family without referencing Manson and his "girls." Not just another Charles Manson history, Charles Manson's Creepy Crawl: The Many Lives of America's Most Infamous Family explores how the Family weren't so much outsiders as emblematic of the Los Angeles counterculture freak scene, and how Manson worked to connect himself to the mainstream of the time. Ever since they spent two nights killing seven residents of Los Angeles—what we now know as the "Tate-LaBianca murders"—the Manson family has rarely slipped from the American radar for long. From Emma Cline's The Girls to the TV show Aquarius, as well as two major films in 2019, including Quentin Tarantino's Once Upon a Time in Hollywood, the family continues to find an audience. What is it about Charles Manson and his family that captivates us still? Author Jeffrey Melnick sets out to answer this question in this fascinating and compulsively readable cultural history of the Family and their influence from 1969 to the present.
In this highly original study of Confederate ideology and politics, Jeffrey Zvengrowski suggests that Confederate president Jefferson Davis and his supporters saw Bonapartist France as a model for the Confederate States of America. They viewed themselves as struggling not so much for the preservation of slavery but for antebellum Democratic ideals of equality and white supremacy. The faction dominated the Confederate government and deemed Republicans a coalition controlled by pro-British abolitionists championing inequality among whites. Like Napoleon I and Napoleon III, pro-Davis Confederates desired to build an industrial nation-state capable of waging Napoleonic-style warfare with large conscripted armies. States’ rights, they believed, should not preclude the national government from exercising power. Anglophile anti-Davis Confederates, in contrast, advocated inequality among whites, favored radical states’ rights, and supported slavery-in-the-abstract theories that were dismissive of white supremacy. Having opposed pro-Davis Democrats before the war, they preferred decentralized guerrilla warfare to Napoleonic campaigns and hoped for support from Britain. The Confederacy, they avowed, would willingly become a de facto British agricultural colony upon achieving independence. Pro-Davis Confederates, wanted the Confederacy to become an ally of France and protector of sympathetic northern states. Zvengrowski traces the origins of the pro-Davis Confederate ideology to Jeffersonian Democrats and their faction of War Hawks, who lost power on the national level in the 1820s but regained it during Davis' term as secretary of war. Davis used this position to cultivate friendly relations with France and later warned northerners that the South would secede if Republicans captured the White House. When Lincoln won the 1860 election, Davis endorsed secession. The ideological heirs of the pro-British faction soon came to loathe Davis for antagonizing Britain and for offering to accept gradual emancipation in exchange for direct assistance from French soldiers in Mexico. Zvengrowski’s important new interpretation of Confederate ideology situates the Civil War in a global context of imperial competition. It also shows how anti-Davis ex-Confederates came to dominate the postwar South and obscure the true nature of Confederate ideology. Furthermore, it updates the biographies of familiar characters: John C. Calhoun, who befriended Bonapartist officers; Davis, who was as much a Francophile as his namesake, Thomas Jefferson; and Robert E. Lee, who as West Point’s superintendent mentored a grand-nephew of Napoleon I.
Freedom of the press is the cornerstone of democracy. But, as countless recent examples of lapsed standards in the press since the Jayson Blair affair have shown, the First Amendment is no guarantee that American journalism will be first-rate. A press in crisis is a democracy endangered, argues Jeffrey Scheuer--cultural critic and author of The Sound Bite Society. In his new book, The Big Picture, Scheuer argues that in order for a democracy to thrive it is not enough for its press simply to be free--the press must be exceptional. This book explores journalistic excellence and its essential relationship with democracy, explaining why democracies depend on it and are only as good as their journalism. In The Big Picture, Scheuer explores journalistic excellence from three broad perspectives. First, from the democratic perspective, he shows how journalism is a core democratic function, and journalistic excellence a core democratic value. Then, from an intellectual perspective, he explores the ways in which journalism addresses basic concepts of truth, knowledge, objectivity, and ideology. Finally, from an institutional perspective, he considers the role and possible future of journalism education, the importance of journalistic independence, and the potential for nonprofit journalism to meet the journalistic needs of a democratic society. In lucid and accessible prose, The Big Picture provocatively demonstrates why we must all be vigilant about the quality of journalism today.
Anxieties of Experience offers a new interpretation of US and Latin American literature. Rereading a range of canonical works from Walt Whitman's Leaves of Grass to Roberto Bolaño's 2666, it traces the development and interaction of two distinct literary strains in the Americas: the "US literature of experience" and the "Latin American literature of the reader.
Why do people attack monuments and other public objects charged with authority by the societies that produced them? What do open assaults on images and artworks mean? Iconoclasm, the principled destruction of images, has recurred throughout human history as theory and practice. This book contains seven historical studies of the changing causes and meanings of iconoclasm and the radical transformations in the function of images it has brought about in societies around the world, from Ancient Egypt to Islamic India and Revolutionary Mexico, as well as Medieval and Reformation Europe. Scholars of art history, history and archaeology explore shifting definitions of art and the forms of representation in delineating varied forms of 'iconoclasm'.
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